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where can i find the cue sheets? thxWondring how much influence Tom Howe wille have on this score. Professor Marston was such a lovely score.All those people who complain that Hans isn't sticking to more traditional scores forget that at heart, hes a synth man who loves his synthesizers and keyboards. Hans is just as much as a musical artist as Bowie or Paul Mccartney, in the sense that he goes through musical trends and his style adapts or changes. That's just the way it is, enjoy it for what it is. <br><br>Crucify me for comparing a human to David Bowie!Wow! Stephen Barton worked on a lot of the important cues here, huh?I'm with Edmund in that I'd love for Hans to win more Oscars, but not this score. I feel like even Blade Runner 2049 is more deserving of an award than this. Sure, it works great in the film, but that shouldn't be reason enough for an Oscar. I feel like Desplat's nominated score is more deserving than this one. <br><br>"But this one has a unique sound and recording!"<br><br>Okay... a lot of scores have that. A lot of Zimmer's work has that. Doesn't make them all masterpieces.<br><br>"But we have to spite those evil reviewers who hate this score!"<br><br>Why do you let their opinion get in the way of your enjoyment? If you love it enough, the critics' opinions should only make you enjoy it more because you see something in it they don't. <br><br>I agree with George in that Hans needs to go back to a melodic sound. I don't think whether this score wins or not will change Hans' mind on that, but I do want his next Oscar winner to mean something other than, "Oh cool! I won this award because I made weird sounds!" (Which by the way, involves things like programming and a lot of other technical adjustments that have nothing to do with Hans' composing ability).
"The thing that I'm proudest about Dunkirk is you can't separate it from the film."<br>- Hans Zimmer, GQI understand, but it does not make sense.<br>You're arguing that the score for a movie released in January this year was produced before of the score of a movie that went to theaters in July. If Balfe started working on "12 strong" a year before the movie release, the same can be said of Dunkirk. It is easy to infer that the Dunkirk's score has been working since the middle of 2016! Or even before, because of the tours that Zimmer has done.<br>The music/sound design, even being simple, was not made and recorded between January and May of last year.Olive  that is when it was announced !!! Not when he did itBalfe's hiring came out in May, when Dunkirk's production was already at the end. No contest.<br><br><br>filmmusicreporter.  com/ <br> 2017/05/24/lorne-balfe-to-score-horse-soldiers/Hans finished the bulk of the score before he went on tour, you could find an interview where he himself says so. <br>Ben worked solely on Variation 15. <br>Scroll down on this page and you'll find the full cuesheet with the credits. <br>
Edmund - how do you think Zimmer wrote Dunkirk when he was on a world tour !!!Congratulations to Ben, Lorne also .Edmund - the release dates do not matter . Check out Balfe’s Facebook page and you will see he was recording 12 Strong early last year .I've only heard the suite Hybrid made. The only similarity I was aware of is the siren-like sound. <br><br>People don't realize how difficult scoring Dunkirk was. Just because you love Interstellar (I do too - it's my favorite HZ score) but that doesn't mean Dunkirk doesn't deserve to win. <br>Edmund, in all honesty what are the similarities between 12 Strong and Dunkirk? I know both scores and fail to see how they connect.Doesn't deserve an Oscar. Hans Zimmer is my favorite composer but if he didn't win for Interstellar, he shouldn't win for this. <br><br>I can seriously say that I object this score winning based on that principle. This winning over Interstellar just isn't right.
Well, the credits say that Supermarine or the oil are pure Zimmer, and also the 3 first track I think. So Balfe helped him to develop some ideas during his tour but the majority of the score is Hans' work.<br>And it does deserve an Oscar. I never heard a score like that.. If you have a problem with the score I think it comes from the script. A classical melodical music wouldn t work for this film i think.Source? I find that hard to believe considering the release dates. Even if it is true, Balfe might have been concurrently working on Dunkirk and brought over some of the ideas. I find it spectacularly improbably that he and Hans just HAPPENED to come up with the same ideas at the same time.Edmund - gets you facts right please . 12 Strong was written before DunkirkHere's an interesting opinion: I want Hans to win this one so that he DOESN'T continue making music like this. Sure its functional, but if he could reinvent the melodic score again and get back to writing memorable melodies I'd be pretty happy. He won for Lion King and then essentially abandoned that tone of music which transitioned into the Crimson Tide/The Rock sound... so maybe, just maybe, if he wins this year he'll completely reinvent his sound again and give us something both melodically memorable but also be a total game changer in terms of modern scores.I hope it doesn't win if for no other reason than so we don't have to go through 5 years of Dunkirk temp tracks (although if 12 Strong is anything to go by, too late).
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Hans ZimmerNick Glennie-SmithHenning LohnerLorne Balfe
ComposerComposerAdditional MusicAdditional Music
Lauras Stern
Label: BMG Records
Length: 68'12
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5939 votes)
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  1. Opening Title (2:21)
    Nick Glennie-Smith
  2. The Chase (2:20)
    Nick Glennie-Smith
  3. Lonely Laura (2:10)
    Nick Glennie-Smith
  4. Laura & Muschka (1:21)
    Nick Glennie-Smith
  5. A Star Is Born Part 1 (4:52)
    Hans Zimmer, Nick Glennie-Smith
  6. A Star Is Born Part 2 (5:53)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner
  7. Leg Ballet - Repair (7:35)
    Hans Zimmer, Nick Glennie-Smith
  8. Wake Up Guys (1:18)
    Nick Glennie-Smith
  9. 1st Flight (2:05)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner, Lorne Balfe
  10. Planet Magic (1:17)
    Hans Zimmer, Nick Glennie-Smith
  11. Stay (3:00)
    Wonderwall
  12. Star Finds Sun And Moon Part 1 (1:52)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner, Lorne Balfe
  13. Star Finds Sun And Moon Part 2 (1:42)
    Henning Lohner
  14. Homestick (2:12)
    Hans Zimmer, Henning Lohner
  15. Laura At The Rescue (2:32)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner
  16. Star Is Free (1:06)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner
  17. Flying Bow (3:21)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner
  18. Flying In The Rain (1:38)
    Nick Glennie-Smith, Henning Lohner
  19. Laura Finds Star (4:02)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner
  20. Sun & Moon Ballet (2:05)
    Henning Lohner
  21. Finale (6:44)
    Hans Zimmer, Nick Glennie-Smith
  22. Touch The Sky (4:00)
    Wonderwall, Sam Tyson, Dee Mullen, Hans Zimmer, Nick Glennie-Smith
  23. Lullaby (2:20)
    Hans Zimmer
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Anonymous reply Replies: 0 || 2008-06-09 00:00:00
A M A Z I N G

