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Hey man, I'm sure you already know this, but you are awesome! I just watched your Vanity Fair video from two years ago. Your take on life and your music is amazing, keep up the good work!I do really like benjamin wallfisch's new score for the invisible man, which is release today in cinema. I'm a fan of wallfisch's film score since lights out and including other film scores, but i begin to hear the score in spotify & youtube and i do like the score with the full orchestra & electronic music within the film music and there are two themes for the film but there are most motif, like mr.zimmerfan says. <br><br>I just hope that this page can released the soundtrack details of The Invisible man soon and this score is good.The Invisible Man, would be one of the most dark, hard-hearing scores by Wallfisch, by far, multiple people will hate this score -i know, is difficult listening horror scores-, but when is good, is good.<br><br>If you love Lights Out, the two ITs, speacially, A Cure for Wellness, The Invisible Man is for you: dark, unpleasing (the theme for Elisabeth Moss' character is a beautiful melodie, example in 'Denouement', constantly accosed -rightly word- with the sounds of the Invisible Man, he has not theme, more motif and tremendously agresive sound desing, you can here listen in 'Attack') and very Hermann-esque (the score was only recorded with string orchestra, say by Wallfisch).<br><br>Like i said before, is not a score for everyone, but if you love Wallfisch's writing for horror, this one is for youNow, i believe, is one of the best (i was more enganging with this one more than Solo, wich i still found good, but not the best from Powell, sorry) scores written by Powell, still, not has tremendous as the HTTYD trilogy, but one of the most incredible, beautiful and heart-warming scores written by him.<br><br>Powell found himself comfortable with this style of americana/folk (Wake the Girls, is a such good start the album) and combining it with his action/adventure style of writing ('Snowy Climb', the incredible -one of the best cues of the album- 'Buck Takes the Lead', 'Ice Rescue'), but when it comes the emotional -not discover nothing new-, man, Powell is fricking good: 'We Carry Love', 'Finding Bears and Love in the Woods' or 'Come Say Goodbye'.<br><br>One of the best scores of 2020, by far.I found myself more entertaining by this one (after multiple listenings) than with Skyscraper, but not more than TLK or TMNT and TLWH.<br><br>The themes are there, very simplistic, but effective (the melodie for RST twisted in 'Harting', for example or the more melodic and peaceful theme in 'KT'), and yes, the sound design, but in the defense of Jab, he is far more rhytmic than others attepmting it (the element of horror hearing in 'Martin Axe' or the percussive twisted agressive in 'The Tunnel') or the more echoing 'The Island' guitar riffs in 'Ray Garrison', even he reutilizes the percussive timing Decepcticon theme for the motif (i think) for Bloodshot.<br><br>Maybe, i gave him more credit, but in his defense, i was expecting something more electronic (plenty electronic are here), but is more orchestral and melodic i was expecting.
Sadly this one failed to impress in any way for me. I felt like falling asleep for much of this album. Overall too simplistic, ugly, and cliched with very difficult to pin down thematic material, as the melodies are so minimalist.To whom it may concern...<br><br>Is it possible to download or in any other way purchase the Hannibal (Expanded) score somewhere? I have the original motion picture soundtrack, but would LOVE to have them both..<br><br>Best regards<br><br>Nicholas10 and 16 are missing from the store pack.Most probablyI am not a hybrid, i will try to give my opinion. I think, music in 5 season will come out when and 6 season. But I really want to be wrong!!! :)
It's very sad...(((The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>
Hats off to Batu Sener for working on many of the score's best cues though!It all comes to personal preference I think. Personally Iíve moved on from collecting cdís (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.Powell only does 1 score a year.
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Bob DaspitRupert Gregson-WilliamsVarious
ComposerComposerComposer
KPM Library - Drones ans Soundscapes
Label: Promotional release
Length: 70'30
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2945 votes)
Track 1 : Spatial Depth R Gregson-Williams
Panoramic drone with percussive effects.
Duration : 2.04 Tempo : No Tempo
Track 2 : Brooding Suspense R Gregson-Williams
Pulsating‚ tense dramatic drone.
Duration : 2.02 Tempo : No Tempo
Track 3 : Power Waves G Fletcher / R Gregson-Williams
Deep drone with underlying technology effects.
Duration : 1.35 Tempo : No Tempo
Track 4 : Mighty Power R N Daspit
Awesome‚ sweeping drone.
Duration : 2.00 Tempo : No Tempo
Track 5 : Cold World R N Daspit
Drone with exploratory scientific effects.
Duration : 2.02 Tempo : No Tempo
Track 6 : Virtual Jungle R N Daspit
Drone with rhythmic percussion effects.
Duration : 1.55 Tempo : No Tempo
Track 7 : Proud Launch R Gregson-Williams
Broad reveal with horns.
Duration : 1.35 Tempo : No Tempo
Track 8 : Our Creation (a) R Gregson-Williams
Expansive opening with huge choral reveal at 28".
Duration : 1.00 Tempo : No Tempo
Track 9 : Our Creation (b) R Gregson-Williams
Warm floating textures.
Duration : 1.00 Tempo : No Tempo

