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Main theme is on Youtube. I quite like it. I prefer Hans doing themes like this rather than the stuff he is doing with FIFA.I'm surprised no one is talking about this one, its one of Rupert's best scores imo.Lately I have been listening to the album carefully, and the truth is that I did not quite understand why Hans did not just use a big orchestra instead of the synthesizer.It would have really been interesting to see Ritcher scoring a chase on the photo, although without a doubt his work would not have been anything generic.Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...
^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cues
Artemisia Suite = History of Artemisia <br>Greek Action Suite = Marathon <br>Xerxes Rebirth Suite = From Man to God King<br>Greek Sacrifice Suite = ???<br>Artemisia’s Childhood Suite = Artemisia’s Childhood<br>Greek Attack Suite = Greeks on Attack<br>Queen Gorgo Suite = Queen Gorgo<br>Xerxes Thoughts Suite = Xerxes Thoughts<br>Greek History Suite = History of the Greeks<br>Greek Victory Suite = Greeks Are Winning<br><br>Hope this helps! :-)Hybrid can you tell us what album cues are the suites ?!well, from what Lorne wrote on Twitter, it should be releasedCool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? It’s been a very very long time since I have seen the film.The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...
Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues pleaseI imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
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<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
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<br>Ghost In The Shell was kinda different...In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional MusicI find that it would be best to accredit both and launch the two soundtracks and all happy.
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Rupert Gregson-WilliamsVariousGraham Preskett
ComposerComposerComposer
KPM Library - Adagio
Label: Promotional release
Length: 70'15
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3043 votes)
Track 1 : A Noble Sadness R Harvey
Proud‚ dignified theme in episodic form.
Duration : 3.10 Tempo : Slow
Track 2 : Beyond Tears G Preskett
Broad‚ emotional theme building to passionate climax and reprise.
Duration : 2.54 Tempo : Slow
Track 3 : My Homeland B Connor
Yearning‚ romantic theme building to emotional climax and reprise.
Duration : 3.21 Tempo : Slow
Track 4 : A Scent of Intrigue T Hymas
Opening crescendos to measured enigmatic theme and reprise.
Duration : 3.23 Tempo : Medium
Track 5 : Reflections of a Life B Connor
Poignant‚ uplifting theme gradually building.
Duration : 3.29 Tempo : Slow
Track 6 : Tides of Memory I Sekacz
Evocative‚ suspended figures to restless‚ underlying movement.
Duration : 2.21 Tempo : Medium
Track 7 : Tragic Aftermath (a) A Jackman
Sombre‚ emotional theme gradually building to climax and reprise.
Duration : 3.24 Tempo : Slow
Track 8 : Tragic Aftermath (b) A Jackman
End link.
Duration : 0.08 Tempo : No Tempo
Track 9 : Summer Memories (a) P Appleby
Lyrical‚ romantic theme building to climax and reprise.
Duration : 3.13 Tempo : Slow
Track 10 : Summer Memories (b) P Appleby
As above without harp.
Duration : 3.11 Tempo : Slow
Track 11 : Veil of Sorrow (a) R Gregson-Williams
Poignant‚ emotional theme.
Duration : 2.42 Tempo : Slow
Track 12 : Veil of Sorrow (b) R Gregson-Williams
As above without harp.
Duration : 2.42 Tempo : Slow
Track 13 : A Timeless Destiny J Devereaux
Thoughtful‚ dignified theme to positive statement and reprise.
Duration : 3.30 Tempo : Slow
Track 14 : The Wasted Land T Hymas
Dramatic turbulence contrasted with poignant interludes.
Duration : 2.40 Tempo : Slow
Track 15 : Of Lives and Times P Pritchard
Poignant introduction to broad‚ reflective theme building to climax and reprise.
Duration : 3.25 Tempo : Slow
Track 16 : A Parting Glance L Ashmore
Thoughtful‚ emotional theme rising and falling in intensity.
Duration : 3.14 Tempo : Slow
60 SECOND VERSIONS
Track 17 : A Noble Sadness 60 (a) R Harvey
Duration : 1.00 Tempo : Slow
Track 18 : A Noble Sadness 60 (b) R Harvey
Duration : 1.00 Tempo : Slow
Track 19 : A Noble Sadness 60 (c) R Harvey
Duration : 1.00 Tempo : Slow
Track 20 : My Homeland 60 B Connor
Duration : 1.00 Tempo : Slow
Track 21 : Reflections of a Life 60 B Connor
Duration : 1.00 Tempo : Slow
Track 22 : Tides of Memory 60 I Sekacz
Duration : 1.00 Tempo : Medium
Track 23 : Tragic Aftermath 60 A Jackman
Duration : 1.00 Tempo : Slow
Track 24 : Summer Memories 60 (a) P Appleby
Duration : 1.00 Tempo : Slow
Track 25 : Summer Memories 60 (b) P Appleby
Duration : 1.00 Tempo : Slow
Track 26 : A Timeless Destiny 60 J Devereaux
Duration : 1.00 Tempo : Slow
Track 27 : The Wasted Land 60 T Hymas
Duration : 1.00 Tempo : Slow
Track 28 : A Parting Glance 60 L Ashmore
Duration : 1.00 Tempo : Slow

30 SECOND VERSIONS

Track 29 : A Noble Sadness 30 R Harvey
Duration : 0.30 Tempo : Slow
Track 30 : Beyond Tears 30 G Preskett
Duration : 0.30 Tempo : Slow
Track 31 : My Homeland 30 (a) B Connor
Duration : 0.30 Tempo : Slow
Track 32 : My Homeland 30 (b) B Connor
Duration : 0.30 Tempo : Slow
Track 33 : A Scent of Intrigue 30 (a) T Hymas
Duration : 0.30 Tempo : Medium
Track 34 : A Scent of Intrigue 30 (b) T Hymas
Duration : 0.30 Tempo : Medium
Track 35 : Reflections of a Life 30 B Connor
Duration : 0.30 Tempo : Slow
Track 36 : Tides of Memory 30 I Sekacz
Duration : 0.30 Tempo : Medium
Track 37 : Tragic Aftermath 30 (a) A Jackman
Duration : 0.30 Tempo : Slow
Track 38 : Tragic Aftermath 30 (b) A Jackman
Duration : 0.30 Tempo : Slow
Track 39 : Summer Memories 30 (a) P Appleby
Duration : 0.30 Tempo : Slow
Track 40 : Summer Memories 30 (b) P Appleby
Duration : 0.30 Tempo : Slow
Track 41 : Veil of Sorrow 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 42 : A Timeless Destiny 30 J Devereaux
Duration : 0.30 Tempo : Slow
Track 43 : The Wasted Land 30 (a) T Hymas
Duration : 0.30 Tempo : Slow
Track 44 : The Wasted Land 30 (b) T Hymas
Duration : 0.30 Tempo : Slow
Track 45 : Of Lives and Times 30 P Pritchard
Duration : 0.30 Tempo : Slow
Track 46 : A Parting Glance 30 L Ashmore
Duration : 0.30 Tempo : Slow
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Rob J reply Replies: 0 || 2009-08-04 00:00:00
Hello

Where can I buy this cd?

Peter reply Replies: 0 || 2008-12-05 00:00:00
What does KPM mean?

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KPM Library - Adagio soundtrack - Rupert Gregson-Williams - Various - Graham Preskett