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I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today. He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premier
I am struggling to find an interview where Hans speaks about this soundtrack. Does it even exist? <br>I spent the last hours digging but nothing. I always desired to hear some comments about it, like he does for the other works he's done.<br>I know it's a far stretch for Hans To release docu scores, but am really curious as to what Brave Miss World, Believer and Jalous of the Birds sound like...<br><br><br>@Mephariel<br>You can find Great Bear Rainforest on bleedingfingersmusic.com under Anze RozmanMondo only offered to send me a return label and a refund. No info yet on if they plan to fix it. :-/Mine arrived today and is definitely sped up.LOL klaus badelt hardly composed pirates 1
You know what? I love the booklet credits! Klaus Badelt is the same guy who scored Pirates of the Caribbean: The Curse of the Black Pearl.Thanks Hybrid soldier for the good news<br>I can't wait to see the documental film and hear the score of lorne balfe & hans zimmer.A score will be released.<br><br>You can always count on Lorne for that. It's in the works.What was the last Zimmer documentary score that they released outside of BBC? <br><br>I am still waiting for The Great Bear Rainforest.I hope they can the soundtrack release for "Rebuilding Paradise" composed by Hans zimmer & Lorne balfe, including an original song for the film. I hope there is a possibility that they will release the score.
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Hans ZimmerSteve JablonskyGavin GreenawayJim Dooley
ComposerAdditional MusicAdditional MusicAdditional Arrangements
Spirit - Stallion Of The Cimarron (Complete Score)
Label: Unofficial Release
Length: 102'06
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6655 votes)
  1. Homeland Opening (3:54)
    Hans Zimmer
  2. Here I Am (Birth) - Spirit The Colt - Colt To Stallion (4:57)
    Bryan Adams, Hans Zimmer, Gretchen Peters, Gavin Greenaway
  3. Cougar Fight (0:54)
    Hans Zimmer
  4. This Is Where I Belong (2:22)
    Bryan Adams, Hans Zimmer, R.J. Lange, Gavin Greenaway
  5. Investigating (2:21)
    Hans Zimmer
  6. Wrangler Chase - Spirit Captured (3:40)
    Hans Zimmer, Gavin Greenaway
  7. You Can't Take Me (2:57)
    Bryan Adams, Gavin Greenaway, R.J. Lange
  8. Induction (1:56)
    Hans Zimmer, Steve Jablonsky
  9. Get Off My Back (2:50)
    Bryan Adams, Eliot Kennedy, Matt Mahaffey
  10. Tied To A Post (2:28)
    Hans Zimmer, Mel Wesson
  11. Indian Boy Arrested (0:38)
    Steve Jablonsky
  12. Second Rodeo (Part 1) (1:49)
    Hans Zimmer
  13. Second Rodeo (Part 2) (0:36)
    Hans Zimmer
  14. Triumph Over The Colonel (0:50)
    Hans Zimmer, Steve Jablonsky, James Dooley
  15. Fort Escape - Intro Rain (1:52)
    Hans Zimmer
  16. Unbridled (1:00)
    Steve Jablonsky
  17. Rain's World (2:55)
    Hans Zimmer
  18. Tango (0:50)
    Hans Zimmer, Gavin Greenaway
  19. Indian Village (1:29)
    Hans Zimmer
  20. Swimming (2:35)
    Hans Zimmer
  21. You Can Go (2:55)
    Hans Zimmer, Steve Jablonsky
  22. Blue Man Raid - Rapids (2:23)
    Hans Zimmer, Steve Jablonsky
  23. Fallen Rain (3:08)
    Hans Zimmer
  24. Sound The Bugle (3:54)
    Bryan Adams, Gavin Greenaway, Trevor Horn
  25. Iron Horse Camp - Pulling (3:20)
    Hans Zimmer
  26. Spirit's Vision - Train Escape (2:21)
    Hans Zimmer, Steve Jablonsky, James Dooley
  27. Forest Fire (1:28)
    Hans Zimmer
  28. Kindred Spirit (1:30)
    Hans Zimmer, Steve Jablonsky
  29. Canyon Chase (2:50)
    Hans Zimmer
  30. Spirit's Leap (1:25)
    Hans Zimmer
  31. Reunion (3:00)
    Hans Zimmer
  32. I Will Always Return (Finale) (2:46)
    Bryan Adams, Hans Zimmer, R.J. Lange, Gavin Greenaway
  33. Here I Am (End Title) (4:45)
    Bryan Adams, Hans Zimmer, Gretchen Peters, Gavin Greenaway, R.J. Lange
  34. Don't Let Go (4:03)
    Bryan Adams, Sarah McLachlan, Gretchen Peters, Gavin Greenaway, R.J. Lange
  35. Brothers Under The Sun (3:58)
    Bryan Adams, Steve Jablonsky, Gretchen Peters
  36. Nothing I've Ever Known (3:53)
    Bryan Adams, Hans Zimmer, Eliot Kennedy, Gavin Greenaway
  37. I Will Always Return (3:59)
    Bryan Adams, Hans Zimmer, R.J. Lange, Patrick Leonard, Gavin Greenaway
  38. Here I Am (Birth) - Spirit The Colt - Colt To Stallion (Alternate) (4:32)
    Bryan Adams, Hans Zimmer, Gretchen Peters, Gavin Greenaway
  39. Iron Horse Camp - Pulling (Alternate) (3:20)
    Hans Zimmer
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T-Mann036 reply Replies: 0 || 2016-10-12 18:47:12
This complete film soundtrack of Spirit was 100% spot-on perfection. I truly enjoy Hans Zimmer with the musical performance of Bryan Adams. IMHO, this is one of Adams's greatest performance since "Robin Hood: Prince of Thieves".

