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this is never hans :DI just finished the movie last week and the score was the best thing about the film. The scene using the cue "Simba is Alive!" is perfect.Not all synths. Mazzaro and Fleming posted pictures of them recording the score at Air Studios early in November so there will be some orchestral or instrumental music.As the trailer posts, soundtrack coming from WaterTower Music.No, it's just a slight rework of Blue Monday by New Order. Admittedly, it's quite catchy. Nothing from Hans tho, not even the WW-theme at the end which they did for the first movies trailers. Guess we have to wait till the movie comes out.
The only thing that matters to me about the movie is Hans, so I wonder, has the trailer musicalized Hans?Synth Hans Iím guessing ;-)Yeah, it's a nice little mini HTTYD score. It's a bit frustrating that he's seemingly never allowed to develop an idea for very long before moving on to the next thing and the next (probably because of the pacing of the short), but I like the way he plays around with Powell's themes. It makes me think that if they ever decide to make a fourth HTTYD movie and Powell decides he's said all he has to say in the series, Willis would be a good choice to continue it (Zanelli/Pirates style).He's also credited on one short cue from Ice Age: Dawn of the Dinosaurs, but other than that, nothing that I know of...Just saw the movie. Seemed like the score is enjoyable enough, but I didn't hear much that would distinguish it from the first one really except some kind of standard villain material.
Because those have nothing to do with Hans Zimmer or associated composers....How come the Pixar franchise albums like "Toy Story," "Monsters, Inc.," "Finding Nemo" and "Cars" didn't make it in this website?Anthony Willis (additional composer on HTTYD 2 & 3) just wrote a nice score for HTTYD Homecoming, a "christmas special" short. The score is based on Powell's themes and style, which is a nice addition to the trilogy.<br><br>You can listen to excerpts here :<br>https://www.animationmagazine.net/tv/exclusive-music-clips-h ow-to-train-your-dragon-homecoming-holiday-special/Michael John Mollo - I've never seen that name before. Has he done any other RCP work?Does anyone know where this can be located or purchased? I would buy this complete score from a legal source if it were available.
"Might not have happened with Poltergeist, but it did with 300 ROAE !"<br><br>Yes, I can accept that, as I don't know much about that production, and I apologize for hijacking the "300" discussion, but:<br><br>"https://www.independent.co.uk/arts-entertainment/films/news / poltergeist-steven-spielberg-director-conspiracy-theory-conf  irmed-tobe-hooper-a7846651. html"<br><br>I'll trust at least two actors, whom working with is literally a director's job description, over a very green AC on a production with numerous moving parts always working at once.Might not have happened with Poltergeist, but it did with 300 ROAE !Lorne: "6 Underground has been a fantastic experience. I started writing just before he (Bay) started filming. And then while he was filming, I was writing throughout that process so he was able to hear the music and work with it during the early stages of editing. Itís just a fantastic movie.<br><br>Thereís nobody that can shoot like Michael Bay. Itís exciting and itís pure. Itís the reason why I got into movies. My movies that I would sit as a young teenager and look at were made by Jerry Bruckheimer and were films like Bad Boys or The Rock. Con Air and all these movies were what made me want to get into film and if Crimson Tide is on the television, thatís me for the next two hours. Iím not leaving. That was what made me fall in love with film. And so itís great to be able to work with Michael and Jerry. So yeah, 6 Underground was just an absolute blast and great fun."<br><br>- https://collider.com/lorne-balfe-interview-gemini-man-his-da rk-materials-bad-boys-3/<br>https://www.independent.co.uk/arts-entertainment/films/news/ poltergeist-steven-spielberg-director-conspiracy-theory-conf irmed-tobe-hooper-a7846651. htmlDear Mr Antas,<br>I am a young 19 years old boy who lives in Germany (Rheinland-Pfalz). I am asking for permission to use the music īTimeī by Hans Zimmer. It will be used as background music for a motivational speech. I would give the credits of course and everything what I have to do, to use that music. Because I am in love with the music you produce and publish. What can I do for you for using it ? On what should I pay attention while publishing or creating my video? <br><br>Your sincerly<br>Ferhan Isbilir
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Rupert Gregson-WilliamsVarious
ComposerComposer
KPM Library - Morphology
Label: Promotional release
Length: 73'29
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2383 votes)
NOISEWORKS

