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In the last 7 years or so the only Oscar that I think was deserved is Gravity by Steven price. By the way hybrid it was a tough comment for me. Thanks to all people here who think it was.<br>I totally agree that the music fit the movie perfectly Hans always did great job in this but as a standalone music for me and again (for me) the docking in interstellar do all the job on Dunkirk ( I mean suspense) so for me all Dunkirk soundtrack = docking in interstellar.<br>quote: "This score is nothing compared to interstellar or even to POTC 3."<br><br>How do you know or how do you judge? By musical complexity, number of themes, etc.? I think the Dunkirk score perfectly serves the movie - which is what it's supposed to do.<br><br>Hans' last and only Oscar-wining score was Lion King, and that one wasn't so remarkable either - on its own. So it would kind of make sense for a score like Dunkirk to get him the award.<br><br>After all, when it comes to the academy, I don't think they look at a score in isolation - like we do as Zimmer fans - but rather how well it serves the film. If they love a film and let it win best picture and other categories, it's very likely they'll also give it "best original score".Great this is geting a release!<br>I am from Greece and the same is Nikos Mastorakis, the director.<br>He always recalls working with Hans Zimmer and Stanley Myers here.Ultimate masterpiece... 8-) lolVery impressed with the music from this season. Enjoying listening to it.there doesnít seem to be much of the main theme used ?
man, i think i haven't listened to "A Dark Knight" deep enough. so many things i picked up from listening to it recently. oh by the way, it's Dunkirk that's making me go back and listen to the old scores.One of the most beautiful choral pieces of the 21st C. Mr. Zimmer please make this original London recording available in a cd (320kbps) or a lostless version to be able to enjoy its full beauty. The version on YouTube is just muddy cruddy. And the version on the Prague cd is not a chorus of this caliber. Plz plz plz! Gratefully, Philip...why is Eric Whitacre's credit being omitted?Music is royal and grand and the show is very good. Looking forward to more seasonsGreat score! Lots of fun.
Your Majesty is addictive and could listen to this also day long.Was Theme is last year ?Now, what do you thinnk anout the score?<br><br>There are two things that made me underappreciate the score: first these full credits (upset that perhaps a good track might havenot been written by POwell himself) and the fact that Powell will score Han Solo (expectation that this might be a trial score)<br><br>But,<br><br>"Madrid Finale" is clearly 5 star track, and so many nods to classical era of film score.<br><br>There are 4 themes that i can gather:<br>Ferdinand theme <br>Flower Theme<br>"Caring" theme<br>and "bad guy" theme<br>and all of them are good ( not as powerful as HTTYD though)<br><br>But, i find some action writing to be quite generic ( Anthony B Willis is to blame i guess)<br><br>Suffice to say that this is already a 4 star score because this is as subtle as you can get from hyperactive Powell's animation scoresThis score is BRILLIANT.Just started watching this season and the music is spot on especially the Princess Margaret episode. Gregson-Williams and Balfe have create a great score to this season.more intamint and emotional than before@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)
I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Donít even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.
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Conductor
Hans ZimmerGavin GreenawayHarry Gregson-WilliamsAdam Smalley
ComposerAdditional MusicAdditional MusicScore Producer
The Peacemaker (Complete Score)
Label: Unofficial Release
Length: 149'34
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6358 votes)
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  1. Voice Of God (0:49)
  2. Vassily's Dilemma (6:05)
  3. Hijack (7:46)
  4. It Wasn't An Accident (1:41)
  5. Exporting Good Will (1:54)
  6. Smoke Screen (0:41)
  7. Bombs On The Move (0:45)
  8. Alexsander Kodoroff (2:37)
  9. Kodoroff's Alive (2:09)
  10. Good Guys - Bad Guys (1:02)
  11. Dusan's Village (0:57)
  12. Piano Teacher (0:57)
  13. Keep On Truckin' (0:56)
  14. Head Of Transportation (0:23)
  15. Hasselhoff - Escape (3:25)
  16. Car Chase (5:51)
  17. Fourty-Four E (2:27)
  18. Dusan's Confession (1:03)
  19. Truck Convoy - License Plate (2:46)
  20. Nocturne In C# Minor (1:17)
  21. Get Me Authorized (2:40)
  22. Checkpoint (0:47)
  23. Helicopter Chase (11:32)
  24. One Unaccounted For (1:45)
  25. Dusan Gets Bomb (2:01)
  26. Dusan's Speech (1:33)
  27. He's Going To New York - F.B.I. N.Y. (3:29)
  28. Swiss Flight #1204 (1:12)
  29. Dusan's Flashback (5:02)
  30. The Target Missing (1:24)
  31. Dusan With Bomb (9:45)
  32. Dusan Kills Himself (3:28)
  33. Dr. Kelly Is O.K. (1:23)
  34. Dr. Kelly Got 10 More (2:10)
  35. The Peacemaker Suite (9:44)
  36. Get Me Authorized (Alternate Vocals) (2:38)
  37. The Peacemaker Trailer Music (2:16)
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Bayhem reply Replies: 3 || 2017-07-13 14:34:32
Few years ago I had the pleasure of chatting with Mimi Leder and - me being a HUGE, HUGE fan of the movie and the score - I asked her a few questions about The Peacemaker. She said it's one of the movies she's most proud of, and that it was "great" to work on the score. Can't recall every detail from the converstaion, but still, it's good to know that she's proud of the movie. She should be: it's a spectacular action-thriller containing, in my opinion, one of Hans' best film scores. I know that the credit for the creation of the classic MV/RC sound goes to Bruckheimer, Bay, Tony Scott and Zimmer(duh!), but honestly we should put Mimi Leder on the list as well. She pushed the right buttons and under her guidance Zimmer and his team created one of the best action scores. So props to Leder as well!


