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Main theme is on Youtube. I quite like it. I prefer Hans doing themes like this rather than the stuff he is doing with FIFA.I'm surprised no one is talking about this one, its one of Rupert's best scores imo.Lately I have been listening to the album carefully, and the truth is that I did not quite understand why Hans did not just use a big orchestra instead of the synthesizer.It would have really been interesting to see Ritcher scoring a chase on the photo, although without a doubt his work would not have been anything generic.Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...
^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cues
Artemisia Suite = History of Artemisia <br>Greek Action Suite = Marathon <br>Xerxes Rebirth Suite = From Man to God King<br>Greek Sacrifice Suite = ???<br>Artemisia’s Childhood Suite = Artemisia’s Childhood<br>Greek Attack Suite = Greeks on Attack<br>Queen Gorgo Suite = Queen Gorgo<br>Xerxes Thoughts Suite = Xerxes Thoughts<br>Greek History Suite = History of the Greeks<br>Greek Victory Suite = Greeks Are Winning<br><br>Hope this helps! :-)Hybrid can you tell us what album cues are the suites ?!well, from what Lorne wrote on Twitter, it should be releasedCool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? It’s been a very very long time since I have seen the film.The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...
Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues pleaseI imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
<br>
<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
<br>
<br>Ghost In The Shell was kinda different...In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional MusicI find that it would be best to accredit both and launch the two soundtracks and all happy.
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Additional Music
Hans ZimmerJohn Van TongerenJay RifkinPete Haycock
ComposerAdditional MusicScore RecordistMusician
Thelma & Louise (Complete Score)
Label: Unofficial Release
Length: 36'20
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4925 votes)
  1. Going To Mexico (2:12)
    Hans Zimmer
  2. J.D. (Part 1) (0:51)
    Hans Zimmer
  3. J.D. (Part 2) (2:37)
    Hans Zimmer
  4. The Hell With Texas (1:12)
    Hans Zimmer
  5. Happy Birthday Lady (0:45)
    Hans Zimmer
  6. Picking Up J.D. (0:41)
    Hans Zimmer
  7. Oilfields (0:58)
    Hans Zimmer
  8. Watching Him Go (0:30)
    Hans Zimmer
  9. Ride Of The FBI (0:59)
    Hans Zimmer
  10. Louise's Theme (2:46)
    Hans Zimmer
  11. Giving Up - Suck My Dick (3:37)
    Hans Zimmer
  12. I Got A Knack (1:33)
    Hans Zimmer
  13. Getting Out Of State (2:06)
    Hans Zimmer
  14. Charged With Murder (3:00)
    Hans Zimmer
  15. Learning From TV (0:44)
    Hans Zimmer
  16. Chase (5:08)
    Hans Zimmer
  17. You've Always Been Crazy (2:48)
    Hans Zimmer
  18. End Credits (3:58)
    Hans Zimmer, John Van Tongeren
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Bayhem reply Replies: 3 || 2018-08-25 15:47:36
What with all the noise around Hans scoring the "female empowering" Wonder Woman 2, let me just remind the skeptical folks that it was Hans who successfully scored the ultimate "female empowerment" movie - 'Thelma & Louise'.

I still listen to that score. "The Decision" alone is a masterpiece, as far as I'm concerned. The ending wouldn't have been as powerful and memorable if it wasn't for that track. It's so refreshing listening to that score now. It brings you back to the time when scores were more than just crazy, weird sound design.....


mpolonest1232018-08-25 19:40:27
^ This.
Aside from being an incredible film that gets overlooked, I think Zimmer did an impeccable job of crafting a score that tackles the depressing story without getting heavy handed and actually fun at points. Very similar to Rain Man in that regard. It’s a bit repetitive but it does suit the film great.


Scorefan2018-08-26 03:27:37
And mention too, all the women who participate in many Zimmer's scores, Shirley Walker, Anne Marie Simpson, Tina Guo,


Josiah2018-08-26 08:52:53
*sigh* why does it matter to be honest? A female lead movie needs a female composer? Hans Zimmer of course in my opinion is the best option for any movie regardless of any situation. Hans Zimmer was the first person who actually got me interested in movie soundtracks but the way he works and operates works for any type of movies. The last samurai, Gladiator,Super hero movies war movies etc etc. He has done 190+ movies and i love pretty much all of them. He truly has an idea of the music to picture perfect.

Dakota reply Replies: 0 || 2010-12-28 00:00:00
MGM announced the 20th Anniversary Blu-ray of Thelma & Louise last week, so maybe there will be an official 20th anniversary soundtrack? And by soundtrack I think everyone knows I mean Hans' beautiful score. Who knows......if not, maybe someone will rip it all from the Blu-ray.

