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Hey man, I'm sure you already know this, but you are awesome! I just watched your Vanity Fair video from two years ago. Your take on life and your music is amazing, keep up the good work!I do really like benjamin wallfisch's new score for the invisible man, which is release today in cinema. I'm a fan of wallfisch's film score since lights out and including other film scores, but i begin to hear the score in spotify & youtube and i do like the score with the full orchestra & electronic music within the film music and there are two themes for the film but there are most motif, like mr.zimmerfan says. <br><br>I just hope that this page can released the soundtrack details of The Invisible man soon and this score is good.The Invisible Man, would be one of the most dark, hard-hearing scores by Wallfisch, by far, multiple people will hate this score -i know, is difficult listening horror scores-, but when is good, is good.<br><br>If you love Lights Out, the two ITs, speacially, A Cure for Wellness, The Invisible Man is for you: dark, unpleasing (the theme for Elisabeth Moss' character is a beautiful melodie, example in 'Denouement', constantly accosed -rightly word- with the sounds of the Invisible Man, he has not theme, more motif and tremendously agresive sound desing, you can here listen in 'Attack') and very Hermann-esque (the score was only recorded with string orchestra, say by Wallfisch).<br><br>Like i said before, is not a score for everyone, but if you love Wallfisch's writing for horror, this one is for youNow, i believe, is one of the best (i was more enganging with this one more than Solo, wich i still found good, but not the best from Powell, sorry) scores written by Powell, still, not has tremendous as the HTTYD trilogy, but one of the most incredible, beautiful and heart-warming scores written by him.<br><br>Powell found himself comfortable with this style of americana/folk (Wake the Girls, is a such good start the album) and combining it with his action/adventure style of writing ('Snowy Climb', the incredible -one of the best cues of the album- 'Buck Takes the Lead', 'Ice Rescue'), but when it comes the emotional -not discover nothing new-, man, Powell is fricking good: 'We Carry Love', 'Finding Bears and Love in the Woods' or 'Come Say Goodbye'.<br><br>One of the best scores of 2020, by far.I found myself more entertaining by this one (after multiple listenings) than with Skyscraper, but not more than TLK or TMNT and TLWH.<br><br>The themes are there, very simplistic, but effective (the melodie for RST twisted in 'Harting', for example or the more melodic and peaceful theme in 'KT'), and yes, the sound design, but in the defense of Jab, he is far more rhytmic than others attepmting it (the element of horror hearing in 'Martin Axe' or the percussive twisted agressive in 'The Tunnel') or the more echoing 'The Island' guitar riffs in 'Ray Garrison', even he reutilizes the percussive timing Decepcticon theme for the motif (i think) for Bloodshot.<br><br>Maybe, i gave him more credit, but in his defense, i was expecting something more electronic (plenty electronic are here), but is more orchestral and melodic i was expecting.
Sadly this one failed to impress in any way for me. I felt like falling asleep for much of this album. Overall too simplistic, ugly, and cliched with very difficult to pin down thematic material, as the melodies are so minimalist.To whom it may concern...<br><br>Is it possible to download or in any other way purchase the Hannibal (Expanded) score somewhere? I have the original motion picture soundtrack, but would LOVE to have them both..<br><br>Best regards<br><br>Nicholas10 and 16 are missing from the store pack.Most probablyI am not a hybrid, i will try to give my opinion. I think, music in 5 season will come out when and 6 season. But I really want to be wrong!!! :)
It's very sad...(((The 'Allentown Brothers' track is pretty damn awesome (find it on YouTube). It's like a mix between gothic Elfman, Desperate Housewives and Transformers. I love it.<br><br>It's one of those scores that people don't talk about much but it's actually pretty cool. <br><br>An awesome venue would be the Opera House in Odessa.Want this so bad!!!Does anyone have a breakdown of this with the official score album?<br>
Hats off to Batu Sener for working on many of the score's best cues though!It all comes to personal preference I think. Personally Iíve moved on from collecting cdís (or anything really) and would rather have everything digital simply to utilize space. <br><br>That being said, I completely understand the appeals of having physical media, it would be sad to see that go away for the people who really love it.It's not only to appreciate the work, its to have something "real" in your hands, for your music collection. I don't like only to have a digital music archive. Of course, i rip all the cds i own to WAV and MP3. But i want to have them in my physical music collection.These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.Powell only does 1 score a year.
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Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - Media Machine
Label: Promotional release
Length: 73'03
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2534 votes)
Track 1 : Star Performance (a) R Gregson-Williams
Gradual opening to smooth‚ exhilarating progress.
