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Conrad Pope orchestrated and conducted this in New Zealand so i hope this isn’t Junkie’s regular sound design, percussion and synth score.@Edmund Meinerts:<br><br>"Hope nobody is stupid enough to think Powell was to blame." This. Following that same logic, Disney should never have let Williams back after the prequel trilogy.Has anyone been able to source this amazing soundtrack on records? <br><br>Thanks,He already did score a masterpiece in Mad Max Fury Road, although his music for that was no masterpiece. ;)Do you say "masterpiece" based on Peter Jackson's name, or based on the trailer? Because I'm really afraid for this movie, I love Jackson's films, but it just looks too dumb :-p
Best chance Junkie XL will ever have to score a masterpiece. Hope he do one this right.According to Film Music Reporter Junkie will score Mortal Engines. <br><br>http: //filmmusicreporter.com/2018/06/18/junkie-xl-scoring-mortal- engines-movie-adaptation/There wasn't really any hype for the movie, it didn't seem like people were all that interested in a Han Solo origin story. Plus it's only been half a year since Last Jedi came out and broke the internet. Unlike Marvel, Star Wars doesn't seem immune to franchise fatigue.<br><br>A shame. Hope nobody is stupid enough to think Powell was to blame.Hi guys. Dose anybody know why solo faild in box office ?Search for "filmtracks".
Sorry, just found it.Tried that, couldn't find an author named Clemmensen who reviewed it. (I don't know where to look I haven't seen this guy's reviews before).Should be easy to find with google...Seriously guys, what site is he on? I want to see this review, but I don't know where it is.I know woodwinds, with few exception, have been completely abandoned by RCP, but man would it be nice if Steve fit woodwinds into the small scale family scenes. He's great with them, but for whatever reason he doesn't seem to be able to use them unless it's an animation, The Sims or IDEA specifically, or fantasy (even then The Last Witch Hunter had no woodwinds). They add so much to the soundscape and make any score so much richer. <br><br>I'm listening to the Lord of the Rings Trilogy again currently, and god, they'd be nothing without all of those flutes and clarinets. Even when the main instrument is brass or string, the addition of woodwinds is so cleverly implemented by Shore, and they not only blend, but they actively enhance the sound. <br><br>Of course I'd also love Steve to continue using choir. He even seems to be getting better with it, with Transformers 5's use of it resembling the Halo franchise in a number of ways. It would be a wonderful surprise though if he went back to woodwinds eventually. I'm definitely not of the belief that they can't be used in a modern day setting either (Silence of the Lambs and the Spider-Man scores use them particularly well).
Steve is a very accommodating composer. So it's really up to the director's vision. With Bay, you know you gonna hear some of the best stuff Steve has to offer and that's because they share the same "musical ear".<br><br>When he's scoring Peter Berg movies, Steve often relies on sound design and his scores for those movies are not really melodic. The few exceptions aside, Berg likes sound design scores. And he likes to experiment A LOT (example: the MRI machine sound that was incorporated in the Battleship score. Bold choice!).<br><br>Where does the director of Skyscraper stand in all of this?<br><br>Personally, I think this score will be "in the middle". Little sound design there, little melodic cue over here.... : ) I don't expect power anthems, simply because - as big as the movie is - it's not "Michael Bay big". I do hope for a little choir work though. Steve is great with choir.The Solo review does look quite good.<br><br>Clemmensen comes across pretty badly in many of his reviews. Even some of the positive ones. He has some very strong preconceptions about certain things that sometimes lead him to say some reasonably aggravating stuff.<br><br>Interestingly, he stays almost reasonable in his A World's End review. I wouldn't point to that one as his most typical negative review.Additional information<br>Posted date 2016<br><br>but, It was sold for two years.<br><br>Hello Hans.<br><br>May i ask you a question?<br><br>The piano sheet is now on sale, so that your music is now in the market for commercial purposes. It is sold at $ 10, although I do not know whether or not the seller arranged the piano music directly. Please check with us for the availability of other music.<br><br>Please refer to this site: htta://www.yes24.com/24/goods/28085649<br><br>(South Korea book store.)<br><br>Book Introduction :<br>It is the piano music which made the best 22 songs. New Age, movies, games, animations, etc., can be seen in various genres, and each sheet of music is directly attached to the author's QR code video.<br><br>If there is no problem, please respond.<br><br>Have a good day.He’s definitely not a bad reviewer, and his writing style is pretty sharp. The obvious problem is that he has a strong bias against Zimmer. Most of his recent Zimmer reviews are less spent talking about themes and more so the “issues” with his current style.
