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Is Jablonsky, but, well...Spenser Confidential by Yablonsky got the release !<br>scoreworld org/forum/general-discussion/news-discussing/44-upcoming-sco res-news?p=284#post284To whom it may concern...<br><br>Is it possible to download or in any other way purchase the Hannibal (Expanded) score somewhere? I have the original motion picture soundtrack, but would LOVE to have them both..<br><br>Best regards<br><br>Nicholas10 and 16 are missing from the store pack.Most probably
I am not a hybrid, i will try to give my opinion. I think, music in 5 season will come out when and 6 season. But I really want to be wrong!!! :)It's very sad...(((The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!
Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!It all comes to personal preference I think. Personally Iíve moved on from collecting cdís (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.
Powell only does 1 score a year.Still no news on his next score? Is he taking a break or something? Working on more concert stuff?Was pleasantly surprised by this one when I first heard it. Outside of the Ďmodern scoringí portions you get some fun noir music for the squad, solid action writing, and even some good emotional cues.<br><br>Also gotta love the rhythmic idea from Antz popping up here...Also, the use of the guitars by Jablonsky, are still the best since the 90sI give a spin (almost 4 years after my last listening), it grown on me (still don't consider of the best of Jab), but much better than Skyscraper (ok score) and Battleship (guilty pleasure, but not a good score by any means), i like the style of Jablonsky in this one, his rhythms (but i still don't care about the 'motif' for Cohen or certain sound design tracks like 'You Can't Shoot Me' or 'You Know the Drill')<br><br>But still has such cool action moments (Hot Potato With a Grenade) and emotional/romantic moments, and still enjoyed that from this.

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Trevor RabinPaul LinfordNick Glennie-Smith
ComposerAdditional MusicAdditional Orchestrator
Deep Blue Sea (Complete Score)
Label: Unofficial Release
Length: 99'54 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3543 votes)
  1. Main Title (6:30)
  2. Susan's Cause (1:03)
  3. Aquatica (1:33)
  4. Carter's Swim (1:28)
  5. Gliding Monsters (0:39)
  6. Some Other Way (1:52)
  7. Doctor's Orders (1:04)
  8. I Don't Make Waves (1:19)
  9. Susan's Speech (1:27)
  10. You Guys Hungry? (2:18)
  11. Hunting In Packs (1:43)
  12. Preparation (5:49)
  13. The Experiment (4:29)
  14. Armageddon (6:03)
  15. Jim Returns (1:22)
  16. No Way Out (4:50)
  17. Smart Sharks (2:43)
  18. Preacher Pursued (1:10)
  19. Trouble In The Kitchen (2:16)
  20. Chef's Surprise (1:56)
  21. Franklin's Tale (3:13)
  22. I Hear You Knocking (5:46)
  23. Exit Strategy (0:48)
  24. Susan Softens (1:26)
  25. Back To The Lab (1:29)
  26. Jaws Of Death (1:37)
  27. Getting To Knaw You (4:34)
  28. Susan & The Shark (3:59)
  29. Journey Topside (5:25)
  30. Kill Big Shark (6:25)
  31. Aftermath (2:48)
  32. Deepest Bluest (Shark's Fin) - LL Cool J (4:22)
  33. Deep Blue Sea Montage (Demo) (6:13)
  34. Armageddon (Alternate) (0:37)
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mpolonest123 reply Replies: 6 || 2018-08-05 23:39:39
Listening to ďThe MegĒ really made me nostalgic for this score (and every other power-anthem score we got from MV in the 90ís).

As dumb as this movie is, you still get 3 memorable themes that develop throughout, not to mention a number of different sub-themes and a variety of styles ranging from horror to fantasy to action and so on. Nowadays you are lucky if you get one decent theme and music that isnít 70% ambient/sound design.

Hybrid Soldier2018-08-06 00:41:59
The irony is that 20 years ago Rabin was getting such a shitstorm from "purists" for his general style, guitars & stuff...

20 years later, people come and listen again and finally be "hey, that wasn't so bad..."

