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@Scorefan: You know what "Motion" means right? Motion picture = moving picture = movie. U either call it "Original Movie Score" or "Original Score from the Movie" or u call it "Original Motion Picture Score". But u can't say "Movie Picture" lol. Its just wrong or like Macejko said.. "a retarded mistake" ;-)@Maho: Dude I know why its stated "Score", but thats NOT the issue. What I'm talking about here is "Movie" which should be called "Motion".If you are interested, here is an interview with Otomo https://www.japantimes.co.jp /culture/2004/07/14/ films/film-reviews /the-master-behind-the-otaku/#.Xiix-P4zbctI like to make you in positive way aware of that "Time" has been blended with Charlie Chaplin's message to humanity (The Great Dictator) and thoughful added images in a video on youtube. If it is blocked due to disturbing pictures, please use a proxy to see it.But there is still a chances. Steve was suggested to Otomo by music supervisor Keiichi Momose and in an interview Katsuhiro mention that he really liked Jablonsky's work on Steamboy.<br><br>So, we may hope that Keiichi Momose will work on Orbital Era or Otomo rememberes Steve's music for Steamboy. Time will tell.
To be honest it's just my thoughts. But what are the chances that Otomo will choose Steve for his new work after really long brake (almost 15 years)?I would love for another animated score from Steve. Why is it almost impossible for him to score for Katsuhiro Otomo out of curiosity?I just saw this, EXTREMELY HAPPY!!!! he's so dope and talented apparently he's already done a few tracks cause the actor lewis tan sais he liked what he already heard.He is scoring to Mortal Kombat reboot movie, I saw that news from film music reporter, but mortal Kombat 1995 score was my favorite score.@Evenstar Original Movie Picture Score? lul. Usually it's called Motion Picture but ok.<br><br>No not always. I have a lot of scores where it is on the front of the booklet. Especially when an album with songs was released. So that the laypersons don't get confused, but still always manage not to look through, you can see on Amazon.
Mark Mancinas Score for the First - Good!<br>Trevor Rabin for the second - Fantastic Great Action Score I LOVE IT! Steve Jablonsky work too on it! The Dr. Dre Music in this too..<br><br>Lorne Balfe to the third - meeehhh buuuuhhh!!<br>======================<br><br><br>I agree about the first two scores. They're very different but equally as good. I know that some people are critical of the BB2 score (because it basically ignores the BB1 sound) but I love it. I think Rabin and Jablonsky did an amazing job.<br><br>As for Lorne' score.....I have to disagree. I think it's great. Granted, my opinion is based only on what I heard in the movie (haven't heard the entire album) but I really like what he did. Clearly it was done with love. I mean, the Bad Boys 1 score is one of the reasons why Lorne became a film composer. So the BB3 score wasn't a "rush job". He clearly put an effort to it. I'm looking forward to the entire album.Comes out this Friday :)Still hope that Katsuhiro Otomo will reunites with Steve for his new anime, even if it's almost impossible.Mark Mancinas Score for the First - Good!<br>Trevor Rabin for the second - Fantastic Great Action Score I LOVE IT! Steve Jablonsky work too on it! The Dr. Dre Music in this too..<br><br>Lorne Balfe to the third - meeehhh buuuuhhh!!!When does this come out? I can't find it anywhere online. And if it has already come out, does anyone know where it's available?
Just saw the trailer...…<br><br>Not exactly an epic movie but I'm still quite excited for Steve's music. Deepwater Horizon contained some pretty cool cues so I'm definitely in for another Berg/Jablonsky collaboration.I’m assuming the first track is the end credits sequence? Lorne confirmed the end credits are included... and they are awesome.The score is getting release by Paramount Music, in other words, digital and same day as the movie opens (31th January)Any news on if we get an album for The Rhythm Section?I wish to see you in concert in Poland it is so close to Germany and i think that you have many fans heere :)
