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Please, does anyone have the theme song? Please! I need it!<br>Where can I buy these tracks?<br>bielvilela@live.comPlease, does anyone have the theme song? Please! I need it!That's sad if it is true. I remember her from videos back in the 90's and in many photos with Zimmer himself.Is Hans no longer married to Suzanne Zimmer? I saw articles from Hollywood in Vienna that hes now married to Dina De Luca.Really fun score. Definitely on par with Elfman's effort.
Chronological order is near impossible for music in an open world game.Hello everyone, Does anyone know how I can find "Homecoming" song in the movie but the film version not the soundtrack version? The homecoming song as it was played in the film itself.was anyone ever able to put the OST and the unreleased tracks together in chronological order?Year, but seriously, these genres are where Harry Gregson-Williams always succeeded  (Animation and Fantasy). I have high hopes that he will do a decent job and find back to his roots from the 2000s.i love this score so much. this comment is for Hans and team again for making such an amazing score. if they ever read what we write here lol : )<br><br>so, i am not a movie goer and many people claim and say that scores are to serve movies, and so and forth. well, i finally watched Dunkirk and it is an excellent movie. the movie did not do justice to the score imo.<br><br>here's an example. "Variation 15" on Nimrod is the "soothing" track for me in the whole score. much more soothing than "Home". i can play it in a loop. it surprised me that the cut gave it only a mere few seconds in the movie. now, i only watched Dunkirk once but i am pretty sure it played once, and for a few seconds, while "Bane" was in the plane.<br><br>another fact is that i always felt like being in a war plane when listening to "Supermarine". not an helicopter but more like a fast moving plane. that was before watching the movie and i never read about the movie. i knew it was about war and the only war machine i could think of was that. the fact that i was able to match the music with my own images says how great Hans and team were on that.<br><br>the constant tension felt in the "Mole", "Supermarine", etc. is more intense in the movie though. i liked that.<br><br>also, i watched the movie credits to the very end. i wanted to see if they would match it with the track. they did, and it ends exactly with the starting point as i expected. for me it was a cue that "the war didn't end there". sad, yes, but the effect was on point.<br><br>so okay, i am minority here in saying that a score album put together is its own thing. doesn't need a movie to exist. great movie. great score. both in their own rights!
Don't want to be a downer but, really, let's all hope things won't blow to s*** like they did with Alien: Covenant or some other annoyance.Harry gregson williams will compose mulan ??!!!!! Come on this is blowing my mind. I truly hope for hans zimmer or other great composer like desplat or silvestri. I wanted hans to score a master piece like last samurai. But no offense to harry. He is good and more than good but disney live action like mulan really wanted something special that i think the right guy is hans !Hans will cowrite the score together with Faltermeyer... :) ;)It's meHello?
Great news! Can't wait to see the concert online or Blu-Ray.Cool that you met Hans! As for Hans doing Top Gun 2, well there's some pleasantly surprising news!Yes!Hollywood in Vienna: Hans Zimmer was amazing! One of the best concerts Ive ever been to! I ended up meeting the man himself after the concert! Amazing programme!<br><br>Btw Tom cruise said (in a recorded message that was shown at the concert) that hed be working on Top Gun 2 with Hans! Pretty cool news!Really a fun and nice score from Dom.
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Nick Glennie-SmithVariousGraham Preskett
ComposerComposerComposer
KPM Library - Orchestral Dynamics - The LSO Vol2
Label: Promotional release
Length: 54'51
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2765 votes)
Track 1 : The Last Hero (a) P Pritchard
Stirring Hollywood adventure theme - full orchestra.
Duration : 1.43 Tempo : Medium
Track 2 : The Last Hero (b) P Pritchard
Lighter variation - chamber orchestra.
Duration : 2.31 Tempo : Medium
Track 3 : The Last Hero (c) P Pritchard
Lyrical variation - chamber group.
Duration : 2.01 Tempo : Medium
Track 4 : The Last Hero (d) P Pritchard
Tender‚ romantic variation - chamber group.
Duration : 1.10 Tempo : Medium
Track 5 : My Story Begins... (a) G Preskett
Reflective opening to heart-warming episodic theme - full orchestra.