Ds reply Replies: 3 || 2016-04-29 17:48:49
There's a typo in the title, there's only one "m" in "Cimarron" :-p

Ds2016-04-29 19:58:02
Reading the filmtracks review of this score... makes me want to cry.

"any hint of the enthusiasm or epic size that was evident in The Lion King or The Prince of Egypt is completely missing here."

"sound like the bastard child of the themes from The Rock and Toys"

What a crazy read. It's one of my all-time HZ favourites, I find it so refreshing, epic and thematically rich. Every time I hit the play button, I'm 11 again...

Edmund Meinerts2016-04-29 21:02:06
I can maybe, maybe hear a bit of Toys in there, but where Clemmensen is hearing The Rock is anyone's guess. Then again, he seems to be particularly good at hearing Crimson Tide in particular in scores that don't sound like it at all (really, any time Zimmer uses a male choir, it's a Crimson Tide clone)...and all while giving Horner multiple free passes for far worse. Oh well. Just shrug and laugh it off.

I'm not sure the Spirit as a whole is as well-rounded as Lion King or Prince of Egypt (it gets a bit repetitive after a while), but I ADORE the themes, and I'd put "Run Free" from the original album in my top 10 Zimmer cues ever. The whole thing sounds so warm and organic for some reason (which is odd considering it's so synth-heavy). It's like musical comfort food. :)

Ds2016-04-29 21:20:35
I agree so much! Run Free and Homeland are so delightful, entertaining, propulsive, emotional, really grand music.

Btw I can't help thinking Homeland would have been an amazing fit somewhere in the concert setlist!

pirate har har reply Replies: 4 || 2015-08-19 14:26:06
someone please leak this 'accidentally' :-)

treasurehunter2015-09-10 14:55:46
someone did ;-)

It's a wonderful score and a shame that so little of it was officially released.

emilyanne72462015-11-26 03:31:05
Does anyone have a link to where this expanded version (all 39 tracks) can be downloaded?

Edmund Meinerts2015-11-26 08:46:04
We could tell you, but then Nicolas would have to kill you (and us).

