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this is never hans :DI just finished the movie last week and the score was the best thing about the film. The scene using the cue "Simba is Alive!" is perfect.Not all synths. Mazzaro and Fleming posted pictures of them recording the score at Air Studios early in November so there will be some orchestral or instrumental music.As the trailer posts, soundtrack coming from WaterTower Music.No, it's just a slight rework of Blue Monday by New Order. Admittedly, it's quite catchy. Nothing from Hans tho, not even the WW-theme at the end which they did for the first movies trailers. Guess we have to wait till the movie comes out.
The only thing that matters to me about the movie is Hans, so I wonder, has the trailer musicalized Hans?Synth Hans Iím guessing ;-)Yeah, it's a nice little mini HTTYD score. It's a bit frustrating that he's seemingly never allowed to develop an idea for very long before moving on to the next thing and the next (probably because of the pacing of the short), but I like the way he plays around with Powell's themes. It makes me think that if they ever decide to make a fourth HTTYD movie and Powell decides he's said all he has to say in the series, Willis would be a good choice to continue it (Zanelli/Pirates style).He's also credited on one short cue from Ice Age: Dawn of the Dinosaurs, but other than that, nothing that I know of...Just saw the movie. Seemed like the score is enjoyable enough, but I didn't hear much that would distinguish it from the first one really except some kind of standard villain material.
Because those have nothing to do with Hans Zimmer or associated composers....How come the Pixar franchise albums like "Toy Story," "Monsters, Inc.," "Finding Nemo" and "Cars" didn't make it in this website?Anthony Willis (additional composer on HTTYD 2 & 3) just wrote a nice score for HTTYD Homecoming, a "christmas special" short. The score is based on Powell's themes and style, which is a nice addition to the trilogy.<br><br>You can listen to excerpts here :<br>https://www.animationmagazine.net/tv/exclusive-music-clips-h ow-to-train-your-dragon-homecoming-holiday-special/Michael John Mollo - I've never seen that name before. Has he done any other RCP work?Does anyone know where this can be located or purchased? I would buy this complete score from a legal source if it were available.
"Might not have happened with Poltergeist, but it did with 300 ROAE !"<br><br>Yes, I can accept that, as I don't know much about that production, and I apologize for hijacking the "300" discussion, but:<br><br>"https://www.independent.co.uk/arts-entertainment/films/news / poltergeist-steven-spielberg-director-conspiracy-theory-conf  irmed-tobe-hooper-a7846651. html"<br><br>I'll trust at least two actors, whom working with is literally a director's job description, over a very green AC on a production with numerous moving parts always working at once.Might not have happened with Poltergeist, but it did with 300 ROAE !Lorne: "6 Underground has been a fantastic experience. I started writing just before he (Bay) started filming. And then while he was filming, I was writing throughout that process so he was able to hear the music and work with it during the early stages of editing. Itís just a fantastic movie.<br><br>Thereís nobody that can shoot like Michael Bay. Itís exciting and itís pure. Itís the reason why I got into movies. My movies that I would sit as a young teenager and look at were made by Jerry Bruckheimer and were films like Bad Boys or The Rock. Con Air and all these movies were what made me want to get into film and if Crimson Tide is on the television, thatís me for the next two hours. Iím not leaving. That was what made me fall in love with film. And so itís great to be able to work with Michael and Jerry. So yeah, 6 Underground was just an absolute blast and great fun."<br><br>- https://collider.com/lorne-balfe-interview-gemini-man-his-da rk-materials-bad-boys-3/<br>https://www.independent.co.uk/arts-entertainment/films/news/ poltergeist-steven-spielberg-director-conspiracy-theory-conf irmed-tobe-hooper-a7846651. htmlDear Mr Antas,<br>I am a young 19 years old boy who lives in Germany (Rheinland-Pfalz). I am asking for permission to use the music īTimeī by Hans Zimmer. It will be used as background music for a motivational speech. I would give the credits of course and everything what I have to do, to use that music. Because I am in love with the music you produce and publish. What can I do for you for using it ? On what should I pay attention while publishing or creating my video? <br><br>Your sincerly<br>Ferhan Isbilir
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Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - Deadly Pursuits
Label: Promotional release
Length: 77'46
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2957 votes)
Track 1 : Distorted Reality R Gregson-Williams
Disturbing‚ menacing sounds over constant pulse.
Duration : 2.03 Tempo : Various
Track 2 : Dangerous Encounters (a) R Harvey
Turbulent unfolding theme featuring brass.
Duration : 2.32 Tempo : Medium
Track 3 : Dangerous Encounters (b) R Harvey
Underscore.
Duration : 2.32 Tempo : Medium
Track 4 : Terminal Velocity (a) R Gregson-Williams
Suspenseful opening building to high speed action.
Duration : 2.48 Tempo : Various
Track 5 : Terminal Velocity (b) R Gregson-Williams
Underscore.
Duration : 2.48 Tempo : Various
Track 6 : Terminal Velocity (c) R Gregson-Williams
Sting.
Duration : 0.09 Tempo : No Tempo
Track 7 : Secret Assignment (a) R Cottle
Determined theme over groove featuring synths and effects.
Duration : 2.30 Tempo : Medium
Track 8 : Secret Assignment (b) R Cottle
Underscore.
Duration : 2.30 Tempo : Medium
Track 9 : I'm Watching You B Connor
Punctuated atmospheric suspense.
Duration : 3.05 Tempo : No Tempo
Track 10 : Dark Forces (a) R Harvey
Onimous threatening underscore with pulse.
Duration : 1.00 Tempo : Medium
Track 11 : Dark Forces (b) R Harvey
Ambient mix.
Duration : 1.00 Tempo : No Tempo
Track 12 : Armed Response (a) J Devereaux
Determined tactical advance.
Duration : 2.08 Tempo : Medium
Track 13 : Armed Response (b) J Devereaux
Underscore.
Duration : 2.08 Tempo : Medium
Track 14 : Armed Response (c) J Devereaux
Sting.
Duration : 0.04 Tempo : Medium
Track 15 : Flash Point (a) R Gregson-Williams
Proud theme over frenetic driving undercurrent.
Duration : 2.23 Tempo : Fast
Track 16 : Flash Point (b) R Gregson-Williams
Underscore.
Duration : 2.23 Tempo : Fast
Track 17 : Flash Point (c) R Gregson-Williams
Percussive mix.
Duration : 1.00 Tempo : Fast
Track 18 : The Final Quest (a) R Bolton
Broad emotional string theme over driving percussion.
Duration : 2.03 Tempo : Medium
Track 19 : The Final Quest (b) R Bolton
Underscore.
Duration : 2.03 Tempo : Medium
Track 20 : Action Pulse R Harvey
Constant percussive bed.
Duration : 1.39 Tempo : Medium
Track 21 : Hidden Menace (a) R Harvey
Building menace to strike.
Duration : 1.00 Tempo : Slow
Track 22 : Hidden Menace (b) R Harvey
Underscore.
Duration : 1.00 Tempo : Slow
Track 23 : Extreme Measures (a) R Gregson-Williams
Total dynamic action.
Duration : 2.40 Tempo : Medium
Track 24 : Extreme Measures (b) R Gregson-Williams
Underscore.
Duration : 2.40 Tempo : Medium
Track 25 : The Gathering Tempest (a) R Bolton
Inexorable building drama.
Duration : 2.01 Tempo : Medium
Track 26 : The Gathering Tempest (b) R Bolton
Underscore.
Duration : 2.01 Tempo : Medium
Track 27 : Savage Pursuit (a) R Gregson-Williams
Frenzied electronica.
Duration : 2.16 Tempo : Fast
Track 28 : Savage Pursuit (b) R Gregson-Williams
Underscore.
Duration : 2.13 Tempo : Fast

