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I've found this odd version of "Train Opening" that sounds like a demo. Is it legitimate? The only mention of it I've seen is on the 2nd page of the OST listing here, but it didn't tell me much. And I ain't about to check the archive of the place we can't name that died. Thanks in advance!Oh man, I'd to love to get my hands on this version. I've searched everywhere over the years, but I guess it's just impossible...<br>One of my favorite scores ever!This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.
Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?No idea but he was on it for a bit, I think.Hybrid, do you know how long Lorne had to score?
Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)Hello, <br><br>I'm looking for the translation of the song God Yu Tekkem Laef Blong Mi in English of French.<br><br>Could anyone help me ? <br><br>Thank you !you can't, it's only an info for the complete score
According To, it Is true Lorne Balfe Is Scoring Black Widow.<br><br>Wow this guy Is the Best, this is the first time balfe scoring an MCU since Iron Man(worked as an additional music). I can't believe that Alexandre Desplat, who is a good composer left the film just like I remember Rogue One. Well, Now i Hope that Lorne Balfe makes a great score just like he does always.Comes out on April 3rd. Keep hearing that the music is very Lion King style.How can i download it?Replaced ?<br><br><br>On the first he just sort of left. Wouldn't be surprised to be the case here again.Someone at Disney really wants Desplat gone. This is the second time he has been replaced on a major assignment.

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Trevor RabinPaul LinfordNick Glennie-Smith
ComposerAdditional MusicAdditional Orchestrator
Deep Blue Sea (Complete Score)
Label: Unofficial Release
Length: 99'54 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3558 votes)
  1. Main Title (6:30)
  2. Susan's Cause (1:03)
  3. Aquatica (1:33)
  4. Carter's Swim (1:28)
  5. Gliding Monsters (0:39)
  6. Some Other Way (1:52)
  7. Doctor's Orders (1:04)
  8. I Don't Make Waves (1:19)
  9. Susan's Speech (1:27)
  10. You Guys Hungry? (2:18)
  11. Hunting In Packs (1:43)
  12. Preparation (5:49)
  13. The Experiment (4:29)
  14. Armageddon (6:03)
  15. Jim Returns (1:22)
  16. No Way Out (4:50)
  17. Smart Sharks (2:43)
  18. Preacher Pursued (1:10)
  19. Trouble In The Kitchen (2:16)
  20. Chef's Surprise (1:56)
  21. Franklin's Tale (3:13)
  22. I Hear You Knocking (5:46)
  23. Exit Strategy (0:48)
  24. Susan Softens (1:26)
  25. Back To The Lab (1:29)
  26. Jaws Of Death (1:37)
  27. Getting To Knaw You (4:34)
  28. Susan & The Shark (3:59)
  29. Journey Topside (5:25)
  30. Kill Big Shark (6:25)
  31. Aftermath (2:48)
  32. Deepest Bluest (Shark's Fin) - LL Cool J (4:22)
  33. Deep Blue Sea Montage (Demo) (6:13)
  34. Armageddon (Alternate) (0:37)
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mpolonest123 reply Replies: 6 || 2018-08-05 23:39:39
Listening to ďThe MegĒ really made me nostalgic for this score (and every other power-anthem score we got from MV in the 90ís).

As dumb as this movie is, you still get 3 memorable themes that develop throughout, not to mention a number of different sub-themes and a variety of styles ranging from horror to fantasy to action and so on. Nowadays you are lucky if you get one decent theme and music that isnít 70% ambient/sound design.

Hybrid Soldier2018-08-06 00:41:59
The irony is that 20 years ago Rabin was getting such a shitstorm from "purists" for his general style, guitars & stuff...

20 years later, people come and listen again and finally be "hey, that wasn't so bad..."

In 20 years, people will listen stuff from now and react the same way...

mpolonest1232018-08-06 02:18:56
Canít argue with that, I was 5 when I saw Deep Blue Sea in theaters and remember loving the score as a kid, so Iím sure nostalgia plays a big part. And Iím sure the generation that grew up with Hans is going to dislike whatever direction film music takes (much like how the ďpuristsĒ dislike the RCP style)

Personally I donít mind the stylistic approach current scores have, which is why I enjoy many of Junkie XLís earlier works. Being a theme person, however, Iím partial to scores that can take a more thematic approach....

superultramegaa2018-08-06 03:31:39
I'm not going to look back at Skyscraper or JunkieXL's work and and admit it's good. I agree traditionalists can be a pain in the ass, but the current trend of turning film scores into the worst aspects of video game music, with little focus on motifs and leitmotifs besides 1 or 2 central ideas, mixed with the ugliest of electronic noises you can muster, is not a good trend by any means.

