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Main theme is on Youtube. I quite like it. I prefer Hans doing themes like this rather than the stuff he is doing with FIFA.I'm surprised no one is talking about this one, its one of Rupert's best scores imo.Lately I have been listening to the album carefully, and the truth is that I did not quite understand why Hans did not just use a big orchestra instead of the synthesizer.It would have really been interesting to see Ritcher scoring a chase on the photo, although without a doubt his work would not have been anything generic.Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...
^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.@mpolonest123 any idea how to break up the really long cues on the complete? it’s a lot of tracks that are made up of several cues
Artemisia Suite = History of Artemisia <br>Greek Action Suite = Marathon <br>Xerxes Rebirth Suite = From Man to God King<br>Greek Sacrifice Suite = ???<br>Artemisia’s Childhood Suite = Artemisia’s Childhood<br>Greek Attack Suite = Greeks on Attack<br>Queen Gorgo Suite = Queen Gorgo<br>Xerxes Thoughts Suite = Xerxes Thoughts<br>Greek History Suite = History of the Greeks<br>Greek Victory Suite = Greeks Are Winning<br><br>Hope this helps! :-)Hybrid can you tell us what album cues are the suites ?!well, from what Lorne wrote on Twitter, it should be releasedCool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? It’s been a very very long time since I have seen the film.The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...
Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues pleaseI imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
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<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
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<br>Ghost In The Shell was kinda different...In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional MusicI find that it would be best to accredit both and launch the two soundtracks and all happy.
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Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - Morphology
Label: Promotional release
Length: 73'29
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2323 votes)
NOISEWORKS

Track 1 : Mission Fantastic (a) Noiseworks
Floating rhythm bed with NASA communications.
Duration : 3.20 Tempo : Medium
Track 2 : Mission Fantastic (b) Noiseworks
Underscore.
Duration : 2.01 Tempo : Medium
Track 3 : Mission Fantastic (c) Noiseworks
Floating textures.
Duration : 2.39 Tempo : Various
Track 4 : Activate (a) Noiseworks
Advanced technology.
Duration : 1.48 Tempo : Various
Track 5 : Activate (b) Noiseworks
Alternative version.
Duration : 1.46 Tempo : Various
Track 6 : Multivisual Noiseworks
Rhythmic collage.
Duration : 1.56 Tempo : Various
Track 7 : Beat Block (a) Noiseworks
Evolving sound images.
Duration : 1.35 Tempo : Various
Track 8 : Beat Block (b) Noiseworks
Alternative version.
Duration : 1.35 Tempo : Various
Track 9 : Stealth Bomber (a) Noiseworks
Underlying tension building to climax.
Duration : 2.42 Tempo : Slow
Track 10 : Stealth Bomber (b) Noiseworks
Link.
Duration : 0.15 Tempo : Slow
Track 11 : Stealth Bomber (c) Noiseworks
Sting.
Duration : 0.05 Tempo : Slow
Track 12 : Cloud 9 (a) Noiseworks
Concerned observation.
Duration : 2.42 Tempo : Medium
Track 13 : Cloud 9 (b) Noiseworks
Alternative version - no drums.
Duration : 2.10 Tempo : Medium
Track 14 : Cloud 9 (c) Noiseworks
Lighter alternative version.
Duration : 1.52 Tempo : Medium
Track 15 : Winter Warmer (a) Noiseworks
Abstract textures to resolve.
Duration : 0.30 Tempo : No Tempo
Track 16 : Winter Warmer (b) Noiseworks
Alternative mix - windchime effects.
Duration : 0.30 Tempo : No Tempo
Track 17 : Winter Warmer (c) Noiseworks
Alternative mix - more rhythm.
Duration : 0.30 Tempo : Slow
Track 18 : Winter Warmer (d) Noiseworks
Alternative mix - plus effects.
Duration : 0.30 Tempo : Slow

