NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
About his studio at RCP, is it rental or he owns the stuff? What happens to the gear when he is not around?That is probably the fairest thing anyone on this website will say about Clemmensen. :P@Anonymous<br><br>Christian Clemmensen believes that Hans Zimmer found his definitive voice back in the 1990s with scores such as Driving Miss Daisy, Rain Man, Crimson Tide, and Lion King. However, he has in reviews of later scores compared Zimmer's overly obvious chord progressions and masculinity with what the "rock ballad" did to rock-n'roll music of the '70s. To him, it's overly powerful, unsubtle, and aggressive music that appeals to the gut more than the heart or the mind. Some of Zimmer's most popular scores such as Gladiator, Pirates, and The Dark Knight he has given middling reviews for because the general sound is derivative from his earlier works, not colorful, and not creative. He also accuses Zimmer of starting a trend with overly-recycled, bombastic, masculine action music that's big on density and power and low on subtlety and personality. <br><br>I can definitely see where he's coming from, one cannot deny the similarities between Crimson Tide, Lion King, Gladiator, Pirates, Dark Knight and so forth. One also cannot deny that scores such as Dunkirk and Blade Runner 2049 qualify more as sound design than actual symphonic music (mostly). However, if he had his way, every film score would be shamelessly optimistic and flighty, all major chords (and occasionally alternating off-key), with prominent woodwinds and metallic percussion. He definitely knows what he's talking about, but he has an ideal image for film music in mind, and that very much comes through in his Zimmer reviews, some of which I think deserve much more credit than he offered (Pirates 3, Da Vinci Code, and Gladiator come to mind).a more orchestral fury roadTom is gonna score Mortal Engines<br>What kind of sound do you expect?
He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."<br>Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for meAw Hell...<br><br>I guess it never did freeze over.Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.
Referring to the previous comment (how did it not reply to the the previous message?)That's not the actual review. The length is a pretty big giveaway. Also, I'm fairly certain he's still given some RCP efforts some good scores.WOW....color me impressed at Filmtracks. I thought that site was anti-Zimmer in all aspects far, wide, near and dear.Copied from Filmtracks:<br><br>Excellent score - a little slow in the middle third*, but some really stirring fantasy-adventure elsewhere. "The Internet" is Cue of the Year material. Although it's odd how little synth there is here, particularly in the finale, where the orchestra seems to completely take over; this isn't too bad of a thing because Jackman's orchestral skills are downright breathtaking at times. The references to other Disney scores/musicals (yes, including Star Wars) left a big dumb grin on my face.<br><br>*I get the sense that this movie might be too long (1 hour and 52 minutes).No you're not. I think Jackman has made some great score over the last through years.<br>And I think this is one of them. Both tracks with or without electronics
So I guess I'm the only one who likes less-electronic-Henry?Henry has been removing electronics for 4 years now...Listen to<br><br>A Big Strong Man In Need Of Rescuing.<br><br>That whole track is a damn easter eggI haven't seen the movie yet but I like the score more with each listen. Not a classic Zimmer by any means but still an enjoyable listen at its short running time. Looking forward to the movie as well.This is me or Henry Jackman removed the electronics this year it could be affect to the predator score because I was thinking about the predator score affect him to remove electronics and turned serious & dramatic. That's weird when Henry Jackman used a lot electronics & fun since 2009 to 2017 with his scores.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans ZimmerAl ClayJay Rifkin
ComposerMusic Scoring MixerScore Recordist
Rain Man (Complete Score)
Label: Bootleg Release
Length: 37:59
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3756 votes)
  1. Drive From The Country (1:27)
  2. Empty House (0:46)
  3. Charlies Memories (0:44)
  4. Drive To The Bank & Wallbrook (1:28)
  5. Leaving Wallbrook (1:46)
  6. Traffic Accident & Aftermath (4:08)
  7. Train Crossing (0:28)
  8. Walk, Dont Run (1:34)
  9. Farmhouse (1:08)
  10. Putting Ray To Bed (2:27)
  11. On The Road (1:26)
  12. Las Vegas (7:03)
  13. Piano Source Music (1:12)
  14. Smoke Alarm, Aftermath (1:29)
  15. Pancakes (1:15)
  16. My Main Man (1:40)
  17. Train Station Goodbye (2:02)
  18. End Credits (3:21)
  19. On The Road (Wild Panpipes Alternate) (1:21)
  20. Smoke Alarm, Aftermath (Alternate) (1:29)
Create Topic

Anonymous reply Replies: 1 || 2017-06-27 15:46:11
Hello everybody,

does anybody know if the cd is released?
Can't find a website with further information...
Do you know where to buy the album?

