NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
and where could I download this same?just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and Whispers
Booklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle KerstenBooklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.
My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?
No idea but he was on it for a bit, I think.Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans ZimmerGeoff ZanelliTrevor MorrisNick Glennie-Smith
ComposerAdditional MusicAdditional MusicConductor
Shark Tale
Label: DreamWorks Records
Length: 50'33 (Score : 3'25)
HZimmer.com rating:        2/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5575 votes)
  1. Three Little Birds - Sean Paul & Ziggy Marley (3:36)
  2. Car Wash (Shark Tale Mix) - Christina Aguilera & Missy Elliott (3:49)
  3. Good Foot - Justin Timberlake & Timbaland (3:56)
  4. Secret Love - Jojo Garza (3:59)
  5. Lies & Rumors - D12 (4:20)
  6. Got To Be Real - Mary J. Blige & Will Smith (3:33)
  7. Can't Wait - Avant (3:43)
  8. Gold Digger - Ludacris, Bobby V. & Lil' Fate (3:47)
  9. Get It Together - India.Arie (4:54)
  10. We Went As Far As We Felt Like Going - The Pussycat Dolls (3:51)
  11. Digits - Fan 3 (3:41)
  12. Sweet Kind Of Life - Cheryl Lynn (3:59)
  13. Some Of My Best Friends Are Sharks (3:25)
Create Topic

Hybrid Soldier reply Replies: 1 || 2006-11-29 00:00:00
I found a bootleg of this one (22 tracks, about 25 minutes if I remember) with SFX... It's bad... When I saw the film, I noticed that Hans's score was weak... In fact there's nothing in it ! No really theme (except a new version of John Williams's Jaws), and the film is based on songs... °__°

But no time to doubt, the excellent Madagascar came after ! :-)


Mike2019-01-13 00:12:15
So....on this page...and this post is years old...But do you have any other Hans scores you just don't really like and can admit to, Hybrid?

Michael Poleschuk reply Replies: 0 || 2017-02-14 09:49:31
Gavin Greenaway was the orchestra conductor on this. And Nick Glennie-Smith too!

Anonymous reply Replies: 0 || 2013-06-10 02:59:58
How much score was used in the movie, lengthwise?

nash reply Replies: 0 || 2007-11-04 00:00:00
i think the director wanted it this way, as we all know, hans can deliver at any time to any picture..and the expanded 22 track album isnt that bad in my opinio....

Mark reply Replies: 0 || 2007-09-07 00:00:00
Well i think this score and madagascar wasnt full of Zimmer's music because the movie makers wanted it that way. They wanted to throw in those rock songs everyone knows. So i think thats most likely why Zimmer music isnt the best for these. What he did write was awesome but it wasnt alot

lior reply Replies: 0 || 2005-11-23 00:00:00
this is the weakest score by zimmer in many years
along with madagascar, i miss the time of the lion king and prince of egypt

kim reply Replies: 0 || 2005-06-03 00:00:00
i dunno maybe my rating to this song is only 5 and can i pls request show a video titled good foot by justin timberlake feat timbaland

Fabian Ek reply Replies: 0 || 2004-12-26 00:00:00
This melody (Some Of My Best Friends Are Sharks) seems to Pearl Harbor themes, but sounds different for an animation.

 HANS-ZIMMER.com© 2001-2018 OST 
Shark Tale soundtrack - Hans Zimmer 2004