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Harry Gregson-WilliamsTrevor RabinHans ZimmerDon Harper
ComposerComposerAdditional MusicAdditional Music
Armageddon (Expanded Score)
Label: Unofficial Release
Length: 132'29
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8888 votes)
  1. Main Title (4:49)
    Trevor Rabin, Harry Gregson-Williams, Steve Jablonsky
  2. Boffer Reports In (0:23)
    Steve Jablonsky
  3. Meteor Shower (2:16)
    Harry Gregson-Williams
  4. Life Sucking Bitch (0:42)
    Harry Gregson-Williams
  5. Truman Briefs President (0:40)
    Harry Gregson-Williams
  6. Finding Grace (1:06)
    Trevor Rabin
  7. Oil Rig (2:00)
    Trevor Rabin
  8. Quincy's Moment (1:36)
    Trevor Rabin
  9. N°2 Strikes Oil (1:14)
    Trevor Rabin
  10. Harry Arrives At Nasa (1:01)
    Trevor Rabin
  11. Top Secret (2:25)
    Trevor Rabin, Steve Jablonsky
  12. Harry Agrees (0:46)
    Trevor Rabin
  13. Save The World (1:37)
    Trevor Rabin
  14. Demands (1:40)
    Trevor Rabin
  15. The Wrong Stuff (1:33)
    Trevor Rabin
  16. Weightless Simulation (0:39)
    Trevor Rabin
  17. Zero Barrier (0:38)
    Trevor Rabin
  18. Love Nest (1:03)
    Trevor Rabin, Harry Gregson-Williams
  19. Armadillo (1:15)
    Trevor Rabin
  20. Underwater Simulation (2:13)
    Trevor Rabin
  21. Animal Crackers - Steven Tyler (2:35)
    Trevor Rabin, Harry Gregson-Williams, Diane Warren
  22. Chick's Family (2:31)
    Trevor Rabin
  23. Shanghai (2:54)
    Trevor Rabin, Harry Gregson-Williams
  24. Harry And Grace Make Peace (1:45)
    Trevor Rabin
  25. Final Launch Prep (0:52)
    Harry Gregson-Williams
  26. Launch (7:52)
    Trevor Rabin
  27. Mir (1:43)
    Harry Gregson-Williams, Steve Jablonsky
  28. Death Of Mir (Part 1) (2:06)
    Trevor Rabin
  29. Death Of Mir (Part 2) (1:51)
    Trevor Rabin
  30. Fly To Moon (1:16)
    Harry Gregson-Williams
  31. Asteroid (6:53)
    Hans Zimmer, Harry Gregson-Williams, John Van Tongeren
  32. Fallen Comrades (1:25)
    Trevor Rabin, Harry Gregson-Williams
  33. Grid 9 (4:11)
    Harry Gregson-Williams
  34. A.J.'s Idea (2:56)
    Trevor Rabin
  35. 57 Feet (1:37)
    Trevor Rabin, Harry Gregson-Williams
  36. Override The System (8:27)
    Harry Gregson-Williams
  37. Back In Business (1:36)
    Trevor Rabin
  38. Armadillo Jump (3:38)
    Trevor Rabin, Harry Gregson-Williams, John Van Tongeren
  39. Jump Celebration (0:22)
    Trevor Rabin
  40. Max Bites It (4:16)
    Trevor Rabin, Harry Gregson-Williams, John Van Tongeren
  41. A.J.'s Return (4:27)
    Trevor Rabin
  42. Rockstorm (3:37)
    Harry Gregson-Williams
  43. Short Straws (3:44)
    Trevor Rabin
  44. Long Distance Goodbye (2:30)
    Trevor Rabin, Harry Gregson-Williams
  45. Evacuation #1 (3:42)
    Trevor Rabin
  46. Evacuation #2 (1:48)
    Harry Gregson-Williams, John Van Tongeren
  47. A Wing And A Prayer (5:15)
    Trevor Rabin, Harry Gregson-Williams
  48. Returning Home (Trailer) (3:14)
    Trevor Rabin
  49. American The Beautiful (Super Bowl) (0:44)
    Harry Gregson-Williams
  50. Meteor Shower (Alternate) (2:04)
    Harry Gregson-Williams (Trevor Rabin)
  51. Weightless Simulation (Alternate) (0:23)
    Trevor Rabin
  52. Armageddon Piano (Love Nest Alternate) (0:35)
    Trevor Rabin
  53. Animal Crackers - Steven Tyler (Alternate) (2:35)
    Harry Gregson-Williams, Trevor Rabin, Diane Warren
  54. Final Launch Prep (Alternate) (0:59)
    Harry Gregson-Williams
  55. A.J.'s Idea (Alternate) (2:52)
    Trevor Rabin
  56. Long Distance Goodbye (Alternate) (2:33)
    Trevor Rabin
  57. Armageddon Suite (5:20)
    Trevor Rabin
  58. Theme From Armageddon (3:07)
    Trevor Rabin
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johny555 reply Replies: 8 || 2019-08-27 14:34:54
I really wish they would release the film version of the "fallen comrades", I really love that track...


