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I was this tracklist for a 3rd cd floating around, is this legit ?<br><br><br>Disc 1  <br>1.  Planet Earth II Suite  <br>2.  The Sloth<br>3.  Home To Dragons<br>4.  Albatross Dance<br>5.  Racer Snakes vs Iguanas<br>6.  Chinstrap Penguins<br>7.  Singing Indri<br>8.  Competing Hummingbirds<br>9.  Life In The Canopy<br>10. Jungle Weather<br>11. Night Crawlers<br>12. World of Bioluminescence<br>13. Wilson's Bird-of-Paradise<br>14. Something Worth Protecting<br>15. Life Without Water<br>16. Monsoon Deserts/Canyonlands<br>17. Lions vs Giraffe<br>18. The Butcher Bird<br>19. Wild Horses<br>20. Desert Nightlife/Golden Mole<br>21. Long-Eared Bat vs Scorpion<br>22. Early Morning Fog<br><br>Disc 2 <br>1.  Roof Of The World<br>2.  Peaks of North America<br>3.  The Ibex<br>4.  The Himalayas<br>5.  Flight Over Alps<br>6.  Ice Skating Flamingos<br>7.  Dancing Bears<br>8.  Tenacious Bobcat<br>9.  Garden of Ice<br>10. Snow Leopards<br>11. Savage Beauty<br>12. Nomadic Life<br>13. Hunting Buffalo Herds<br>14. The Okavango<br>15. Carmine Bee Eaters<br>16. Industrious Insects<br>17. The Great Migration<br>18. The Unnatural Habitat<br>19. Langurs of Jodhpur<br>20. Temple Gardens<br>21. Market Thieves<br>22. Illuminated<br>23. City Skylines<br>24. Starlings<br>25. Toronto Raccoons<br>26. We Are The Designers<br>27. Epilogue<br><br>Disc 3<br>1. Harvest Mouse<br>2. Jumping Widowbirds<br>3. The Red Fox<br>4. Cacti<br>5. Harris Hawks<br>6. Draco Lizard<br>7. Glass Frog vs Wasp<br>8. Galapagos<br>9.  Zavodovski Island<br>10. The Great Bower Bird  <br>11. Wels Catfish    <br>12. Frozen NightAbout his studio at RCP, is it rental or he owns the stuff? What happens to the gear when he is not around?That is probably the fairest thing anyone on this website will say about Clemmensen. :P@Anonymous<br><br>Christian Clemmensen believes that Hans Zimmer found his definitive voice back in the 1990s with scores such as Driving Miss Daisy, Rain Man, Crimson Tide, and Lion King. However, he has in reviews of later scores compared Zimmer's overly obvious chord progressions and masculinity with what the "rock ballad" did to rock-n'roll music of the '70s. To him, it's overly powerful, unsubtle, and aggressive music that appeals to the gut more than the heart or the mind. Some of Zimmer's most popular scores such as Gladiator, Pirates, and The Dark Knight he has given middling reviews for because the general sound is derivative from his earlier works, not colorful, and not creative. He also accuses Zimmer of starting a trend with overly-recycled, bombastic, masculine action music that's big on density and power and low on subtlety and personality. <br><br>I can definitely see where he's coming from, one cannot deny the similarities between Crimson Tide, Lion King, Gladiator, Pirates, Dark Knight and so forth. One also cannot deny that scores such as Dunkirk and Blade Runner 2049 qualify more as sound design than actual symphonic music (mostly). However, if he had his way, every film score would be shamelessly optimistic and flighty, all major chords (and occasionally alternating off-key), with prominent woodwinds and metallic percussion. He definitely knows what he's talking about, but he has an ideal image for film music in mind, and that very much comes through in his Zimmer reviews, some of which I think deserve much more credit than he offered (Pirates 3, Da Vinci Code, and Gladiator come to mind).a more orchestral fury road
Tom is gonna score Mortal Engines<br>What kind of sound do you expect?He has a studio at RCP but mostly work from his own home studio. His business is "Sacred Tiger Music."<br>Does Henry actually work for HZ at RCP or does he have his own film score company now like HGW?Why filmtracks always behave very Aggressive about hans zimmer and always trys to make his scores worthless ??!! Its odd for meAw Hell...<br><br>I guess it never did freeze over.
