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Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldnít help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ĎTerence Malick-yí, ďThin Red LineĒ feel throughout.<br><br>Iím definitely not familiar with Max Richter so I canít comment on what he might have written, but Balfeís broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.Maybe you have a download link?Download link?I'm just waiting for Gemini Man, that (i hope) would be fun
I love that cue.So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.Not any more lame than the Balfe cue
Lorne says it will be released and insists itís not a GITS situation.That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how itís gonna be? Official release for Richter and leaks by Balfe :(
Lorne posted a track from Ad Astra on his YouTube channelThank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.
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VariousGraham Preskett
ComposerComposer
KPM Library - The Hollywood Series : Dangerous Game
Label: Promotional release
Length: 77'52
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2577 votes)
Track 1 : Knife Edge (a) R Harvey
Dramatic opening to tense atmosphere gradually building and developing to climax.
Duration : 2.08 Tempo : No Tempo
Track 2 : Knife Edge (b) R Harvey
Lighter version of above.
Duration : 2.08 Tempo : No Tempo
Track 3 : Knife Edge (c) R Harvey
Dramatic opening to light‚ percussive loop.
Duration : 0.48 Tempo : No Tempo
Track 4 : The Nightmare Begins (a) J Devereaux
Building dramatic tension.
Duration : 2.19 Tempo : Medium
Track 5 : The Nightmare Begins (b) J Devereaux
Lighter version.
Duration : 1.00 Tempo : Medium
Track 6 : The Nightmare Begins (c) J Devereaux
Strings only.
Duration : 0.59 Tempo : Medium
Track 7 : Final Encounter (a) S Baker
Sustained‚ dramatic tension to climax - orchestra and rhythm section.
Duration : 2.19 Tempo : Medium
Track 8 : Final Encounter (b) S Baker
As above - orchestra only.
Duration : 2.19 Tempo : Medium
Track 9 : Final Encounter (c) S Baker
Short version (a) with 'helicopter' effect.
Duration : 1.00 Tempo : Medium
Track 10 : Final Encounter (d) S Baker
Short version - synthesizers only.
Duration : 1.00 Tempo : Medium
Track 11 : The Killing Machine (a) B Connor
Powerful‚ driving opening to suspended mysterious conclusion.
Duration : 2.00 Tempo : Various
Track 12 : The Killing Machine (b) B Connor
Sting.
Duration : 0.19 Tempo : Various
Track 13 : The Scent of Fear (a) A Jackman
Tense‚ atmospheric underscore.
Duration : 2.13 Tempo : No Tempo
Track 14 : The Scent of Fear (b) A Jackman
Link.
Duration : 0.14 Tempo : No Tempo
Track 15 : Terminal Pursuit (a) P Pritchard
Relentless‚ dramatic action sequence.
Duration : 1.41 Tempo : Fast
Track 16 : Terminal Pursuit (b) P Pritchard
As above - orchestra only.
Duration : 1.41 Tempo : Fast
Track 17 : Terminal Pursuit (c) P Pritchard
Brass link.
Duration : 0.08 Tempo : Fast
Track 18 : Magic Dust (a) J Devereaux
Animated‚ whimsical fantasy.
Duration : 2.04 Tempo : Fast
Track 19 : Magic Dust (b) J Devereaux
End link.
Duration : 0.09 Tempo : Fast
Track 20 : Magic Dust (c) J Devereaux
Link.
Duration : 0.09 Tempo : Fast
Track 21 : Magic Dust (d) J Devereaux
Link.
Duration : 0.05 Tempo : Fast
Track 22 : Magic Dust (e) J Devereaux
Harp glissandi.
Duration : 0.09 Tempo : Fast
Track 23 : Inner Conflict (a) S Chamberlain
Turbulent‚ emotional drama.
Duration : 1.51 Tempo : Medium
Track 24 : Inner Conflict (b) S Chamberlain
Alternative end to piano tail.
Duration : 0.10 Tempo : Medium
Track 25 : Primary Objective (a) G Preskett
Determined‚ serious vein movement.
Duration : 2.41 Tempo : Medium
Track 26 : Primary Objective (b) G Preskett
Alternative version without percussion.
Duration : 2.41 Tempo : Medium
Track 27 : Closing In (a) B Connor
Narrative‚ climactic drama with tender middle section.
Duration : 2.52 Tempo : Various
Track 28 : Closing In (b) B Connor
Sting.
Duration : 0.14 Tempo : Fast
Track 29 : Turmoil (a) S Chamberlain
Opening orchestral fanfare featuring trumpet - tense underlying movement - gradual build to climax.
Duration : 1.55 Tempo : Fast
Track 30 : Turmoil (b) S Chamberlain
Closing fanfare - brass and percussion.
Duration : 0.15 Tempo : Fast
Track 31 : 20th Century Gothic (a) M Cang
Building‚ melodramatic action.
Duration : 1.43 Tempo : Fast
Track 32 : 20th Century Gothic (b) M Cang
As above - orchestra only.
Duration : 1.43 Tempo : Fast
Track 33 : 20th Century Gothic (c) M Cang
End link.
Duration : 0.06 Tempo : Fast
Track 34 : 20th Century Gothic (d) M Cang
Link.
Duration : 0.04 Tempo : Fast
Track 35 : Fugitive (a) P Pritchard
Dramatic‚ episodic action sequence.
Duration : 1.56 Tempo : Fast
Track 36 : Fugitive (b) P Pritchard
As above - orchestra only.
Duration : 1.56 Tempo : Fast
Track 37 : Crisis Imminent (a) A Jackman
Sustained‚ dramatic action to climax.
Duration : 1.55 Tempo : Fast
Track 38 : Crisis Imminent (b) A Jackman
Brass fanfare.
Duration : 0.22 Tempo : Fast

