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Sorry, das ist doch ein Witz, Dortmund ist nicht dabei :(Way too many songs.<br>Lorne Balfe score nailed it.Great to see Bay working with Balfe now.This is an RCP website, those scores aren't by RCP composers...Power anthems ???? Obviously you haven’t watched the movie.They would not fit in this movie.<br><br>Balfe’s score is really cool and not expected.Already listened to it 4 times!I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.
Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.What a fantastic soundtrack.<br>It’s totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfe’s electronic weirdness is very unique.<br>It’s nothing like Balfe’s Dark Materials BUT why I’m earth should it be !<br>10/10Gavin should be listed as conductorBecause Ice Age was composed by David Newman and Collision Course was composed by John Debney
When i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lolAnother awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.
I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score I’ve ever heard. <br><br>It’s functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good “power anthem” score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.I expected a lot from this score, and the truth is that it left me cold.  Honestly, I think it is Bay's fault, Balfe has shown that he is capable of doing everything, but here it gives the feeling of being covered.  Again, Balfe must focus on fewer projects and the projects he accepts are of quality.
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Bob DaspitRupert Gregson-WilliamsVarious
ComposerComposerComposer
KPM Library - Velocity
Label: Promotional release
Length: 60'52
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3258 votes)
BIG BEATS

Track 1 : Phatt Fryer (a) C Henson / M D'Cruze
Feel good‚ Big Beat romp.
Duration : 3.13 Tempo : Medium
Track 2 : Phatt Fryer (b) C Henson / M D'Cruze
Duration : 0.10 Tempo : Medium
Track 3 : Break Out (a) R Gregson-Williams / G Fletcher
Pacey‚ energetic beats.
Duration : 1.47 Tempo : Fast
Track 4 : Break Out (b) R Gregson-Williams / G Fletcher
Duration : 0.05 Tempo : Fast
Track 5 : Mars is Red (a) C Henson / M D'Cruze
Vibey Drum 'n' Bass.
Duration : 4.06 Tempo : Fast
Track 6 : Mars is Red (b) C Henson / M D'Cruze
Duration : 0.10 Tempo : Fast
Track 7 : Mars is Red (c) C Henson / M D'Cruze
Atmospheric underscore.
Duration : 2.53 Tempo : Fast

EXTREME INDUSTRIAL

Track 8 : Fish Flesh S LeFanu / B Gledden
Full-on guitar thrash & weirdness.
Duration : 2.31 Tempo : Fast
Track 9 : Hard as Nails R N Daspit
Intriguing groove with massive chorus.
Duration : 1.56 Tempo : Medium
Track 10 : Paranoid Suicide R N Daspit
Dark‚ hard-hitting.
Duration : 2.11 Tempo : Fast
Track 11 : Monsters of Rock S LeFanu / B Gledden
Relentless‚ hard guitar.
Duration : 2.37 Tempo : Medium

LATIN‚ FUNK AND WEST COAST

Track 12 : Too Hot! (a) S Lefanu / J Frankel
Latin extravaganza featuring trumpet.
Duration : 2.27 Tempo : Fast
Track 13 : Too Hot! (b) S LeFanu / J Frankel
Duration : 0.06 Tempo : Fast
Track 14 : Blue Funk S LeFanu / B Gledden
Urban funk rock.
Duration : 1.41 Tempo : Medium
Track 15 : Highly Charged S LeFanu / B Gledden
Heartland jazz rock.
Duration : 2.23 Tempo : Fast

METAL

Track 16 : Space Cats S LeFanu / B Gledden
Triumphant glam-rock.
Duration : 3.54 Tempo : Fast
Track 17 : Velocidaddy R N Daspit
Prowling electro-groove.
Duration : 2.38 Tempo : Medium
Track 18 : Continuum (a) S LeFanu / J Frankel
Rock countdown.
Duration : 2.49 Tempo : Fast
Track 19 : Continuum (b) S LeFanu / J Frankel
Duration : 0.03 Tempo : Fast

BIG BEATS - 60 SECOND VERSIONS

Track 20 : Phatt Fryer 60 C Henson / M D'Cruze
Duration : 1.00 Tempo : Medium
Track 21 : Break Out 60 R Gregson-Williams / G Fletcher
Duration : 1.00 Tempo : Fast
Track 22 : Mars is Red 60 C Henson / M D'Cruze
Duration : 1.00 Tempo : Fast

EXTREME INDUSTRIAL - 60 SECOND VERSIONS

Track 23 : Fish Flesh 60 S LeFanu / B Gledden
Duration : 1.00 Tempo : Fast
Track 24 : Hard as Nails 60 R N Daspit
Duration : 1.00 Tempo : Medium
Track 25 : Paranoid Suicide 60 R N Daspit
Duration : 1.00 Tempo : Fast
Track 26 : Monsters of Rock 60 S LeFanu / B Gledden
Duration : 1.00 Tempo : Medium

LATIN‚ FUNK AND WEST COAST - 60 SECOND VERSIONS

Track 27 : Too Hot! 60 S LeFanu / J Frankel
Duration : 1.00 Tempo : Fast
Track 28 : Blue Funk 60 S LeFanu / B Gledden
Duration : 1.00 Tempo : Medium
Track 29 : Highly Charged 60 S LeFanu / B Gledden
Duration : 1.00 Tempo : Fast

METAL - 60 SECOND VERSIONS

Track 30 : Space Cats 60 S LeFanu / B Gledden
Duration : 1.00 Tempo : Fast
Track 31 : Velocidaddy 60 R N Daspit
Duration : 1.00 Tempo : Medium
Track 32 : Continuum 60 S LeFanu / J Frankel
Duration : 1.00 Tempo : Fast

BIG BEATS - 30 SECOND VERSIONS

Track 33 : Phatt Fryer 30 C Henson / M D'Cruze
Duration : 0.30 Tempo : Medium
Track 34 : Break Out 30 R Gregson-Williams / G Fletcher
Duration : 0.30 Tempo : Fast
Track 35 : Mars is Red 30 C Henson / M D'Cruze
Duration : 0.30 Tempo : Fast

EXTREME INDUSTRIAL - 30 SECOND VERSIONS

Track 36 : Fish Flesh 30 S LeFanu / B Gledden
Duration : 0.30 Tempo : Fast
Track 37 : Hard as Nails 30 R N Daspit
Duration : 0.30 Tempo : Medium
Track 38 : Paranoid Suicide 30 R N Daspit
Duration : 0.30 Tempo : Fast
Track 39 : Monsters of Rock 30 S LeFanu / B Gledden
Duration : 0.30 Tempo : Medium

LATIN‚ FUNK AND WEST COAST - 30 SECOND VERSIONS

Track 40 : Too Hot! 30 S LeFanu / J Frankel
Duration : 0.30 Tempo : Fast
Track 41 : Blue Funk 30 S LeFanu / B Gledden
Duration : 0.30 Tempo : Medium
Track 42 : Highly Charged 30 S LeFanu / B Gledden
Duration : 0.30 Tempo : Fast

METAL - 30 SECOND VERSIONS

Track 43 : Space Cats 30 S LeFanu / B Gledden
Duration : 0.30 Tempo : Fast
Track 44 : Velocidaddy 30 R N Daspit
Duration : 0.30 Tempo : Medium
Track 45 : Continuum 30 S LeFanu / J Frankel
Duration : 0.30 Tempo : Fast
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KPM Library - Velocity soundtrack - Bob Daspit - Rupert Gregson-Williams - Various