NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldnít help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ĎTerence Malick-yí, ďThin Red LineĒ feel throughout.<br><br>Iím definitely not familiar with Max Richter so I canít comment on what he might have written, but Balfeís broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.Maybe you have a download link?Download link?I'm just waiting for Gemini Man, that (i hope) would be fun
I love that cue.So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.Not any more lame than the Balfe cue
Lorne says it will be released and insists itís not a GITS situation.That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how itís gonna be? Official release for Richter and leaks by Balfe :(
Lorne posted a track from Ad Astra on his YouTube channelThank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - The Human Experience Vol1
Label: Promotional release
Length: 78'48
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2961 votes)
Track 1 : Human Rights (a) D Hewson
Poignant‚ emotional introduction - transition at 1.38 to impassioned statement and reprise.
Duration : 2.49 Tempo : Slow
Track 2 : Human Rights (b) D Hewson
Alternative version to above without build.
Duration : 1.38 Tempo : Slow
Track 3 : Dignity (a) D Hewson
Quiet‚ measured theme rising and falling.
Duration : 3.08 Tempo : Slow
Track 4 : Dignity (b) D Hewson
Alternative arrangement of above - without phrasing intervals.
Duration : 2.54 Tempo : Slow
Track 5 : Dignity (c) D Hewson
Short version of above.
Duration : 0.30 Tempo : Slow
Track 6 : The Quest for Knowledge D Hewson
Building‚ aspirational theme to climax.
Duration : 1.04 Tempo : Slow
Track 7 : Mysteries of the Mind (a) H Gregson-Williams
Gently unfolding‚ enigmatic theme.
Duration : 2.42 Tempo : Slow
Track 8 : Mysteries of the Mind (b) H Gregson-Williams
Underscore.
Duration : 2.42 Tempo : Slow
Track 9 : Mysteries of the Mind (c) H Gregson-Williams
Variation for solo piano.
Duration : 1.50 Tempo : Slow
Track 10 : Mysteries of the Mind (d) H Gregson-Williams
Slower version of above.
Duration : 2.05 Tempo : Slow
Track 11 : Into the Unknown (a) H Gregson-Williams
Expectant‚ uneasy atmosphere.
Duration : 2.06 Tempo : Slow
Track 12 : Into the Unknown (b) H Gregson-Williams
Underscore.
Duration : 2.06 Tempo : Slow
Track 13 : Mystery and Imagination D Hewson
Gentle‚ intriguing textures.
Duration : 3.09 Tempo : Slow
Track 14 : Realisation D Hewson
Sustained textures with gradual build.
Duration : 1.14 Tempo : Slow
Track 15 : The Threads of Life D Hewson
Poignant‚ emotional underscore.
Duration : 1.37 Tempo : Slow
Track 16 : Each Second Counts (a) D Hewson
Constant‚ measured tension to held chord.
Duration : 0.34 Tempo : Slow
Track 17 : Each Second Counts (b) D Hewson
Alternative arrangement - 'against the clock'.
Duration : 1.00 Tempo : Slow
Track 18 : Each Second Counts (c) D Hewson
Alternative end to above to climax.
Duration : 0.15 Tempo : Slow
Track 19 : Each Second Counts (d) D Hewson
Short version of (b).
Duration : 0.30 Tempo : Slow
Track 20 : Each Second Counts (e) D Hewson
End link to above.
Duration : 0.09 Tempo : Slow
Track 21 : Poisoning the Mind D Hewson
Dark atmosphere - thematic to above.
Duration : 1.11 Tempo : Slow
Track 22 : Fight Against Time (a) H Gregson-Williams
Urgent‚ understated activity.
Duration : 1.55 Tempo : Medium
Track 23 : Fight Against Time (b) H Gregson-Williams
Alternative end.
Duration : 0.28 Tempo : Medium
Track 24 : Fight Against Time (c) H Gregson-Williams
Dramatic link.
Duration : 0.08 Tempo : Medium
Track 25 : Fight Against Time (d) H Gregson-Williams
Link.
Duration : 0.07 Tempo : Medium
Track 26 : Fight Against Time (e) H Gregson-Williams
Underscore.
Duration : 1.51 Tempo : Medium
Track 27 : Metropolis Man D Hewson
Constant‚ repetitive motif featuring choral chanting.
Duration : 2.35 Tempo : Fast
Track 28 : Race Against Time H Gregson-Williams
Purposeful‚ concerned activity - running piano motif.
Duration : 1.28 Tempo : Medium
Track 29 : Time is Precious D Hewson
A sense of urgency.
Duration : 0.30 Tempo : Medium
Track 30 : Sense of Anxiety (a) D Hewson
Repetitive underlay to sustained chord.
Duration : 0.44 Tempo : Medium
Track 31 : Sense of Anxiety (b) D Hewson
Alternative end to above.
