NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Main theme is on Youtube. I quite like it. I prefer Hans doing themes like this rather than the stuff he is doing with FIFA.I'm surprised no one is talking about this one, its one of Rupert's best scores imo.Lately I have been listening to the album carefully, and the truth is that I did not quite understand why Hans did not just use a big orchestra instead of the synthesizer.It would have really been interesting to see Ritcher scoring a chase on the photo, although without a doubt his work would not have been anything generic.Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...
^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cues
Artemisia Suite = History of Artemisia <br>Greek Action Suite = Marathon <br>Xerxes Rebirth Suite = From Man to God King<br>Greek Sacrifice Suite = ???<br>Artemisia’s Childhood Suite = Artemisia’s Childhood<br>Greek Attack Suite = Greeks on Attack<br>Queen Gorgo Suite = Queen Gorgo<br>Xerxes Thoughts Suite = Xerxes Thoughts<br>Greek History Suite = History of the Greeks<br>Greek Victory Suite = Greeks Are Winning<br><br>Hope this helps! :-)Hybrid can you tell us what album cues are the suites ?!well, from what Lorne wrote on Twitter, it should be releasedCool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? It’s been a very very long time since I have seen the film.The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...
Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues pleaseI imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
<br>
<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
<br>
<br>Ghost In The Shell was kinda different...In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional MusicI find that it would be best to accredit both and launch the two soundtracks and all happy.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - Deadly Pursuits
Label: Promotional release
Length: 77'46
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2902 votes)
Track 1 : Distorted Reality R Gregson-Williams
Disturbing‚ menacing sounds over constant pulse.
Duration : 2.03 Tempo : Various
Track 2 : Dangerous Encounters (a) R Harvey
Turbulent unfolding theme featuring brass.
Duration : 2.32 Tempo : Medium
Track 3 : Dangerous Encounters (b) R Harvey
Underscore.
Duration : 2.32 Tempo : Medium
Track 4 : Terminal Velocity (a) R Gregson-Williams
Suspenseful opening building to high speed action.
Duration : 2.48 Tempo : Various
Track 5 : Terminal Velocity (b) R Gregson-Williams
Underscore.
Duration : 2.48 Tempo : Various
Track 6 : Terminal Velocity (c) R Gregson-Williams
Sting.
Duration : 0.09 Tempo : No Tempo
Track 7 : Secret Assignment (a) R Cottle
Determined theme over groove featuring synths and effects.
Duration : 2.30 Tempo : Medium
Track 8 : Secret Assignment (b) R Cottle
Underscore.
Duration : 2.30 Tempo : Medium
Track 9 : I'm Watching You B Connor
Punctuated atmospheric suspense.
Duration : 3.05 Tempo : No Tempo
Track 10 : Dark Forces (a) R Harvey
Onimous threatening underscore with pulse.
Duration : 1.00 Tempo : Medium
Track 11 : Dark Forces (b) R Harvey
Ambient mix.
Duration : 1.00 Tempo : No Tempo
Track 12 : Armed Response (a) J Devereaux
Determined tactical advance.
Duration : 2.08 Tempo : Medium
Track 13 : Armed Response (b) J Devereaux
Underscore.
Duration : 2.08 Tempo : Medium
Track 14 : Armed Response (c) J Devereaux
Sting.
Duration : 0.04 Tempo : Medium
Track 15 : Flash Point (a) R Gregson-Williams
Proud theme over frenetic driving undercurrent.
Duration : 2.23 Tempo : Fast
Track 16 : Flash Point (b) R Gregson-Williams
Underscore.
Duration : 2.23 Tempo : Fast
Track 17 : Flash Point (c) R Gregson-Williams
Percussive mix.
Duration : 1.00 Tempo : Fast
Track 18 : The Final Quest (a) R Bolton
Broad emotional string theme over driving percussion.
Duration : 2.03 Tempo : Medium
Track 19 : The Final Quest (b) R Bolton
Underscore.
Duration : 2.03 Tempo : Medium
Track 20 : Action Pulse R Harvey
Constant percussive bed.
Duration : 1.39 Tempo : Medium
Track 21 : Hidden Menace (a) R Harvey
Building menace to strike.
Duration : 1.00 Tempo : Slow
Track 22 : Hidden Menace (b) R Harvey
Underscore.
Duration : 1.00 Tempo : Slow
Track 23 : Extreme Measures (a) R Gregson-Williams
Total dynamic action.
Duration : 2.40 Tempo : Medium
Track 24 : Extreme Measures (b) R Gregson-Williams
Underscore.
Duration : 2.40 Tempo : Medium
Track 25 : The Gathering Tempest (a) R Bolton
Inexorable building drama.
Duration : 2.01 Tempo : Medium
Track 26 : The Gathering Tempest (b) R Bolton
Underscore.
Duration : 2.01 Tempo : Medium
Track 27 : Savage Pursuit (a) R Gregson-Williams
Frenzied electronica.
Duration : 2.16 Tempo : Fast
Track 28 : Savage Pursuit (b) R Gregson-Williams
Underscore.
Duration : 2.13 Tempo : Fast

60 SECOND VERSIONS

Track 29 : Distorted Reality 60 (a) R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 30 : Distorted Reality 60 (b) R Gregson-Williams
Duration : 1.00 Tempo : No Tempo
Track 31 : Dangerous Encounters 60 R Harvey
Duration : 1.00 Tempo : Medium
Track 32 : Terminal Velocity 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 33 : Secret Assignment 60 R Cottle
Duration : 1.00 Tempo : Medium
Track 34 : I'm Watching You 60 B Connor
Duration : 1.00 Tempo : No Tempo
Track 35 : Armed Response 60 J Devereaux
Duration : 1.00 Tempo : Medium
Track 36 : Flash Point 60 R Gregson-Williams
Duration : 1.00 Tempo : Fast
Track 37 : The Final Quest 60 R Bolton
Duration : 1.00 Tempo : Medium
Track 38 : Action Pulse 60 R Harvey
Duration : 1.00 Tempo : Medium
Track 39 : Extreme Measures 60 R Gregson-Williams
Duration : 1.00 Tempo : Medium
Track 40 : The Gathering Tempest 60 R Bolton
Duration : 1.00 Tempo : Medium

30 SECOND VERSIONS

Track 41 : Distorted Reality 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 42 : Dangerous Encounters 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 43 : Terminal Velocity 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 44 : Secret Assignment 30 R Cottle
Duration : 0.30 Tempo : Medium
Track 45 : I'm Watching You 30 B Connor
Duration : 0.30 Tempo : No Tempo
Track 46 : Dark Forces 30 (a) R Harvey
Duration : 0.30 Tempo : Medium
Track 47 : Dark Forces 30 (b) R Harvey
Duration : 0.30 Tempo : No Tempo
Track 48 : Armed Response 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 49 : Flash Point 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 50 : The Final Quest 30 R Bolton
Duration : 0.30 Tempo : Medium
Track 51 : Action Pulse 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 52 : Hidden Menace 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 53 : Extreme Measures 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 54 : The Gathering Tempest 30 R Bolton
Duration : 0.30 Tempo : Medium
Track 55 : Savage Pursuit 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Create Topic

 HANS-ZIMMER.com© 2001-2018 OST 
KPM Library - Deadly Pursuits soundtrack - Rupert Gregson-Williams - Various