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Booklet credits:<br><br>Score Composed, Produced, Programmed, Mixed and Mastered by Tom Holkenborg<br><br>Additional Music: Antonio Di Iorio<br>Additional Synth Programming by Sara Barone<br>Technical Score Engineers: Jacopo Trifone, Shwan Askari, Gevorg Chepchyan and Jarrod Royles-Atkins<br>Music Production Services by Michiel Groeneveld<br>Score Mixed at Computer Hell Cabin<br><br>Score Conducted by Edward Trybek<br>Score Orchestrated by Edward Trybek, Henri Wilkinson, Jonathan Beard and Tom Holkenborg<br>Music Contractor: Peter Rotter (For Encompass Music Partners)<br>Score Copied by Edward Trybek and Henri Wilkinson<br>Score Recorded by Chris Fogel<br>Digital Recording by Kevin Globerman<br>Score Recorded at Elbo Studios<br><br>Executive in Charge of Music for Paramount Pictures: Randy Spendlove<br>Soundtrack Album Coordinator: Michael Murphy<br>Executive Album Producers for La-La Land Records: MV Gerhard and Matt Verboys<br>Art Direction by Dan Goldwasser at Warm Butter Design<br>Production Assistance: Frank K. DeWald and Neil S. Bulk<br><br>Special Thanks:<br>Saskia Holkenborg, Julian and Darren Holkenborg, David Altschul, Anne Cobb, Allison Dotson, Richard Kraft, Laura Engel, Hisham Dahud and Alastair Duncan<br><br>Paramount Pictures Thanks:<br>Lilly Bennet, Mary Jo Braun, Dan Butler, Sheryl Carlin, Dina Durant, Adam Ehrlich, Robert Gasper, Tina Kiehl, Liz McNicholl, Vanessa Palmer, Areli Quuirarte, Maddy Van Remortel, Kim Seiniger, Johnathan Weiss and Clare YezerskiHey man, I'm sure you already know this, but you are awesome! I just watched your Vanity Fair video from two years ago. Your take on life and your music is amazing, keep up the good work!I do really like benjamin wallfisch's new score for the invisible man, which is release today in cinema. I'm a fan of wallfisch's film score since lights out and including other film scores, but i begin to hear the score in spotify & youtube and i do like the score with the full orchestra & electronic music within the film music and there are two themes for the film but there are most motif, like mr.zimmerfan says. <br><br>I just hope that this page can released the soundtrack details of The Invisible man soon and this score is good.The Invisible Man, would be one of the most dark, hard-hearing scores by Wallfisch, by far, multiple people will hate this score -i know, is difficult listening horror scores-, but when is good, is good.<br><br>If you love Lights Out, the two ITs, speacially, A Cure for Wellness, The Invisible Man is for you: dark, unpleasing (the theme for Elisabeth Moss' character is a beautiful melodie, example in 'Denouement', constantly accosed -rightly word- with the sounds of the Invisible Man, he has not theme, more motif and tremendously agresive sound desing, you can here listen in 'Attack') and very Hermann-esque (the score was only recorded with string orchestra, say by Wallfisch).<br><br>Like i said before, is not a score for everyone, but if you love Wallfisch's writing for horror, this one is for youNow, i believe, is one of the best (i was more enganging with this one more than Solo, wich i still found good, but not the best from Powell, sorry) scores written by Powell, still, not has tremendous as the HTTYD trilogy, but one of the most incredible, beautiful and heart-warming scores written by him.<br><br>Powell found himself comfortable with this style of americana/folk (Wake the Girls, is a such good start the album) and combining it with his action/adventure style of writing ('Snowy Climb', the incredible -one of the best cues of the album- 'Buck Takes the Lead', 'Ice Rescue'), but when it comes the emotional -not discover nothing new-, man, Powell is fricking good: 'We Carry Love', 'Finding Bears and Love in the Woods' or 'Come Say Goodbye'.<br><br>One of the best scores of 2020, by far.
I found myself more entertaining by this one (after multiple listenings) than with Skyscraper, but not more than TLK or TMNT and TLWH.<br><br>The themes are there, very simplistic, but effective (the melodie for RST twisted in 'Harting', for example or the more melodic and peaceful theme in 'KT'), and yes, the sound design, but in the defense of Jab, he is far more rhytmic than others attepmting it (the element of horror hearing in 'Martin Axe' or the percussive twisted agressive in 'The Tunnel') or the more echoing 'The Island' guitar riffs in 'Ray Garrison', even he reutilizes the percussive timing Decepcticon theme for the motif (i think) for Bloodshot.<br><br>Maybe, i gave him more credit, but in his defense, i was expecting something more electronic (plenty electronic are here), but is more orchestral and melodic i was expecting.Sadly this one failed to impress in any way for me. I felt like falling asleep for much of this album. Overall too simplistic, ugly, and cliched with very difficult to pin down thematic material, as the melodies are so minimalist.To whom it may concern...<br><br>Is it possible to download or in any other way purchase the Hannibal (Expanded) score somewhere? I have the original motion picture soundtrack, but would LOVE to have them both..<br><br>Best regards<br><br>Nicholas10 and 16 are missing from the store pack.Most probably
I am not a hybrid, i will try to give my opinion. I think, music in 5 season will come out when and 6 season. But I really want to be wrong!!! :)It's very sad...(((The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!
Does anyone have a breakdown of this with the official score album?<br>Hats off to Batu Sener for working on many of the score's best cues though!It all comes to personal preference I think. Personally Iíve moved on from collecting cdís (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.
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Rupert Gregson-WilliamsVariousGraham Preskett
ComposerComposerComposer
KPM Library - Adagio
Label: Promotional release
Length: 70'15
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3162 votes)
Track 1 : A Noble Sadness R Harvey
Proud‚ dignified theme in episodic form.
Duration : 3.10 Tempo : Slow
Track 2 : Beyond Tears G Preskett
Broad‚ emotional theme building to passionate climax and reprise.
Duration : 2.54 Tempo : Slow
Track 3 : My Homeland B Connor
Yearning‚ romantic theme building to emotional climax and reprise.
Duration : 3.21 Tempo : Slow
Track 4 : A Scent of Intrigue T Hymas
Opening crescendos to measured enigmatic theme and reprise.
Duration : 3.23 Tempo : Medium
Track 5 : Reflections of a Life B Connor
Poignant‚ uplifting theme gradually building.
Duration : 3.29 Tempo : Slow
Track 6 : Tides of Memory I Sekacz
Evocative‚ suspended figures to restless‚ underlying movement.
Duration : 2.21 Tempo : Medium
Track 7 : Tragic Aftermath (a) A Jackman
Sombre‚ emotional theme gradually building to climax and reprise.
Duration : 3.24 Tempo : Slow
Track 8 : Tragic Aftermath (b) A Jackman
End link.
Duration : 0.08 Tempo : No Tempo
Track 9 : Summer Memories (a) P Appleby
Lyrical‚ romantic theme building to climax and reprise.
Duration : 3.13 Tempo : Slow
Track 10 : Summer Memories (b) P Appleby
As above without harp.
Duration : 3.11 Tempo : Slow
Track 11 : Veil of Sorrow (a) R Gregson-Williams
Poignant‚ emotional theme.
Duration : 2.42 Tempo : Slow
Track 12 : Veil of Sorrow (b) R Gregson-Williams
As above without harp.
Duration : 2.42 Tempo : Slow
Track 13 : A Timeless Destiny J Devereaux
Thoughtful‚ dignified theme to positive statement and reprise.
Duration : 3.30 Tempo : Slow
Track 14 : The Wasted Land T Hymas
Dramatic turbulence contrasted with poignant interludes.
Duration : 2.40 Tempo : Slow
Track 15 : Of Lives and Times P Pritchard
Poignant introduction to broad‚ reflective theme building to climax and reprise.
Duration : 3.25 Tempo : Slow
Track 16 : A Parting Glance L Ashmore
Thoughtful‚ emotional theme rising and falling in intensity.
Duration : 3.14 Tempo : Slow
60 SECOND VERSIONS
Track 17 : A Noble Sadness 60 (a) R Harvey
Duration : 1.00 Tempo : Slow
Track 18 : A Noble Sadness 60 (b) R Harvey
Duration : 1.00 Tempo : Slow
Track 19 : A Noble Sadness 60 (c) R Harvey
Duration : 1.00 Tempo : Slow
Track 20 : My Homeland 60 B Connor
Duration : 1.00 Tempo : Slow
Track 21 : Reflections of a Life 60 B Connor
Duration : 1.00 Tempo : Slow
Track 22 : Tides of Memory 60 I Sekacz
Duration : 1.00 Tempo : Medium
Track 23 : Tragic Aftermath 60 A Jackman
Duration : 1.00 Tempo : Slow
Track 24 : Summer Memories 60 (a) P Appleby
Duration : 1.00 Tempo : Slow
Track 25 : Summer Memories 60 (b) P Appleby
Duration : 1.00 Tempo : Slow
Track 26 : A Timeless Destiny 60 J Devereaux
Duration : 1.00 Tempo : Slow
Track 27 : The Wasted Land 60 T Hymas
Duration : 1.00 Tempo : Slow
Track 28 : A Parting Glance 60 L Ashmore
Duration : 1.00 Tempo : Slow