Duration : 2.50 Tempo : Medium
Track 6 : My Story Begins... (b) G Preskett
Warm‚ reflective variation - chamber orchestra.
Duration : 1.59 Tempo : Medium
Track 7 : My Story Begins... (c) G Preskett
Gentle‚ lyrical variation - chamber group.
Duration : 0.58 Tempo : Medium
Track 8 : Magic and Mystery I Sekacz
Eerie‚ atmospheric opening to gradual development with mysterious textures‚ tender interlude and reprise - chamber orchestra.
Duration : 3.31 Tempo : Various
Track 9 : Great Achievements N Glennie-Smith
Broad‚ episodic theme building to triumphant finale - full orchestra.
Duration : 3.05 Tempo : Fast
Track 10 : Faces of Love (a) A Jackman
Warm‚ romantic theme building to finale and editing point at 2.20 to reprise - full orchestra.
Duration : 2.42 Tempo : Slow
Track 11 : Faces of Love (b) A Jackman
Solo cello introduction to light‚ reflective variation - chamber group.
Duration : 1.02 Tempo : Slow
Track 12 : Faces of Love (c) A Jackman
Light optimistic variation - chamber group.
Duration : 1.01 Tempo : Slow
Track 13 : Tales of Adventure (a) M Cang
Exhilarating action theme - full orchestra.
Duration : 2.53 Tempo : Fast
Track 14 : Tales of Adventure (b) M Cang
Light-hearted variation - chamber orchestra.
Duration : 2.07 Tempo : Fast
Track 15 : Tales of Adventure (c) M Cang
Light variation - chamber group.
Duration : 1.01 Tempo : Fast
Track 16 : Tales of Adventure (d) M Cang
Lyrical variation with long tail in a major key resolving to dissonance - chamber group.
Duration : 0.59 Tempo : Fast
Track 17 : The Silver Blade I Sekacz
Swashbuckling adventure theme with romantic interlude - full orchestra.
Duration : 3.10 Tempo : Fast
Track 18 : Network International B Gulland
Light introduction to purposeful‚ rhythmic theme with climaxes and editing points - full orchestra.
Duration : 2.21 Tempo : Fast
Track 19 : Scenic Journeys C Palmer
Colourful‚ descriptive travelogue - full orchestra.
Duration : 2.45 Tempo : Medium
Track 20 : A Scenic Heritage (a) R Harvey
Lyrical‚ pastoral theme in a folk idiom - chamber orchestra.
Duration : 2.07 Tempo : Medium
Track 21 : A Scenic Heritage (b) R Harvey
Lighter variation - chamber group.
Duration : 1.00 Tempo : Medium
Track 22 : Golden Fields B Connor
Romantic‚ pastoral theme - chamber orchestra.
Duration : 2.54 Tempo : Medium

30 SECOND VERSIONS

Track 23 : The Last Hero 30 (a) P Pritchard
Duration : 0.30 Tempo : Medium
Track 24 : The Last Hero 30 (b) P Pritchard
Duration : 0.30 Tempo : Medium
Track 25 : The Last Hero 30 (c) P Pritchard
Duration : 0.30 Tempo : Medium
Track 26 : The Last Hero 30 (d) P Pritchard
Duration : 0.30 Tempo : Medium
Track 27 : My Story Begins... 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 28 : Great Achievements 30 N Glennie-Smith
Duration : 0.30 Tempo : Fast
Track 29 : Faces of Love 30 A Jackman
Duration : 0.30 Tempo : Slow
Track 30 : Tales of Adventure 30 (a) M Cang
Duration : 0.30 Tempo : Fast
Track 31 : Tales of Adventure 30 (b) M Cang
Duration : 0.30 Tempo : Fast
Track 32 : Tales of Adventure 30 (c) M Cang
Duration : 0.30 Tempo : Fast
Track 33 : The Silver Blade 30 I Sekacz
Duration : 0.30 Tempo : Fast
Track 34 : Network International 30 B Gulland
Duration : 0.30 Tempo : Fast
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KPM Library - Orchestral Dynamics - The LSO Vol2 soundtrack - Nick Glennie-Smith - Various - Graham Preskett