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Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)
Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>
I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?
These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?
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Composer - Musician : Guitar
John PowellTJ LindgrenJohn Ashton ThomasGermaine Franco
ComposerAdditional MusicAdditional MusicMusic Production Coordinator
The Bourne Supremacy
Label: Varese Sarabande
Length: 48'19 (Score: 44'20)
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9692 votes)
  1. Goa (2:59)
  2. The Drop (3:42)
  3. Funeral Pyre (2:21)
  4. Gathering Data (1:54)
  5. Nach Deutschland (2:40)
  6. To The Roof (5:32)
  7. New Memories (2:48)
  8. Berlin Foot Chase (5:16)
  9. Alexander Platz - Abbotts Confesses (3:35)
  10. Moscow Wind Up (6:55)
  11. Bim Bam Smash (5:09)
  12. Atonement (1:32)
  13. Extreme Ways - Moby (3:56)
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Michael Poleschuck reply Replies: 0 || 2017-02-14 09:41:14
Conductor on this score is Pete Anthony, not Gavin Greenaway! Mr. Greenaway will conduct on The Bourne Ultimatum and Jason Bourne.

Anonymous reply Replies: 1 || 2016-02-08 16:26:34
Should we take the lack of a composer on "Jason Bourne" as an indication that Greengrass just used a Powell temptrack for the whole thing? ;)


Macejko2016-02-08 18:17:03
I really, really hope he decided to become a less of an asshole towards his music.

Mike reply Replies: 3 || 2014-09-17 03:11:10
So with the news that Greengrass and Damon are returning to the Bourne franchise...any idea whether Powell will return? Bourne wouldn't be (and from experience with JNH's score, isn't) the same without him!


Lambegue2014-09-17 14:18:31
I doubt it very much...Precisely because Greengrass is returning.


Edmund Meinerts2014-09-19 16:00:12
How many schmucks can there be left in Hollywood that would agree to score a film for Greengrass now? :p


Mike2014-09-19 18:07:42
Yeah, he's a pain...but I still hope Powell comes back. He was part of what made me like the Bourne films.

Mike reply Replies: 1 || 2013-05-16 09:33:50
I watched the movie again recently (great stuff) and I had never noticed before that a few of the cues were arranged somewhat differently in the film ("To the Roof" has electric guitar not on the album, "Gathering Data" has an extended ending, "Berlin Foot Chase" is somewhat extended, etc...).

It's a great score from Powell that makes the movie all the more enjoyable, as well as the best Bourne score, in my opinion. Although it's too bad the Hotel Brecker music (heard when Bourne is looking up info on Neski and when Pamela Landy visits Abbott) is not on the album.


Aragorn2013-05-16 09:36:22
I know! It was even re-used in Ultimatum, but wasn't on that album either! :(

Ele reply Replies: 0 || 2009-10-13 00:00:00
Yes, maybe theres isnt too much NR music from Ultimatum, but i just want End Credits with new "To The Roof" variation :)

Ravi Krishna reply Replies: 0 || 2009-10-13 00:00:00
I think the Ultimatum complete score isn't out yet. But I think there isn't too much music missing from Ultimatum, because quite a lot of cues from Identity and Supremacy were reused for it.

OMG reply Replies: 0 || 2009-10-12 00:00:00
Woohoo, I just got the 26 track complete score

It is awesomeness on toast!

Ravi Krishna reply Replies: 0 || 2009-10-12 00:00:00
Yup, it's great to listen to the Goa Chase music in its full glory now! :)

Ele reply Replies: 0 || 2009-10-12 00:00:00
Yeah, the complete score is really good :) Goa Chase rocks as well, but too bad its just another "Waterloo" from Ultimatum, although its better

Ele reply Replies: 0 || 2009-10-12 00:00:00
By the way, is there a complete score for Ultimatum?

krishna reply Replies: 0 || 2009-06-23 00:00:00
thanks for the download

toob reply Replies: 0 || 2009-05-18 00:00:00
exellent.

monchito reply Replies: 0 || 2009-01-09 00:00:00
exellent, mas no puedo decir gracias,

thanks have a very good dAY

DRAGON reply Replies: 0 || 2008-10-27 00:00:00
Cool Film And Amazing Music....!

Brent reply Replies: 0 || 2008-10-04 00:00:00
I listen to this music almost every night. It really touches me like no other music, ever. I can feel every note!

Thank you.

Admirer reply Replies: 0 || 2008-04-22 00:00:00
To me this is an utterly awesome soundtrack. I can listen non-stop without getting tired of it. Powell has mixed together so many different parts to create a piece of music with so much going on. I can't get enough of the bourne music. He brings together both emotion and adrenaline with the most successful consequences I have ever heard in film music. Other Powell soundtracks such as Paycheck (rachel's party) provide similar effects but never to such a high standard. Thanks, John, this music is wonderful.

Horst reply Replies: 0 || 2007-12-18 00:00:00
Thank you Anthony! I guess, I won't have another choice but following your instructions. I was already wondering about doing that but still hoped to find another possibility to get the song in CD quality...
Anyways, great site you built up there ;)
Cheers!

Anthony reply Replies: 0 || 2007-12-14 00:00:00
I agree Horst, for that music to be missing is a crime against nature. Take a look at the FAQ on my site for info: www.johnpowellcomposer.com

Horst reply Replies: 0 || 2007-12-13 00:00:00
Also love this movie and the soundtrack!!
What I was surprised about is that the song appearing during the chase in Goa and once again in the end titles after Moby's Extreme Ways is missing on the soundtrack.
Does anyone know why and where you can get it?
Besides To The Roof this is the best song played in the movie and just totally missing on the soundtrack... :'(

Zak reply Replies: 0 || 2007-11-18 00:00:00
Best movie of all-time! Wait till you see the bourne Ultimatum!! Its even better!!!

harshit reply Replies: 0 || 2007-10-25 00:00:00
Cool Film And Amazing Muzic....!

leik83 reply Replies: 0 || 2007-09-12 00:00:00
several beautiful musics for a amazing movie !! ^^

Justwantthe song"totheroof" reply Replies: 0 || 2007-08-11 00:00:00
All I want is the full song, is that too much to ask.

FUCKKK

Anthony reply Replies: 0 || 2007-08-11 00:00:00
Yes, because posting the full song on this website would be illegal.

Now go buy the thing off iTunes or something. It's under $1. :)

Cloud reply Replies: 0 || 2007-07-30 00:00:00
"Because you are providing a download that does'n exist".. does that deliberately make no sense at all?

Marcelo Iannarelli reply Replies: 0 || 2007-07-30 00:00:00
This site is a fucking shit, because you are providing a download that does'n exist. Thank for nothing

Ippy reply Replies: 0 || 2007-07-29 00:00:00
Yes yes, John Powell doesn't conduct. Hardly ever, actually. He said so on the Supremacy DVD - there's a special feature alllll about the music.

Antas, Webmaster reply Replies: 0 || 2007-07-23 00:00:00
@ok : page created ;)

ok reply Replies: 0 || 2007-07-22 00:00:00
just heard The Bourne Ultimatum and it sounds really good. wish there were more then 9 tracks. and shouldnt the moderators create the page allready..

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The Bourne Supremacy soundtrack - John Powell 2004