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Hello everyone! After watching the film I noticed that about half of music that used in film disappeared at sessions or has different arrangement. Why it's not released? What's the reason for this?As always with unused pieces of music. There are always be more interesting. Like with Dark Phoenix.I think what Lorne wrote for the last 30 min of the movie is way better than what ended in the movie... Lorne tried to elevate what was going on on screen, but it was probably too "bold" for the taste of production... They wanted to keep as "kow key" as possible but to me it made the ending of the film fall super flat...
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<br>In the end there isn't that much Lorne in the film (most of the "Moon" reel is Lorne though, that big 4 notes motif appearing during the moon landing and then takeoff). Ironically most of the droning you're all complaining about is not that much Lorne... lol
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<br>I really hope Lorne will put out as much music as possible, even all the unused parts, which are the more interesting ones !Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldn’t help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ‘Terence Malick-y’, “Thin Red Line” feel throughout.<br><br>I’m definitely not familiar with Max Richter so I can’t comment on what he might have written, but Balfe’s broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.
I'm just waiting for Gemini Man, that (i hope) would be funI love that cue.So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.
Not any more lame than the Balfe cueLorne says it will be released and insists it’s not a GITS situation.That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lol
So is this how it’s gonna be? Official release for Richter and leaks by Balfe :(Lorne posted a track from Ad Astra on his YouTube channelThank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?That’s literally the best part of the score though. But it’s typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)
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Additional MusicAdditional MusicAdditional Music
Hans ZimmerNick Glennie-SmithMark MancinaJohn Van Tongeren
ComposerAdditional MusicAdditional MusicAdditional Music
True Romance
Label: Edel
Length: 46'54 (Score: 10'38)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (12629 votes)
  1. You're So Cool (3:40)
  2. Graceland - Charlie Sexton (3:25)
  3. In Dreams - John Waite (3:45)
  4. Wounded Bird - Charles & Eddie (5:10)
  5. I Want Your Body - Nymphomania (4:18)
  6. Stars At Dawn (2:04)
  7. I Need A Heart To Come Home To - Shelby Lynne (4:20)
  8. Viens Mallika Sous Le Dome Edais From Lakme - Howard Blake (3:56)
  9. (Love Is) The Tender Trap - Robert Palmer (2:37)
  10. Outshined - Soundgarden (5:12)
  11. Amid The Chaos Of The Day (4:54)
  12. Two Hearts - Chris Isaak (3:33)
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Alan reply Replies: 0 || 2006-01-06 00:00:00
Isn't it just a light re-working of Carl Orff's Musica Poetica? (used on the soundtrack of Badlands)

Dan reply Replies: 0 || 2005-11-16 00:00:00
I NEED that tune on my phone does anyone know where to get it from? preferebly real tone

Cassie reply Replies: 0 || 2005-11-12 00:00:00
You're so cool. It is such a beautiful song

Al reply Replies: 0 || 2005-11-06 00:00:00
does anyone know where you can find sheet music for "--you're so cool"--? That song is amazing.

Jerry reply Replies: 0 || 2005-11-01 00:00:00
haunting-the best

Jake reply Replies: 0 || 2005-11-01 00:00:00
Your so Cool is amazing

Mike Ray reply Replies: 0 || 2005-10-20 00:00:00
A truly amazing song that, since I viewed true romance, I have been able to relive that same moment in music through a variety of Movies and commercials. Thanks so much.

Ryan Adams reply Replies: 0 || 2005-10-09 00:00:00
"--You're So Cool"-- is quite simply an amazing song, and I'm thrilled that Miller has matched it to their current campaign - rarely can I say that I love a commercial!

Anonymous reply Replies: 0 || 2005-09-24 00:00:00
I also noted "--You're so Cool"-- in the new Miller commercial ---what a great song--congrads again...

Andrew reply Replies: 0 || 2005-09-21 00:00:00
You're So Cool - Wonderfully reborn in the Miller High Life Ad: Girl on the Moon.

Brings in the true nostalgic emotion. It almost makes me want to drink Miller High Life. Congratulations again.

herdim77 reply Replies: 0 || 2005-05-27 00:00:00
Un Score Inégal qui possede tout de meme l'excellent You're So Cool et le trés bon Amid the Chaos of The Day, True Romance reste tout de meme dans l'ensemble un sous-Hans Zimmer que l'on a vu plus inspire pour Bird On A Wire, Thelma &-- Louise, Crimson Tide et Broken Arrow par exemple

slogan4u2 reply Replies: 0 || 2005-04-26 00:00:00
FANTASTIC ! ! !

OOZ reply Replies: 0 || 2005-03-21 00:00:00
I love it!

john reply Replies: 0 || 2005-01-30 00:00:00
once again, amazin work!

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True Romance soundtrack - Hans Zimmer 1993