Thanks!


Bob2017-06-28 13:55:51
It's a bootleg so no release on CD but it's available in some others places...

Anonymous reply Replies: 0 || 2010-08-22 00:00:00
According to an interview with Perseverance Records, they are working on a score release to Rainman

Ilia101 reply Replies: 0 || 2010-08-20 00:00:00
This is great soundtrack. I love Rain Man and Black Rain soundtracks. It can really touch a soul while watching the film.

Skyler reply Replies: 0 || 2009-03-21 00:00:00
Alternate track titles:
(They aren’t the best titles, but I think they are better than “1M1,” “2M2,” etc.)

1. After the Funeral
2. In the House
3. Charlie's Story
4. Entering Wallbrook
5. Leaving Wallbrook
6. On the Road
7. Don’t Walk
8. Passing Trains / Act Normal
9. Charlie and Raymond
10. BONUS: Sample - Synths and Pan Pipes
11. Fire Alarm
12. A Hug
13. Las Vegas
14. BONUS: Sample - Vocals and Percussion
15. Charlie Babbitt Made a Joke
16. Brothers
17. The Train
18. BONUS: Preparation for “Rain Man (End Credits)”
19. Rain Man (End Credits)
20. Back on the Road
21. BONUS: Preparation for “Fire Alarm”
22. Fire Alarm
23. Las Vegas / End Credits (Album Version)

For those who are curious, this is the complete score – definitely worth seeking out

However, it does appear as though a few of the tracks are in a different order than they appear in the film, so I made a better organized version using this and the regular album:

1. Iko Iko - The Belle Stars
2. Scatterlings of Africa - Johnny Clegg & Savuka
3. After the Funeral
4. In the House
5. Charlie's Story
6. Entering Wallbrook
7. Leaving Wallbrook
8. Lonely Avenue - Ian Gillan & Roger Glover
9. On the Road
10. Passing Trains
11. Don’t Walk
12. Act Normal
13. Dry Bones - The Delta Rhythm Boys
14. Charlie and Raymond
15. Back on the Road
16. Beyond the Blue Horizon - Lou Christie
17. Stardust - Rob Wasserman & Aaron Neville
18. Las Vegas
19. Las Vegas (Album Edit)
20. At Last - Etta James
21. A Hug
22. Nathan Jones - Bananarama
23. Fire Alarm
24. Charlie Babbitt Made a Joke
25. Brothers
26. The Train
27. Rain Man (End Credits)
BONUS TRACKS
28. Sample - Synths and Pan Pipes
29. Sample - Vocals and Percussion
30. Preparation for “Fire Alarm”
31. Preparation for “Rain Man (End Credits)”

It's a shame this was never released commerically...

Suicune reply Replies: 0 || 2007-03-15 00:00:00
This is my favourite Hans Zimmer soundtrack. Because I love it so much I can give as much money as I can to get my hands on a Expanded Score. They really must release this one in original version because they will make as much money as they would with an original CD.

greg reply Replies: 0 || 2007-02-03 00:00:00
I have got this soundtrack - is only mean, but Rain Man is first good Zimmer's score

Greetings from Poland!!!

JD reply Replies: 0 || 2006-04-22 00:00:00
Rain Man is the best soundtrack ever made!!!
simple but very sensitive... As a musician, could God give me such a gift...
All the best...

 HANS-ZIMMER.com© 2001-2018 OST 
Rain Man (Complete Score) soundtrack - Hans Zimmer 1988