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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Hans ZimmerJohn PowellKlaus BadeltJustin Burnett
ComposerComposerAdditional MusicAdditional Music
The Road To El Dorado (Expanded Score)
Label: Unofficial Release
Length: 128'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3962 votes)
  1. El Dorado (1:37)
    Elton John, Danny Jacob, Hans Zimmer
  2. Cortes - Swordfight - Chase (4:08)
    Hans Zimmer, John Powell
  3. Bull Chase (0:59)
    Hans Zimmer, John Powell, Justin Burnett
  4. Barrels (0:51)
    John Powell
  5. Cortes - Reveal (0:49)
    John Powell, James McKee Smith
  6. The Brig (2:59)
    Hans Zimmer
  7. Horse Overboard (0:54)
    John Powell
  8. Storm Montage (1:35)
    Hans Zimmer, Geoff Zanelli
  9. The Trail We Blaze (3:08)
    Elton John, Patrick Leonard, Hans Zimmer, John Powell, Gavin Greenaway
  10. Intro To Chel (1:12)
    Gavin Greenaway
  11. Intro To The City (2:23)
    John Powell
  12. Stopping The Volcano (2:53)
    Hans Zimmer
  13. Triumph (1:59)
    Hans Zimmer
  14. Cheldorado (4:27)
    Hans Zimmer
  15. It's Tough To Be A God (2:35)
    Kenneth Branah, Kavin Kline, Hans Zimmer, Gavin Greenaway
  16. To Shibalba (1:17)
    John Powell
  17. Cortes Lands (0:44)
    Hans Zimmer, John Powell, James McKee Smith
  18. Gloat Over Gold - Miguel Alone (2:44)
    Hans Zimmer, John Powell, Klaus Badelt
  19. Without Question (2:28)
    Elton John, Patrick Leonard, Hans Zimmer, John Powell, Gavin Geenaway
  20. Tzekel Kan's Rap (2:05)
    Hans Zimmer, John Powell, Klaus Badelt
  21. The Ball Game (2:51)
    Hans Zimmer, John Powell
  22. Argument (1:12)
    Hans Zimmer, John Powell, Gavin Greenaway, James McKee Smith
  23. Exterior Celebration (0:44)
    Hans Zimmer, Danny Jacob
  24. Jaguar Fight (2:15)
    Hans Zimmer, John Powell
  25. Heros Parade (0:51)
    John Powell
  26. Friends Never Say Goodbye (3:12)
    Elton John, Hans Zimmer, John Powell
  27. Saving El Dorado (Part 1) (5:05)
    Hans Zimmer, John Powell
  28. Saving El Dorado (Part 2) (0:59)
    Hans Zimmer, John Powell, James McKee Smith
  29. Friendship Theme (2:52)
    Hans Zimmer
  30. Cortes Theme (2:27)
    John Powell
  31. Tzekel Kan Theme (2:24)
    Hans Zimmer
  32. Chel Idea (1:01)
    John Powell
  33. Beautiful El Dorado Idea (2:37)
    John Powell
  34. True El Dorado Idea (1:13)
    John Powell
  35. Tzekel Kan Idea (1:38)
    John Powell
  36. Happy Idea (1:42)
    John Powell
  37. Prologue (Unused) (1:53)
    Hans Zimmer, John Powell
  38. Swordfight (Alternate I) (0:57)
    Hans Zimmer
  39. Swordfight (Alternate II) (0:53)
    Hans Zimmer
  40. Bull Chase (Alternate) (0:57)
    John Powell
  41. Bull Chase - Barrels (Alternate I) (1:48)
    Hans Zimmer, John Powell, Justin Burnett
  42. Bull Chase - Barrels (Alternate II) (1:48)
    Hans Zimmer, John Powell, Justin Burnett
  43. The Brig (Alternate I) (3:00)
    Hans Zimmer
  44. The Brig (Alternate II) (2:59)
    Hans Zimmer
  45. Storm Montage (Insert) (0:24)
    Geoff Zanelli
  46. Intro To The City (Alternate) (3:29)
    John Powell
  47. Cheldorado (Alternate) (1:52)
    Hans Zimmer
  48. To Shibalba (Alternate I) (2:27)
    John Powell
  49. To Shibalba (Alternate II) (2:27)
    John Powell
  50. The Ball Game (Alternate) (2:51)
    Hans Zimmer, John Powell
  51. Save El Dorado (Part 1) (Alternate) (5:02)
    Hans Zimmer, John Powell
  52. Unused Cue (1:11)
    Hans Zimmer
  53. Unused 2m13B (0:36)
    Hans Zimmer
  54. El Dorado (Song Alternate) (1:33)
    Elton John, Danny Jacob, Hans Zimmer
  55. The Trail We Blaze (Song Alternate) (3:10)
    Elton John, Patrick Leonard, Hans Zimmer, John Powell, Gavin Greenaway
  56. It's Tough To Be A God (Song Alternate) (2:42)
    Kenneth Branah, Kavin Kline, Hans Zimmer, Gavin Greenaway
  57. Friends Never Say Goodbye (Song Alternate) (3:12)
    Elton John, Hans Zimmer, John Powell
  58. Trust Me (Song Idea) (3:39)
    John Powell
  59. The Panic In Me (Album Song) (5:40)
    Elton John, Hans Zimmer
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lordsillynipples reply Replies: 0 || 2018-06-09 12:43:09
Really wished this leaked. One of Hans' best scores in my opinion.

Marc Papeghin reply Replies: 3 || 2018-04-06 11:05:41
Such a fantastic score !
Here's a cover I did of "Save El Dorado (Part 1)" in which I recorded all the horn and trumpet parts :)

=> https://youtu.be/SN7COoS_DhU


Edmund Meinerts2018-04-06 11:14:07
Guys, don't dismiss this as spam. Marc's covers are incredible and well worth checking out.


Olive2018-04-09 01:54:06
This is my favorite collaboration between Powell and Zimmer.


Olive2018-04-09 01:57:23
I always expect to receive notifications from Marc in JWF. Surprised to see you here! I'll take a look and my give like.

Mr. Fate reply Replies: 0 || 2017-12-29 17:23:04
What is this and why haven't we seen it uploaded anywhere? I noticed Hybrid Soldier recently uploaded the track "Stopping the Volcano" from it on YouTube, and there's another YouTube video of just score that is a mix of previously released music and UNRELEASED music that I haven't seen anywhere else. What's the deal?

tilibro reply Replies: 5 || 2015-09-01 15:54:27
Anyone have any info on this?


Pablo Reyes2015-09-01 23:37:10
Damn! My holy grail and my favorite score of all time!
Now it's just here to mock me :(


sm5982015-11-29 05:07:54
Someone please leak this "accidentally"!
I would be willing to die to hear this!! :0


LTWeezie2016-01-08 22:53:23
Is there ANY copy of all this amazing music that we can purchase or download? I really hate it when the film "score" is mostly just songs and not really the score. Thankfully some composers put out two...one with the songs, the other just the music. I think that HEAVY METAL and TWISTER were two of the first ones to do this. Please post a where we can find the titles listed above...


Edmund Meinerts2016-01-09 10:34:24
Actually, the first film to release two concurrent soundtracks like that was Tim Burton's Batman back in 1989: Prince songs and Elfman score.

Shame they didn't do it for this one.


tilibro2016-12-20 06:27:30
It seems they've changed the track listing and such since the last time I've been here.

 HANS-ZIMMER.com© 2001-2018 OST 
The Road To El Dorado (Expanded Score) soundtrack - Hans Zimmer - John Powell 2000