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I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...
Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
<br>
<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.
And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:
I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
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African Poetry Composer - Featured Vocalist
Hans ZimmerJim DooleySteve JablonskyLebo M.
ComposerAdditional MusicAdditional MusicAdditional Music
Tears Of The Sun (Complete Score)
Label: Unofficial Release
Length: 99'34
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4404 votes)
  1. Main Title - Mia's Lullabye - Heart Of Darkness (4:37)
    Hans Zimmer, Steve Jablonsky, Lebo M, Lisa Gerrard, Heitor Pereira
  2. Drop Zone - Up The Creek (2:17)
    Hans Zimmer, James Dooley, Heitor Pereira, Andreas Vollenweider
  3. Hospital (2:44)
    Hans Zimmer, James Dooley
  4. Prepare For Departure (2:51)
    Hans Zimmer, Lebo M
  5. Welcome To The Jungle (1:58)
    Hans Zimmer, Steve Jablonsky
  6. 30 Minutes Break (1:10)
    Hans Zimmer
  7. Threat (5:11)
    Hans Zimmer
  8. Change Of Heart (11:08)
    Hans Zimmer, Lebo M
  9. On The Road Again (2:38)
    Hans Zimmer, Steve Jablonsky, Lisa Gerrard
  10. Rebels On The Tail - Under The Forest Calm (3:15)
    James Dooley, Martin Tillman, Heitor Pereira, Andreas Vollenweider
  11. Followed (2:02)
    Hans Zimmer
  12. Ethnic Cleansing - Mutilation - Turning - Carnage - Spirit Hutt - Aftermath (16:36)
    Hans Zimmer, Lebo M, Bruce Fowler, Heitor Pereira
  13. Lt Is Vulnerable - Dream (2:38)
    Hans Zimmer, James Dooley, Martin Tillman
  14. Spy Is Caught (3:23)
    Hans Zimmer
  15. President's Son (5:39)
    Hans Zimmer, James Dooley, Lebo M
  16. They'll Put Two In His Head (2:04)
    Hans Zimmer, Steve Jablonsky
  17. Are You In? (1:55)
    Hans Zimmer
  18. Prepare For Battle - Battle - Slo Death - Any More Claymores - So Long Lake - Take Me To The River - Silk Down - High Grass - Big Bad Boom (19:16)
    Hans Zimmer, Steve Jablonsky, James Dooley, Lebo M, Lisa Gerrard, Heitor Pereira, Mel Wesson, Bruce Fowler, Martin Tillman, Andreas Vollenweider, Ali Tavallali
  19. Kopano (Unity) - Return Of The King (8:21)
    Hans Zimmer, Lebo M
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SPECTER reply Replies: 5 || 2019-10-24 04:20:41
Excellent skills putting that custom piece together for that scene. Will look forward to your upcoming project.


Mark2019-10-27 11:35:26
Thanks Specter, I didn't have anything to do with the video which has the custom music playing through it, I just produced the alt music, this is the first time I actually saw the music play over the film itself in that clip.
The tracks I will be posting will be from my album Atlanta Force, its 10 tracks total, but I only have 7 completed so far, trying to aim for about 70-75 min of music. I'll post a link when I find somewhere to upload them to, most likely youtube since I don't want to charge for downloads, just looking for some feedback and constructive criticism.


Mark2020-02-19 10:57:27
Hi All, sorry it took so long to upload, My friend helped me set up a youtube channel to upload tracks to. I am very inspired by the classic Zimmer Scores of the 90's. I envisioned A climactic rescue aboard A speeding train for this particular cue.
https://youtu.be/4WyMIcpqMRk


Mark2020-02-19 11:00:10
if the link doesn't work for some reason, the song is called Cliffhanger Sky High on youtube


Cynical Makooti2020-02-20 08:45:51
@Mark
You composed this? It's pretty damn solid work, man.

Not sure if I hear a whole lot of 90's Zimmer in there, at least not until the last couple minutes. If anything it gives me modern Lorne Balfe vibes. But it's not a bad execution of that sound. Far from it.

Could just be me. I'm curious how the more attuned ears around here feel about it.


Mark2020-02-23 08:08:49
thank you, I appreciate that:) I should say that I am inspired by the music of the 90's, I started producing music on a cheap 200$ Yamaha between 1998-2000, and thanks to a few projects I worked on was able to purchase A more high end synthesizer. Right now I kind of just make music as a hobby but hopefully one day could compose A score for A Movie or even A video Game, that would be pretty cool. I'll be adding more tracks as well for this particular project. The next track I am planning will be a more orchestral reprise of the Miami Heat track I uploaded. I'm trying to get better at themes which is an area that I'm trying to improve on.

SPECTER reply Replies: 5 || 2019-10-22 02:17:29
There is an expanded score album with the track called "Sniper/Border Post". It is different from the piece used in the film. Does anyone know the true identity of that track. I like the synth sound and the male vocal singing/wailing/crying in this cue.

### EDITED ###


SPECTER2019-10-22 02:21:00
Sorry, that is the wrong link above (film version)

This is the track I'm talking about. Does anyone recognize this version.

