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What's with the credits here? Howard Shore? No Lorne Balfe?I genuinely was surprised that they went with Richter in the first place. <br><br>Literally just came out of the movie and I can’t believe such a dull and generic score could come from the names attached. What happened? Other than that beautiful almost sweeping string theme (that went nowhere) - there’s nothing. <br>I kept waiting for the music to peak and reach a hundred but it never did. <br><br>It’s no Interstellar, no First Man, no Gravity, not even The Martian.Link to said theme?The synth man creating a mostly synthesizer score? what a shock...because that's what Hans does
Main theme is on Youtube. I quite like it. I prefer Hans doing themes like this rather than the stuff he is doing with FIFA.I'm surprised no one is talking about this one, its one of Rupert's best scores imo.Lately I have been listening to the album carefully, and the truth is that I did not quite understand why Hans did not just use a big orchestra instead of the synthesizer.It would have really been interesting to see Ritcher scoring a chase on the photo, although without a doubt his work would not have been anything generic.Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...
^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cues
Artemisia Suite = History of Artemisia <br>Greek Action Suite = Marathon <br>Xerxes Rebirth Suite = From Man to God King<br>Greek Sacrifice Suite = ???<br>Artemisia’s Childhood Suite = Artemisia’s Childhood<br>Greek Attack Suite = Greeks on Attack<br>Queen Gorgo Suite = Queen Gorgo<br>Xerxes Thoughts Suite = Xerxes Thoughts<br>Greek History Suite = History of the Greeks<br>Greek Victory Suite = Greeks Are Winning<br><br>Hope this helps! :-)Hybrid can you tell us what album cues are the suites ?!well, from what Lorne wrote on Twitter, it should be releasedCool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? It’s been a very very long time since I have seen the film.The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...
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Additional Music - Score Coordinator
Harry Gregson-WilliamsTrevor RabinSteve JablonskyPaul Linford
ComposerComposerAdditional MusicAdditional Music
Enemy Of The State (Complete Score)
Label: Unofficial Release
Length: 105'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3269 votes)
  1. Logos (0:47)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  2. Death Of Hamersly (1:36)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  3. Main Titles (2:00)
    Trevor Rabin, Harry Gregson-Williams
  4. Restaurant Chat (0:32)
    Trevor Rabin, Harry Gregson-Williams
  5. Pintero's Den (2:50)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  6. Seek The Hide (1:29)
    Trevor Rabin, Harry Gregson-Williams
  7. Reynolds' Commands - Operation Starts (1:12)
    Trevor Rabin, Harry Gregson-Williams
  8. Fuck A Duck (1:29)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  9. Zavitz Chase (Part 1A) (1:47)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  10. Zavitz Chase (Part 1B) (2:02)
    Trevor Rabin, Harry Gregson-Williams
  11. Zavitz Chase (Part 2) (2:23)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  12. Zavitz Is Dead (0:59)
    Trevor Rabin, Harry Gregson-Williams
  13. NSA Research (2:35)
    Trevor Rabin, Harry Gregson-Williams
  14. Dean Visited (0:58)
    Trevor Rabin, Harry Gregson-Williams
  15. Bag Search (0:58)
    Trevor Rabin, Harry Gregson-Williams
  16. Break-In - Shup Up The Dog - Nice Blender (2:08)
    Trevor Rabin, Harry Gregson-Williams
  17. Locker (1:00)
    Trevor Rabin, Harry Gregson-Williams
  18. Rachel Calls (0:39)
    Trevor Rabin, Harry Gregson-Williams
  19. Dean Fired (0:20)
    Trevor Rabin, Harry Gregson-Williams, Paul Linford
  20. You Wanna Blend? (0:22)
    Trevor Rabin, Harry Gregson-Williams, Steve Jablonsky
  21. ATM (0:45)
    Trevor Rabin, Harry Gregson-Williams, Steve Jablonsky
  22. Pintero Revisited (0:21)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  23. Park Surveillance (2:49)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  24. Ferry (1:16)
    Trevor Rabin, Harry Gregson-Williams
  25. Taxi Chase (1:55)
    Trevor Rabin, Harry Gregson-Williams
  26. Meet Brill (4:14)
    Trevor Rabin, Harry Gregson-Williams
  27. Hotel Chase (Part 1) (2:55)
    Trevor Rabin, Harry Gregson-Williams, Steve Jablonsky
  28. Hotel Chase (Part 2) (3:46)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  29. Tunnel Chase (Part 1) (1:57)
    Trevor Rabin, Harry Gregson-Williams, Paul Linford
  30. Tunnel Chase (Part 2) (2:03)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  31. Reunited (0:55)
    Trevor Rabin, Harry Gregson-Williams
  32. Realization (0:34)
    Trevor Rabin, Harry Gregson-Williams
  33. Nanny Drive (1:33)
    Trevor Rabin, Harry Gregson-Williams
  34. Rachel's Dead (5:18)
    Trevor Rabin, Harry Gregson-Williams
  35. NSA Stonewalled (0:52)
    Trevor Rabin, Harry Gregson-Williams
  36. Dean Calls (1:11)
    Trevor Rabin, Harry Gregson-Williams
  37. The Jar (1:41)
    Trevor Rabin, Harry Gregson-Williams
  38. Coal Yard Chase (Part 1) (3:42)
    Trevor Rabin, Harry Gregson-Williams, Tim Heintz
  39. Coal Yard Chase (Part 2) (4:53)
    Trevor Rabin, Harry Gregson-Williams
  40. Edward Lyle (0:46)
    Trevor Rabin, Harry Gregson-Williams
  41. Diner Bonding (1:50)
    Trevor Rabin, Harry Gregson-Williams
  42. Guerrilla Warfare (3:03)
    Trevor Rabin, Harry Gregson-Williams
  43. Bugging The Buggers (1:14)
    Trevor Rabin, Harry Gregson-Williams
  44. We're On TV (1:32)
    Trevor Rabin, Harry Gregson-Williams
  45. Unilateral Wet Dream (0:53)
    Trevor Rabin, Harry Gregson-Williams
  46. Face To Face (3:10)
    Trevor Rabin, Harry Gregson-Williams
  47. Brill Caught (0:18)
    Trevor Rabin, Harry Gregson-Williams
  48. The Van - Shootout (8:44)
    Trevor Rabin, Harry Gregson-Williams
  49. Brill Escapes (1:17)
    Trevor Rabin, Harry Gregson-Williams
  50. Wish You Were Here (2:00)
    Trevor Rabin, Harry Gregson-Williams
  51. Enemy Of The State Main Theme (2:55)
    Trevor Rabin, Harry Gregson-Williams
  52. Brill's Theme (3:29)
    Trevor Rabin, Harry Gregson-Williams
  53. Restaurant Chat (Alternate) (0:40)
    Trevor Rabin, Harry Gregson-Williams
  54. Zavitz Chase (Part 1B) (Alternate) (2:02)
    Trevor Rabin, Harry Gregson-Williams
  55. Ferry (Alternate) (0:38)
    Trevor Rabin, Harry Gregson-Williams
  56. Edward Lyle (Alternate) (0:45)
    Trevor Rabin, Harry Gregson-Williams
Create Topic