Anonymous2015-11-28 18:24:10
There's this problem with this site where if someone tries to name the forum that stuff can be found on, it gets censored, deleted or blocked from being posted at all.

McMissile reply Replies: 0 || 2015-08-15 18:07:42
Thanks for the updated sessions cue list, Hybrid. Do you have the slate numbers?

Der Schimmelreiter reply Replies: 0 || 2014-02-09 14:44:30
I love this music and I have the Score and the Soundtrack, but there are some tracks missing at least.
We definetely need a complete Score with every pinch of music from the whole film. I've made a list of scenes in the film where the music is not on the Soundtrack and neither on the Score. Is there someone out there who can help me?
I want this stuff sooo desperately :)

Catey reply Replies: 0 || 2011-08-05 21:10:15
Hi, what is the full soundtrack list? Im struggling to find it:) I need everything copied off directly from the CD:) Thanks:)

Seston reply Replies: 0 || 2011-04-17 00:00:00
Very true! Makes a change to see soomene spell it out like that. :)

Rocky reply Replies: 0 || 2011-03-31 00:00:00
@ Mr Tweedy
Hello! I have been looking for a promo score for Spirit, but I haven't found one anywhere!!! You said there are two promos?! Hans Zimmer's FYC promo, and Dooley's site promo? PLEASE can you tell me where to find them? Even if it's just a track list? How do you know about them? It would mean everything to me to own more of this score!!! And yes, I had been wondering if the 'Expanded Score' was fan made as well...ah well. Where can I find them?! IF ONLY PEOPLE WOULD SEE SENSE AND RELEASE A COMPLETE SCORE FOR EVERY FILM!!!
Thank you!
Rocky

brandi reply Replies: 0 || 2010-12-20 00:00:00
i just wanted to say i ive the sound track adn i hope you come out with another movie like this one

carlos reply Replies: 0 || 2010-12-11 00:00:00
is very beautiful this soundtrack I love

DemonStar reply Replies: 0 || 2009-07-12 00:00:00
Agreed, a proper complete score of this would be lovely to have.

Mr Tweedy reply Replies: 0 || 2009-07-12 00:00:00
@ DemonStar
Some licensing sites are giving credits to both Zimmer, Dooley and Jablonsky for "Triumph Over Colonel" and "Train Escape". This "credits" thing is quiet hard to understand (and to explain too !). For exemple, if Jablonsky is writing a cue alone, but that he uses one of Zimmer's themes, both Zimmer and Jablonsky will be credited for that cue.
If Jablonsky wrote the arrangement of one theme, and that Dooley is using this arrangement in, say "Train Escape", Zimmer, Dooley and Jablonsky will all be credited. Crazy heh? lol
Of course, I think that those cues are definitely Dooley's.

@ me
This "expanded" is fan made, as it contains cues from 3 sources : 1- The regular album, 2- Zimmer's FYC promo (not listed in h-z.com !!!), and 3- Dooley's site promo.

@ Skyler
You're right about Morris working on "Homeland". But as Zimmer assistant, I don't think he deserves a real "composing credits" for the cue. He probably helped in some ways... Wonderful cue anyway.


I have found credits for other cues, but I don't think they are available anywhere : "Induction" (Zimmer / Jablonsky), "Blue Man Raid" (Zimmer / Jablonsky) and "Tied to a Post" (Zimmer / Wesson). I also found that "Rain" was composed by Zimmer alone.

We need a "complete score" !!! lol

me reply Replies: 0 || 2009-07-11 00:00:00
I have this score and it's amazing! I love Zimmer's work though I would love to know which tracks Jablonsksy helped on.

Mr Tweedy reply Replies: 0 || 2009-07-11 00:00:00
I know for sure Jablonsky helped Zimmer and the following tracks : "The Long Road Back", and "Run Free". And he worked with Dooley on "Triumph Over Colonel" and "Train Escape". I don't exactly what he did but he probably arranged some sections...

me reply Replies: 0 || 2009-07-11 00:00:00
Thanks Mr. Tweedy. But if it's not too much trouble to ask, could you list the additional music composers with their appropriate tracks? I'd love to know who was involved with what. Thanks again though...

