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this is never hans :DI just finished the movie last week and the score was the best thing about the film. The scene using the cue "Simba is Alive!" is perfect.Not all synths. Mazzaro and Fleming posted pictures of them recording the score at Air Studios early in November so there will be some orchestral or instrumental music.As the trailer posts, soundtrack coming from WaterTower Music.No, it's just a slight rework of Blue Monday by New Order. Admittedly, it's quite catchy. Nothing from Hans tho, not even the WW-theme at the end which they did for the first movies trailers. Guess we have to wait till the movie comes out.
The only thing that matters to me about the movie is Hans, so I wonder, has the trailer musicalized Hans?Synth Hans Iím guessing ;-)Yeah, it's a nice little mini HTTYD score. It's a bit frustrating that he's seemingly never allowed to develop an idea for very long before moving on to the next thing and the next (probably because of the pacing of the short), but I like the way he plays around with Powell's themes. It makes me think that if they ever decide to make a fourth HTTYD movie and Powell decides he's said all he has to say in the series, Willis would be a good choice to continue it (Zanelli/Pirates style).He's also credited on one short cue from Ice Age: Dawn of the Dinosaurs, but other than that, nothing that I know of...Just saw the movie. Seemed like the score is enjoyable enough, but I didn't hear much that would distinguish it from the first one really except some kind of standard villain material.
Because those have nothing to do with Hans Zimmer or associated composers....How come the Pixar franchise albums like "Toy Story," "Monsters, Inc.," "Finding Nemo" and "Cars" didn't make it in this website?Anthony Willis (additional composer on HTTYD 2 & 3) just wrote a nice score for HTTYD Homecoming, a "christmas special" short. The score is based on Powell's themes and style, which is a nice addition to the trilogy.<br><br>You can listen to excerpts here :<br>https://www.animationmagazine.net/tv/exclusive-music-clips-h ow-to-train-your-dragon-homecoming-holiday-special/Michael John Mollo - I've never seen that name before. Has he done any other RCP work?Does anyone know where this can be located or purchased? I would buy this complete score from a legal source if it were available.
"Might not have happened with Poltergeist, but it did with 300 ROAE !"<br><br>Yes, I can accept that, as I don't know much about that production, and I apologize for hijacking the "300" discussion, but:<br><br>"https://www.independent.co.uk/arts-entertainment/films/news / poltergeist-steven-spielberg-director-conspiracy-theory-conf  irmed-tobe-hooper-a7846651. html"<br><br>I'll trust at least two actors, whom working with is literally a director's job description, over a very green AC on a production with numerous moving parts always working at once.Might not have happened with Poltergeist, but it did with 300 ROAE !Lorne: "6 Underground has been a fantastic experience. I started writing just before he (Bay) started filming. And then while he was filming, I was writing throughout that process so he was able to hear the music and work with it during the early stages of editing. Itís just a fantastic movie.<br><br>Thereís nobody that can shoot like Michael Bay. Itís exciting and itís pure. Itís the reason why I got into movies. My movies that I would sit as a young teenager and look at were made by Jerry Bruckheimer and were films like Bad Boys or The Rock. Con Air and all these movies were what made me want to get into film and if Crimson Tide is on the television, thatís me for the next two hours. Iím not leaving. That was what made me fall in love with film. And so itís great to be able to work with Michael and Jerry. So yeah, 6 Underground was just an absolute blast and great fun."<br><br>- https://collider.com/lorne-balfe-interview-gemini-man-his-da rk-materials-bad-boys-3/<br>https://www.independent.co.uk/arts-entertainment/films/news/ poltergeist-steven-spielberg-director-conspiracy-theory-conf irmed-tobe-hooper-a7846651. htmlDear Mr Antas,<br>I am a young 19 years old boy who lives in Germany (Rheinland-Pfalz). I am asking for permission to use the music īTimeī by Hans Zimmer. It will be used as background music for a motivational speech. I would give the credits of course and everything what I have to do, to use that music. Because I am in love with the music you produce and publish. What can I do for you for using it ? On what should I pay attention while publishing or creating my video? <br><br>Your sincerly<br>Ferhan Isbilir