Hybrid Soldier reply Replies: 2 || 2018-11-23 00:33:17
Cuesheet credits & actual cue names...


Knight2018-11-23 01:34:05
Is the "Free Ferry" track on album the alternate ferry cue?


Mr Tweedy2018-11-25 16:30:34
That's the alternate!

It seems they muted all the electronics from the "Main Title" and keps only the orchestra recording for "Free Ferry". It's a weird track, yet very nice to listen to.

Scorefan reply Replies: 4 || 2018-08-28 20:53:24
@Hybrid, in the trailer Hans is credited as the composer for the film. But the music was written by Rabin and Harry. What happened there?


Randy Watson2018-08-29 20:52:30
Probably scheduling conflicts


Hybrid Soldier2018-08-29 20:59:13
You know, Hans was attached to score Kingdom of Heaven or A Cure For Wellness and didn't do them...

Working on The Fan was REALLY hard, he was busy in 1998 and EOTS was heavily temped with The Fan, and HGW did good on The Fan so I guess Hans had many reasons not to do it in the end...


Scorefan2018-08-29 22:25:46
@Hybrid do you know if Hans had been rejected from a movie? I mean, usually when another composer is fired or his music is rejected by producer/director/studio, they go to Hans or many of the RCP composers to write the score for the movie. But, it has passed a reverse situation?

Thanks Hybrid


Bayhem2018-08-30 08:32:43
Hybrid Soldier is right. Plus, Hans worked on 'Thin Red Line' at that time as well, and it's not a secret how crazy Terence Mallick can get during post-production. Especially with music and editing....

Bayhem reply Replies: 3 || 2018-04-05 23:19:18
I'm still amazed how Rabin, Gregson-Williams and Jablonsky did both Armageddonh and Enemy of the State - two huge, score-heavy Bruckheimer projects - in such a short period of time. Not only that, in the same year (1998) Gregson-Williams and Jablonsky also did Replacement Killers (great score!) and Antz. How is that even possible??

There were either a lot of ghost writers we don't even know about (doubt it) or these guys weren't sleeping and were working 24/7. Whatever the case, job well done on all fronts!


Edmund Meinerts2018-04-06 00:04:23
Replacement Killers is a great score? That's certainly not how I remember it...

