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Why never ? <br>He dislikes the saga or not interested ? I'm curious.Does anyone know why "Knight's March" is not in the original album and if there is a extended edition that has this cue?<br><br>Rogue One was last minute change on Giacchino. I would like to hear Alexandre Desplat score to make a correct analysis from both scores. Besides that and with the little time, Giacchino's score is good, in the same style from maestro Williams. <br>Solo score is more different. Maestro Williams wrote the main theme and more cues, but what make the score different is Powell. He adapts Solo theme, and some of themes the original trilogy, but he puts him own stamp. Definitely is a Star Wars Score but with Powell stamp. Something Giacchino, maybe for the time, did not develop.<br>The film, well, i will watch on DVD.graciasWhile I always liked this score, it wasn’t until recently (when I revisited the film and album) that I realized how amazing it really is. There is still nothing that tops “Evacuating London” or the “Aslan” theme in terms of modern fantasy material. Each of the themes are brilliantly interconnected with each other, but stand on their own as well. I do wish there something a bit more distinctive for the White Witch, but that’s a small complaint.<br><br>The only other score that really reminds me of this (in terms of the string writing and piano material) is “Winters Tale” by Rupert. Also a pretty solid fantasy score.
I LOVE IT!!They kept the volume of the music so low in the movie, while rouge ones was jacked up and used as a center piece rather than side music like they did for John. Johnson piece is far better,  it they gave it a back seat <br>But Rogue One or Solo?<br><br>Because i remember more the music in RO after watching the movie than in Solo (well, maybe is because that theme for the character is so unispired and only i remember certain moments of the music)We are just gonna have to agree to disagree. ;-)I just said I haven't watched the movie or listened to the full score yet.
Still have to disagree, I love the new “Park Theme” and the way it sort of takes over from the classic theme. Then you have the Indominus theme, Owen’s theme, the villain theme, the family theme, the source music, etc.<br>I’ll take that any day over Lost World and JP3. Is it as good as the original score? Hell no, but not many scores are.'<br><br>The Lost World was a coherent evolution in the franchise, Williams maintains the original theme, but creates a darker and more percussive score (listen the expanded version by La La Land), because the movie isn't like Jurassic Park. And i getting appreciate more the Don Davis score for JPIII, better orchestrated than Jurassic World, both scores are FAR better than Jurassic World (one for a coherent and agressive tone and more memorable, and the other because is better orchestrated)<br><br>'And I do see the similarities between the vulture theme and those other ones listed. It’s definitely not original, but it is effective.'<br><br>I don't see any similaraties with the Avengers theme, effective?, yeah, but not memorable and i'll pick up any day than any theme in Jurassic WorldDo you remember any music outside the space chase?<br><br>Because i don't.I only watched the movie once, but the fact that I didn't take away any memorable music from Rogue One is a huge problem for a Star Wars film. I haven't listened to this score yet, but I have more hopes for this than Rogue One.Between this one and Rogue One, I'll take the last one.<br><br>Unfortunately the two scores run away from the typical sound of the franchise and at various times seem just a pastiche copy.<br><br>It's a good score, but it does not feel so natural. Even Han's theme is almost unrecognizable, forgettable and incoherent with the character. It does not have the same identity as the themes of Luke, Leia, Rey, Anakin, Jyn, Yoda or Dameron.woow! love it
