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The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.
Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.Ist there any chance for concert in Poland during this tour?How do I listen to this ?Hybrid, what about any credits for this score?
Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.I really like the song. It has, I think, a Bangkok Dangerous vibe at first, before the first lyrics. <br>I read some comments on youtube stating its a bad Bond song because its too calm. I disagree. Sure, its less punchy than You Know My Name, but some previous Bond songs, like Tomorrow Never Dies, had the same "mood". <br>This song, No Time to Die, would also have been a prefect choice for the movie Quantum of Solace, which had this melancholic tone. i espacially picture this music during the train bar scene in Quantum of solace, when Bond is drinking thinking about Vesper and the past.Man, i wan that score"Time to Get Out", “Pursuit At...”, “No Interest In...” and “I Never Left” all incorporate the piano motif from “Another Way to Die”. Granted, they are more like cameos than anything really substantial.
Anybody who heard from Steve Mazzaro's website to listen by The Rhythm Section with soundtrack, it's ain't not bad at all.I’m aware about no good about goodbye and yes it’s in various cues. can you tell me where another way to die appears? also check out “talomne” it has you know my name on stringsSeriously, the complete score needs to come out. We NEED those Mazzaro suites on our devices!Just came back from Mazzaro’s website. Why didn’t they include the extended versions of some of the tracks? Not to mention an entirely unreleased track.<br><br>This is the closest we’ll get to having an “original” album by Zimmer and his team. Darn...QoS did attempt to use the theme song in the score, but the theme song they went with changed during production. It was originally going to be "No Good About Goodbye" as sung by Shirley Bassey and written by David Arnold, the composer for QoS. Listen to the song and you can hear it all across the score, such as at 3:30 in Time to Get Out and 0:08 in Talamone. As such, I'd still count QoS as abiding by the rule.
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Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - The Human Experience Vol1
Label: Promotional release
Length: 78'48
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3020 votes)
Track 1 : Human Rights (a) D Hewson
Poignant‚ emotional introduction - transition at 1.38 to impassioned statement and reprise.
Duration : 2.49 Tempo : Slow
Track 2 : Human Rights (b) D Hewson
Alternative version to above without build.
Duration : 1.38 Tempo : Slow
Track 3 : Dignity (a) D Hewson
Quiet‚ measured theme rising and falling.
Duration : 3.08 Tempo : Slow
Track 4 : Dignity (b) D Hewson
Alternative arrangement of above - without phrasing intervals.
Duration : 2.54 Tempo : Slow
Track 5 : Dignity (c) D Hewson
Short version of above.
Duration : 0.30 Tempo : Slow
Track 6 : The Quest for Knowledge D Hewson
Building‚ aspirational theme to climax.
Duration : 1.04 Tempo : Slow
Track 7 : Mysteries of the Mind (a) H Gregson-Williams
Gently unfolding‚ enigmatic theme.
Duration : 2.42 Tempo : Slow
Track 8 : Mysteries of the Mind (b) H Gregson-Williams
Underscore.
Duration : 2.42 Tempo : Slow
Track 9 : Mysteries of the Mind (c) H Gregson-Williams
Variation for solo piano.
Duration : 1.50 Tempo : Slow
Track 10 : Mysteries of the Mind (d) H Gregson-Williams
Slower version of above.
Duration : 2.05 Tempo : Slow
Track 11 : Into the Unknown (a) H Gregson-Williams
Expectant‚ uneasy atmosphere.
Duration : 2.06 Tempo : Slow
Track 12 : Into the Unknown (b) H Gregson-Williams
Underscore.
Duration : 2.06 Tempo : Slow
Track 13 : Mystery and Imagination D Hewson
Gentle‚ intriguing textures.
Duration : 3.09 Tempo : Slow
Track 14 : Realisation D Hewson
Sustained textures with gradual build.
Duration : 1.14 Tempo : Slow
Track 15 : The Threads of Life D Hewson
Poignant‚ emotional underscore.
Duration : 1.37 Tempo : Slow
Track 16 : Each Second Counts (a) D Hewson
Constant‚ measured tension to held chord.
Duration : 0.34 Tempo : Slow
Track 17 : Each Second Counts (b) D Hewson
Alternative arrangement - 'against the clock'.
Duration : 1.00 Tempo : Slow
Track 18 : Each Second Counts (c) D Hewson
Alternative end to above to climax.
Duration : 0.15 Tempo : Slow
Track 19 : Each Second Counts (d) D Hewson
Short version of (b).
Duration : 0.30 Tempo : Slow
Track 20 : Each Second Counts (e) D Hewson
End link to above.
Duration : 0.09 Tempo : Slow
Track 21 : Poisoning the Mind D Hewson
Dark atmosphere - thematic to above.
Duration : 1.11 Tempo : Slow
Track 22 : Fight Against Time (a) H Gregson-Williams
Urgent‚ understated activity.
Duration : 1.55 Tempo : Medium
Track 23 : Fight Against Time (b) H Gregson-Williams
Alternative end.
Duration : 0.28 Tempo : Medium
Track 24 : Fight Against Time (c) H Gregson-Williams
Dramatic link.
Duration : 0.08 Tempo : Medium
Track 25 : Fight Against Time (d) H Gregson-Williams
Link.
Duration : 0.07 Tempo : Medium
Track 26 : Fight Against Time (e) H Gregson-Williams
Underscore.