### EDITED ###


Ned2019-10-22 10:36:30
would love to help out, but the video/track is blocked :/


Dawn2019-10-22 19:45:42
Back in 2003/2004 some guy made his own fan-made "expanded score".
Some tracks were actually OST tracks looped, with some drums added in the mix, some were from an unknown source. I only remember some badly-mixed synth cues that sounded like home-made, experimental material.


SPECTER2019-10-22 21:04:18
The track in the video I linked sounds decent. Works well for the scene.


Mark2019-10-23 07:38:15
Hi there, I believe the border post track and expanded version was just a fanmade project I put together years ago, I'm working on a new fanmade project which is 100 percent original and inspired by Hans Zimmer's music from the 90's.
I'll post a link as soon as I finish mastering it. I might have to create a youtube account so I can upload it

Cercei reply Replies: 11 || 2019-07-03 16:07:59
instead of putting a petition out in the world to get the second cd of "Dark Phoenix", how about a petition to get the complete score of this here?

would love to hear all those cues, zimmer at his best...


Babe2019-07-05 21:07:56
Dark Phoenix >> Tears of the Sun!


timothy2019-07-07 13:01:10
interesting how crazy silent it becomes, when someone talks about the complete score of this movie here <.<


Mr Tweedy2019-07-08 22:37:35
I agree this score deserves a complete score release, but it seems very unlikely. The movie isn't iconic enough, and the score, though excellent, is considered by many as a lesser effort by HZ, unfortunately.
Nonetheless, this is one of my Top 5 HZ scores.

At least we got this *almost* complete score as an unofficial release, and I'm fine with it.


Cercei2019-07-09 13:09:12
you've got this version with this tracklist above? i would be very glad to have this :/

and yes, movie is not that good, but is King Arthur any better? but the score is so much joy to hear at it. if a movie isn't popular, then just release the complete score as digital download. everyone would be happy


Cercei2019-10-17 11:27:09
@Mr Tweedy: so, you have it or not?!


SPECTER2019-10-18 03:27:06
I would buy a copy of an official release of this score. The Jablonsky variations is one of my favorite HZ tracks.


Ned2019-10-18 09:31:12
@Hybrid Soldier: Do you know if there is any chance LLL would take this as a candidate for a propper release? Or is it a no-go for Zimmer like with Last Samurai?


Hybrid Soldier2019-10-18 11:22:36
No idea, and Last Samurai is not a no-go from Hans. It might have been under certain circumstances in the past but last time I asked him he was open for it (under some conditions, obviously).


CAHet2019-10-18 15:58:31
@Hybrid Soldier, out of curiosity, why is the Last Samurai have conditions? A better way to ask is, what is the backstory with it what seems to cause reservations for Hans? Thanks!


arthur spooner2019-10-18 16:11:50
zimmer said once, that he was very satisfied of how his music was presented in the ost and that it would let the music speak in that way as he wanted to be heard, and that there aren't much of importing cues that should have been added or released.

but i guess he hasn't recognized how much love his score have gotten over the years, until his first world tour. there has been a huge demand and loud screaming after the tracklist of his show had been released and there was no sign of last samurai. people complained and asked (esp. through this site) for a cue of Last Samurai to be played in their show, but it the developement of the show was already at its end and so he hadn't the chance to include a cue of it aswell. but atleast he recognized how much people are loving that score and respect his work on it. maybe that has changed his mind and view to the score and a propper and complete release of the score...


sketches2019-10-19 01:36:07
I know this is probably the wrong place for it but I'd love if Hnas would one day release a CD of just his demo sketches and suites. I find hearing the original intentions/ideas even when rough really fascinating.

andrew reply Replies: 2 || 2019-05-14 10:55:00
where is the score?


Mr Tweedy2019-05-14 12:27:53
In various sequences of the movie.


andrew2019-05-15 10:16:53
sfx-free -.-'

Peer reply Replies: 2 || 2018-03-18 18:24:29
Hybrid, what do you admire more: Black Hawk Down or Tears of the Sun?


schmitty2018-03-20 14:34:43
no answer for you lol


Hybrid Soldier2018-03-20 18:40:18
How can I answer that ?


"At the moment ?" is my only true answer.

complete reply Replies: 3 || 2018-03-13 16:31:01
1m1R Main Title
1m2 Drop Zone
1m3 Prepare for Departure
2m4B Welcome to the Jungle
2m4B New Welcome to the Jungle
2m6R 30 Minute Break/Threat
3m7 Change of Heart
3m8 On the Road Again
3m9R Rebels on the Tail
3m10New Followed
4m11A EFFECTS
4m11A Ethnic Cleansing
4m11B Mutilation
4m11C Turning
5m12
5m13 Spy is Caught
5m13REV Spy is Caught
5m14 President's Son
5m15A Put Two In His Head
5m15B Are You In?
6m16A Battle Pt. 1
6m16B Battle Pt. 2
6m16C Battle Pt. 3
6m16D Battle Pt. 4
6m16E Battle Pt. 5
7m17 Return of the King


Alejandro952018-03-13 17:13:32
what's this? is it out??