jim2019-08-27 15:18:51
How different is it


johny5552019-08-27 21:46:38
oh yea deleted okay


jim2019-08-27 22:13:19
JFC seriously? hah. glad I took a screenshot of it


sublime2019-08-28 12:20:46
what was deleted?


johny5552019-08-28 12:46:46
my comment about the track how it is uploaded on Youtube...


jim2019-08-28 13:14:42
yeah no youtube link just a description on how to find it lol. if it’s on youtube and hasn’t been pulled then it has every right being here!


johny5552019-08-28 16:59:52
the film version of "fallen comrades" is great though, worthy of release...


Mr Tweedy2019-08-29 13:13:26
The film version of Fallen Comrades has an extended opening. There's some thriller & drama music before the track cuts to the actual version we have.

There are a few other tracks that are missing from this "complete score" (that isn't fully complete actually).

Hybrid Soldier reply Replies: 11 || 2018-11-23 00:35:56
Cuesheet (sort of... lol) & official cue names added...


Knight2018-11-23 01:00:38
Huh, no more Linford and Harper credits


Hybrid Soldier2018-11-23 13:29:28
It was not strictly speaking official... Harper & Linford never made it to the cue sheet, neither did Hans (at his request) and JVT miraculously made it to ONE of his cues, Jablonsky appears on 3 cues but did more than that... lol


Kent Öberg2018-11-23 18:30:27
Hybrid, which tracklists have you updated? I've noticed changes to the PEARL HARBOR and HANNIBAL pages as well.


Hybrid Soldier2018-11-23 19:19:50
Indeed !

Also, Nine Months & Preacher's Wife...


Edmund Meinerts2018-11-26 14:08:38
So are the old credit actually more accurate, then, since they featured Linford/Harper/etc?


Rafael Rios2018-11-26 19:13:46
They were also clearer when it comes to the tracks where HGW used themes from Rabin and vice versa. Now you can't tell for example if "A Wing and A Prayer" is written by HGW or Rabin.


Mr Tweedy2018-11-28 18:58:13
The older credits were mostly guess. These new ones are the real, official credits.
When you have only Trevor's name attached to one track, it's him. When you have HGW only, it's him. When you have both TR & HGW, it's probably an HGW track featuring TR themes (the only big exception being A Wing and A Prayer). There's also an exception to the exception with Death of Mir, written by Trevor Rabin, because it contains the "Meteo Shower theme" (by HGW), while there's no HGW credit attached to it.

Though it was said Don Harper gave help on the score, we had no real information about it. It's the same for Paul Linford.


Rabin Fan2018-12-06 18:48:58
Hybrid, did the cue sheet list the slates for the tracks and if so, could you post them?
Would greatly appreciate it.


Hybrid Soldier2018-12-06 19:09:06
Unfortunately, no...


Mr Tweedy2018-12-07 09:41:18
Main Title is probably 1M01. Hope it helps! =)


Rabin Fan2018-12-12 23:14:31
Yeah I figured 1m1 would be Main Title.....

Bayhem reply Replies: 2 || 2018-05-11 16:09:05
I have this bad feeling that Trevor might be done scoring movies.