Duration : 3.12 Tempo : Medium
Track 2 : Star Performance (b) R Gregson-Williams
Abridged underscore.
Duration : 1.46 Tempo : Medium
Track 3 : Planning with Confidence (a) R Gregson-Williams
Steady‚ assured progress.
Duration : 2.39 Tempo : Medium
Track 4 : Planning with Confidence (b) R Gregson-Williams
Abridged underscore.
Duration : 2.04 Tempo : Medium
Track 5 : Planning with Confidence (c) R Gregson-Williams
Opening section to above.
Duration : 0.29 Tempo : Medium
Track 6 : Monster of Sound R Gregson-Williams
Powerful fusion of fast dance and trance.
Duration : 2.56 Tempo : Fast
Track 7 : Born to Win (a) R Gregson-Williams
Building prestige and achievement.
Duration : 3.06 Tempo : Slow
Track 8 : Born to Win (b) R Gregson-Williams
Underscore.
Duration : 3.06 Tempo : Slow
Track 9 : Too Cool (a) R Gregson-Williams
Driving‚ jazzy pop fusion featuring alto sax.
Duration : 3.19 Tempo : Medium
Track 10 : Too Cool (b) R Gregson-Williams
End link.
Duration : 0.20 Tempo : Medium
Track 11 : Too Cool (c) R Gregson-Williams
Abridged alternative mix without sax.
Duration : 1.19 Tempo : Medium
Track 12 : Slammin' (a) R Gregson-Williams
'Outrageous'‚ rhythmic collage to climax.
Duration : 1.53 Tempo : Fast
Track 13 : Slammin' (b) R Gregson-Williams
Short underscore.
Duration : 0.45 Tempo : Fast
Track 14 : Slammin' (c) R Gregson-Williams
Build to climax.
Duration : 0.30 Tempo : Fast
Track 15 : Flying High (a) R Gregson-Williams
Soaring aspirational theme gradually building to positive end.
Duration : 2.37 Tempo : Medium
Track 16 : Flying High (b) R Gregson-Williams
Underscore.
Duration : 2.37 Tempo : Medium
Track 17 : Flying High (c) R Gregson-Williams
Floating atmospheric variation.
Duration : 1.30 Tempo : Medium
Track 18 : The Ultimate Power (a) R Gregson-Williams
Suspended opening to rugged industrial 'hardcore' riff.
Duration : 2.18 Tempo : Medium
Track 19 : The Ultimate Power (b) R Gregson-Williams
Underscore.
Duration : 1.29 Tempo : Medium
Track 20 : Towards Tomorrow (a) R Gregson-Williams
Confident‚ futuristic progress.
Duration : 2.36 Tempo : Medium
Track 21 : Towards Tomorrow (b) R Gregson-Williams
Underscore.
Duration : 2.36 Tempo : Medium
Track 22 : Travel in Comfort (a) R Gregson-Williams
Easy‚ relaxed theme featuring soprano sax and classical guitar.
Duration : 2.32 Tempo : Medium
Track 23 : Travel in Comfort (b) R Gregson-Williams
Underscore.
Duration : 2.32 Tempo : Medium
Track 24 : Information Overload (a) R Gregson-Williams
Manic 'in your face' techno.
Duration : 2.30 Tempo : Fast
Track 25 : Information Overload (b) R Gregson-Williams
Alternative mix without voices.
Duration : 2.30 Tempo : Fast
Track 26 : All Adrenalin (a) R Gregson-Williams
Reveal to exciting fusion of rock guitar and rhythm section.
Duration : 2.24 Tempo : Medium
Track 27 : All Adrenalin (b) R Gregson-Williams
Underscore without guitar.
Duration : 2.24 Tempo : Medium
Track 28 : All Adrenalin (c) R Gregson-Williams
Underscore without guitar or rhythm section.
Duration : 2.24 Tempo : Medium

30 SECOND VERSIONS

Track 29 : Star Performance 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 30 : Planning with Confidence 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 31 : Planning with Confidence 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 32 : Monster of Sound 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 33 : Monster of Sound 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 34 : Born to Win 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 35 : Too Cool 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 36 : Too Cool 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 37 : Slammin' 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 38 : Flying High 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 39 : The Ultimate Power 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 40 : The Ultimate Power 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 41 : Towards Tomorrow 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 42 : Travel in Comfort 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 43 : Information Overload 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 44 : Information Overload 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 45 : Information Overload 30 (c) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 46 : All Adrenalin 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
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KPM Library - Media Machine soundtrack - Rupert Gregson-Williams - Various