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Additional Music - Score Coordinator
Harry Gregson-WilliamsTrevor RabinSteve JablonskyPaul Linford
ComposerComposerAdditional MusicAdditional Music
Enemy Of The State (Complete Score)
Label: Unofficial Release
Length: 105'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3341 votes)
  1. Logos (0:47)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  2. Death Of Hamersly (1:36)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  3. Main Titles (2:00)
    Trevor Rabin, Harry Gregson-Williams
  4. Restaurant Chat (0:32)
    Trevor Rabin, Harry Gregson-Williams
  5. Pintero's Den (2:50)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  6. Seek The Hide (1:29)
    Trevor Rabin, Harry Gregson-Williams
  7. Reynolds' Commands - Operation Starts (1:12)
    Trevor Rabin, Harry Gregson-Williams
  8. Fuck A Duck (1:29)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  9. Zavitz Chase (Part 1A) (1:47)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  10. Zavitz Chase (Part 1B) (2:02)
    Trevor Rabin, Harry Gregson-Williams
  11. Zavitz Chase (Part 2) (2:23)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  12. Zavitz Is Dead (0:59)
    Trevor Rabin, Harry Gregson-Williams
  13. NSA Research (2:35)
    Trevor Rabin, Harry Gregson-Williams
  14. Dean Visited (0:58)
    Trevor Rabin, Harry Gregson-Williams
  15. Bag Search (0:58)
    Trevor Rabin, Harry Gregson-Williams
  16. Break-In - Shup Up The Dog - Nice Blender (2:08)
    Trevor Rabin, Harry Gregson-Williams
  17. Locker (1:00)
    Trevor Rabin, Harry Gregson-Williams
  18. Rachel Calls (0:39)
    Trevor Rabin, Harry Gregson-Williams
  19. Dean Fired (0:20)
    Trevor Rabin, Harry Gregson-Williams, Paul Linford
  20. You Wanna Blend? (0:22)
    Trevor Rabin, Harry Gregson-Williams, Steve Jablonsky
  21. ATM (0:45)
    Trevor Rabin, Harry Gregson-Williams, Steve Jablonsky
  22. Pintero Revisited (0:21)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  23. Park Surveillance (2:49)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  24. Ferry (1:16)
    Trevor Rabin, Harry Gregson-Williams
  25. Taxi Chase (1:55)
    Trevor Rabin, Harry Gregson-Williams
  26. Meet Brill (4:14)
    Trevor Rabin, Harry Gregson-Williams
  27. Hotel Chase (Part 1) (2:55)
    Trevor Rabin, Harry Gregson-Williams, Steve Jablonsky
  28. Hotel Chase (Part 2) (3:46)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  29. Tunnel Chase (Part 1) (1:57)
    Trevor Rabin, Harry Gregson-Williams, Paul Linford
  30. Tunnel Chase (Part 2) (2:03)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  31. Reunited (0:55)
    Trevor Rabin, Harry Gregson-Williams
  32. Realization (0:34)
    Trevor Rabin, Harry Gregson-Williams
  33. Nanny Drive (1:33)
    Trevor Rabin, Harry Gregson-Williams
  34. Rachel's Dead (5:18)
    Trevor Rabin, Harry Gregson-Williams
  35. NSA Stonewalled (0:52)
    Trevor Rabin, Harry Gregson-Williams
  36. Dean Calls (1:11)
    Trevor Rabin, Harry Gregson-Williams
  37. The Jar (1:41)
    Trevor Rabin, Harry Gregson-Williams
  38. Coal Yard Chase (Part 1) (3:42)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  39. Coal Yard Chase (Part 2) (4:53)
    Trevor Rabin, Harry Gregson-Williams
  40. Edward Lyle (0:46)
    Trevor Rabin, Harry Gregson-Williams
  41. Diner Bonding (1:50)
    Trevor Rabin, Harry Gregson-Williams
  42. Guerrilla Warfare (3:03)
    Trevor Rabin, Harry Gregson-Williams
  43. Bugging The Buggers (1:14)
    Trevor Rabin, Harry Gregson-Williams
  44. We're On TV (1:32)
    Trevor Rabin, Harry Gregson-Williams
  45. Unilateral Wet Dream (0:53)
    Trevor Rabin, Harry Gregson-Williams
  46. Face To Face (3:10)
    Trevor Rabin, Harry Gregson-Williams
  47. Brill Caught (0:18)
    Trevor Rabin, Harry Gregson-Williams
  48. The Van - Shootout (8:44)
    Trevor Rabin, Harry Gregson-Williams
  49. Brill Escapes (1:17)
    Trevor Rabin, Harry Gregson-Williams
  50. Wish You Were Here (2:00)
    Trevor Rabin, Harry Gregson-Williams
  51. Enemy Of The State Main Theme (2:55)
    Trevor Rabin, Harry Gregson-Williams
  52. Brill's Theme (3:29)
    Trevor Rabin, Harry Gregson-Williams
  53. Restaurant Chat (Alternate) (0:40)
    Trevor Rabin, Harry Gregson-Williams
  54. Zavitz Chase (Part 1B) (Alternate) (2:02)
    Trevor Rabin, Harry Gregson-Williams
  55. Ferry (Alternate) (0:38)
    Trevor Rabin, Harry Gregson-Williams
  56. Edward Lyle (Alternate) (0:45)
    Trevor Rabin, Harry Gregson-Williams
Create Topic

