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where can i find the cue sheets? thxWondring how much influence Tom Howe wille have on this score. Professor Marston was such a lovely score.All those people who complain that Hans isn't sticking to more traditional scores forget that at heart, hes a synth man who loves his synthesizers and keyboards. Hans is just as much as a musical artist as Bowie or Paul Mccartney, in the sense that he goes through musical trends and his style adapts or changes. That's just the way it is, enjoy it for what it is. <br><br>Crucify me for comparing a human to David Bowie!Wow! Stephen Barton worked on a lot of the important cues here, huh?I'm with Edmund in that I'd love for Hans to win more Oscars, but not this score. I feel like even Blade Runner 2049 is more deserving of an award than this. Sure, it works great in the film, but that shouldn't be reason enough for an Oscar. I feel like Desplat's nominated score is more deserving than this one. <br><br>"But this one has a unique sound and recording!"<br><br>Okay... a lot of scores have that. A lot of Zimmer's work has that. Doesn't make them all masterpieces.<br><br>"But we have to spite those evil reviewers who hate this score!"<br><br>Why do you let their opinion get in the way of your enjoyment? If you love it enough, the critics' opinions should only make you enjoy it more because you see something in it they don't. <br><br>I agree with George in that Hans needs to go back to a melodic sound. I don't think whether this score wins or not will change Hans' mind on that, but I do want his next Oscar winner to mean something other than, "Oh cool! I won this award because I made weird sounds!" (Which by the way, involves things like programming and a lot of other technical adjustments that have nothing to do with Hans' composing ability).
"The thing that I'm proudest about Dunkirk is you can't separate it from the film."<br>- Hans Zimmer, GQI understand, but it does not make sense.<br>You're arguing that the score for a movie released in January this year was produced before of the score of a movie that went to theaters in July. If Balfe started working on "12 strong" a year before the movie release, the same can be said of Dunkirk. It is easy to infer that the Dunkirk's score has been working since the middle of 2016! Or even before, because of the tours that Zimmer has done.<br>The music/sound design, even being simple, was not made and recorded between January and May of last year.Olive  that is when it was announced !!! Not when he did itBalfe's hiring came out in May, when Dunkirk's production was already at the end. No contest.<br><br><br>filmmusicreporter.  com/ <br> 2017/05/24/lorne-balfe-to-score-horse-soldiers/Hans finished the bulk of the score before he went on tour, you could find an interview where he himself says so. <br>Ben worked solely on Variation 15. <br>Scroll down on this page and you'll find the full cuesheet with the credits. <br>
Edmund - how do you think Zimmer wrote Dunkirk when he was on a world tour !!!Congratulations to Ben, Lorne also .Edmund - the release dates do not matter . Check out Balfe’s Facebook page and you will see he was recording 12 Strong early last year .I've only heard the suite Hybrid made. The only similarity I was aware of is the siren-like sound. <br><br>People don't realize how difficult scoring Dunkirk was. Just because you love Interstellar (I do too - it's my favorite HZ score) but that doesn't mean Dunkirk doesn't deserve to win. <br>Edmund, in all honesty what are the similarities between 12 Strong and Dunkirk? I know both scores and fail to see how they connect.Doesn't deserve an Oscar. Hans Zimmer is my favorite composer but if he didn't win for Interstellar, he shouldn't win for this. <br><br>I can seriously say that I object this score winning based on that principle. This winning over Interstellar just isn't right.
Well, the credits say that Supermarine or the oil are pure Zimmer, and also the 3 first track I think. So Balfe helped him to develop some ideas during his tour but the majority of the score is Hans' work.<br>And it does deserve an Oscar. I never heard a score like that.. If you have a problem with the score I think it comes from the script. A classical melodical music wouldn t work for this film i think.Source? I find that hard to believe considering the release dates. Even if it is true, Balfe might have been concurrently working on Dunkirk and brought over some of the ideas. I find it spectacularly improbably that he and Hans just HAPPENED to come up with the same ideas at the same time.Edmund - gets you facts right please . 12 Strong was written before DunkirkHere's an interesting opinion: I want Hans to win this one so that he DOESN'T continue making music like this. Sure its functional, but if he could reinvent the melodic score again and get back to writing memorable melodies I'd be pretty happy. He won for Lion King and then essentially abandoned that tone of music which transitioned into the Crimson Tide/The Rock sound... so maybe, just maybe, if he wins this year he'll completely reinvent his sound again and give us something both melodically memorable but also be a total game changer in terms of modern scores.I hope it doesn't win if for no other reason than so we don't have to go through 5 years of Dunkirk temp tracks (although if 12 Strong is anything to go by, too late).
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Hans ZimmerGeoff ZanelliTrevor MorrisNick Glennie-Smith
ComposerAdditional MusicAdditional MusicConductor
Shark Tale
Label: DreamWorks Records
Length: 50'33 (Score : 3'25)
HZimmer.com rating:        2/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4671 votes)
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  1. Three Little Birds - Sean Paul & Ziggy Marley (3:36)
  2. Car Wash (Shark Tale Mix) - Christina Aguilera & Missy Elliott (3:49)
  3. Good Foot - Justin Timberlake & Timbaland (3:56)
  4. Secret Love - Jojo Garza (3:59)
  5. Lies & Rumors - D12 (4:20)
  6. Got To Be Real - Mary J. Blige & Will Smith (3:33)
  7. Can't Wait - Avant (3:43)
  8. Gold Digger - Ludacris, Bobby V. & Lil' Fate (3:47)
  9. Get It Together - India.Arie (4:54)
  10. We Went As Far As We Felt Like Going - The Pussycat Dolls (3:51)
  11. Digits - Fan 3 (3:41)
  12. Sweet Kind Of Life - Cheryl Lynn (3:59)
  13. Some Of My Best Friends Are Sharks (3:25)
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Michael Poleschuk reply Replies: 0 || 2017-02-14 09:49:31
Gavin Greenaway was the orchestra conductor on this. And Nick Glennie-Smith too!

Anonymous reply Replies: 0 || 2013-06-10 02:59:58
How much score was used in the movie, lengthwise?

nash reply Replies: 0 || 2007-11-04 00:00:00
i think the director wanted it this way, as we all know, hans can deliver at any time to any picture..and the expanded 22 track album isnt that bad in my opinio....

Mark reply Replies: 0 || 2007-09-07 00:00:00
Well i think this score and madagascar wasnt full of Zimmer's music because the movie makers wanted it that way. They wanted to throw in those rock songs everyone knows. So i think thats most likely why Zimmer music isnt the best for these. What he did write was awesome but it wasnt alot

Hybrid Soldier reply Replies: 0 || 2006-11-29 00:00:00
I found a bootleg of this one (22 tracks, about 25 minutes if I remember) with SFX... It's bad... When I saw the film, I noticed that Hans's score was weak... In fact there's nothing in it ! No really theme (except a new version of John Williams's Jaws), and the film is based on songs... °__°

But no time to doubt, the excellent Madagascar came after ! :-)

lior reply Replies: 0 || 2005-11-23 00:00:00
this is the weakest score by zimmer in many years
along with madagascar, i miss the time of the lion king and prince of egypt

kim reply Replies: 0 || 2005-06-03 00:00:00
i dunno maybe my rating to this song is only 5 and can i pls request show a video titled good foot by justin timberlake feat timbaland

Fabian Ek reply Replies: 0 || 2004-12-26 00:00:00
This melody (Some Of My Best Friends Are Sharks) seems to Pearl Harbor themes, but sounds different for an animation.

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Shark Tale soundtrack - Hans Zimmer 2004