60 SECOND VERSIONS

Track 39 : Knife Edge 60 (a) R Harvey
Duration : 1.00 Tempo : No Tempo
Track 40 : Knife Edge 60 (b) R Harvey
Duration : 1.00 Tempo : No Tempo
Track 41 : The Nightmare Begins 60 J Devereaux
Duration : 1.00 Tempo : Medium
Track 42 : Final Encounter 60 S Baker
Duration : 1.00 Tempo : Medium
Track 43 : The Killing Machine 60 B Connor
Duration : 1.00 Tempo : Medium
Track 44 : The Scent of Fear 60 (a) A Jackman
Duration : 1.00 Tempo : No Tempo
Track 45 : The Scent of Fear 60 (b) A Jackman
Duration : 1.00 Tempo : No Tempo
Track 46 : Terminal Pursuit 60 P Pritchard
Duration : 1.00 Tempo : Fast
Track 47 : Magic Dust 60 J Devereaux
Duration : 1.00 Tempo : Fast
Track 48 : Closing In 60 B Connor
Duration : 1.00 Tempo : Various
Track 49 : Turmoil 60 S Chamberlain
Duration : 1.00 Tempo : Fast
Track 50 : 20th Century Gothic 60 (a) M Cang
Duration : 1.00 Tempo : Fast
Track 51 : 20th Century Gothic 60 (b) M Cang
Duration : 1.00 Tempo : Fast
Track 52 : Fugitive 60 P Pritchard
Duration : 1.00 Tempo : Fast
Track 53 : Crisis Imminent 60 A Jackman
Duration : 1.00 Tempo : Fast

30 SECOND VERSIONS

Track 54 : Knife Edge 30 (a) R Harvey
Duration : 0.30 Tempo : No Tempo
Track 55 : Knife Edge 30 (b) R Harvey
Duration : 0.30 Tempo : No Tempo
Track 56 : Knife Edge 30 (c) R Harvey
Duration : 0.30 Tempo : No Tempo
Track 57 : The Nightmare Begins 30 (a) J Devereaux
Duration : 0.30 Tempo : Medium
Track 58 : The Nightmare Begins 30 (b) J Devereaux
Duration : 0.30 Tempo : Medium
Track 59 : Final Encounter 30 S Baker
Duration : 0.30 Tempo : Medium
Track 60 : The Killing Machine 30 B Connor
Duration : 0.30 Tempo : Medium
Track 61 : The Scent of Fear 30 A Jackman
Duration : 0.30 Tempo : No Tempo
Track 62 : Terminal Pursuit 30 P Pritchard
Duration : 0.30 Tempo : Fast
Track 63 : Magic Dust 30 J Devereaux
Duration : 0.30 Tempo : Fast
Track 64 : Inner Conflict 30 S Chamberlain
Duration : 0.30 Tempo : Medium
Track 65 : Primary Objective 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 66 : Closing In 30 B Connor
Duration : 0.30 Tempo : Various
Track 67 : Turmoil 30 S Chamberlain
Duration : 0.30 Tempo : Fast
Track 68 : 20th Century Gothic 30 (a) M Cang
Duration : 0.30 Tempo : Fast
Track 69 : 20th Century Gothic 30 (b) M Cang
Duration : 0.30 Tempo : Fast
Track 70 : Fugitive 30 P Pritchard
Duration : 0.30 Tempo : Fast
Track 71 : Crisis Imminent 30 (a) A Jackman
Duration : 0.30 Tempo : Fast
Track 72 : Crisis Imminent 30 (b) A Jackman
Duration : 0.30 Tempo : Fast
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KPM Library - The Hollywood Series : Dangerous Game soundtrack - Various - Graham Preskett