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Main theme is on Youtube. I quite like it. I prefer Hans doing themes like this rather than the stuff he is doing with FIFA.I'm surprised no one is talking about this one, its one of Rupert's best scores imo.Lately I have been listening to the album carefully, and the truth is that I did not quite understand why Hans did not just use a big orchestra instead of the synthesizer.It would have really been interesting to see Ritcher scoring a chase on the photo, although without a doubt his work would not have been anything generic.Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...
^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cues
Artemisia Suite = History of Artemisia <br>Greek Action Suite = Marathon <br>Xerxes Rebirth Suite = From Man to God King<br>Greek Sacrifice Suite = ???<br>Artemisia’s Childhood Suite = Artemisia’s Childhood<br>Greek Attack Suite = Greeks on Attack<br>Queen Gorgo Suite = Queen Gorgo<br>Xerxes Thoughts Suite = Xerxes Thoughts<br>Greek History Suite = History of the Greeks<br>Greek Victory Suite = Greeks Are Winning<br><br>Hope this helps! :-)Hybrid can you tell us what album cues are the suites ?!well, from what Lorne wrote on Twitter, it should be releasedCool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? It’s been a very very long time since I have seen the film.The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...
Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues pleaseI imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
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<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
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<br>Ghost In The Shell was kinda different...In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional MusicI find that it would be best to accredit both and launch the two soundtracks and all happy.
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Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - Media Machine
Label: Promotional release
Length: 73'03
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2447 votes)
Track 1 : Star Performance (a) R Gregson-Williams
Gradual opening to smooth‚ exhilarating progress.
Duration : 3.12 Tempo : Medium
Track 2 : Star Performance (b) R Gregson-Williams
Abridged underscore.
Duration : 1.46 Tempo : Medium
Track 3 : Planning with Confidence (a) R Gregson-Williams
Steady‚ assured progress.
Duration : 2.39 Tempo : Medium
Track 4 : Planning with Confidence (b) R Gregson-Williams
Abridged underscore.
Duration : 2.04 Tempo : Medium
Track 5 : Planning with Confidence (c) R Gregson-Williams
Opening section to above.
Duration : 0.29 Tempo : Medium
Track 6 : Monster of Sound R Gregson-Williams
Powerful fusion of fast dance and trance.
Duration : 2.56 Tempo : Fast
Track 7 : Born to Win (a) R Gregson-Williams
Building prestige and achievement.
Duration : 3.06 Tempo : Slow
Track 8 : Born to Win (b) R Gregson-Williams
Underscore.
Duration : 3.06 Tempo : Slow
Track 9 : Too Cool (a) R Gregson-Williams
Driving‚ jazzy pop fusion featuring alto sax.
Duration : 3.19 Tempo : Medium
Track 10 : Too Cool (b) R Gregson-Williams
End link.
Duration : 0.20 Tempo : Medium
Track 11 : Too Cool (c) R Gregson-Williams
Abridged alternative mix without sax.
Duration : 1.19 Tempo : Medium
Track 12 : Slammin' (a) R Gregson-Williams
'Outrageous'‚ rhythmic collage to climax.
Duration : 1.53 Tempo : Fast
Track 13 : Slammin' (b) R Gregson-Williams
Short underscore.
Duration : 0.45 Tempo : Fast
Track 14 : Slammin' (c) R Gregson-Williams
Build to climax.
Duration : 0.30 Tempo : Fast
Track 15 : Flying High (a) R Gregson-Williams
Soaring aspirational theme gradually building to positive end.
Duration : 2.37 Tempo : Medium
Track 16 : Flying High (b) R Gregson-Williams
Underscore.
Duration : 2.37 Tempo : Medium
Track 17 : Flying High (c) R Gregson-Williams
Floating atmospheric variation.
Duration : 1.30 Tempo : Medium
Track 18 : The Ultimate Power (a) R Gregson-Williams
Suspended opening to rugged industrial 'hardcore' riff.
Duration : 2.18 Tempo : Medium
Track 19 : The Ultimate Power (b) R Gregson-Williams
Underscore.
Duration : 1.29 Tempo : Medium
Track 20 : Towards Tomorrow (a) R Gregson-Williams
Confident‚ futuristic progress.
Duration : 2.36 Tempo : Medium
Track 21 : Towards Tomorrow (b) R Gregson-Williams
Underscore.
Duration : 2.36 Tempo : Medium
Track 22 : Travel in Comfort (a) R Gregson-Williams
Easy‚ relaxed theme featuring soprano sax and classical guitar.
Duration : 2.32 Tempo : Medium
Track 23 : Travel in Comfort (b) R Gregson-Williams
Underscore.
Duration : 2.32 Tempo : Medium
Track 24 : Information Overload (a) R Gregson-Williams
Manic 'in your face' techno.
Duration : 2.30 Tempo : Fast
Track 25 : Information Overload (b) R Gregson-Williams
Alternative mix without voices.
Duration : 2.30 Tempo : Fast
Track 26 : All Adrenalin (a) R Gregson-Williams
Reveal to exciting fusion of rock guitar and rhythm section.
Duration : 2.24 Tempo : Medium
Track 27 : All Adrenalin (b) R Gregson-Williams
Underscore without guitar.
Duration : 2.24 Tempo : Medium
Track 28 : All Adrenalin (c) R Gregson-Williams
Underscore without guitar or rhythm section.
Duration : 2.24 Tempo : Medium

30 SECOND VERSIONS

Track 29 : Star Performance 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 30 : Planning with Confidence 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 31 : Planning with Confidence 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 32 : Monster of Sound 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 33 : Monster of Sound 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 34 : Born to Win 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 35 : Too Cool 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 36 : Too Cool 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 37 : Slammin' 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 38 : Flying High 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 39 : The Ultimate Power 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 40 : The Ultimate Power 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 41 : Towards Tomorrow 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 42 : Travel in Comfort 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 43 : Information Overload 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 44 : Information Overload 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 45 : Information Overload 30 (c) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 46 : All Adrenalin 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
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KPM Library - Media Machine soundtrack - Rupert Gregson-Williams - Various