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Most of them are done actually and should have been released a while ago !Hybrid why is HZ scoring so many films lately, has he placed a bet with himself or something? lol<br><br>Looking forward to it. Boss Baby was a really fun score.I'm confident he would care. Not saying he has any control over it. <br>I don't think Mondo should be making any money from this release. It ought to be canceled and removed from their website. <br><br>It's more than just a tempo issue. The tone is entirely off, and parts that were once pleasing to hear, now sound awful to my ears.<br><br>Seems Mondo is lacking the proper quality control. Hopefully this is a wake up call for them. If enough people avoid buying this album or return it, they'll get the message. I like to see capitalism work properly. <br>Maybe Pope is involved.Great news! The first one is fun, not Zimmer’s best animated score imo but it’s still pretty enjoyable. I almost wish they got Conrad Pope involved again, “Love” is one of the most beautiful cues of the past few years.
The first one was quite pretty good.We knew Steve would return for quite some time, but I was surprised Hans would actually return too. But he's very involved with that one.Who is Hans Zimmerman?i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.
You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
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<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.
Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...
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Nick Glennie-SmithRupert Gregson-WilliamsVarious
ComposerComposerComposer
KPM Library - The Hollywood Series - Orchestral Promo
Label: Promotional release
Length: 64'28
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3641 votes)
ADVENTURE

Track 1 : Screen Heroes 60 S Chamberlain
Atmospheric opening to exhilarating adventure theme.
Duration : 1.00 Tempo : Fast
Track 2 : Great Achievements 60 N Glennie-Smith
Broad‚ episodic theme building to triumphant finale.
Duration : 1.00 Tempo : Medium
Track 3 : The Dream Team 60 R Harvey
Exhilarating adventure and achievement.
Duration : 1.00 Tempo : Medium
Track 4 : Pride Of Place 60 G Preskett
Broad‚ dignified theme building to triumphant finale.
Duration : 1.00 Tempo : Medium
Track 5 : Final Victory 60 T Hymas
Dynamic epic theme building throughout.
Duration : 1.00 Tempo : Medium
Track 6 : Starfleet 60 A Jackman
Suspended opening to dramatic‚ imposing theme.
Duration : 1.00 Tempo : Slow
Track 7 : The Silver Blade 60 I Sekacz
Swahbuckling adventure theme.
Duration : 1.00 Tempo : Fast
Track 8 : The American Way 60 B Connor
Gradual awakening to broad‚ stirring theme.
Duration : 1.00 Tempo : Slow
Track 9 : A Love of Adventure 60 S Chamberlain
Exhilarating fantasy adventure.
Duration : 1.00 Tempo : Fast

DRAMA

Track 10 : Final Encounter 60 S Baker
Sustained‚ dramatic tension to climax.
Duration : 1.00 Tempo : Fast
Track 11 : Turmoil 60 S Chamberlain
Opening fanfare to tense underlying movement.
Duration : 1.00 Tempo : Medium
Track 12 : Knife Edge 60 R Harvey
Dramatic opening to tense atmosphere and build.
Duration : 1.00 Tempo : Slow
Track 13 : Armed Response 60 J Devereaux
Determined tactical advance.
Duration : 1.00 Tempo : Medium
Track 14 : Dangerous Encounters 60 R Harvey
Turbulent unfolding theme.
Duration : 1.00 Tempo : Medium
Track 15 : 20th Century Gothic 60 M Cang
Building‚ melodramatic action.
Duration : 1.00 Tempo : Medium
Track 16 : The Last Frontier 60 P Pritchard
Broad wide-screen panorama.
Duration : 1.00 Tempo : Slow
Track 17 : Extreme Measures 60 R Gregson-Williams
Total dynamic action.
Duration : 1.00 Tempo : Fast

PANORAMA / HUMAN EMOTION

Track 18 : Love Overture 60 S Chamberlain
Warm‚ romantic theme.
Duration : 1.00 Tempo : Slow
Track 19 : Long Journey's End 60 P Appleby
Broad panoramic theme.
Duration : 1.00 Tempo : Medium
Track 20 : My Homeland 60 B Connor
Yearning‚ romantic theme for string orchestra.
Duration : 1.00 Tempo : Slow
Track 21 : A Fresh Start 60 S Baker
Light‚ lyrical dance.
Duration : 1.00 Tempo : Medium
Track 22 : My Story Begins 60 G Preskett
Reflective opening to heart-warming episodic theme.
Duration : 1.00 Tempo : Medium
Track 23 : A Noble Sadness 60 R Harvey
Proud‚ dignified theme.
Duration : 1.00 Tempo : Slow
Track 24 : The Spirit of Truth 60 R Harvey
Broad‚ uplifting theme.
Duration : 1.00 Tempo : Medium
Track 25 : Now and Forever 60 P Pritchard
Tender‚ romantic theme.
Duration : 1.00 Tempo : Slow
Track 26 : Reflections of a Life 60 B Connor
Poignant‚ emotional theme for string orchestra.
Duration : 1.00 Tempo : Medium
Track 27 : Our Seperate Ways 60 C Malabar
Poignant‚ introspective emotions.
Duration : 1.00 Tempo : Slow
Track 28 : Dance in the Dark 60 B Connor
Intriguing‚ enigmatic theme.
Duration : 1.00 Tempo : Medium
Track 29 : Love Story 60 A Jackman
Broad‚ episodic theme building to finale.
Duration : 1.00 Tempo : Slow
Track 30 : Tides of Memory 60 I Sekacz
Evocative‚ restless‚ underlying movement.
Duration : 1.00 Tempo : Medium

