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Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?Just saw Maleficent 2. There is a lot more Newton Howard in the movoe than there is on album.<br>I actually can't really understand why they didn't include the reprise of The Christening (the dinner scene) & the finale in the movie.<br><br>Zanelli's score is wonderful and I love it very much. But would have loved this on albumI can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensationBalfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.
I really liked Richter’s score over balfesI listened Max Richter for years. He is the kind of select or minority composer who does his solo works and soundtrack for movies not so famous. <br>His solo works are really really good with quintet and piano and voice. "on the nature of daylight" is definitely the best. <br>His sountrack is not good as his solo, to be honest. I think "the Leftovers" (2014-2017, HBO series), "Miss Slaone" (2016) and "Mary Queen of Scots" (2019) are cool.<br>If you need some peaceful music for meditation or good sleep, listen to his work.Richter did his recording in january and june 2019. The Director himself is a fan of Richter, so the deadline and director are not the reason.<br>It seemed that producers were not satisfied with Richter's music and they wanted something new, that's why they got Lorne. It turned out Lorne brought a very limited new...@Cercei<br>Hybrid can definitely answer that best. Richter’s score is used (alongside Balfe’s material) as well as some source pieces. If I remember correctly it’s a mish-mash of the two.I do know that piece, it’s very pretty. I’ll check out his other works, thanks for the recommendation. In terms of minimalism I really am into Brian Eno at the moment. His “Music For Airports” and “The Lovely Bones” are excellent if you like more introspective music.
btw, you're saying Lorne recomposed and reworked the entire score. as i haven't seen the movie yet, did the producers end up with not using richters score for it at all and just used the score from Lorne?thanks for your information. but i actually don't understand why they have done that. i've heard now Lornes cues and Richters cues. all those cues from Lorne, they sound very similiar to that what Richter composed, but somehow with less melodies. And you really have to work hard to not use fewer melodies then Richter, as he's a minimalist at its best ^^ with that being said, i can't hear any groundbreaking differences from Lornes part, so what was their idea on hiring it and getting the same style of music, but in a more "light" version? :/i really admire Max Richters work, he isn't that new in this scene. his style is that repeating minimalism. maybe you've heard once the cue "on the nature of daylight" which was used a lot by many other movies. his last score which knocked me out was "Hostiles". such an emotional and intense score, you need to hear that, and probably see the movie as well (with Christian Bale). <br><br>Really surprised at this album, I’ve never really heard anything from Max Richter but I really like what he ended up writing for this score. It surprisingly flows well for a stand alone listen. It’s funny that the producers wanted a different approach, I think Richter nailed it.<br><br>Balfe’s contribution is excellent as well, I particularly like that repeating chord progression (which is starting to become one of his trademarks considering how many times he has used it). It’s disappointing that they didn’t include more of his contribution though, since he apparently rewrote the entire score.Lorne said in his Twitter, the first album for His Dark Materials come 3rd November, no date, for the moment, for the second album.
Was the producersi haven't understood the fact, that Lorne was involved in this. Can someone explain it for me? Was the director not satisfied with Richters music? Was the deadline too near? Or what was the reason why they have brought Lorne to this project?"The Wanderer", "Event Horizon", "You Have To Let Me Go" and "Tuesday (Voiceless)" = WOW WOW WOW!!!Zanelli is no James Newton Howard, but he did a fantastic job with writing a large scale fantasy score. I’ll even say that, while I think the first Maleficent is stronger overall, I personally like the action writing better here. Also 2 little things I’ve noticed;<br><br>1. The new theme here sounds fairly similar to the Father/Son tune from KFP3<br>2. 2:20-3:30 sounds like it may have been temped from the finale of Fantastic Beasts. (Or maybe I’m just crazy lol)Great work of Zanelli, if is not as good like JNH's Maleficent, is a tremendous work, with a terrific writing and orchestrations, even the most tender parts are terrific.
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Harry Gregson-WilliamsJustin BurnettHeitor PereiraStephen Barton
ComposerAdditional MusicAdditional MusicAdditional Music
Man On Fire
Label: Varese Sarabande
Length: 64'21
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (13991 votes)
  1. Una Palabra - Carlos Varela (1:19)
  2. Main Title (3:05)
  3. Taxi (0:53)
  4. El Paso (0:41)
  5. Creasy's Room (0:34)
  6. The Rave (4:23)
  7. Pita's Sorrow (1:47)
  8. Nightmare (1:06)
  9. Bullet Tells The Truth (1:36)
  10. Followed (1:02)
  11. Smiling (0:48)
  12. You Are Her Father (1:45)
  13. No Mariachi (0:43)
  14. The Drop (2:58)
  15. Angel Vengador - Gabriel Gonzalez (1:22)
  16. You Betrayed Me (1:25)
  17. She's Dead (0:43)
  18. The Crime Scene (0:57)
  19. Pita's Room (1:48)
  20. Gonzalez (1:57)
  21. La Niña (1:49)
  22. Creasy's Art Is Death (0:54)
  23. The Voice (2:59)
  24. Sanchez Family (4:45)
  25. The Rooftop (5:07)
  26. The End - Lisa Gerrard (9:34)
  27. Man On Fire Remix - Hybrid & Lisa Gerrard (3:41)
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Darth reply Replies: 3 || 2015-03-17 09:11:02
hi everyone,

my main question is about the track "El Paso". In the release, we've got a 40s piece. But when you watch the movie, this piece is more then 2min long. It has such a beautiful and emotional vibe, it's maybe the best piece of music from this movie. so my question is, why it was cutted for the album?

you can find again the half of that missing piece in the end credits, but before it shows its full length, it's again cutted and it starts another music.

is this cue anywhere to be listen in its full length? "El Paso" is just the end of it, and it makes me sad that it was not released in its full glory. Who played it? Was it Heitor Pereira?