fabien reply Replies: 0 || 2007-10-30 00:00:00
Another great score by the duo Hans Zimmer Nick glennie Smith (the great friends). Their other masterpiece is the little polar bear II. Good job men!

Hybrid Soldier reply Replies: 0 || 2007-02-14 00:00:00
NGS is bad ?


LOL


Do you know that a lot of what you call "HZ themes" were actually written by NGS ?

This score was mainly written by NGS, with the "help" of HZ and HL... Just like The Rock... Go Nick !

Anonymous reply Replies: 0 || 2007-02-06 00:00:00
ngs except all his music from old hz themes. bravo hans and henning lohner. ngs are bad.

Hybrid Soldier reply Replies: 0 || 2006-11-11 00:00:00
Excellent main theme by NGS !

Track 8 is the best !

janine reply Replies: 0 || 2006-05-31 00:00:00
oh so nice I like the dvd beautiful...and also the music .....I have so nice time when I look the movie
The song....TOUCH THE SKY...every time I listen this than I am far away.

This is my movie....

ABC reply Replies: 0 || 2005-10-12 00:00:00
I think they split up the work like this:

Glennie-Smith ->-- main theme and most of the cues
Zimmer ->-- Lullaby theme
Lohner ->-- children choir

Anonymous reply Replies: 0 || 2005-10-12 00:00:00
it's not a NGS solo score it's really a hans zimmer and NGS collaboration ... look at the credits, hans zimmer is almost everywhere. Nick Glennie-Smith was solo only on short cues.

ABC reply Replies: 0 || 2005-10-06 00:00:00
If you listen carefully to Der kleine Eisbär 2, We were Soldiers, Man in the Iron Mask, Puy du Fou or The Lion King II you can clearly hear that Lauras Stern is written in NGS style :)

He is IMHO one of the most underrated composer and should get some better scoring assignments. :(

Anonymous reply Replies: 0 || 2005-10-06 00:00:00
very good score ...

mostly written by nick glennie smith ... why is it so good ? Because hans zimmer took part in the process of creating the score ? i've never heard a nick glennie smith score like this !

HZ-Fan reply Replies: 0 || 2005-01-11 00:00:00
One of Hans Zimmer's best. Wonderful themes and orchestrations, maybe one of the best scores in 2004.

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Lauras Stern soundtrack - Hans Zimmer - Nick Glennie-Smith 2004