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Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.LP sadly, but it's also on Spotify.Technical reasons ! lol ;)<br><br>But she was there.Most welcome news. Should be a nice replacement for the Fantastic Beasts score that will have to have been pushed off. I imagine his work on Jungle Cruise will be great as well. 2021 is looking pretty exciting for score releases!She definitely performed on the score, I don't know why she is uncredited...
The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.
I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.
an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bondMaybe WW1984damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.
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Additional Music - Score Coordinator
Harry Gregson-WilliamsTrevor RabinSteve JablonskyPaul Linford
ComposerComposerAdditional MusicAdditional Music
Enemy Of The State (Complete Score)
Label: Unofficial Release
Length: 105'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3960 votes)
  1. Logos (0:47)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  2. Death Of Hamersly (1:36)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  3. Main Titles (2:00)
    Trevor Rabin, Harry Gregson-Williams
  4. Restaurant Chat (0:32)
    Trevor Rabin, Harry Gregson-Williams
  5. Pintero's Den (2:50)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  6. Seek The Hide (1:29)
    Trevor Rabin, Harry Gregson-Williams
  7. Reynolds' Commands - Operation Starts (1:12)
    Trevor Rabin, Harry Gregson-Williams
  8. Fuck A Duck (1:29)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  9. Zavitz Chase (Part 1A) (1:47)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  10. Zavitz Chase (Part 1B) (2:02)
    Trevor Rabin, Harry Gregson-Williams
  11. Zavitz Chase (Part 2) (2:23)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  12. Zavitz Is Dead (0:59)
    Trevor Rabin, Harry Gregson-Williams
  13. NSA Research (2:35)
    Trevor Rabin, Harry Gregson-Williams
  14. Dean Visited (0:58)
    Trevor Rabin, Harry Gregson-Williams
  15. Bag Search (0:58)
    Trevor Rabin, Harry Gregson-Williams
  16. Break-In - Shup Up The Dog - Nice Blender (2:08)
    Trevor Rabin, Harry Gregson-Williams
  17. Locker (1:00)
    Trevor Rabin, Harry Gregson-Williams
  18. Rachel Calls (0:39)
    Trevor Rabin, Harry Gregson-Williams
  19. Dean Fired (0:20)
    Trevor Rabin, Harry Gregson-Williams, Paul Linford
  20. You Wanna Blend? (0:22)
    Trevor Rabin, Harry Gregson-Williams, Steve Jablonsky
  21. ATM (0:45)
    Trevor Rabin, Harry Gregson-Williams, Steve Jablonsky
  22. Pintero Revisited (0:21)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  23. Park Surveillance (2:49)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  24. Ferry (1:16)
    Trevor Rabin, Harry Gregson-Williams
  25. Taxi Chase (1:55)
    Trevor Rabin, Harry Gregson-Williams
  26. Meet Brill (4:14)
    Trevor Rabin, Harry Gregson-Williams
  27. Hotel Chase (Part 1) (2:55)
    Trevor Rabin, Harry Gregson-Williams, Steve Jablonsky
  28. Hotel Chase (Part 2) (3:46)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  29. Tunnel Chase (Part 1) (1:57)
    Trevor Rabin, Harry Gregson-Williams, Paul Linford
  30. Tunnel Chase (Part 2) (2:03)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  31. Reunited (0:55)
    Trevor Rabin, Harry Gregson-Williams
  32. Realization (0:34)
    Trevor Rabin, Harry Gregson-Williams
  33. Nanny Drive (1:33)
    Trevor Rabin, Harry Gregson-Williams
  34. Rachel's Dead (5:18)
    Trevor Rabin, Harry Gregson-Williams
  35. NSA Stonewalled (0:52)
    Trevor Rabin, Harry Gregson-Williams
  36. Dean Calls (1:11)
    Trevor Rabin, Harry Gregson-Williams
  37. The Jar (1:41)
    Trevor Rabin, Harry Gregson-Williams
  38. Coal Yard Chase (Part 1) (3:42)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  39. Coal Yard Chase (Part 2) (4:53)
    Trevor Rabin, Harry Gregson-Williams
  40. Edward Lyle (0:46)
    Trevor Rabin, Harry Gregson-Williams
  41. Diner Bonding (1:50)
    Trevor Rabin, Harry Gregson-Williams
  42. Guerrilla Warfare (3:03)
    Trevor Rabin, Harry Gregson-Williams
  43. Bugging The Buggers (1:14)
    Trevor Rabin, Harry Gregson-Williams
  44. We're On TV (1:32)
    Trevor Rabin, Harry Gregson-Williams
  45. Unilateral Wet Dream (0:53)
    Trevor Rabin, Harry Gregson-Williams
  46. Face To Face (3:10)
    Trevor Rabin, Harry Gregson-Williams
  47. Brill Caught (0:18)
    Trevor Rabin, Harry Gregson-Williams
  48. The Van - Shootout (8:44)
    Trevor Rabin, Harry Gregson-Williams
  49. Brill Escapes (1:17)
    Trevor Rabin, Harry Gregson-Williams
  50. Wish You Were Here (2:00)
    Trevor Rabin, Harry Gregson-Williams
  51. Enemy Of The State Main Theme (2:55)
    Trevor Rabin, Harry Gregson-Williams
  52. Brill's Theme (3:29)
    Trevor Rabin, Harry Gregson-Williams
  53. Restaurant Chat (Alternate) (0:40)
    Trevor Rabin, Harry Gregson-Williams
  54. Zavitz Chase (Part 1B) (Alternate) (2:02)
    Trevor Rabin, Harry Gregson-Williams
  55. Ferry (Alternate) (0:38)
    Trevor Rabin, Harry Gregson-Williams
  56. Edward Lyle (Alternate) (0:45)
    Trevor Rabin, Harry Gregson-Williams
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ashstorm reply Replies: 2 || 2020-02-21 09:08:28
Are there any versions that movie sound effects, such as car noise, have disappeared?