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Harry Gregson-WilliamsJohn PowellJames McKee SmithToby Chu
ComposerComposerAdditional MusicAdditional Music
Shrek (Complete Score)
Label: Unofficial Release
Length: 53'56
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2774 votes)
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  1. Fairytale (1:28)
    Harry Gregson-Williams, John Powell
  2. Ogre Hunter (0:44)
    Harry Gregson-Williams, John Powell, Toby Chu
  3. Fairy Deathcamp (0:53)
    Harry Gregson-Williams, John Powell, Toby Chu
  4. Flying Donkey (2:53)
    Harry Gregson-Williams, John Powell
  5. Big Awkward Silence (0:39)
    Harry Gregson-Williams, John Powell
  6. Eating Alone (1:16)
    Harry Gregson-Williams, John Powell
  7. Whaaat? (1:28)
    Harry Gregson-Williams, John Powell
  8. Big City Adventure (0:54)
    Harry Gregson-Williams, John Powell
  9. March Of Farquaad (0:43)
    Harry Gregson-Williams, John Powell
  10. Magic Mirror (0:20)
    Toby Chu
  11. The Perfect King (1:16)
    Harry Gregson-Williams, John Powell
  12. Duloc Muzak (1:00)
    Harry Gregson-Williams, John Powell
  13. Welcome To Duloc (0:34)
    Hope Levy, Jill Bogard, Mike Himelstein, Eric Darnell
  14. Tournament Speech (0:50)
    Harry Gregson-Williams, John Powell
  15. Champion Shrek (0:24)
    Harry Gregson-Williams, John Powell, James McKee Smith
  16. What Kind Of Quest? (0:25)
    Harry Gregson-Williams, John Powell
  17. Smells Like Brimstone (0:31)
    Harry Gregson-Williams, John Powell
  18. The Castle (1:38)
    Harry Gregson-Williams, John Powell
  19. Dragon! (1:36)
    Harry Gregson-Williams, John Powell
  20. Fiona Awakens (0:33)
    Harry Gregson-Williams, John Powell
  21. One Of A Kind Knight (1:19)
    Harry Gregson-Williams, John Powell, James McKee Smith
  22. Saving Donkey's Ass (0:43)
    Harry Gregson-Williams, John Powell, James McKee Smith
  23. Escape From The Dragon (1:56)
    Harry Gregson-Williams, John Powell
  24. Helmet Hair (2:11)
    Harry Gregson-Williams, John Powell
  25. Delivery Boy Shrek (0:21)
    Harry Gregson-Williams, John Powell
  26. Making Camp (0:28)
    Harry Gregson-Williams, John Powell
  27. Constellations (1:00)
    Harry Gregson-Williams, John Powell
  28. Starry Night (0:57)
    Harry Gregson-Williams, John Powell
  29. Singing Princess (1:36)
    Harry Gregson-Williams, John Powell
  30. Better Out Than In (0:19)
    Harry Gregson-Williams, John Powell
  31. Merry Men (0:43)
    Vincent Cassel, Kirby Tepper, Andrew Adamson, Conrad Vernon
  32. Fiona Kicks Ass (0:27)
    Harry Gregson-Williams, John Powell
  33. Fiona's An Ogre (2:59)
    Harry Gregson-Williams, John Powell
  34. Sunflower (0:48)
    Harry Gregson-Williams, John Powell
  35. I'll Tell Him (1:09)
    Harry Gregson-Williams, John Powell
  36. Why Wait To Be Wed? (1:35)
    Harry Gregson-Williams, John Powell
  37. You Thought Wrong (0:23)
    Harry Gregson-Williams, John Powell
  38. Ride The Dragon (1:33)
    Harry Gregson-Williams, John Powell
  39. I Object (1:52)
    Harry Gregson-Williams, John Powell
  40. Transformation (1:50)
    Harry Gregson-Williams, John Powell
  41. You Are Beautiful (1:41)
    Harry Gregson-Williams, John Powell
  42. Is It You (I Have Loved) (3:59)
    Dana Glover, Harry Gregson-Williams, John Powell, Gavin Greenaway
  43. Fairy Tale Theme (1:44)
    Harry Gregson-Williams, John Powell
  44. Starry Night (Alternate) (0:58)
    Harry Gregson-Williams, John Powell
  45. Singing Princess (Alternate) (1:40)
    Harry Gregson-Williams, John Powell
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Cameron reply Replies: 0 || 2018-05-15 20:14:33
Has anyone noticed that the version of "I'll Tell Him" heard in the film is different than the OST? But there's no alternate listed here.

Bayhem reply Replies: 1 || 2018-05-15 12:28:43
I still remember how some people (critics, ugh!) were "complaining" that the Rabin's theme from Deep Blue Sea was very obviously re-used during the dragon sequences in Shrek.

I mean, yes, it kinda reminds me of Rabin's cue, but listening to the tracks now, it's certainly not as bad as some people made it out to be. Overall, I really like what Powell and HGW did with the Shrek score.

Speaking of Shrek, I really hope HGW returns for the upcoming fifth movie. Oh, who am I kidding - Lorne will probably steal this one as well.....lol.


Edmund Meinerts2018-05-15 14:56:16
I mean, it's a four chords theme...there have been literally hundreds of those written over the years, it's hard to say which ones are ripping off which.

Marty McFly reply Replies: 0 || 2015-11-03 16:35:20
Will the complete score for Shrek 2, Shrek the Third, Shrek Forever After or not?

... reply Replies: 0 || 2013-10-14 16:29:47
May we have a track list?

Anthony reply Replies: 0 || 2006-11-24 00:00:00
All the extra stuff is just chopped up release material. Nothing worthwhile here.

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Shrek (Complete Score) soundtrack - Harry Gregson-Williams - John Powell 2001