Yes, yes, I know he's touring and for the last few years he's been focused on his "other" musical side, but I don't think we will see him doing big movies from now on. And that's a scary thought for a longtime Rabin fan like myself. I mean, a few years back Bruckheimer's 12 Strong would most likely have been a Rabin score. But now the young guns like Lorne are taking over. I don't mind it, but I still miss the Rabin sound.


I really, really hope for at least one more substantial Rabin score. For a substantial, big-budget movie.


rockhound2018-05-11 18:14:18
i also miss trevors sound in films. always loved the rabin/bruckheimer combo. maybe he will be back for Gemini Man in 2019 or at least for the next Bad Boys movie. i really hope, that trevor didn't already retire.


Bayhem2018-05-11 21:02:43
maybe he will be back for Gemini Man in 2019 or at least for the next Bad Boys movie
================================

Gemini Man would be a great project for Trevor. But.....it is an Ang Lee movie, which means he will most likely get Mychael Danna. Yes, it's also a Bruckheimer production, but when he works with established directors like Ang Lee, Jerry tends to let them pick their own crew members. He's not running the show like he does it on Con Air and Gone in 60 Seconds.

The good news is that there's enough time for all parties to work things out for Bad Boys 3. Now, I know some Bad Boys fans weren't happy with the score for BB2 (personally, I love the score), but it would be nice to have a proper continuation of the sound from BB2. And frankly, it would simply be nice to hear another badass Rabin action score. I really hope Jerry asks Trevor to do it. Just to make sure, I will go to Jerry's Instagram and I will tell him to do it! lol.

Scorefan reply Replies: 0 || 2018-04-18 02:36:40
@Hybrid, there is a TV movie called Max-Q produced by Jerry Bruckheimer with music from Nick Glennie-Smith. The Dirty Pictures Promo has 4 tracks. They are very good, in the stylish of Armageddon. Nick is fantastic.

Bayhem reply Replies: 10 || 2017-08-02 20:35:44
I always thought that this score was just influenced by Hans. But now I see that he actually worked on it, which kinda surprised me because for years I was under the impression that this was a Rabin/Gregson baby. And Steve also did some work on it. It's crazy, this score combines the talents of my favorite composers. If I'm not mistaken it's also the only time Zimmer shares a credit with Rabin...


rockhound2017-08-02 22:16:24
rabin and zimmer worked also together on Days of Thunder. Rabin played the guitar on The Last Note Of Freedom and if i remember correctly, rabin also said in an interview that he played some guitar parts on the score. but im not sure about that.


bro2017-08-02 22:37:44
Trevor also played the "Van Halen-ish" guitar parts in Twister for cues like "Going Green" and "Walk in the Woods".


Bayhem2017-08-03 14:48:10
rabin and zimmer worked also together on Days of Thunder. Rabin played the guitar on The Last Note Of Freedom
..................................

I didn't know that. Very interesting. Rabin always says that Steven Seagal helped him get into film scoring, but I have a feeling that Zimmer (and Mancina) were also helping a lot. After all, Rabin worked on Fair Game and on Twister (as pointed out by "bro") and Days of Thunder. All movies that were made before Glimmer Man, which was the first full-blown Rabin score in Hollywood. Come to think of it, I certainly wouldn't mind seeing, or rather listening, to another Zimmer/Rabin collaboration.


rockhound2017-08-03 18:33:24
trevor came on board to Days of Thunder because of trevor horn, who produced that song. both knew each other from rabins time with YES. and if i remember correctly, mark mancina came on board to Days of Thunder because rabin. mark played keyboard on rabins L.A. live tour in 1989 and they both have also written the YES song Miracle of Life from the Union album in 1991.

and because rabin and mancina both knew each other, rabin got some work to do on mancinas scores. the first time i saw rabins name was in the Thank You credits in the SPEED score album. and when trevor scored Glimmer Man, someone of jerry bruckheimers staff recognized the music and because of that, trevor got in contact with bruckheimer. but because trevor was still new in the business, and bruckheimer wasnt sure about trevor yet, they hired mancina for Con Air. and mancina wanted trevors help, so both got the job.

the funny thing is, you can call rabin the Steven Seagal of filmmusic. both got a major credit with their first film. :D