Bayhem2020-02-21 15:30:05
As far as I know, no.

Sadly.

I would love to get my hands on a "clean" version. Love the score!


Dawn2020-02-22 00:48:10
The version on this page is actually sound effects-free!

Hybrid Soldier reply Replies: 2 || 2018-11-23 00:33:17
Cuesheet credits & actual cue names...


Knight2018-11-23 01:34:05
Is the "Free Ferry" track on album the alternate ferry cue?


Mr Tweedy2018-11-25 16:30:34
That's the alternate!

It seems they muted all the electronics from the "Main Title" and keps only the orchestra recording for "Free Ferry". It's a weird track, yet very nice to listen to.

Scorefan reply Replies: 4 || 2018-08-28 20:53:24
@Hybrid, in the trailer Hans is credited as the composer for the film. But the music was written by Rabin and Harry. What happened there?


Randy Watson2018-08-29 20:52:30
Probably scheduling conflicts


Hybrid Soldier2018-08-29 20:59:13
You know, Hans was attached to score Kingdom of Heaven or A Cure For Wellness and didn't do them...

Working on The Fan was REALLY hard, he was busy in 1998 and EOTS was heavily temped with The Fan, and HGW did good on The Fan so I guess Hans had many reasons not to do it in the end...


Scorefan2018-08-29 22:25:46
@Hybrid do you know if Hans had been rejected from a movie? I mean, usually when another composer is fired or his music is rejected by producer/director/studio, they go to Hans or many of the RCP composers to write the score for the movie. But, it has passed a reverse situation?

Thanks Hybrid


Bayhem2018-08-30 08:32:43
Hybrid Soldier is right. Plus, Hans worked on 'Thin Red Line' at that time as well, and it's not a secret how crazy Terence Mallick can get during post-production. Especially with music and editing....

Bayhem reply Replies: 3 || 2018-04-05 23:19:18
I'm still amazed how Rabin, Gregson-Williams and Jablonsky did both Armageddonh and Enemy of the State - two huge, score-heavy Bruckheimer projects - in such a short period of time. Not only that, in the same year (1998) Gregson-Williams and Jablonsky also did Replacement Killers (great score!) and Antz. How is that even possible??

There were either a lot of ghost writers we don't even know about (doubt it) or these guys weren't sleeping and were working 24/7. Whatever the case, job well done on all fronts!


Edmund Meinerts2018-04-06 00:04:23
Replacement Killers is a great score? That's certainly not how I remember it...

