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The Railroad Waits for No One is MazzaroWhat we know about Lorne's work on it? He do "Ranaway Train" aka "The Railroad Waits For No One" or "Finale"? And Zanelli did only "Finale"?Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.
Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).
Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there Mikeal
Typical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.
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Hans ZimmerNick Glennie-SmithHenning LohnerLorne Balfe
ComposerComposerAdditional MusicAdditional Music
Lauras Stern
Label: BMG Records
Length: 68'12
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6795 votes)
  1. Opening Title (2:21)
    Nick Glennie-Smith
  2. The Chase (2:20)
    Nick Glennie-Smith
  3. Lonely Laura (2:10)
    Nick Glennie-Smith
  4. Laura & Muschka (1:21)
    Nick Glennie-Smith
  5. A Star Is Born Part 1 (4:52)
    Hans Zimmer, Nick Glennie-Smith
  6. A Star Is Born Part 2 (5:53)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner
  7. Leg Ballet - Repair (7:35)
    Hans Zimmer, Nick Glennie-Smith
  8. Wake Up Guys (1:18)
    Nick Glennie-Smith
  9. 1st Flight (2:05)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner, Lorne Balfe
  10. Planet Magic (1:17)
    Hans Zimmer, Nick Glennie-Smith
  11. Stay (3:00)
    Wonderwall
  12. Star Finds Sun And Moon Part 1 (1:52)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner, Lorne Balfe
  13. Star Finds Sun And Moon Part 2 (1:42)
    Henning Lohner
  14. Homestick (2:12)
    Hans Zimmer, Henning Lohner
  15. Laura At The Rescue (2:32)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner
  16. Star Is Free (1:06)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner
  17. Flying Bow (3:21)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner
  18. Flying In The Rain (1:38)
    Nick Glennie-Smith, Henning Lohner
  19. Laura Finds Star (4:02)
    Hans Zimmer, Nick Glennie-Smith, Henning Lohner
  20. Sun & Moon Ballet (2:05)
    Henning Lohner
  21. Finale (6:44)
    Hans Zimmer, Nick Glennie-Smith
  22. Touch The Sky (4:00)
    Wonderwall, Sam Tyson, Dee Mullen, Hans Zimmer, Nick Glennie-Smith
  23. Lullaby (2:20)
    Hans Zimmer
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Anonymous reply Replies: 0 || 2008-06-09 00:00:00
A M A Z I N G

fabien reply Replies: 0 || 2007-10-30 00:00:00
Another great score by the duo Hans Zimmer Nick glennie Smith (the great friends). Their other masterpiece is the little polar bear II. Good job men!

Hybrid Soldier reply Replies: 0 || 2007-02-14 00:00:00
NGS is bad ?


LOL


Do you know that a lot of what you call "HZ themes" were actually written by NGS ?

This score was mainly written by NGS, with the "help" of HZ and HL... Just like The Rock... Go Nick !

Anonymous reply Replies: 0 || 2007-02-06 00:00:00
ngs except all his music from old hz themes. bravo hans and henning lohner. ngs are bad.

Hybrid Soldier reply Replies: 0 || 2006-11-11 00:00:00
Excellent main theme by NGS !

Track 8 is the best !

janine reply Replies: 0 || 2006-05-31 00:00:00
oh so nice I like the dvd beautiful...and also the music .....I have so nice time when I look the movie
The song....TOUCH THE SKY...every time I listen this than I am far away.

This is my movie....

ABC reply Replies: 0 || 2005-10-12 00:00:00
I think they split up the work like this:

Glennie-Smith ->-- main theme and most of the cues
Zimmer ->-- Lullaby theme
Lohner ->-- children choir

Anonymous reply Replies: 0 || 2005-10-12 00:00:00
it's not a NGS solo score it's really a hans zimmer and NGS collaboration ... look at the credits, hans zimmer is almost everywhere. Nick Glennie-Smith was solo only on short cues.

ABC reply Replies: 0 || 2005-10-06 00:00:00
If you listen carefully to Der kleine Eisbär 2, We were Soldiers, Man in the Iron Mask, Puy du Fou or The Lion King II you can clearly hear that Lauras Stern is written in NGS style :)

He is IMHO one of the most underrated composer and should get some better scoring assignments. :(

Anonymous reply Replies: 0 || 2005-10-06 00:00:00
very good score ...

mostly written by nick glennie smith ... why is it so good ? Because hans zimmer took part in the process of creating the score ? i've never heard a nick glennie smith score like this !

HZ-Fan reply Replies: 0 || 2005-01-11 00:00:00
One of Hans Zimmer's best. Wonderful themes and orchestrations, maybe one of the best scores in 2004.

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Lauras Stern soundtrack - Hans Zimmer - Nick Glennie-Smith 2004