In 20 years, people will listen stuff from now and react the same way...

mpolonest1232018-08-06 02:18:56
Canít argue with that, I was 5 when I saw Deep Blue Sea in theaters and remember loving the score as a kid, so Iím sure nostalgia plays a big part. And Iím sure the generation that grew up with Hans is going to dislike whatever direction film music takes (much like how the ďpuristsĒ dislike the RCP style)

Personally I donít mind the stylistic approach current scores have, which is why I enjoy many of Junkie XLís earlier works. Being a theme person, however, Iím partial to scores that can take a more thematic approach....

superultramegaa2018-08-06 03:31:39
I'm not going to look back at Skyscraper or JunkieXL's work and and admit it's good. I agree traditionalists can be a pain in the ass, but the current trend of turning film scores into the worst aspects of video game music, with little focus on motifs and leitmotifs besides 1 or 2 central ideas, mixed with the ugliest of electronic noises you can muster, is not a good trend by any means.

I am by no means a traditionalist either. Despite its lack of sophisticated thematic detail, video games have produced some of the best music of our time, just as film has. I also love much of Zimmer's work, along with Jablonsky's more notable efforts. I'm not one of those people who say that every composer and film score needs to have constant time signature changes and chromaticism in every track, (to be honest those are the least important aspects in my opinion.)

However, if you're going to spend the time and money recording an orchestra, use the damn orchestra. Don't bury it in synth and the ugliest, loudest, mentally damaging electronic noise you can think of! Mix it with orchestra organically like TDK Trilogy or the Transformers series, sure. Use only electronics if you absolutely think the orchestra will not work for a movie, go for it. Don't just create noise for the sake of noise.

Even melodic composers who sometimes feel like they're composing nothing more than complex orchestral noise (Alan Silvestri as of late), at least their music had thought put into it, took real mental energy, and has a really nice aesthetic. How much thought does it really take nowadays, to mix electronics together until they're loud and ugly enough? Sure, maybe to design the noises, but composition wise? It wouldn't shock me if their notes for composing some of these tracks were simply "intense electronics play."

As a final note, the lack of instrument variety is seriously getting on my nerves with some composers, especially with the release of Christopher Robin showing off Zanelli's ability for it. I love horns and strings as much as the next guy, but get woodwinds, exotic instruments, accordions, percussion instruments like xylophones, celestas, all of it! This problem is biggest with RCP currently, but even melodic scores are using less and less instruments (Marvel movies).

I know this is somewhat unrelated to this score specifically, but I really have been getting kinda pissed with the state of film music (particularly Jablonsky after the wonderfully varied IDEA and the return to form in Transformers 5).

Scorefan2018-08-06 04:11:15
@Hybrid, do you know why Trevor didn't make the score? I mean, John Turteltab made both National Treasure and The Sorcerer's Apprentice and in those films Trevor was the composer

rockhound2018-08-06 10:00:57
Trevor is still on tour with ARW.

Scorefan2018-08-06 21:31:35
@rockhound, thanks

MrZimmerFan reply Replies: 0 || 2018-08-06 10:19:56
The people still forget the main problem is not the composer, is the people behind it: directors, producers, studios.

I don't hate electronic scores (Skyscraper was ok, but far from the best from Jab), but also think NOT every movie ask for a full orchestral score (and this come from a guy who loves people like Michael Giacchino, Trevor Jones or John Williams, for god sake, Jerry Goldsmith (Planet of the Apes have a score not thematic with a lot of variety of instruments, even Alien have such thing, and is my FAVORITE from Jerry).

Well, go to the topic. Deep Blue Sea is one of my favorites (and yeah, when i was listen The Meg, i recall this one), and DBS is dumb, but fun movie, and the fu** epic guitar from Rabin is still memorable.

Jaros428 reply Replies: 0 || 2010-10-23 00:00:00
we need to contact Rabin and tell him to release the complete score for this, or who ever is in charge.

Cloud reply Replies: 0 || 2010-10-23 00:00:00
Yeah, I wish La La Land or Intrada or some other label would release an expanded edition of Deep Blue Sea. There's so much good music missing on the original score album.

Adam reply Replies: 0 || 2010-09-24 00:00:00
This really isn't worth anyones time to find. The tracks, although listenable, only make you want the better and real thing much more and it's just more of a tease then anything because end has almost everything that the other tracks have but maybe 40 seconds of what should have been put in the original score. Infact it's quite sad the score released for this movie was so puny. Honestly it deserved a 2-CD Complete or atleast MOST of the music.

Owell. Maybe someday she will appear!

jr composer reply Replies: 0 || 2006-06-12 00:00:00
and where did you get it from?

Erocental reply Replies: 0 || 2006-05-11 00:00:00
Wow... finally the music that was missing from the original score. The quality isn't that good with track 11 to 13 but it's listenable. Very good score! =)© 2001-2018 OST 
Deep Blue Sea (Complete Score) soundtrack - Trevor Rabin 1999