RUPERT GREGSON-WILLIAMS

Track 19 : Dreams and Bass (a) R Gregson-Williams
Ambient Drum 'n' Bass featuring muted trumpet.
Duration : 2.00 Tempo : Fast
Track 20 : Dreams and Bass (b) R Gregson-Williams
Version without muted trumpet.
Duration : 1.00 Tempo : Fast
Track 21 : Dreams and Bass (c) R Gregson-Williams
Futuristic Drum 'n' Bass.
Duration : 2.00 Tempo : Fast
Track 22 : The Growler (a) R Gregson-Williams
Abrasive relentless electronica.
Duration : 1.00 Tempo : Fast
Track 23 : The Growler (b) R Gregson-Williams
Warm textures over loop.
Duration : 1.00 Tempo : Fast
Track 24 : The Growler (c) R Gregson-Williams
Sting.
Duration : 0.03 Tempo : No Tempo
Track 25 : Dreamalistic (a) R Gregson-Williams
Ethereal‚ thought provoking.
Duration : 2.06 Tempo : No Tempo
Track 26 : Dreamalistic (b) R Gregson-Williams
Suspended.
Duration : 2.06 Tempo : No Tempo
Track 27 : Vision Pulse (a) R Gregson-Williams
Processed percussion groove.
Duration : 1.44 Tempo : Medium
Track 28 : Vision Pulse (b) R Gregson-Williams
Floating textures.
Duration : 1.44 Tempo : Medium
Track 29 : Vision Pulse (c) R Gregson-Williams
Sting.
Duration : 0.03 Tempo : No Tempo
Track 30 : Mind Mechamix (a) R Gregson-Williams
Frenetic electronica.
Duration : 1.45 Tempo : Fast
Track 31 : Mind Mechamix (b) R Gregson-Williams
Underscore.
Duration : 1.40 Tempo : Fast
Track 32 : Mind Mechamix (c) R Gregson-Williams
Sting.
Duration : 0.04 Tempo : Fast
Track 33 : Glass Circles (a) R Gregson-Williams
Smooth‚ crystalline.
Duration : 1.00 Tempo : Slow
Track 34 : Glass Circles (b) R Gregson-Williams
Lighter alternative.
Duration : 1.00 Tempo : Slow
Track 35 : Cityscape (a) R Gregson-Williams
Dark‚ urban featuring alto saxophone.
Duration : 1.54 Tempo : Slow
Track 36 : Cityscape (b) R Gregson-Williams
As above without saxophone.
Duration : 1.54 Tempo : Slow
Track 37 : Rockshock (a) R Gregson-Williams
Trancey rock groove.
Duration : 1.00 Tempo : Medium
Track 38 : Rockshock (b) R Gregson-Williams
Rhythm bed.
Duration : 0.33 Tempo : Medium
Track 39 : Design Fx 1 R Gregson-Williams
Dramatic sting.
Duration : 0.11 Tempo : No Tempo
Track 40 : Design Fx 2 R Gregson-Williams
Deep hit.
Duration : 0.06 Tempo : No Tempo
Track 41 : Design Fx 3 R Gregson-Williams
Analogue bubbles.
Duration : 0.06 Tempo : No Tempo
Track 42 : Design Fx 4 R Gregson-Williams
Electrocrash.
Duration : 0.02 Tempo : No Tempo
Track 43 : Design Fx 5 R Gregson-Williams
Larger crash.
Duration : 0.03 Tempo : No Tempo
Track 44 : Design Fx 6 R Gregson-Williams
Whoosh.
Duration : 0.02 Tempo : No Tempo
Track 45 : Design Fx 7 R Gregson-Williams
Stab.
Duration : 0.02 Tempo : No Tempo
Track 46 : Design Fx 8 R Gregson-Williams
Analogue bubbles.
Duration : 0.06 Tempo : No Tempo
Track 47 : Design Fx 9 R Gregson-Williams
Analogue bubbles.
Duration : 0.04 Tempo : No Tempo

NOISEWORKS - 60 SECOND VERSIONS

Track 48 : Mission Fantastic 60 (a) Noiseworks
Duration : 1.00 Tempo : Medium
Track 49 : Mission Fantastic 60 (b) Noiseworks
Duration : 1.00 Tempo : Medium
Track 50 : Stealth Bomber 60 (a) Noiseworks
Duration : 1.00 Tempo : Slow
Track 51 : Stealth Bomber 60 (b) Noiseworks
Duration : 1.00 Tempo : Slow
Track 52 : Cloud 9 60 Noiseworks
Duration : 1.00 Tempo : Medium

NOISEWORKS - 30 SECOND VERSIONS

Track 53 : Mission Fantastic 30 (a) Noiseworks
Duration : 0.30 Tempo : Medium
Track 54 : Mission Fantastic 30 (b) Noiseworks
Duration : 0.30 Tempo : No Tempo
Track 55 : Activate 30 Noiseworks
Duration : 0.30 Tempo : Fast
Track 56 : Multivisual 30 Noiseworks
Duration : 0.30 Tempo : Medium
Track 57 : Stealth Bomber 30 (a) Noiseworks
Duration : 0.30 Tempo : Slow
Track 58 : Stealth Bomber 30 (b) Noiseworks
Duration : 0.30 Tempo : Slow

RUPERT GREGSON-WILLIAMS - 30 SECOND VERSIONS

Track 59 : Dreams and Bass 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 60 : Dreams and Bass 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 61 : The Growler 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 62 : The Growler 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 63 : Dreamalistic 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : No Tempo
Track 64 : Dreamalistic 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : No Tempo
Track 65 : Vision Pulse 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 66 : Vision Pulse 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 67 : Mind Mechamix 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 68 : Glass Circles 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 69 : Cityscape 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 70 : Rockshock 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
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KPM Library - Morphology soundtrack - Rupert Gregson-Williams - Various