Anonymous reply Replies: 0 || 2008-04-03 00:00:00
Hans Zimmer Proves That He Can Compose Any Movie

That's Why Mr. Zimmer Is The Best Composer EVER

Thomas reply Replies: 0 || 2006-03-25 00:00:00
Hello Hans &-- co.

regarding soundpiece for "--Thelma &-- Louise"--

I believde that your sound piece "--Bitches from Hell"-- is from the scene where Thelma and Louise shoot up the the gas truck and it explodes, followed up by some really sweet and great fast western country slide/blues guitar. Im not sure if that is "--Bitches fromm hell"--, but is there any way i can download this piece of music?..it is really great and for me, the definition of what modern fast country guitar is all about. Thanks in advance...Thomas

Zedman reply Replies: 0 || 2006-02-13 00:00:00
un score qui continue dans la lignée de ses scores prolifiques et riches en coup d'eclat artistique comme pour "--Rain Man"--, "--Black Rain"--, "--Bird On A Wire"--, "--Days Of Thunder"-- ou encore "--Backdraft"--...
Hans Zimmer continue sur sa lancée et prouve sa maturité en n'utilisant en plus du synthetsiseus habituels, guitare electrique, choeurs de femmes...
La b.o. ne deroge pas a la regle, jouant sur ses bases instrumentales tout en les rendant plus interssant et reelements plus matures que ces precedentes oeuvres.
comme toujours, Thelma &-- Louise a pour particularite d'avoir plusieurs motifs (ou meme de themes) qui se croisent, le tout premier théme entendu est un motif mis en valeur par la guitare electrique et le synthetiseurs utilisé dans "--Going To Mexico"-- ce théme est attribué au voyage des deux femmes, victime de leur innocence et de leur "--train-train"-- quotidien.
Le second théme est celui des policiers, un théme fort qu'on entend brievement dans "--Cops"--, "--The F.B.I."-- et "--The Chase/Grand Canyon"--
L'autre théme est surement l'un de mes preferes, entendus dans "--Cattle Stop"--, "--Wide Awake"-- et "--Thunderbird"--.
Mais le théme a proprement dit memorable est celui entendu dans "--Cattle Stop"--, "--Wide Awake"--, "--The Decision/End Credits"-- et "--Thunderbird"--, un théme d'une trés grande beaute qu'on entend dans toute sa splendeur dans l'excellent "--The Decision/End Credits"--, grace a ce théme Zimmer a prouvé sa grande maturite et a prouver au systeme hollywoodien que ce n'etait surement pas un compositeur a sous-estimé.

Herman reply Replies: 0 || 2005-04-28 00:00:00
Un excellent score de Hans Zimmer qui des Going To Mexico nous prouve qu'il est l'un des meilleurs compositeur mais on retiendra surtout le grand The Decision/End Titles qui conclue brillament le film de Ridley Scott nous menant ainsi dans le grand saut de Thelma &-- Louise

Jayrip reply Replies: 0 || 2005-04-23 00:00:00
Such a brilliant score! I mainly bought it for "--The Decision/End Credits"-- 'coz it makes me shiver every time I hear that fantastic climax and the female singing coming in. Hans has always said he's not released it because there's not much score except for the same repetitive theme, but that's EXACTLY what I wanted!! I will never understand why this wasn't commercially released coz it really has to be one of my most listened-to CDs. I just love the melancholic twangy guitar tune that really conveys the strain and strength of the two characters. I'd never heard the music for "--Regarding Henry"-- before but it sums up the reason I love Hans Zimmer's music!

I did, however, have the hardest time tracking it down, so for anyone who wants to know, try placing an ad in the forum for it at

www.soundtrackcollector.com

The people there are really helpful. The other places I know that still have it (at this moment in time) are Hurricane Records, a European site:

http://213.239.206.44/hurricane/product_info.php?products_id=809262

I nearly vomited when I saw the price - 79.99Eur, which is a bit pricey to put it VERY mildly. Another very reliable collector is

http://www.majestyx.com/discsale.html

The price is $35 which isn't bad I guess. The guy is very good at transactions, and I've been told you can't get better service from him!

Anyway, if you're a fan of the movie, or more importantly, a fan of the simply gorgeous music of it, then it's an absolute must have. Worth every single penny of its pricing. You may have to loads for it, but trust me it'll be worth it, if just for "--The Decision/End Credits"--. Good luck!

jovl77 reply Replies: 0 || 2005-01-07 00:00:00
Excelent Score from both movies. I heard the score from Regarding Henry never before, the score from Thelma &-- Louise I know from the movie, but this CD is a long waiting for the score from T&--L, now I have it and it is absolutly fantastic sounding. I don't know why this score wasn't released yet.

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Thelma & Louise (Complete Score) soundtrack - Hans Zimmer 1991