Sorry, I should've been more specific. This is a comment I had originally posted on the Filmtracks forum, NOT from a Christian Clemmensen review. My bad.Referring to the previous comment (how did it not reply to the the previous message?)That's not the actual review. The length is a pretty big giveaway. Also, I'm fairly certain he's still given some RCP efforts some good scores.WOW....color me impressed at Filmtracks. I thought that site was anti-Zimmer in all aspects far, wide, near and dear.Copied from Filmtracks:<br><br>Excellent score - a little slow in the middle third*, but some really stirring fantasy-adventure elsewhere. "The Internet" is Cue of the Year material. Although it's odd how little synth there is here, particularly in the finale, where the orchestra seems to completely take over; this isn't too bad of a thing because Jackman's orchestral skills are downright breathtaking at times. The references to other Disney scores/musicals (yes, including Star Wars) left a big dumb grin on my face.<br><br>*I get the sense that this movie might be too long (1 hour and 52 minutes).
No you're not. I think Jackman has made some great score over the last through years.<br>And I think this is one of them. Both tracks with or without electronicsSo I guess I'm the only one who likes less-electronic-Henry?Henry has been removing electronics for 4 years now...Listen to<br><br>A Big Strong Man In Need Of Rescuing.<br><br>That whole track is a damn easter eggI haven't seen the movie yet but I like the score more with each listen. Not a classic Zimmer by any means but still an enjoyable listen at its short running time. Looking forward to the movie as well.
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Additional Music - Orchestrator
Hans ZimmerNick Glennie-SmithJohn Van TongerenBruce Fowler
ComposerAdditional MusicAdditional MusicAdditional Music
Renaissance Man (Complete Score)
Label: Bootleg Release
Length: 58'12
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2942 votes)
  1. Answering Machine (1:22)
    Hans Zimmer
  2. Impatience (1:26)
    Hans Zimmer
  3. Real World (0:29)
    Hans Zimmer, Nick Glennie-Smith
  4. Emily (0:29)
    Hans Zimmer
  5. Welcome To The Army (1:45)
    Nick Glennie-Smith, Bruce Fowler
  6. Victory Starts Here (2:27)
    Nick Glennie-Smith, Bruce Fowler
  7. Serving Your Country (0:34)
    Hans Zimmer
  8. First Classes (4:11)
    Hans Zimmer
  9. Doing Bad Montage (0:55)
    Hans Zimmer, John Van Tongeren
  10. Teaching Shakespeare (0:36)
    Hans Zimmer, Nick Glennie-Smith
  11. I Care About What I Do (0:19)
    Hans Zimmer
  12. It's Showtime (1:06)
    Hans Zimmer, John Van Tongeren
  13. Distributing Roles (1:07)
    Hans Zimmer
  14. Doing Well Montage (1:52)
    Hans Zimmer, John Van Tongeren
  15. Letter From Home (1:04)
    Hans Zimmer
  16. Drawings (0:29)
    Hans Zimmer
  17. Victory Tower (7:30)
    Hans Zimmer
  18. Renaissance Man (0:55)
    Hans Zimmer
  19. Hamlet Rap - Double D's (2:45)
    Marky Mark
  20. They Get Hobbs (1:16)
    Hans Zimmer, John Van Tongeren
  21. The Thine Own Self (4:35)
    Hans Zimmer, Nick Glennie-Smith
  22. The Play (1:25)
    Hans Zimmer
  23. Marie Says No (0:21)
    Hans Zimmer
  24. Hobb's Letter (1:15)
    Hans Zimmer, Nick Glennie-Smith
  25. Davie's Files (0:47)
    Hans Zimmer, John Van Tongeren
  26. Benitez Does Henry (2:33)
    Hans Zimmer
  27. Bill Waits For The Testees (0:53)
    Hans Zimmer, John Van Tongeren
  28. Drum Roll (1:29)
    Hans Zimmer, John Van Tongeren
  29. Everyone Is A Hero (1:47)
    Hans Zimmer
  30. Double D's Get It (2:10)
    Hans Zimmer
  31. Caissons Song (2:44)
    Hans Zimmer, Laura Perlman
  32. Real World (Alternate) (0:29)
    Hans Zimmer, Nick Glennie-Smith
  33. Benitez Does Henry (Alternate) (2:25)
    Hans Zimmer
  34. Caissons Song (Alternate) (2:54)
    Hans Zimmer, Laura Perlman
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Iceboy reply Replies: 0 || 2010-12-31 00:00:00
Anyone got any info on how the suite was split up to make this release? And which tracks are unreleased?

Anonymous reply Replies: 0 || 2010-09-05 00:00:00
Sacrifice is a one of the most beautiful track what I have ever heard.

Clayton reply Replies: 0 || 2009-07-20 00:00:00
This is a fake. There were 2 tracks that were actually unreleased and someone took the 20 minute suite and kept remixing it. Also the last track would be called "Letting Go," not "Let's Go." Also Primo Remembered is a Santana Song.

airmax reply Replies: 0 || 2008-01-01 00:00:00
Please release the complete soundtrack.
This Is a excellent soundtrack with a amazing theme.

fabien reply Replies: 0 || 2007-09-29 00:00:00
EXCELLENT SOUNDTRACK ,RARE AND SO GOOD

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Renaissance Man (Complete Score) soundtrack - Hans Zimmer 1994