Track 1 : Mission Fantastic (a) Noiseworks
Floating rhythm bed with NASA communications.
Duration : 3.20 Tempo : Medium
Track 2 : Mission Fantastic (b) Noiseworks
Underscore.
Duration : 2.01 Tempo : Medium
Track 3 : Mission Fantastic (c) Noiseworks
Floating textures.
Duration : 2.39 Tempo : Various
Track 4 : Activate (a) Noiseworks
Advanced technology.
Duration : 1.48 Tempo : Various
Track 5 : Activate (b) Noiseworks
Alternative version.
Duration : 1.46 Tempo : Various
Track 6 : Multivisual Noiseworks
Rhythmic collage.
Duration : 1.56 Tempo : Various
Track 7 : Beat Block (a) Noiseworks
Evolving sound images.
Duration : 1.35 Tempo : Various
Track 8 : Beat Block (b) Noiseworks
Alternative version.
Duration : 1.35 Tempo : Various
Track 9 : Stealth Bomber (a) Noiseworks
Underlying tension building to climax.
Duration : 2.42 Tempo : Slow
Track 10 : Stealth Bomber (b) Noiseworks
Link.
Duration : 0.15 Tempo : Slow
Track 11 : Stealth Bomber (c) Noiseworks
Sting.
Duration : 0.05 Tempo : Slow
Track 12 : Cloud 9 (a) Noiseworks
Concerned observation.
Duration : 2.42 Tempo : Medium
Track 13 : Cloud 9 (b) Noiseworks
Alternative version - no drums.
Duration : 2.10 Tempo : Medium
Track 14 : Cloud 9 (c) Noiseworks
Lighter alternative version.
Duration : 1.52 Tempo : Medium
Track 15 : Winter Warmer (a) Noiseworks
Abstract textures to resolve.
Duration : 0.30 Tempo : No Tempo
Track 16 : Winter Warmer (b) Noiseworks
Alternative mix - windchime effects.
Duration : 0.30 Tempo : No Tempo
Track 17 : Winter Warmer (c) Noiseworks
Alternative mix - more rhythm.
Duration : 0.30 Tempo : Slow
Track 18 : Winter Warmer (d) Noiseworks
Alternative mix - plus effects.
Duration : 0.30 Tempo : Slow