SOUNDSCAPES

Track 10 : Crystal Caves R N Daspit
Cold‚ sparkling atmosphere.
Duration : 2.20 Tempo : No Tempo
Track 11 : Vapour N Hooper
Evolving textures in the ether.
Duration : 2.14 Tempo : No Tempo
Track 12 : Celtic Homeland S LeFanu / R Lacy
Lush and evocative Celtic atmosphere featuring Uilleann pipes and Irish flute.
Duration : 4.56 Tempo : No Tempo
Track 13 : The Last Machine R N Daspit
Cold gaseous sounds with loud industrial percussive movement.
Duration : 2.00 Tempo : No Tempo
Track 14 : Analyse R Gregson-Williams
Swirling crystalline textures.
Duration : 1.30 Tempo : No Tempo
Track 15 : Nerve Centre (a) R N Daspit
Hollow‚ fluctuating drone with intermittent effects.
Duration : 2.00 Tempo : No Tempo
Track 16 : Nerve Centre (b) R N Daspit
Hollow‚ fluctuating drone with percussion.
Duration : 2.00 Tempo : No Tempo
Track 17 : Dreamy Days C Henson / M D'cruze
Floating‚ warm and caressing movement.
Duration : 2.35 Tempo : No Tempo
Track 18 : Swirls (a) D J Reading
Gentle‚ ethereal textures.
Duration : 2.25 Tempo : No Tempo
Track 19 : Swirls (b) D J Reading
Gentle‚ ethereal.
Duration : 0.20 Tempo : No Tempo
Track 20 : Eruption N Hooper
Mounting tension to massive hit.
Duration : 1.30 Tempo : No Tempo
Track 21 : Void S LeFanu / D Gresham
Abstract‚ tortured processed sounds.
Duration : 1.30 Tempo : No Tempo
Track 22 : A New Dawn G McConnell
Warm and evocative with lyrical violin phrases.
Duration : 2.45 Tempo : No Tempo
Track 23 : Weird Science R Gregson-Williams
Abstract shapes with bursting pods of sound.
Duration : 1.00 Tempo : No Tempo
Track 24 : Harmonics D J Reading
Fusion of gentle abstract sounds.
Duration : 2.45 Tempo : No Tempo
Track 25 : Martian Life C Henson / M D'cruze
Curious atmospheric sounds with slow pulse.
Duration : 1.43 Tempo : No Tempo
Track 26 : Perilous Depths R N Daspit
Washes of disturbing‚ claustrophobic sounds.
Duration : 2.14 Tempo : No Tempo
Track 27 : The Day Begins D J Reading
Gentle awakening.
Duration : 1.23 Tempo : No Tempo

DRONES & REVEALS

Track 28 : Spatial Depth 30 R Gregson-Williams
Duration : 0.30 Tempo : No Tempo
Track 29 : Brooding Suspense 30 R Gregson-Williams
Duration : 0.30 Tempo : No Tempo
Track 30 : Power Waves 30 G Fletcher / R Gregson-Williams
Duration : 0.30 Tempo : No Tempo
Track 31 : Mighty Power 30 R N Daspit
Duration : 0.30 Tempo : No Tempo
Track 32 : Cold World 30 R N Daspit
Duration : 0.30 Tempo : No Tempo
Track 33 : Virtual Jungle 30 R N Daspit
Duration : 0.30 Tempo : Medium
Track 34 : Proud Launch 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 35 : Our Creation (a) 30 R Gregson-Williams
Duration : 0.30 Tempo : No Tempo
Track 36 : Our Creation (b) 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow

SOUNDSCAPES

Track 37 : Crystal Caves 30 R N Daspit
Duration : 0.30 Tempo : No Tempo
Track 38 : Vapour 30 N Hooper
Duration : 0.30 Tempo : No Tempo
Track 39 : Celtic Homeland 30 S LeFanu / R Lacy
Duration : 0.30 Tempo : Slow
Track 40 : The Last Machine 30 R N Daspit
Duration : 0.30 Tempo : Medium
Track 41 : Analyse 30 R Gregson-Williams
Duration : 0.30 Tempo : No Tempo
Track 42 : Nerve Centre (a) 30 R N Daspit
Duration : 0.30 Tempo : No Tempo
Track 43 : Nerve Centre (b) 30 R N Daspit
Duration : 0.30 Tempo : Medium
Track 44 : Dreamy Days 30 C Henson / M D'cruze
Duration : 0.30 Tempo : Medium
Track 45 : Swirls 30 D J Reading
Duration : 0.30 Tempo : No Tempo
Track 46 : Eruption 30 N Hooper
Duration : 0.30 Tempo : No Tempo
Track 47 : Void 30 S LeFanu / D Gresham
Duration : 0.30 Tempo : No Tempo
Track 48 : A New Dawn 30 G McConnell
Duration : 0.30 Tempo : No Tempo
Track 49 : Weird Science 30 R Gregson-Williams
Duration : 0.30 Tempo : Various
Track 50 : Harmonics 30 D J Reading
Duration : 0.30 Tempo : No Tempo
Track 51 : Martian Life 30 C Henson / M D'cruze
Duration : 0.30 Tempo : Slow
Track 52 : Perilous Depths 30 R N Daspit
Duration : 0.30 Tempo : No Tempo
Track 53 : The Day Begins 30 D J Reading
Duration : 0.30 Tempo : Medium

DRONE STINGS

Track 54 : Drone Hits 1 D J Reading
Duration : 0.11 Tempo : No Tempo
Track 55 : Drone Hits 2 D J Reading
Duration : 0.05 Tempo : No Tempo
Track 56 : Drone Hits 3 D J Reading
Duration : 0.04 Tempo : No Tempo
Track 57 : Drone Hits 4 D J Reading
Duration : 0.10 Tempo : No Tempo
Track 58 : Drone Hits 5 D J Reading
Duration : 0.06 Tempo : No Tempo
Track 59 : Drone Hits 6 D J Reading
Duration : 0.04 Tempo : No Tempo
Track 60 : Drone Hits 7 D J Reading
Duration : 0.12 Tempo : No Tempo
Track 61 : Drone Hits 8 D J Reading
Duration : 0.06 Tempo : No Tempo
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KPM Library - Drones ans Soundscapes soundtrack - Bob Daspit - Rupert Gregson-Williams - Various