I am by no means a traditionalist either. Despite its lack of sophisticated thematic detail, video games have produced some of the best music of our time, just as film has. I also love much of Zimmer's work, along with Jablonsky's more notable efforts. I'm not one of those people who say that every composer and film score needs to have constant time signature changes and chromaticism in every track, (to be honest those are the least important aspects in my opinion.)

However, if you're going to spend the time and money recording an orchestra, use the damn orchestra. Don't bury it in synth and the ugliest, loudest, mentally damaging electronic noise you can think of! Mix it with orchestra organically like TDK Trilogy or the Transformers series, sure. Use only electronics if you absolutely think the orchestra will not work for a movie, go for it. Don't just create noise for the sake of noise.

Even melodic composers who sometimes feel like they're composing nothing more than complex orchestral noise (Alan Silvestri as of late), at least their music had thought put into it, took real mental energy, and has a really nice aesthetic. How much thought does it really take nowadays, to mix electronics together until they're loud and ugly enough? Sure, maybe to design the noises, but composition wise? It wouldn't shock me if their notes for composing some of these tracks were simply "intense electronics play."

As a final note, the lack of instrument variety is seriously getting on my nerves with some composers, especially with the release of Christopher Robin showing off Zanelli's ability for it. I love horns and strings as much as the next guy, but get woodwinds, exotic instruments, accordions, percussion instruments like xylophones, celestas, all of it! This problem is biggest with RCP currently, but even melodic scores are using less and less instruments (Marvel movies).

I know this is somewhat unrelated to this score specifically, but I really have been getting kinda pissed with the state of film music (particularly Jablonsky after the wonderfully varied IDEA and the return to form in Transformers 5).

Scorefan2018-08-06 04:11:15
@Hybrid, do you know why Trevor didn't make the score? I mean, John Turteltab made both National Treasure and The Sorcerer's Apprentice and in those films Trevor was the composer

rockhound2018-08-06 10:00:57
Trevor is still on tour with ARW.

Scorefan2018-08-06 21:31:35
@rockhound, thanks

MrZimmerFan reply Replies: 0 || 2018-08-06 10:19:56
The people still forget the main problem is not the composer, is the people behind it: directors, producers, studios.

I don't hate electronic scores (Skyscraper was ok, but far from the best from Jab), but also think NOT every movie ask for a full orchestral score (and this come from a guy who loves people like Michael Giacchino, Trevor Jones or John Williams, for god sake, Jerry Goldsmith (Planet of the Apes have a score not thematic with a lot of variety of instruments, even Alien have such thing, and is my FAVORITE from Jerry).

Well, go to the topic. Deep Blue Sea is one of my favorites (and yeah, when i was listen The Meg, i recall this one), and DBS is dumb, but fun movie, and the fu** epic guitar from Rabin is still memorable.

Jaros428 reply Replies: 0 || 2010-10-23 00:00:00
we need to contact Rabin and tell him to release the complete score for this, or who ever is in charge.

Cloud reply Replies: 0 || 2010-10-23 00:00:00
Yeah, I wish La La Land or Intrada or some other label would release an expanded edition of Deep Blue Sea. There's so much good music missing on the original score album.

Adam reply Replies: 0 || 2010-09-24 00:00:00
This really isn't worth anyones time to find. The tracks, although listenable, only make you want the better and real thing much more and it's just more of a tease then anything because end has almost everything that the other tracks have but maybe 40 seconds of what should have been put in the original score. Infact it's quite sad the score released for this movie was so puny. Honestly it deserved a 2-CD Complete or atleast MOST of the music.

Owell. Maybe someday she will appear!

jr composer reply Replies: 0 || 2006-06-12 00:00:00
and where did you get it from?

Erocental reply Replies: 0 || 2006-05-11 00:00:00
Wow... finally the music that was missing from the original score. The quality isn't that good with track 11 to 13 but it's listenable. Very good score! =)© 2001-2018 OST 
Deep Blue Sea (Complete Score) soundtrack - Trevor Rabin 1999