DemonStar reply Replies: 0 || 2009-07-11 00:00:00
I do know "Triumph Over The Colonel" and "Train Escape" are both by Dooley because they come from his website. Wish they were in better quality though, hehe.

Skyler reply Replies: 0 || 2009-07-11 00:00:00
According to his website, I think Trevor Morris contributed to "Homeland."

The Classics Music Cridicts reply Replies: 0 || 2009-07-11 00:00:00
THe music in the movie was just stunning and it would touch your heart how beautiful the music went with the movie

esraa reply Replies: 0 || 2009-07-10 00:00:00
very good

Xyla Nicole reply Replies: 0 || 2009-04-28 00:00:00
I really love the musics of Hans Zimmer

I am really surprised because through all the musics I search I always see Hanz Zimmer's name then I went to search more from his musics in the internet
then he even composed the songs of
Pirates of the Caribbean and Pearl Harbor (my favorite)
and now this !!!

I I have been a fan since then until now !!! (^_^)b

lupus6x9 reply Replies: 0 || 2008-09-14 00:00:00
The movie was so-so to me, and I'm not a fan of Bryan Adams. Hans Zimmer is not my favorite composer, and this is not my favorite soundtrack.

But "Run Free" is simply the best song I have ever heard in my entire life. I want to buy it again. And again. And I want it to be playing when I'm at my wedding, and when I'm on my deathbed.

Is there any way to get MORE of this soundtrack?

Anonymous reply Replies: 0 || 2008-08-30 00:00:00
MWAH! SPIRIT IS DA BEST MOVIE IN DA WORLD!!! CANT STOP WATCHING IT! THIS EXPANDED SCORE IS SOOO BEAUTIFUL AND THANK EVERYONE WHO CONTRIBUTED TO IT.....I LOVE IT SOO MUCH AND LISTEN TO IT EVERYDAY.......IT GIVES MY HEART ANOTHER BEATT WHEN I LISTEN TO IT!!!!!!!!!!!!!!
NEVER FORGET THE GOOD THINGS IN LIFE>>>
SPIRIT STALLION OF THE CIMARRON AND ITS SOUNDTRACK IS ONE OF THOSE GOOD THINGS!!!!!

Anonymous reply Replies: 0 || 2008-08-19 00:00:00
love this music soooooooooo much!!!!

Anonymous reply Replies: 0 || 2008-08-19 00:00:00
such emotional music and is just such a part of my lyf nw!

bralic reply Replies: 0 || 2008-04-28 00:00:00
sorry Iron Horse Camp / Pulling

anon reply Replies: 0 || 2008-02-10 00:00:00
this music is really good haha i like it

T'chain sock reply Replies: 0 || 2008-02-03 00:00:00
La musique de Spirit composée par Hans Zimmer est magnifique. Dommage qu'elle soit écorchée et saccagée par la voix affreuse de Bryan Adams. Sa voix chevrottante et horrible ne va pas du tout sur cette musique si délicate et si puissante.
Le chanteur Bryan Adams n'a rien à faire ici !! Bryan Adams enlève le manche à balais qui est resté dans ton cul et essaie de chanter au moins juste ! T'es archi nul !

iza reply Replies: 0 || 2007-12-03 00:00:00
the movie is very nice. it givs me courage and inspiration everytime. I also love the ost's by Bryan Adams and the album.

Taylor, Tabitha reply Replies: 0 || 2007-11-09 00:00:00
im not suppose to love you
im not suppose to care
im not suppose to live my life wishing you were here
im not suppse to wonder
where you go or what you do
i just can't help myself i fell in love with you

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Spirit - Stallion Of The Cimarron (Complete Score) soundtrack - Hans Zimmer 2002