60 SECOND VERSIONS

Track 29 : Distorted Reality 60 (a) R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 30 : Distorted Reality 60 (b) R Gregson-Williams
Duration : 1.00 Tempo : No Tempo
Track 31 : Dangerous Encounters 60 R Harvey
Duration : 1.00 Tempo : Medium
Track 32 : Terminal Velocity 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 33 : Secret Assignment 60 R Cottle
Duration : 1.00 Tempo : Medium
Track 34 : I'm Watching You 60 B Connor
Duration : 1.00 Tempo : No Tempo
Track 35 : Armed Response 60 J Devereaux
Duration : 1.00 Tempo : Medium
Track 36 : Flash Point 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 37 : The Final Quest 60 R Bolton
Duration : 1.00 Tempo : Medium
Track 38 : Action Pulse 60 R Harvey
Duration : 1.00 Tempo : Medium
Track 39 : Extreme Measures 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 40 : The Gathering Tempest 60 R Bolton
Duration : 1.00 Tempo : Medium

30 SECOND VERSIONS

Track 41 : Distorted Reality 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 42 : Dangerous Encounters 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 43 : Terminal Velocity 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 44 : Secret Assignment 30 R Cottle
Duration : 0.30 Tempo : Medium
Track 45 : I'm Watching You 30 B Connor
Duration : 0.30 Tempo : No Tempo
Track 46 : Dark Forces 30 (a) R Harvey
Duration : 0.30 Tempo : Medium
Track 47 : Dark Forces 30 (b) R Harvey
Duration : 0.30 Tempo : No Tempo
Track 48 : Armed Response 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 49 : Flash Point 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 50 : The Final Quest 30 R Bolton
Duration : 0.30 Tempo : Medium
Track 51 : Action Pulse 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 52 : Hidden Menace 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 53 : Extreme Measures 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 54 : The Gathering Tempest 30 R Bolton
Duration : 0.30 Tempo : Medium
Track 55 : Savage Pursuit 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
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KPM Library - Deadly Pursuits soundtrack - Rupert Gregson-Williams - Various