It's funny that when they announced that the star wars story films would be scored by different conposers, I was like... COME ONE JOHNY GET ON IT and sure enough a year later... Same with Pan (one of his best scores in my opinion).Well, for starters, the HAN SOLO theme Williams wrote is kind of...well...meh....<br><br>And I can see where Powell had to incorporate the original Star Wars and some Empire themes....Asteroid Field being one of them.<br><br>I just kinda hoped Powell would adapt Asteroid Field into something more than whatever the hell butchery happened here....Whoa, whoa, whoa, whoa! When was there a flute in this score?? I just noticed there's a credit for a flute soloist, and I've listened to this score several times and never noticed a flute? Does anyone have any idea which track it might be?It's really sad how more than half of this score is just very messy bombastic sound rather than a more structured melodic/thematic approach, this coming from a hardcore Powell fan. The saddest thing is that this was THE film for him to score, full of action and chase sequences, which John has always excelled at. Here however, rather than his usual voice, it sounds as if he shies away from it and goes back to anything established by Williams every 30 seconds or so. Whenever it sounds like a cue is leading up to something interesting and exploring a new idea, it just shies away from it. This might have been on the directors/producer's side of things... or that's what I'm choosing to believe, at least. Don't get me wrong, every so often there are some sections that really do shine, this often being when Powell isn't just trying to sound Williamsy and/or referencing old SW material. Maybe I just need to give the album a few more listens. Usually happens whenever a new Powell soundtrack album is released. Not sure, though. Just by listening to Ferdinand a few times, for example, you could really feel and understand the story, its characters and their development, as their themes developed as well. This one is just a mess and feels... off.Such an inspiring track. Loved it when it was released and still love it.
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Harry Gregson-WilliamsJustin BurnettToby ChuBruce Fowler
ComposerAdditional ArrangementsAdditional ArrangementsOrchestrator
Spy Game (Complete Score)
Label: Unofficial Release
Length: 95'29
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2092 votes)
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  1. Driving To Su-Chou Prison (2:09)
    Harry Gregson-Williams
  2. Electrocution - Lights Out At Su-Chou (1:57)
    Harry Gregson-Williams
  3. Searching Prison (4:36)
    Harry Gregson-Williams, Justin Burnett
  4. Muir Races To CIA (2:04)
    Harry Gregson-Williams
  5. Muir Hides Bishop Files (1:36)
    Harry Gregson-Williams
  6. I've Only Got 10 Fingers (1:29)
    Harry Gregson-Williams
  7. Red Shirt (1:37)
    Harry Gregson-Williams
  8. Chopper (2:44)
    Harry Gregson-Williams
  9. Heroic (1:30)
    Harry Gregson-Williams
  10. Your Wife Is On The Line (1:19)
    Harry Gregson-Williams
  11. Muir's Ransacked Office (1:43)
    Harry Gregson-Williams
  12. Unger's Badge (1:01)
    Harry Gregson-Williams
  13. Training Montage (2:49)
    Harry Gregson-Williams, Christian Henson
  14. Operation Sideshow (1:13)
    Harry Gregson-Williams
  15. Throw Out The Bottle (1:51)
    Harry Gregson-Williams
  16. Dumping Schmidt (2:24)
    Harry Gregson-Williams
  17. Rooftop Berlin (2:37)
    Harry Gregson-Williams
  18. Why Are You Trying To Burn Bishop? (3:39)
    Harry Gregson-Williams
  19. You're Going To Miss It (3:08)
    Harry Gregson-Williams
  20. Harker Tracks Down Muir (2:52)
    Harry Gregson-Williams
  21. Intro To Beirut (0:54)
    Harry Gregson-Williams
  22. Smuggling Supplies (3:17)
    Harry Gregson-Williams
  23. Muir's Birthday (2:08)
    Harry Gregson-Williams
  24. Sheik Arrives (0:56)
    Harry Gregson-Williams
  25. Your Parents Were Murdered (1:50)
    Harry Gregson-Williams
  26. Do You Miss London? (3:17)
    Harry Gregson-Williams
  27. Tell Me Your Real Name (2:42)
    Harry Gregson-Williams
  28. Waiting Montage - All Hell Broke Loose - Drive To Nebaa (4:07)
    Harry Gregson-Williams
  29. Doctor's Walk To Nebaa (3:04)
    Harry Gregson-Williams, John Nordstrom
  30. Explosion & Aftermath (2:52)
    Harry Gregson-Williams
  31. Aiport (2:11)
    Harry Gregson-Williams
  32. Grand Cayman (6:37)
    Harry Gregson-Williams
  33. Forging Documents Montage (1:50)
    Harry Gregson-Williams, Christian Henson
  34. Operation Dinner Out (5:53)
    Harry Gregson-Williams
  35. Would You Have Told Us? (5:41)
    Harry Gregson-Williams
  36. Freedom (1:36)
    Harry Gregson-Williams, Christian Henson
  37. Do You Miss London (Alternate) (2:31)
    Harry Gregson-Williams
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bigfoot90 reply Replies: 0 || 2018-01-14 01:22:24
Thanks for the soundtrack! But where can I find it?

mert kanat reply Replies: 0 || 2010-06-10 00:00:00
thanks for this album

ahmed ibrahim reply Replies: 0 || 2009-02-20 00:00:00
good

Frank Diesel-Drexel reply Replies: 0 || 2005-02-22 00:00:00
Hier, so super so super.
Ambach total.

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Spy Game (Complete Score) soundtrack - Harry Gregson-Williams 2001