mpolonest123 2017-07-13 15:32:06
Fully agree!

Along with The Rock, Peacemaker truly captures that classic Zimmer action sound from his MV days. I remember seeing this movie as a kid and the music standing out to me. Especially Dusan's theme, which is one of the most underrated villain motifs out there.


rockhound2017-07-13 19:52:36
i think The Peacemaker is the best actionscore by zimmer from the nineties. the music has everything. excitement, tension, emotions, power, big anthems....the whole package. zimmer nailed it with this score and the movie is also a great action thriller. even 20 years later i still love to see the movie and listen to the score.


Bayhem2017-07-14 14:23:40
Glad to see more fans :))

By the way, I wanna say something on the subject. Despite the fact that people really do like The Peacemaker score, I personally think that this is a quite underrated score. What I mean by that: when people (film writers, journalists, casual fans) mention MV/RC or Zimmer himself, the scores they usually use as prime examples of a "typical" Zimmer-sound are always the same ones - The Rock, Crimson Tide, Armageddon, Gladiator, Black Hawk Down, Pearl Harbor, most of them Bruckheimer productions. And The Peacemaker kinda gets ignored. Sure, even though it made some money, the movie was not a huge global blockbuster, but still, the score is near perfect, as far as action scores are concerned. Same goes for Broken Arrow and Face Off. Maybe it's just me and this all sounds silly to you fellas, but I think those are all quite underrated scores. Even though the movies themselves are quite popular. It's just, I don't see a lot of people talking about them. Even on YouTube, they don't have that many views. While scores like Gladiator, The Rock, Armageddon, Pirates and Transformers have tons and tons of views. Oh well, it is what it is....

Angel reply Replies: 2 || 2005-10-27 00:00:00
Man I want this bad!!!!!!!!

I LOVE BRASS-HEAVY SCORE!!!!!!!


Aggelos2011-12-04 16:45:40
Allow me to reply to past a post of mine after 6 years. Back then it was impossible to find such a release, but nowadays you can easily locate this even in lossless format.
Either way it is not an official release, that it is why I'm hoping that La-La Land will produce a complete version of it someday.
Surely, the unofficial release in lossless sounds awesome. Lots of brass in this score and very enjoying action score. One of it's kind!


La-La Land, release this in complete edition now!!!!!!


Aggelos2014-05-14 16:52:16
It seems that LaLaLand is going to carry out our wishes for an official expanded score!!!!
Truly nice work LaLaLand Records!! Bravo!!

Jimmer reply Replies: 0 || 2013-01-18 22:39:05
Do you have a composer list for this score?

norm reply Replies: 1 || 2010-09-23 00:00:00
@ Dawn

What do you mean "Harry isn't anymore part of the Remote Control team"? Does he have his own studio now? Why?


Snake2011-06-06 06:17:57
It's true, Gregson-Williams isn't part of Zimmer's team, I don't know why he left or why isn't he part of the RC team but he is still good friends with Zimmer. And he has his own studio; Wavecrest Music.

Trent Easton Navarro reply Replies: 0 || 2010-09-25 00:00:00
@ Dawn

That's definitely true for Zimmer's current team. But in the 90's (when his studio was still called Media Ventures) Zimmer's "pupils" wrote just as great and exciting scores as the big man himself. And more importantly, while using the MV style, they still managed to have a sound of their own. I could easily tell the difference between a score by Gregson-Williams or Mancina. Or one by Powell or Rona. Or one by Badelt or Glennie-Smith. Now I can't tell apart the styles of Jablonsky, Djawadi or Orvarsson.

Hybrid Soldier reply Replies: 0 || 2010-09-23 00:00:00
It's been quite a long time Harry's on his own, with his own studio (Wavecrest Music) and his own guys... ;)

Anonymous reply Replies: 0 || 2010-09-23 00:00:00
did gavin greenaway compose anything other than "Davoe's Revenge"?