Duration : 0.12 Tempo : Medium
Track 32 : Sense of Panic D Hewson
Unsettling‚ rhythmic build to gradual resolve.
Duration : 0.23 Tempo : Fast
Track 33 : A Sense of Unease D Hewson
A quiet‚ atmospheric underscore.
Duration : 2.00 Tempo : Slow
Track 34 : The Predator D Hewson
Approaching menace.
Duration : 0.14 Tempo : Slow
Track 35 : Aftershock D Hewson
Rising tension.
Duration : 0.12 Tempo : Medium
Track 36 : The Attack 1 (a) D Hewson
Conflict and struggle.
Duration : 0.18 Tempo : Fast
Track 37 : The Attack 1 (b) D Hewson
Unrelenting pursuit.
Duration : 0.16 Tempo : Fast
Track 38 : The Attack 1 (c) D Hewson
Frenzied attack.
Duration : 0.14 Tempo : Fast
Track 39 : The Attack 1 (d) D Hewson
Individual stabs.
Duration : 0.24 Tempo : Fast
Track 40 : The Attack 1 (e) D Hewson
Building stabs.
Duration : 0.05 Tempo : Fast
Track 41 : The Attack 1 (f) D Hewson
Aftermath.
Duration : 0.06 Tempo : Fast
Track 42 : The Attack 2 (a) D Hewson
Frenetic build to sustained chord.
Duration : 0.18 Tempo : Fast
Track 43 : The Attack 2 (b) D Hewson
Frenetic build to stab.
Duration : 0.10 Tempo : Fast
Track 44 : The Attack 2 (c) D Hewson
Pursuit to unresolved chord.
Duration : 0.43 Tempo : Fast
Track 45 : The Attack 2 (d) D Hewson
Violent stab to held note.
Duration : 0.12 Tempo : Fast
Track 46 : The Fight for Life (a) D Hewson
Heartbeat effect with descending chord.
Duration : 0.53 Tempo : Slow
Track 47 : The Fight for Life (b) D Hewson
As above without descending chord.
Duration : 0.30 Tempo : Slow
Track 48 : The Fight for Life (c) D Hewson
Heartbeat effect with sustained chords.
Duration : 0.45 Tempo : Slow
Track 49 : Pensive D Hewson
Sustained chord.
Duration : 0.21 Tempo : Slow
Track 50 : Tension D Hewson
Sustained chord.
Duration : 0.21 Tempo : Slow
Track 51 : Point of Crisis D Hewson
Sustained tremolando strings.
Duration : 0.41 Tempo : Medium
Track 52 : Sense of Relief D Hewson
Slow descending chords.
Duration : 0.24 Tempo : Slow
Track 53 : Remorse D Hewson
Sustained‚ atmospheric chords.
Duration : 1.00 Tempo : Slow
Track 54 : Loneliness (a) D Hewson
Sad‚ reflective underscore.
Duration : 1.52 Tempo : Slow
Track 55 : Loneliness (b) D Hewson
Alternative arrangement of above for string quartet.
Duration : 1.52 Tempo : Slow
Track 56 : Grey Lives (a) D Hewson
Pensive‚ bleak atmosphere.
Duration : 0.38 Tempo : Slow
Track 57 : Grey Lives (b) D Hewson
Sustained‚ alternative version of above.
Duration : 0.59 Tempo : Slow
Track 58 : Lonely People D Hewson
Poignant‚ solo piano.
Duration : 3.19 Tempo : Slow
Track 59 : Tears of the World D Hewson
Poignant child's voice over sustained background.
Duration : 2.21 Tempo : Slow
Track 60 : Child of Dreams (a) D Hewson
Mysterious‚ ethereal child's voice over neutral texture.
Duration : 1.35 Tempo : Slow
Track 61 : Child of Dreams (b) D Hewson
Solo voice.
Duration : 1.31 Tempo : Slow
Track 62 : Oranges and Lemons D Hewson
Traditional nursery rhyme - solo child's voice.
Duration : 0.52 Tempo : Slow
Track 63 : Twinkle‚ Twinkle Little Star D Hewson
Traditional nursery rhyme - solo child's voice.
Duration : 0.26 Tempo : Slow
Track 64 : See Saw D Hewson
Nursery chant - solo child's voice.
Duration : 0.20 Tempo : Slow
Track 65 : Hush-a-bye Baby D Hewson
Lullaby - solo child's voice.
Duration : 0.30 Tempo : Slow
Track 66 : Sleep Baby Sleep D Hewson
Lullaby - solo child's voice and harp.
Duration : 1.18 Tempo : Slow
Create Topic

vi reply Replies: 0 || 2010-11-30 00:00:00
hai

 HANS-ZIMMER.com© 2001-2018 OST 
KPM Library - The Human Experience Vol1 soundtrack - Rupert Gregson-Williams - Various