I mean, you make three composers doing four scores between them (plus Powell on Antz, plus a few other guys on Armageddon) sound like some sort of superhuman feat. It's not THAT incredible. Ennio Morricone does that much composition before breakfast most days. So does Lorne Balfe for that matter.


rockhound2018-04-06 08:48:01
i think Hans Zimmer was the first choice, because his name was in the trailer credits. Rabin was working on Jack Frost, while they asked him to do Enemy of the State. and because Jack Frost was pushed back a lil bit, he had in the end time for Enemy. but there was not much time left to finish Enemy, so Trevor asked Harry for help and this time both got credit. Paul Linford and Tim Heintz also helped on Enemy. and Ennio Morricone is a bad example for this comparison here, because Morricone never had to work with Bay, Bruckheimer and Tony Scott. Im sure he wouldn't have finished both projects, but left them before breakfast.


Bayhem2018-04-06 09:15:57
Replacement Killers is a great score? That's certainly not how I remember it...
======================

Good for you. I disagree. I consider it to be one of HGW best and most underrated scores. And I'm not even the biggest HGW fan.


======================
I mean, you make three composers doing four scores between them (plus Powell on Antz, plus a few other guys on Armageddon) sound like some sort of superhuman feat.
======================

Not a superhuman feat. But close. Armageddon alone contains music for 2 mid-sized movies. God knows how much music they threw out. Jablonsky himself said during his All Access interview that he had never worked for so many hours before..............or after Armageddon. And mind you, that's coming from the Transformers composer! Plus, he wasn't even the main composer on Armageddon. Imagine what was it like for the guys in charge (HGW, Rabin). And....they also had to deal with Enemy of the State. Also, check out the release dates of the movies I mentioned and you'll get a pretty good idea as to what kind of schedule those composers had. Certainly wasn't easy.


==================
Ennio Morricone does that much composition before breakfast most days. So does Lorne Balfe for that matter.
==================


Morricone was never involved in a movie the size of Armageddon. There is a difference between a huge, music-heavy, almost 3-hous blockbuster, produced and directed by one of the most demanding duos in Hollywood, and smaller Itallian movies, TV shows and documentaries. The amount of required music is just different. Way different. When Morricone does something relatively bigger tho, we get The Untouchables. And we all know how much people hate the music in that movie. For me, the best Morricone score is and will always be Lolita. It's his masterpiece.

As for Balfe, yes, he does a lot of work lately, but the projects are not as score-heavy as Armageddon and Enemy of the State. Not even close. The Hurricane Heist and 12 Strong for example are basically the same score. So it's clear that he wasn't trying to do something extraordinary with those movies. A lot of his IMDb credits from the last two years are shorts, TV films and documentaries. I don't underestimate what he did, and he did a lot, but the period between 1995 and 1998 was incredibly intense for the MV/RC team. A lot of big, score-heavy movies and not a lot of time. And I simply admire the fact that they pulled it off. Simple as that.

Felix reply Replies: 3 || 2015-08-15 13:10:52
Hello, did anybody knows who did what??


Edmund Meinerts2015-08-15 13:47:09
I have the breakdown for the regular album, not the complete score. Some of the cues map to the complete score 1-to-1, some don't; unfortunately I haven't heard the complete yet, but hopefully this helps a bit anyways:

1. Main Titles - TR/HGW
2. Main Theme - TR
3. Brill's Theme - HGW
4. The Ferry - HGW
5. Hotel Chase Part 2 - TR/HGW/Tim Heintz (no, I don't know either)
6. Zavitz Chase Part 1 - TR/HGW
7. NSA Research - TR/HGW
8. Brill and Dean Meet - HGW
9. Free Ferry - TR
10. Nanny Drive - HGW
11. Final Confrontation - HGW
12. Coal Yard Part 1 - TR/HGW
13. Face to Face - TR
14. The Tunnel Part 1 - TR
15. Coal Yard Part 2 - TR
16. Rachel's Found Dead - HGW
17. Wish You Were Here - TR

We can also extrapolate from the music player here that Steve Jablonsky worked on Hotel Chase Part 1.

Hope that's a helpful start (and Hybrid, correct me if I'm wrong).


Hybrid Soldier2015-08-15 13:52:37
Well I recently added a lot of "breakdowns" to the site... But for that one it's a little complicated, I have some, and ideas for others but nothing official for the most part...

Final Confrontation is Heintz. Dean Fired is Linford, You Wanna Blend is Jablonsky...

All in all that score was mostly split... The Main Title definitely is Rabin...


Felix2015-08-15 14:00:44
Great Thanks

 HANS-ZIMMER.com© 2001-2018 OST 
Enemy Of The State (Complete Score) soundtrack - Harry Gregson-Williams - Trevor Rabin 1998