I mean, you make three composers doing four scores between them (plus Powell on Antz, plus a few other guys on Armageddon) sound like some sort of superhuman feat. It's not THAT incredible. Ennio Morricone does that much composition before breakfast most days. So does Lorne Balfe for that matter.


rockhound2018-04-06 08:48:01
i think Hans Zimmer was the first choice, because his name was in the trailer credits. Rabin was working on Jack Frost, while they asked him to do Enemy of the State. and because Jack Frost was pushed back a lil bit, he had in the end time for Enemy. but there was not much time left to finish Enemy, so Trevor asked Harry for help and this time both got credit. Paul Linford and Tim Heintz also helped on Enemy. and Ennio Morricone is a bad example for this comparison here, because Morricone never had to work with Bay, Bruckheimer and Tony Scott. Im sure he wouldn't have finished both projects, but left them before breakfast.


Bayhem2018-04-06 09:15:57
Replacement Killers is a great score? That's certainly not how I remember it...
======================

Good for you. I disagree. I consider it to be one of HGW best and most underrated scores. And I'm not even the biggest HGW fan.


======================
I mean, you make three composers doing four scores between them (plus Powell on Antz, plus a few other guys on Armageddon) sound like some sort of superhuman feat.
======================

Not a superhuman feat. But close. Armageddon alone contains music for 2 mid-sized movies. God knows how much music they threw out. Jablonsky himself said during his All Access interview that he had never worked for so many hours before..............or after Armageddon. And mind you, that's coming from the Transformers composer! Plus, he wasn't even the main composer on Armageddon. Imagine what was it like for the guys in charge (HGW, Rabin). And....they also had to deal with Enemy of the State. Also, check out the release dates of the movies I mentioned and you'll get a pretty good idea as to what kind of schedule those composers had. Certainly wasn't easy.


==================
Ennio Morricone does that much composition before breakfast most days. So does Lorne Balfe for that matter.
==================


Morricone was never involved in a movie the size of Armageddon. There is a difference between a huge, music-heavy, almost 3-hous blockbuster, produced and directed by one of the most demanding duos in Hollywood, and smaller Itallian movies, TV shows and documentaries. The amount of required music is just different. Way different. When Morricone does something relatively bigger tho, we get The Untouchables. And we all know how much people hate the music in that movie. For me, the best Morricone score is and will always be Lolita. It's his masterpiece.

As for Balfe, yes, he does a lot of work lately, but the projects are not as score-heavy as Armageddon and Enemy of the State. Not even close. The Hurricane Heist and 12 Strong for example are basically the same score. So it's clear that he wasn't trying to do something extraordinary with those movies. A lot of his IMDb credits from the last two years are shorts, TV films and documentaries. I don't underestimate what he did, and he did a lot, but the period between 1995 and 1998 was incredibly intense for the MV/RC team. A lot of big, score-heavy movies and not a lot of time. And I simply admire the fact that they pulled it off. Simple as that.

Felix reply Replies: 3 || 2015-08-15 13:10:52
Hello, did anybody knows who did what??


Edmund Meinerts2015-08-15 13:47:09
I have the breakdown for the regular album, not the complete score. Some of the cues map to the complete score 1-to-1, some don't; unfortunately I haven't heard the complete yet, but hopefully this helps a bit anyways:

1. Main Titles - TR/HGW
2. Main Theme - TR
3. Brill's Theme - HGW
4. The Ferry - HGW
5. Hotel Chase Part 2 - TR/HGW/Tim Heintz (no, I don't know either)
6. Zavitz Chase Part 1 - TR/HGW
7. NSA Research - TR/HGW
8. Brill and Dean Meet - HGW
9. Free Ferry - TR
10. Nanny Drive - HGW
11. Final Confrontation - HGW
12. Coal Yard Part 1 - TR/HGW
13. Face to Face - TR
14. The Tunnel Part 1 - TR
15. Coal Yard Part 2 - TR
16. Rachel's Found Dead - HGW
17. Wish You Were Here - TR

We can also extrapolate from the music player here that Steve Jablonsky worked on Hotel Chase Part 1.

Hope that's a helpful start (and Hybrid, correct me if I'm wrong).


Hybrid Soldier2015-08-15 13:52:37
Well I recently added a lot of "breakdowns" to the site... But for that one it's a little complicated, I have some, and ideas for others but nothing official for the most part...

Final Confrontation is Heintz. Dean Fired is Linford, You Wanna Blend is Jablonsky...

All in all that score was mostly split... The Main Title definitely is Rabin...


Felix2015-08-15 14:00:44
Great Thanks

 HANS-ZIMMER.com© 2001-2018 OST 
Enemy Of The State (Complete Score) soundtrack - Harry Gregson-Williams - Trevor Rabin 1998