Hybrid Soldier reply Replies: 2 || 2018-11-23 00:33:17
Cuesheet credits & actual cue names...


Knight2018-11-23 01:34:05
Is the "Free Ferry" track on album the alternate ferry cue?


Mr Tweedy2018-11-25 16:30:34
That's the alternate!

It seems they muted all the electronics from the "Main Title" and keps only the orchestra recording for "Free Ferry". It's a weird track, yet very nice to listen to.

Scorefan reply Replies: 4 || 2018-08-28 20:53:24
@Hybrid, in the trailer Hans is credited as the composer for the film. But the music was written by Rabin and Harry. What happened there?


Randy Watson2018-08-29 20:52:30
Probably scheduling conflicts


Hybrid Soldier2018-08-29 20:59:13
You know, Hans was attached to score Kingdom of Heaven or A Cure For Wellness and didn't do them...

Working on The Fan was REALLY hard, he was busy in 1998 and EOTS was heavily temped with The Fan, and HGW did good on The Fan so I guess Hans had many reasons not to do it in the end...


Scorefan2018-08-29 22:25:46
@Hybrid do you know if Hans had been rejected from a movie? I mean, usually when another composer is fired or his music is rejected by producer/director/studio, they go to Hans or many of the RCP composers to write the score for the movie. But, it has passed a reverse situation?

Thanks Hybrid


Bayhem2018-08-30 08:32:43
Hybrid Soldier is right. Plus, Hans worked on 'Thin Red Line' at that time as well, and it's not a secret how crazy Terence Mallick can get during post-production. Especially with music and editing....

Bayhem reply Replies: 3 || 2018-04-05 23:19:18
I'm still amazed how Rabin, Gregson-Williams and Jablonsky did both Armageddonh and Enemy of the State - two huge, score-heavy Bruckheimer projects - in such a short period of time. Not only that, in the same year (1998) Gregson-Williams and Jablonsky also did Replacement Killers (great score!) and Antz. How is that even possible??

There were either a lot of ghost writers we don't even know about (doubt it) or these guys weren't sleeping and were working 24/7. Whatever the case, job well done on all fronts!


Edmund Meinerts2018-04-06 00:04:23
Replacement Killers is a great score? That's certainly not how I remember it...

I mean, you make three composers doing four scores between them (plus Powell on Antz, plus a few other guys on Armageddon) sound like some sort of superhuman feat. It's not THAT incredible. Ennio Morricone does that much composition before breakfast most days. So does Lorne Balfe for that matter.


rockhound2018-04-06 08:48:01
i think Hans Zimmer was the first choice, because his name was in the trailer credits. Rabin was working on Jack Frost, while they asked him to do Enemy of the State. and because Jack Frost was pushed back a lil bit, he had in the end time for Enemy. but there was not much time left to finish Enemy, so Trevor asked Harry for help and this time both got credit. Paul Linford and Tim Heintz also helped on Enemy. and Ennio Morricone is a bad example for this comparison here, because Morricone never had to work with Bay, Bruckheimer and Tony Scott. Im sure he wouldn't have finished both projects, but left them before breakfast.