Bayhem2017-08-03 21:37:33
Glad to see someone who knows his stufff when it comes to Rabin :) Just like me, you're obviously a fan of his. By the way, since you mentioned Trevor Horn, it got me thinking. The credit for the Coyote Ugly score went to Trevor Horn, but I clearly remember reading on the web forum a few years back that in reality it was Rabin who composed the majority of the film's themes. Yet, he's not credited anywhere. Nothing. Do you know anything about that? P.S. I still can't believe that there was never a release of the Coyoty Ugly score. Such a beautiful, sensual score.


rockhound2017-08-03 22:03:51
trevor rabin is my favourite composer, thats why i try to get as much informations as possible about him and his filmmusic work. but i also like his songs with YES, especially the TALK album and his solo stuff, especially the album Can't Look Away.

as for Coyote Ugly. trevor horn produced all the diane warren songs for this film. i guess, that is the reason he also composed the score. i think because of the many songs in the movie bruckheimer didn't want to hire one of his regulars at that time. there wasn't much score in the movie if i remember correctly.


Hybrid Soldier2017-08-03 22:28:11
And Trevor happens to be the brother-in-law of RCP's current boss, & HZ business partner, Steve Kofsky ! lol


meta2017-08-04 01:57:24
WOW....Never thought I'd see this pop up again..

TIMELY! - well almost...


Bayhem2017-08-04 09:57:15
i think because of the many songs in the movie bruckheimer didn't want to hire one of his regulars at that time. there wasn't much score in the movie if i remember correctly.
..............................................

You're right, it's not exactly a score-driven movie, but there is definitely a theme that can be heard when Violet's father talks to her in the kitchen (at the start of the movie). Then there's a slightly different version of that theme when they're at the hospital. It's a very beautiful and soft piece of music and it wouldn't be a stretch to say that it sounds very much like a Rabin music. As for Rabin's alleged involvement, it all came from the FilmScoreMonthly message boards. It was there when I first read that he was involved. They even said that on this very site (HZ.com) Rabin was listed as the composer of the theme, with Horn as the official composer (the page is no longer available though). Not only that, but I just saw that on the Soundtrack Collector page for Coyote Ugly Rabin is credited as the composer. Could be a mistake because they're both Trevor, but still, I'm inclined to believe that Rabin was involved in one way or another.


rockhound2017-08-04 10:07:09
i saw that Klaus Badelt has 2 tracks from Coyote Ugly on his website. but i dont know, if it is from the actual score or just demos or rejected music.

Lynk reply Replies: 0 || 2017-08-04 07:13:21
I wonder if the fine folks at La La Land Records could pick this one up, and give it its long overdue legitimate deluxe treatment.

Scorefan reply Replies: 0 || 2017-07-28 07:03:03
@Hybrid, there is a TV movie called Max-Q produced by Jerry Bruckheimer with music from Nick Glennie-Smith. The Dirty Pictures Promo has 4 tracks. They are very good, in the stylish of Armageddon.

Scorefan reply Replies: 1 || 2016-07-15 18:54:43
A cameo from Armageddon in tne new Ice Age movie. It was funny. The theme sounds with the scene where all walk through the dust in the middle of the movie.


Hybrid Soldier2016-07-15 19:58:16
Actually it kinda shocked me, it was a bad idea, poorly executed, they even used The Launch to parody the famous "slo-mo walk", but that part was actually scored in Arma with the HGW cue right before !! lol

buschleagueblazr reply Replies: 0 || 2015-09-19 05:31:27
I always wondered why the "Asteroid Chase" cue was my favorite.

david reply Replies: 0 || 2013-03-11 04:54:33
heres hoping that the man of steel theme sounds something like 6:27 of the launch, that bit would fit superman flying so damn well maybe with a bit of chorus!

