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Sorry, das ist doch ein Witz, Dortmund ist nicht dabei :(Way too many songs.<br>Lorne Balfe score nailed it.Great to see Bay working with Balfe now.This is an RCP website, those scores aren't by RCP composers...Power anthems ???? Obviously you haven’t watched the movie.They would not fit in this movie.<br><br>Balfe’s score is really cool and not expected.Already listened to it 4 times!I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.
Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.What a fantastic soundtrack.<br>It’s totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfe’s electronic weirdness is very unique.<br>It’s nothing like Balfe’s Dark Materials BUT why I’m earth should it be !<br>10/10Gavin should be listed as conductorBecause Ice Age was composed by David Newman and Collision Course was composed by John Debney
When i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lolAnother awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.
I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.I expected a lot from this score, and the truth is that it left me cold.  Honestly, I think it is Bay's fault, Balfe has shown that he is capable of doing everything, but here it gives the feeling of being covered.  Again, Balfe must focus on fewer projects and the projects he accepts are of quality.
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Harry Gregson-WilliamsJohn PowellJames McKee SmithToby Chu
ComposerComposerAdditional MusicAdditional Music
Shrek (Complete Score)
Label: Unofficial Release
Length: 53'56
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3306 votes)
  1. Fairytale (1:28)
    Harry Gregson-Williams, John Powell
  2. Ogre Hunter (0:44)
    Harry Gregson-Williams, John Powell, Toby Chu
  3. Fairy Deathcamp (0:53)
    Harry Gregson-Williams, John Powell, Toby Chu
  4. Flying Donkey (2:53)
    Harry Gregson-Williams, John Powell
  5. Big Awkward Silence (0:39)
    Harry Gregson-Williams, John Powell
  6. Eating Alone (1:16)
    Harry Gregson-Williams, John Powell
  7. Whaaat? (1:28)
    Harry Gregson-Williams, John Powell
  8. Big City Adventure (0:54)
    Harry Gregson-Williams, John Powell
  9. March Of Farquaad (0:43)
    Harry Gregson-Williams, John Powell
  10. Magic Mirror (0:20)
    Toby Chu
  11. The Perfect King (1:16)
    Harry Gregson-Williams, John Powell
  12. Duloc Muzak (1:00)
    Harry Gregson-Williams, John Powell
  13. Welcome To Duloc (0:34)
    Hope Levy, Jill Bogard, Mike Himelstein, Eric Darnell
  14. Tournament Speech (0:50)
    Harry Gregson-Williams, John Powell
  15. Champion Shrek (0:24)
    Harry Gregson-Williams, John Powell, James McKee Smith
  16. What Kind Of Quest? (0:25)
    Harry Gregson-Williams, John Powell
  17. Smells Like Brimstone (0:31)
    Harry Gregson-Williams, John Powell
  18. The Castle (1:38)
    Harry Gregson-Williams, John Powell
  19. Dragon! (1:36)
    Harry Gregson-Williams, John Powell
  20. Fiona Awakens (0:33)
    Harry Gregson-Williams, John Powell
  21. One Of A Kind Knight (1:19)
    Harry Gregson-Williams, John Powell, James McKee Smith
  22. Saving Donkey's Ass (0:43)
    Harry Gregson-Williams, John Powell, James McKee Smith
  23. Escape From The Dragon (1:56)
    Harry Gregson-Williams, John Powell
  24. Helmet Hair (2:11)
    Harry Gregson-Williams, John Powell
  25. Delivery Boy Shrek (0:21)
    Harry Gregson-Williams, John Powell
  26. Making Camp (0:28)
    Harry Gregson-Williams, John Powell
  27. Constellations (1:00)
    Harry Gregson-Williams, John Powell
  28. Starry Night (0:57)
    Harry Gregson-Williams, John Powell
  29. Singing Princess (1:36)
    Harry Gregson-Williams, John Powell
  30. Better Out Than In (0:19)
    Harry Gregson-Williams, John Powell
  31. Merry Men (0:43)
    Vincent Cassel, Kirby Tepper, Andrew Adamson, Conrad Vernon
  32. Fiona Kicks Ass (0:27)
    Harry Gregson-Williams, John Powell
  33. Fiona's An Ogre (2:59)
    Harry Gregson-Williams, John Powell
  34. Sunflower (0:48)
    Harry Gregson-Williams, John Powell
  35. I'll Tell Him (1:09)
    Harry Gregson-Williams, John Powell
  36. Why Wait To Be Wed? (1:35)
    Harry Gregson-Williams, John Powell
  37. You Thought Wrong (0:23)
    Harry Gregson-Williams, John Powell
  38. Ride The Dragon (1:33)
    Harry Gregson-Williams, John Powell
  39. I Object (1:52)
    Harry Gregson-Williams, John Powell
  40. Transformation (1:50)
    Harry Gregson-Williams, John Powell
  41. You Are Beautiful (1:41)
    Harry Gregson-Williams, John Powell
  42. Is It You (I Have Loved) (3:59)
    Dana Glover, Harry Gregson-Williams, John Powell, Gavin Greenaway
  43. Fairy Tale Theme (1:44)
    Harry Gregson-Williams, John Powell
  44. Starry Night (Alternate) (0:58)
    Harry Gregson-Williams, John Powell
  45. Singing Princess (Alternate) (1:40)
    Harry Gregson-Williams, John Powell
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Cameron reply Replies: 0 || 2018-05-15 20:14:33
Has anyone noticed that the version of "I'll Tell Him" heard in the film is different than the OST? But there's no alternate listed here.

Bayhem reply Replies: 1 || 2018-05-15 12:28:43
I still remember how some people (critics, ugh!) were "complaining" that the Rabin's theme from Deep Blue Sea was very obviously re-used during the dragon sequences in Shrek.

I mean, yes, it kinda reminds me of Rabin's cue, but listening to the tracks now, it's certainly not as bad as some people made it out to be. Overall, I really like what Powell and HGW did with the Shrek score.

Speaking of Shrek, I really hope HGW returns for the upcoming fifth movie. Oh, who am I kidding - Lorne will probably steal this one as well.....lol.


Edmund Meinerts2018-05-15 14:56:16
I mean, it's a four chords theme...there have been literally hundreds of those written over the years, it's hard to say which ones are ripping off which.

Marty McFly reply Replies: 0 || 2015-11-03 16:35:20
Will the complete score for Shrek 2, Shrek the Third, Shrek Forever After or not?

... reply Replies: 0 || 2013-10-14 16:29:47
May we have a track list?

Anthony reply Replies: 0 || 2006-11-24 00:00:00
All the extra stuff is just chopped up release material. Nothing worthwhile here.

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Shrek (Complete Score) soundtrack - Harry Gregson-Williams - John Powell 2001