Bayhem2018-04-06 09:15:57
Replacement Killers is a great score? That's certainly not how I remember it...
======================

Good for you. I disagree. I consider it to be one of HGW best and most underrated scores. And I'm not even the biggest HGW fan.


======================
I mean, you make three composers doing four scores between them (plus Powell on Antz, plus a few other guys on Armageddon) sound like some sort of superhuman feat.
======================

Not a superhuman feat. But close. Armageddon alone contains music for 2 mid-sized movies. God knows how much music they threw out. Jablonsky himself said during his All Access interview that he had never worked for so many hours before..............or after Armageddon. And mind you, that's coming from the Transformers composer! Plus, he wasn't even the main composer on Armageddon. Imagine what was it like for the guys in charge (HGW, Rabin). And....they also had to deal with Enemy of the State. Also, check out the release dates of the movies I mentioned and you'll get a pretty good idea as to what kind of schedule those composers had. Certainly wasn't easy.


==================
Ennio Morricone does that much composition before breakfast most days. So does Lorne Balfe for that matter.
==================


Morricone was never involved in a movie the size of Armageddon. There is a difference between a huge, music-heavy, almost 3-hous blockbuster, produced and directed by one of the most demanding duos in Hollywood, and smaller Itallian movies, TV shows and documentaries. The amount of required music is just different. Way different. When Morricone does something relatively bigger tho, we get The Untouchables. And we all know how much people hate the music in that movie. For me, the best Morricone score is and will always be Lolita. It's his masterpiece.

As for Balfe, yes, he does a lot of work lately, but the projects are not as score-heavy as Armageddon and Enemy of the State. Not even close. The Hurricane Heist and 12 Strong for example are basically the same score. So it's clear that he wasn't trying to do something extraordinary with those movies. A lot of his IMDb credits from the last two years are shorts, TV films and documentaries. I don't underestimate what he did, and he did a lot, but the period between 1995 and 1998 was incredibly intense for the MV/RC team. A lot of big, score-heavy movies and not a lot of time. And I simply admire the fact that they pulled it off. Simple as that.

Felix reply Replies: 3 || 2015-08-15 13:10:52
Hello, did anybody knows who did what??


Edmund Meinerts2015-08-15 13:47:09
I have the breakdown for the regular album, not the complete score. Some of the cues map to the complete score 1-to-1, some don't; unfortunately I haven't heard the complete yet, but hopefully this helps a bit anyways:

1. Main Titles - TR/HGW
2. Main Theme - TR
3. Brill's Theme - HGW
4. The Ferry - HGW
5. Hotel Chase Part 2 - TR/HGW/Tim Heintz (no, I don't know either)
6. Zavitz Chase Part 1 - TR/HGW
7. NSA Research - TR/HGW
8. Brill and Dean Meet - HGW
9. Free Ferry - TR
10. Nanny Drive - HGW
11. Final Confrontation - HGW
12. Coal Yard Part 1 - TR/HGW
13. Face to Face - TR
14. The Tunnel Part 1 - TR
15. Coal Yard Part 2 - TR
16. Rachel's Found Dead - HGW
17. Wish You Were Here - TR

We can also extrapolate from the music player here that Steve Jablonsky worked on Hotel Chase Part 1.

Hope that's a helpful start (and Hybrid, correct me if I'm wrong).


Hybrid Soldier2015-08-15 13:52:37
Well I recently added a lot of "breakdowns" to the site... But for that one it's a little complicated, I have some, and ideas for others but nothing official for the most part...

Final Confrontation is Heintz. Dean Fired is Linford, You Wanna Blend is Jablonsky...

All in all that score was mostly split... The Main Title definitely is Rabin...


Felix2015-08-15 14:00:44
Great Thanks

 HANS-ZIMMER.com© 2001-2018 OST 
Enemy Of The State (Complete Score) soundtrack - Harry Gregson-Williams - Trevor Rabin 1998