Duration : 1.51 Tempo : Medium
Track 27 : Metropolis Man D Hewson
Constant‚ repetitive motif featuring choral chanting.
Duration : 2.35 Tempo : Fast
Track 28 : Race Against Time H Gregson-Williams
Purposeful‚ concerned activity - running piano motif.
Duration : 1.28 Tempo : Medium
Track 29 : Time is Precious D Hewson
A sense of urgency.
Duration : 0.30 Tempo : Medium
Track 30 : Sense of Anxiety (a) D Hewson
Repetitive underlay to sustained chord.
Duration : 0.44 Tempo : Medium
Track 31 : Sense of Anxiety (b) D Hewson
Alternative end to above.
Duration : 0.12 Tempo : Medium
Track 32 : Sense of Panic D Hewson
Unsettling‚ rhythmic build to gradual resolve.
Duration : 0.23 Tempo : Fast
Track 33 : A Sense of Unease D Hewson
A quiet‚ atmospheric underscore.
Duration : 2.00 Tempo : Slow
Track 34 : The Predator D Hewson
Approaching menace.
Duration : 0.14 Tempo : Slow
Track 35 : Aftershock D Hewson
Rising tension.
Duration : 0.12 Tempo : Medium
Track 36 : The Attack 1 (a) D Hewson
Conflict and struggle.
Duration : 0.18 Tempo : Fast
Track 37 : The Attack 1 (b) D Hewson
Unrelenting pursuit.
Duration : 0.16 Tempo : Fast
Track 38 : The Attack 1 (c) D Hewson
Frenzied attack.
Duration : 0.14 Tempo : Fast
Track 39 : The Attack 1 (d) D Hewson
Individual stabs.
Duration : 0.24 Tempo : Fast
Track 40 : The Attack 1 (e) D Hewson
Building stabs.
Duration : 0.05 Tempo : Fast
Track 41 : The Attack 1 (f) D Hewson
Aftermath.
Duration : 0.06 Tempo : Fast
Track 42 : The Attack 2 (a) D Hewson
Frenetic build to sustained chord.
Duration : 0.18 Tempo : Fast
Track 43 : The Attack 2 (b) D Hewson
Frenetic build to stab.
Duration : 0.10 Tempo : Fast
Track 44 : The Attack 2 (c) D Hewson
Pursuit to unresolved chord.
Duration : 0.43 Tempo : Fast
Track 45 : The Attack 2 (d) D Hewson
Violent stab to held note.
Duration : 0.12 Tempo : Fast
Track 46 : The Fight for Life (a) D Hewson
Heartbeat effect with descending chord.
Duration : 0.53 Tempo : Slow
Track 47 : The Fight for Life (b) D Hewson
As above without descending chord.
Duration : 0.30 Tempo : Slow
Track 48 : The Fight for Life (c) D Hewson
Heartbeat effect with sustained chords.
Duration : 0.45 Tempo : Slow
Track 49 : Pensive D Hewson
Sustained chord.
Duration : 0.21 Tempo : Slow
Track 50 : Tension D Hewson
Sustained chord.
Duration : 0.21 Tempo : Slow
Track 51 : Point of Crisis D Hewson
Sustained tremolando strings.
Duration : 0.41 Tempo : Medium
Track 52 : Sense of Relief D Hewson
Slow descending chords.
Duration : 0.24 Tempo : Slow
Track 53 : Remorse D Hewson
Sustained‚ atmospheric chords.
Duration : 1.00 Tempo : Slow
Track 54 : Loneliness (a) D Hewson
Sad‚ reflective underscore.
Duration : 1.52 Tempo : Slow
Track 55 : Loneliness (b) D Hewson
Alternative arrangement of above for string quartet.
Duration : 1.52 Tempo : Slow
Track 56 : Grey Lives (a) D Hewson
Pensive‚ bleak atmosphere.
Duration : 0.38 Tempo : Slow
Track 57 : Grey Lives (b) D Hewson
Sustained‚ alternative version of above.
Duration : 0.59 Tempo : Slow
Track 58 : Lonely People D Hewson
Poignant‚ solo piano.
Duration : 3.19 Tempo : Slow
Track 59 : Tears of the World D Hewson
Poignant child's voice over sustained background.
Duration : 2.21 Tempo : Slow
Track 60 : Child of Dreams (a) D Hewson
Mysterious‚ ethereal child's voice over neutral texture.
Duration : 1.35 Tempo : Slow
Track 61 : Child of Dreams (b) D Hewson
Solo voice.
Duration : 1.31 Tempo : Slow
Track 62 : Oranges and Lemons D Hewson
Traditional nursery rhyme - solo child's voice.
Duration : 0.52 Tempo : Slow
Track 63 : Twinkle‚ Twinkle Little Star D Hewson
Traditional nursery rhyme - solo child's voice.
Duration : 0.26 Tempo : Slow
Track 64 : See Saw D Hewson
Nursery chant - solo child's voice.
Duration : 0.20 Tempo : Slow
Track 65 : Hush-a-bye Baby D Hewson
Lullaby - solo child's voice.
Duration : 0.30 Tempo : Slow
Track 66 : Sleep Baby Sleep D Hewson
Lullaby - solo child's voice and harp.
Duration : 1.18 Tempo : Slow
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KPM Library - The Human Experience Vol1 soundtrack - Rupert Gregson-Williams - Various