30 SECOND VERSIONS

Track 29 : A Noble Sadness 30 R Harvey
Duration : 0.30 Tempo : Slow
Track 30 : Beyond Tears 30 G Preskett
Duration : 0.30 Tempo : Slow
Track 31 : My Homeland 30 (a) B Connor
Duration : 0.30 Tempo : Slow
Track 32 : My Homeland 30 (b) B Connor
Duration : 0.30 Tempo : Slow
Track 33 : A Scent of Intrigue 30 (a) T Hymas
Duration : 0.30 Tempo : Medium
Track 34 : A Scent of Intrigue 30 (b) T Hymas
Duration : 0.30 Tempo : Medium
Track 35 : Reflections of a Life 30 B Connor
Duration : 0.30 Tempo : Slow
Track 36 : Tides of Memory 30 I Sekacz
Duration : 0.30 Tempo : Medium
Track 37 : Tragic Aftermath 30 (a) A Jackman
Duration : 0.30 Tempo : Slow
Track 38 : Tragic Aftermath 30 (b) A Jackman
Duration : 0.30 Tempo : Slow
Track 39 : Summer Memories 30 (a) P Appleby
Duration : 0.30 Tempo : Slow
Track 40 : Summer Memories 30 (b) P Appleby
Duration : 0.30 Tempo : Slow
Track 41 : Veil of Sorrow 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 42 : A Timeless Destiny 30 J Devereaux
Duration : 0.30 Tempo : Slow
Track 43 : The Wasted Land 30 (a) T Hymas
Duration : 0.30 Tempo : Slow
Track 44 : The Wasted Land 30 (b) T Hymas
Duration : 0.30 Tempo : Slow
Track 45 : Of Lives and Times 30 P Pritchard
Duration : 0.30 Tempo : Slow
Track 46 : A Parting Glance 30 L Ashmore
Duration : 0.30 Tempo : Slow
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Rob J reply Replies: 0 || 2009-08-04 00:00:00
Hello

Where can I buy this cd?

Peter reply Replies: 0 || 2008-12-05 00:00:00
What does KPM mean?

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KPM Library - Adagio soundtrack - Rupert Gregson-Williams - Various - Graham Preskett