I really would appreciate any help for this, as i'm looking eagerly to find any information about it. Thank you very much :)

Darth2015-03-18 08:46:58
Mh, no one? :(

Darth2015-04-05 21:13:46
sadly no one...

Jim2015-04-06 14:22:56
I really want this one @ Expanded :/

Anonymous reply Replies: 0 || 2011-03-25 00:00:00
It took me quite a while to find this since I live in S.Korea.
I really enjoyed the movie with such a beautiful music sound.

syd reply Replies: 0 || 2010-11-10 00:00:00
Una Palabra - Carlos Varela (1:19)

nedjmo reply Replies: 0 || 2009-12-30 00:00:00
merci a tt liquipe

Adam reply Replies: 0 || 2009-07-20 00:00:00
i think this sound track omg it's unbelievable amazing i like it no i think that i'm cazy about this music

One time post reply Replies: 0 || 2008-10-27 00:00:00
@Helen: I think you mean Mas by Kinky, off of their album also called Kinky. Might be track 13, not sure. I was looking for this one myself. Not sure if that is the one you want, hope so.

Melanie reply Replies: 0 || 2008-09-30 00:00:00
I absolutely love this soundtrack and I loved the movie!

Antas, Webmaster reply Replies: 0 || 2008-08-08 00:00:00
@bahle : just buy it

bahle reply Replies: 0 || 2008-08-07 00:00:00
I need to down load the full movie

Aamir reply Replies: 0 || 2008-06-23 00:00:00
The song at the end of the film that is sung by Lisa Gerrard is called The End(Creasy Dies).

It's the one where Denzel is in the car and he dies looking at the volcano thing.

Once again, it's called The End(Creasy Dies)- Lisa Gerrard

Brenda reply Replies: 0 || 2008-05-13 00:00:00
where can I find the lyrics for Lisa Gerrard's song The End from Man on Fire

Mélissa reply Replies: 0 || 2008-04-01 00:00:00
Ce film est magnifique, intense, profond, triste jdr les film triste et celui la est vraiment génial. la chanson de la fin c la cerise sur le gato! je nai jamais pleuré pr un film et celui la a preske réussi! Denzel washington c un trè bon acteur. Je veu revoir ce film o plu vite!!!

Vladimir reply Replies: 0 || 2008-03-25 00:00:00
best saundtrack ever

Helen reply Replies: 0 || 2008-02-17 00:00:00
can anyone tell me the name of the song that came after una palabra in the movie man on fire at the end of the film. Thanks

seamus reply Replies: 0 || 2008-02-15 00:00:00
soothing

heunis reply Replies: 0 || 2008-02-10 00:00:00
hi, can you please put the title of the song of lisa gerrard from the movie man on fire, i've been looking for the title all my life

omatr reply Replies: 0 || 2008-01-02 00:00:00
very nice

sopjohn reply Replies: 0 || 2007-12-22 00:00:00
c le film de tou les temps

Anonymous reply Replies: 0 || 2007-11-30 00:00:00
fear has a voice

Rosario reply Replies: 0 || 2007-11-23 00:00:00
One of the best lirycs ever! (Una palabra)

nery reply Replies: 0 || 2007-11-02 00:00:00
The film is amazing, My favourite. The music was beautiful. Good job (Y)

Liana reply Replies: 0 || 2007-08-15 00:00:00
The film is amazing, My favourite. The music was beautiful. Good job (Y)

sina reply Replies: 0 || 2007-07-21 00:00:00
this CD in very very great i see this film and i crying with this sound tracks

bob reply Replies: 0 || 2007-03-28 00:00:00
man

daulina reply Replies: 0 || 2007-01-19 00:00:00
the end music in this film is perfect and
greattttt

GÖKHAN reply Replies: 0 || 2007-01-19 00:00:00
THANKS

véronique reply Replies: 0 || 2006-12-02 00:00:00
If someone could plss tell me where could i download the song or even send it to my mail: ### i would really appreciate.

The End (Music Composed by Harry Gregson-Williams and Lisa Gerrard&--#8218-- Vocals by Lisa Gerrard) Thanks a lot!!!

IntellectBG reply Replies: 0 || 2006-12-02 00:00:00
Does someone have the text for The End by Lisa Gerrard? Or there is none?

faisal reply Replies: 0 || 2006-09-10 00:00:00
Awesome movie....Dakota Fanning is superb along with danzel washington.....************.....may he be blessed by the GOD

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Man On Fire soundtrack - Harry Gregson-Williams 2004