Norm reply Replies: 0 || 2010-09-23 00:00:00
@hybrid
Wow Thanx, didn't know that!

Dawn reply Replies: 0 || 2010-09-23 00:00:00
@ Trent Easton Navarro

I think we shouldn't make the mistake of placing Zimmer and his team at the same level. Zimmer scores, although they aren't all great, have an overall quality that Steve Jablonsky's or Ramin Djawadi's cannot reach.

Dawn reply Replies: 0 || 2010-09-23 00:00:00
I always wondered if Greenaway wrote more cues (not only Devoe's Revenge).
I think he could have composed the smaller, more synthetic cues ; "I Need More Time" for example. But I also feel like he has a little influence on big tracks such as Chase or You Can't Stop This, too. It sounds like some parts of these cues were arranged by him.

Snake reply Replies: 0 || 2010-09-22 00:00:00
This is own of my favorite scores. So that's why Harry Gregson-Williams is great. Because Hans taught everything he knows. Harry Gregson-Williams is my favorite film composer even in this movie was the choir and orchestra conductor. But I have to admit that Hans is better than Harry.

If it wasn't for Hans Zimmer, maybe the film music industry would be monotone and boring. HAIL ZIMMER!!! HAIL GREGSON-WILLIAMS!!!! AND HAIL REMOTE CONTROL PRODUCTIONS!!!!!!

Trent Easton Navarro reply Replies: 0 || 2010-09-22 00:00:00
@ Snake

Now don't get me wrong, I think Zimmer is a good composer. But it's because of RC that the film music industry is boring. All those scores sound the same, whether it's music for a film about giant robots or a film about Greek gods.

Dawn reply Replies: 0 || 2010-09-22 00:00:00
Harry isn't anymore part of the Remote Control team...

Anonymous reply Replies: 0 || 2010-01-12 00:00:00
Did Gavin Greenaway compose any cues other than just "Devoe's Revenge"?

Karl reply Replies: 0 || 2009-09-05 00:00:00
I want to get The 2CD peacemaker release. Where can I get it. We're said that legal offer is large. That's false. It's impossible to find the complete peacemaker anywhere.
Hans, thanks for telling me what to do.
Please

Gav reply Replies: 0 || 2009-08-03 00:00:00
This is not complete. I have a 2CD set, no FX, 25 tracks and 13 tracks.

Adrian reply Replies: 0 || 2009-06-15 00:00:00
Track four should be Nuclear Vault...

ridscott reply Replies: 0 || 2008-09-02 00:00:00
I'm one of the lucky few who own this great score! Mostly overlooked because the released score contains only a few tracks, and their out of order. The cd contains the best tracks, and it contains the tracks Gavin Greenaway did (Devoe's Revenge can be find on the regular release) Some tracks reminded me of Crimson Tide. One of Zimmer's best scores!

OneSparrow reply Replies: 0 || 2008-08-29 00:00:00
Would someone point me toward a CD that contains the classical music in "12. Piano Teacher"? I'm crazy about and I'd like to know the title and author, so that I can buy it!

DemonStar reply Replies: 0 || 2008-07-17 00:00:00
Great stuff. IMHO this is one of those very few Zimmer scores which has a proper boot!

fabien reply Replies: 0 || 2007-10-05 00:00:00
uzf, I so agree with you!! Vive Hans!!

Frank Martin reply Replies: 0 || 2007-09-26 00:00:00
I Love Peacemaker

uzf* reply Replies: 0 || 2007-07-07 00:00:00
Definitely one of the best soundtracks of Hans' career...

Karel reply Replies: 0 || 2007-04-01 00:00:00
You canīt buy this legally, #####.

Bob reply Replies: 0 || 2007-03-27 00:00:00
Where can I buy this?

Sylvos reply Replies: 0 || 2007-03-04 00:00:00
You know, I don't know how you're doing Hans but whatever you do, just keep rocking hard as you do all the time man. As I always say, only Hans can score this genre right, trust me. ;-)

Felix reply Replies: 0 || 2007-01-28 00:00:00
Please Antas,
where can I find those " recording sessions"
I have the official release but i would like also to have this one.
this soundtrack is outstanding.

OKKU reply Replies: 0 || 2006-12-11 00:00:00
CHASE is very good.Listen this track.

AkiZ reply Replies: 0 || 2006-11-07 00:00:00
Man, the Peacemaker is one of my all-time favourite films, and a strong part of that is the soundtrack, a lovely mixture of Hollywood action bombast and the haunting classical vocal tracks. I want this bootleg so much.

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The Peacemaker (Complete Score) soundtrack - Hans Zimmer 1997