Scorefan reply Replies: 5 || 2012-11-11 06:08:22
Armageddon is one of the best action scores in many years but also this version is just expanded because there are two missing cues: The complete part of the mir evacuation and death (like 5 minuts) and the film version of the evacuation when the ship leaves the asteroid and harry blow up the bomb
that's the two part missing scores
I hope some day, maybe La-La-Land or Intrada release the complete score recording sessions with those music parts


Mr Tweedy2012-11-11 11:29:56
Scorefan, you're half right half wrong...
Yes, there are a few cues missing, for sure. But these aren't the ones you mention. Mir Evacuation & Death is a mash up of the original Death of Mir cues, with some edited parts of Secondary Protocol and Meteor Shower thrown into the mix. It's not unreleased music, it's previously released music edited in a different way.
The Evacuation of the Asteroid is mostly Rabin's cue Evacuation, with Harry Gregson-Williams'insert "Evacuation 2" replacing the middle portion. Again, nothing new here.

But, you might have noticed that the Asteroid 4-notes theme from "Asteroid Chase" appears a few times in the film, with various arrangements (replacing a portion of "Top Secret" or "AJ's Return" for exemple) and the cue "Fallen Comrades" has a longer opening in the movie.
For sure these are only minor cues, and I'd be quite happy to get them, but the 2CD "expanded score", as we know it, is really awesome as it is !


Scorefan2012-11-12 06:47:45
@Mr Tweedy of course, yes i have the version, but also, i want to hear those film mixing versions. I hope, in the future, La La Land Records develop Armageddon, The Peacemaker, Crimson Tide, The Rock and yes, The Lion King


Trent Easton Navarro2012-11-12 22:07:52
If The Lion King will be released, it will be by Intrada. They have a deal with Disney (also hoping we'll see a release for Jerry Goldsmith's Mulan)

Second Armageddon and The Peacemaker. Those two deserve an official complete release.

As for Crimson Tide and The Rock, both original releases are fine for me (not that wouldn't buy an expanded version though :P)


Scorefan2012-11-14 20:05:36
@Trent Easton Navarro
well, i hope those will have an official release, just like La La Land made with Broken Arrow and Black Rain, also with more of Remote Control Scores, just like Days Of Thunder and Backdraft


Trent Easton Navarro2012-11-17 18:56:27
Yeah, I loved their releases for Broken Arrow and Black Rain, as well as Speed and Speed 2: Cruise Control.

Official releases for Days of Thunder and Backdraft would also be great. As well as Bird on a Wire

montana reply Replies: 1 || 2012-03-06 09:32:10
sheet !!! please Armageddon Piano (Love Nest Alternate)-Trevor Rabin & Harry Gregson-Williams .... si quelqu'un peu me dire ou la trouver.... Very thanks !!!!


iPhil2012-03-08 10:56:22
very difficult to find!
i found one, but don't know if it is what you're looking for!
but it's very bad quality!
sry

Trev´s Fan reply Replies: 0 || 2011-10-07 09:44:20
In 1998, you scored "Armageddon" which was a rather great hit, at the time. Characterised by many as an Epic Symphonic Score, blend with a distinct Rock spirit and tone, by having the guitar on a basic and principal role. How did you become involved in that project and of course, is there something particular you remember off these sessions?

Although I had recently done "Con Air" for Jerry Bruckheimer, he was concerned that I didn't have enough experience to take on a film the size of "Armageddon". So I had to basically write the main themes before I was hired. I think Jerry had showed a lot of courage hiring someone with very little experience. Luckily, I had the themes by the time I started which made the project a little easier...but it was a gruelling project

Tell us about the score, your inspiration on writing the beautiful love theme and the dense action pieces. Which is your favourite sequence, both in the movie and score?

I was very happy with the main theme which I used for anthemic moments, romantic moments, and others. It is very rewarding when a theme is so easily adapted to different emotions.


In that film you worked with Harry Gregson Williams and also other composers from the Media Ventures studios. Later on, you also worked with Harry on “Enemy of the State”. Due to these facts, completed by a tight relationship with the studio, a lot of people thought that you were also part of the Media Ventures Studios. Please Trevor, tell us the real story behind this, the making process of “Armageddon” and “Enemy of the State”. You know, a lot of people still think you´re part of that team!