RUPERT GREGSON-WILLIAMS

Track 19 : Dreams and Bass (a) R Gregson-Williams
Ambient Drum 'n' Bass featuring muted trumpet.
Duration : 2.00 Tempo : Fast
Track 20 : Dreams and Bass (b) R Gregson-Williams
Version without muted trumpet.
Duration : 1.00 Tempo : Fast
Track 21 : Dreams and Bass (c) R Gregson-Williams
Futuristic Drum 'n' Bass.
Duration : 2.00 Tempo : Fast
Track 22 : The Growler (a) R Gregson-Williams
Abrasive relentless electronica.
Duration : 1.00 Tempo : Fast
Track 23 : The Growler (b) R Gregson-Williams
Warm textures over loop.
Duration : 1.00 Tempo : Fast
Track 24 : The Growler (c) R Gregson-Williams
Sting.
Duration : 0.03 Tempo : No Tempo
Track 25 : Dreamalistic (a) R Gregson-Williams
Ethereal‚ thought provoking.
Duration : 2.06 Tempo : No Tempo
Track 26 : Dreamalistic (b) R Gregson-Williams
Suspended.
Duration : 2.06 Tempo : No Tempo
Track 27 : Vision Pulse (a) R Gregson-Williams
Processed percussion groove.
Duration : 1.44 Tempo : Medium
Track 28 : Vision Pulse (b) R Gregson-Williams
Floating textures.
Duration : 1.44 Tempo : Medium
Track 29 : Vision Pulse (c) R Gregson-Williams
Sting.
Duration : 0.03 Tempo : No Tempo
Track 30 : Mind Mechamix (a) R Gregson-Williams
Frenetic electronica.
Duration : 1.45 Tempo : Fast
Track 31 : Mind Mechamix (b) R Gregson-Williams
Underscore.
Duration : 1.40 Tempo : Fast
Track 32 : Mind Mechamix (c) R Gregson-Williams
Sting.
Duration : 0.04 Tempo : Fast
Track 33 : Glass Circles (a) R Gregson-Williams
Smooth‚ crystalline.
Duration : 1.00 Tempo : Slow
Track 34 : Glass Circles (b) R Gregson-Williams
Lighter alternative.
Duration : 1.00 Tempo : Slow
Track 35 : Cityscape (a) R Gregson-Williams
Dark‚ urban featuring alto saxophone.
Duration : 1.54 Tempo : Slow
Track 36 : Cityscape (b) R Gregson-Williams
As above without saxophone.
Duration : 1.54 Tempo : Slow
Track 37 : Rockshock (a) R Gregson-Williams
Trancey rock groove.
Duration : 1.00 Tempo : Medium
Track 38 : Rockshock (b) R Gregson-Williams
Rhythm bed.
Duration : 0.33 Tempo : Medium
Track 39 : Design Fx 1 R Gregson-Williams
Dramatic sting.
Duration : 0.11 Tempo : No Tempo
Track 40 : Design Fx 2 R Gregson-Williams
Deep hit.
Duration : 0.06 Tempo : No Tempo
Track 41 : Design Fx 3 R Gregson-Williams
Analogue bubbles.
Duration : 0.06 Tempo : No Tempo
Track 42 : Design Fx 4 R Gregson-Williams
Electrocrash.
Duration : 0.02 Tempo : No Tempo
Track 43 : Design Fx 5 R Gregson-Williams
Larger crash.
Duration : 0.03 Tempo : No Tempo
Track 44 : Design Fx 6 R Gregson-Williams
Whoosh.
Duration : 0.02 Tempo : No Tempo
Track 45 : Design Fx 7 R Gregson-Williams
Stab.
Duration : 0.02 Tempo : No Tempo
Track 46 : Design Fx 8 R Gregson-Williams
Analogue bubbles.
Duration : 0.06 Tempo : No Tempo
Track 47 : Design Fx 9 R Gregson-Williams
Analogue bubbles.
Duration : 0.04 Tempo : No Tempo

NOISEWORKS - 60 SECOND VERSIONS

Track 48 : Mission Fantastic 60 (a) Noiseworks
Duration : 1.00 Tempo : Medium
Track 49 : Mission Fantastic 60 (b) Noiseworks
Duration : 1.00 Tempo : Medium
Track 50 : Stealth Bomber 60 (a) Noiseworks
Duration : 1.00 Tempo : Slow
Track 51 : Stealth Bomber 60 (b) Noiseworks
Duration : 1.00 Tempo : Slow
Track 52 : Cloud 9 60 Noiseworks
Duration : 1.00 Tempo : Medium

NOISEWORKS - 30 SECOND VERSIONS

Track 53 : Mission Fantastic 30 (a) Noiseworks
Duration : 0.30 Tempo : Medium
Track 54 : Mission Fantastic 30 (b) Noiseworks
Duration : 0.30 Tempo : No Tempo
Track 55 : Activate 30 Noiseworks
Duration : 0.30 Tempo : Fast
Track 56 : Multivisual 30 Noiseworks
Duration : 0.30 Tempo : Medium
Track 57 : Stealth Bomber 30 (a) Noiseworks
Duration : 0.30 Tempo : Slow
Track 58 : Stealth Bomber 30 (b) Noiseworks
Duration : 0.30 Tempo : Slow

RUPERT GREGSON-WILLIAMS - 30 SECOND VERSIONS

Track 59 : Dreams and Bass 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 60 : Dreams and Bass 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 61 : The Growler 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 62 : The Growler 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 63 : Dreamalistic 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : No Tempo
Track 64 : Dreamalistic 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : No Tempo
Track 65 : Vision Pulse 30 (a) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 66 : Vision Pulse 30 (b) R Gregson-Williams
Duration : 0.30 Tempo : Medium
Track 67 : Mind Mechamix 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast
Track 68 : Glass Circles 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 69 : Cityscape 30 R Gregson-Williams
Duration : 0.30 Tempo : Slow
Track 70 : Rockshock 30 R Gregson-Williams
Duration : 0.30 Tempo : Medium
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KPM Library - Morphology soundtrack - Rupert Gregson-Williams - Various