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I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.What a fantastic soundtrack.<br>It’s totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfe’s electronic weirdness is very unique.<br>It’s nothing like Balfe’s Dark Materials BUT why I’m earth should it be !<br>10/10Gavin should be listed as conductor
Because Ice Age was composed by David Newman and Collision Course was composed by John DebneyWhen i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lol
Another awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.
I expected a lot from this score, and the truth is that it left me cold.  Honestly, I think it is Bay's fault, Balfe has shown that he is capable of doing everything, but here it gives the feeling of being covered.  Again, Balfe must focus on fewer projects and the projects he accepts are of quality.There are speculations about the track "Til Death Do Us Part "as being composed by Brandon Campbell. Can anyone confirm whether it was Djawadi or Campbell who composed it?Come to Portugal again.> which ones are listenable<br>all of the ones I listed are the melodic/orchestral moments in the score not counting Memories and Beautiful Sunday.<br>Listen to Haunt the Living, Thrones, A Million Battles or One, But Not Done and tell me that the score is a travesty.Knight - okay, let us know which ones of these tracks are even listenable? Hyperbolic nonsense defines this score, but I do not blame Balfe - this would have been what Bay wanted. Such a shame to see his artistic credibility reduced to this after the stellar work on His Dark Materials and acceptable material on Gemini Man,.
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Additional MusicAdditional MusicAdditional Music
Hans ZimmerNick Glennie-SmithMark MancinaJohn Van Tongeren
ComposerAdditional MusicAdditional MusicAdditional Music
True Romance
Label: Edel
Length: 46'54 (Score: 10'38)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (12682 votes)
  1. You're So Cool (3:40)
  2. Graceland - Charlie Sexton (3:25)
  3. In Dreams - John Waite (3:45)
  4. Wounded Bird - Charles & Eddie (5:10)
  5. I Want Your Body - Nymphomania (4:18)
  6. Stars At Dawn (2:04)
  7. I Need A Heart To Come Home To - Shelby Lynne (4:20)
  8. Viens Mallika Sous Le Dome Edais From Lakme - Howard Blake (3:56)
  9. (Love Is) The Tender Trap - Robert Palmer (2:37)
  10. Outshined - Soundgarden (5:12)
  11. Amid The Chaos Of The Day (4:54)
  12. Two Hearts - Chris Isaak (3:33)
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Alan reply Replies: 0 || 2006-01-06 00:00:00
Isn't it just a light re-working of Carl Orff's Musica Poetica? (used on the soundtrack of Badlands)

Dan reply Replies: 0 || 2005-11-16 00:00:00
I NEED that tune on my phone does anyone know where to get it from? preferebly real tone

Cassie reply Replies: 0 || 2005-11-12 00:00:00
You're so cool. It is such a beautiful song

Al reply Replies: 0 || 2005-11-06 00:00:00
does anyone know where you can find sheet music for "--you're so cool"--? That song is amazing.

Jerry reply Replies: 0 || 2005-11-01 00:00:00
haunting-the best

Jake reply Replies: 0 || 2005-11-01 00:00:00
Your so Cool is amazing

Mike Ray reply Replies: 0 || 2005-10-20 00:00:00
A truly amazing song that, since I viewed true romance, I have been able to relive that same moment in music through a variety of Movies and commercials. Thanks so much.

Ryan Adams reply Replies: 0 || 2005-10-09 00:00:00
"--You're So Cool"-- is quite simply an amazing song, and I'm thrilled that Miller has matched it to their current campaign - rarely can I say that I love a commercial!

Anonymous reply Replies: 0 || 2005-09-24 00:00:00
I also noted "--You're so Cool"-- in the new Miller commercial ---what a great song--congrads again...

Andrew reply Replies: 0 || 2005-09-21 00:00:00
You're So Cool - Wonderfully reborn in the Miller High Life Ad: Girl on the Moon.

Brings in the true nostalgic emotion. It almost makes me want to drink Miller High Life. Congratulations again.

herdim77 reply Replies: 0 || 2005-05-27 00:00:00
Un Score Inégal qui possede tout de meme l'excellent You're So Cool et le trés bon Amid the Chaos of The Day, True Romance reste tout de meme dans l'ensemble un sous-Hans Zimmer que l'on a vu plus inspire pour Bird On A Wire, Thelma &-- Louise, Crimson Tide et Broken Arrow par exemple

slogan4u2 reply Replies: 0 || 2005-04-26 00:00:00
FANTASTIC ! ! !

OOZ reply Replies: 0 || 2005-03-21 00:00:00
I love it!

john reply Replies: 0 || 2005-01-30 00:00:00
once again, amazin work!

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True Romance soundtrack - Hans Zimmer 1993