FANTASY / ANIMATION / AMERICANA

Track 31 : The Nightmare Begins 60 J Devereaux
Building dramatic tension.
Duration : 1.00 Tempo : Medium
Track 32 : Magic Dust 60 J Devereaux
Animated‚ whimsical fantasy.
Duration : 1.00 Tempo : Fast
Track 33 : Fly Like the Wind 60 J Devereaux
Joyful‚ exhilarating movement.
Duration : 1.00 Tempo : Fast
Track 34 : Fancy Free 60 J Devereaux
Light‚ whimsical theme.
Duration : 1.00 Tempo : Medium
Track 35 : A Hollywood Fantasy 60 A Jackman
An orchestral tribute to the legend of Hollywood animation.
Duration : 1.00 Tempo : Medium
Track 36 : The Wild Wild West 60 B Connor
A humorous musical tribute to the Wild West.
Duration : 1.00 Tempo : Fast
Track 37 : Main Street USA 60 A Jackman
Rousing razzamatazz - marching band‚ humour and exuberance.
Duration : 1.00 Tempo : Various

ADVENTURE

Track 38 : Screen Heroes 30 S Chamberlain
Duration : 0.30 Tempo : Medium
Track 39 : Great Achievements 30 N Glennie-Smith
Duration : 0.30 Tempo : Medium
Track 40 : The Dream Team 30 R Harvey
Duration : 0.30 Tempo : Fast
Track 41 : Pride of Place 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 42 : Final Victory 30 T Hymas
Duration : 0.30 Tempo : Medium
Track 43 : Starfleet 30 A Jackman
Duration : 0.30 Tempo : Slow
Track 44 : The Silver Blade 30 I Sekacz
Duration : 0.30 Tempo : Medium
Track 45 : The American Way 30 B Connor
Duration : 0.30 Tempo : Medium
Track 46 : A Love of Adventure 30 S Chamberlain
Duration : 0.30 Tempo : Fast

DRAMA

Track 47 : Final Encounter 30 S Baker
Duration : 0.30 Tempo : Medium
Track 48 : Turmoil 30 S Chamberlain
Duration : 0.30 Tempo : Medium
Track 49 : Knife Edge 30 R Harvey
Duration : 0.30 Tempo : Slow
Track 50 : Armed Response 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 51 : Dangerous Encounters 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 52 : 20th Century Gothic 30 M Cang
Duration : 0.30 Tempo : Medium
Track 53 : The Last Frontier 30 P Pritchard
Duration : 0.30 Tempo : Slow
Track 54 : Extreme Measures 30 R Gregson-Williams
Duration : 0.30 Tempo : Fast

PANORAMA / HUMAN EMOTION

Track 55 : Love Overture 30 S Chamberlain
Duration : 0.30 Tempo : Slow
Track 56 : Long Journey's End 30 P Appleby
Duration : 0.30 Tempo : Medium
Track 57 : My Homeland 30 B Connor
Duration : 0.30 Tempo : Slow
Track 58 : A Fresh Start 30 S Baker
Duration : 0.30 Tempo : Medium
Track 59 : My Story Begins 30 G Preskett
Duration : 0.30 Tempo : Medium
Track 60 : A Noble Sadness 30 R Harvey
Duration : 0.30 Tempo : Slow
Track 61 : The Spirit of Truth 30 R Harvey
Duration : 0.30 Tempo : Medium
Track 62 : Now and Forever 30 P Pritchard
Duration : 0.30 Tempo : Slow
Track 63 : Reflections of a Life 30 B Connor
Duration : 0.30 Tempo : Medium
Track 64 : Our Seperate Ways 30 C Malabar
Duration : 0.30 Tempo : Slow
Track 65 : Dance in the Dark 30 B Connor
Duration : 0.30 Tempo : Medium
Track 66 : Love Story 30 A Jackman
Duration : 0.30 Tempo : Slow
Track 67 : Tides of Memory 30 I Sekacz
Duration : 0.30 Tempo : Medium

FANTASY / ANIMATION / AMERICANA

Track 68 : The Nightmare Begins 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 69 : Magic Dust 30 J Devereaux
Duration : 0.30 Tempo : Fast
Track 70 : Fly Like the Wind 30 J Devereaux
Duration : 0.30 Tempo : Fast
Track 71 : Fancy Free 30 J Devereaux
Duration : 0.30 Tempo : Medium
Track 72 : A Hollywood Fantasy 30 A Jackman
Duration : 0.30 Tempo : Medium
Track 73 : The Wild Wild West 30 B Connor
Duration : 0.30 Tempo : Fast
Track 74 : Main Street USA 30 A Jackman
Duration : 0.30 Tempo : Various
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auntiemame reply Replies: 0 || 2010-07-01 00:00:00
Is it possible that "Long's Journey End", from the Panorama category, was used in the John Wayne or John Ford western movies? (A recollection of the music and Monument Valley, from my childhood Saturday afternoon matinees.)

Thank you to anyone who can give me an answer.

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KPM Library - The Hollywood Series - Orchestral Promo soundtrack - Nick Glennie-Smith - Rupert Gregson-Williams - Various