Per2018-03-13 18:59:24
The sheets, yes .. years ago :)


Kopano2018-03-16 18:21:28
Rona ma Africa
Ratang ka kopano
Batho ba Africa
Ngothando
Sizongoba
Ma Africa

Neo reply Replies: 8 || 2017-01-28 18:54:26
So here it is, the Complete Score of Tears of the Sun...


Briancomp2017-01-28 22:28:06
A Great amazing ...


Felix2017-01-28 23:31:12
is it out there?!


Wishful thinking2017-01-30 09:39:12
Here.. and in some collector's hands I guess


Lagrange2017-01-30 12:16:12
yup, floating around here and there. so it's just a matter of time until it's going to be "available"


Dawn2017-01-30 18:13:20
I think it's been here for at least 2 years !


reckoning2017-01-30 18:48:39
no, it was an expandend fan-bootleg with fake cues. this cue-list i haven't seen so far here. but i hope lagrange is right and someone will make this "available" soon haha :)


Per2017-01-31 16:17:09
This (this exact tracklist for TOTS) have been here at least since august 2015. Earlier it was a page with some old fake Hannibal version (as you also can see from the older comments).


joe2017-02-24 10:12:12
since 2015?? and everybody was silent and that for two years? damn man, i want the complete score :(

Lord Eddard Stark reply Replies: 1 || 2015-03-17 15:07:44
"Victim" and "Adagio" are music by Frédéric Talgorn


Dawn2015-03-17 21:08:12
This is because this so-called "expanded score" is a fake !

They added unrelated tracks in order to make it look longer than the previous release. Forget about it !

Mr. Charles reply Replies: 0 || 2012-08-21 02:36:30
Fake?

Lasse reply Replies: 0 || 2010-04-09 00:00:00
there is a new Hannibal bootleg soundtrack whit soundtracks like :

-Lecter hunt
-Bring him home
-Investegation
-Eating the Nurse
-An Der Schonen
-The Abducting
-Come After You
-Aftermath
-Adjust To The Darkenss

Jer reply Replies: 0 || 2009-10-11 00:00:00
Anyone notice the mp3 "Extract" available on this page to download sounds remarkably like a clip from John Williams' "Star Wars"?? Just a thought... but I'm 99% sure its NOT Zimmer.

I'm no expert, however, I own this "edition" of Hannibal, and it contains music that is NOT Zimmer. #6 Victim and #8 Adagio are NOT Zimmer. Any person with a slight ear for music can tell, it's just not his style, and it is different then the entire sound of the rest of the music. These 2 tracks are from Steve Jablonsky's 7-track collection of Hannibal Alternate Tracks. I own this as well.

#1 Kyrie on Disc 2 is "Let My Home Be My Gallows" from the Original Release of the soundtrack. Not a new track. #3 & #4 on Disc 2 seem to be the same piece of music as "Kyrie" without the dialogue, though together they run roughly 30 secs shorter. There are subtle differences however and it could just be an alternate track.

#2 Shadow on Disc 2 is "Frienze Di Notte" from the Original Release as well.

Like I said, I'm no expert, just a lover of Zimmer's music and thought I'd share.

ALIEN reply Replies: 0 || 2008-10-15 00:00:00
It`s not the complete music from "Hannibal" :(

ridlazz reply Replies: 0 || 2008-03-22 00:00:00
but whats hibernation suite then :P

???????

is it used in the movie, and when ?

Clay reply Replies: 0 || 2008-03-16 00:00:00
Thanks

Hybrid Soldier reply Replies: 0 || 2008-03-15 00:00:00
OK listen (or read lol) carefully :

Take Hannibal OST...

The only real unreleased tracks you can find are :

Bring Him Home (1:27) (Zanelli)
Scent Of Lecter (1:06) (Zanelli)
Lecter Kidnapped (1:55) (Jablonsky)

Coming from GZ & SJ's promos...

That's all...

Clay reply Replies: 0 || 2008-03-15 00:00:00
Does anybody know which tracks from here aren't from Hannibal?

And is it "Kyrie" just the sum of "Let me Home" and "Be my gallows" (which are supposed to be only one track)?

Jim reply Replies: 0 || 2008-02-23 00:00:00
Why fake?

Hybrid Soldier reply Replies: 0 || 2008-02-23 00:00:00
Cause all the parts with SFX from the OST are simply cut (they are not here without SFX)...

And there's music not from Hannibal in this "release"...

Jim reply Replies: 0 || 2008-02-23 00:00:00
Oh putain! Ehm...sorry.
Thanks for the info. Can you give us more details? I saw that 4 expanded came out and I don't understand which ones are real or fake.

Thanks in advance

Hybrid Soldier reply Replies: 0 || 2008-02-23 00:00:00
C'est c'que j'essaie un peu d'arranger sur le site, mais ça prend du temps... :P

Jim reply Replies: 0 || 2008-02-23 00:00:00
Ok, prends ton temps! J'attends avec impatience de nouveaux détails sur cette version.

Bon courage!

PS: aren't we supposed to write in English...? ;-)

Hybrid Soldier reply Replies: 0 || 2007-12-30 00:00:00
Fake !!

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