My studio is quite far from Jerry Bruckheimer´s offices, so after "Con Air" he requested that I find a studio nearer him to compose "Armageddon". Media Ventures was near Jerry , and had a great room available, so I hired the room for "Armageddon". There was a lot of music on the movie and I had great help from Harry Gregson-Williams, Paul Linford and Don Harper. I was in the middle of doing "Jack Frost" when Jerry Bruckheimer called me for "Enemy of the State". I was concerned about the two films overlapping so I asked Harry, and Tim Heinz to help. I wrote the themes before starting "Enemy of the State" which like "Armageddon", made it a little easier. I love what Harry did on "Enemy" and we shared credit. Hans Zimmer and I have been friends for a long time, however I have nothing to do with Media Ventures, I think they're a great company.

Jack reply Replies: 0 || 2011-09-14 12:46:47
Correct me if I'm wrong, but this one is the original complete score (maybe recording sessions... ;-)), which was used to make the version that has been around on the net. The only difference consists in different track names. For example: track 2 "Boffer reports in" corresponds to tracks 2 "Defcon 3", and so on.

And maybe that's why all the Armageddon bootlegs listed on the website have been removed: this one is the only real deal!


xonix reply Replies: 0 || 2011-03-20 00:00:00
hey does anyone know if there is a way to get this score?
i cannot find it ANYWHERE!!

pls help :/

Hybrid Solder III reply Replies: 0 || 2011-02-23 00:00:00
Hey Guys,
I so much wanted this nick too...
Ok, that's not funny. Sorry. :)

Adrian reply Replies: 0 || 2011-02-22 00:00:00
@ /&/

No composer works alone these days, not only for the crazy dead lines, but also because of some very picky directors (like Michael Bay) who ask for rewrites all the time.
Did you see the ''additional music''-army for LOTR 1,2 and 3? Of course, they have a different function than RCP-people, but it's just a fact that no composer works alone.
Even 'legend' John Williams works with other people, but they aren't credited so they are ghost writers!

/&/ reply Replies: 0 || 2011-02-22 00:00:00
Keep all of the statement of a page and look for other information. Bad boys 2, HGW has worked on this score. He is not listed at the end of the movie!

/&/ reply Replies: 0 || 2011-02-22 00:00:00
@ trent easton navarro
Trevor Rabin is a standalone composer. Not five additional composer needed to composed a good score. He is not one and the remote control and Armageddon only his third film works was. Bruckheimer would have it that he works with remote control. It's easy to understand!

Trent Easton Navarro reply Replies: 0 || 2011-02-22 00:00:00
@ /&/

Nice interview, but what's the point you're trying to make?

Tim reply Replies: 0 || 2011-02-22 00:00:00
that's all kinda weird, guys :D ...a user steals the admin's nickname, other people contend that LOTR would have been co-written by add. composers and I've read the looongest post EVER on this page eventually (thx for the interview btw:) )...are these the highlights of the day or what?! :P

Anonymous reply Replies: 0 || 2011-02-22 00:00:00
who did additional music on LOTR? First I've heard about it

Hybrid Soldier reply Replies: 0 || 2011-02-22 00:00:00
Howard Shore wrote the music written and arranged entirely alone.

He had printed his assistants the scores and revised !!

Hybrid Soldier reply Replies: 0 || 2011-02-22 00:00:00
Don't play that game using my nick, bro...

Cause you know, your english sucks ! ;)



Doesn't work, and anyway, I don't care about Shore and your debate guys, stop being ridiculous... I mean seriously...

Hybrid Soldier reply Replies: 0 || 2011-02-22 00:00:00
Yes I like the name and have you mind?

That is the law !

Adrian reply Replies: 0 || 2011-02-22 00:00:00
Yes that`s right !

Hybrid Soldier II reply Replies: 0 || 2011-02-22 00:00:00
OK Mr Hybrid Soldier !!

My Name is Hybrid Soldier II is that OK ???

/&/ reply Replies: 0 || 2011-02-21 00:00:00
Check out the End of the Movie

/&/ reply Replies: 0 || 2011-02-21 00:00:00
Trevor Rabin has not so many additional Composer like Hans Zimmer!

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Armageddon (Expanded Score) soundtrack - Harry Gregson-Williams - Trevor Rabin 1998