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So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?
Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.
@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.
I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?
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Hans ZimmerJames S. LevineHeitor PereiraKlaus Badelt
ComposerAdditional MusicAdditional MusicAdditional Music
Something's Gotta Give (Complete Score)
Label: Unofficial Release
Length: 53'27
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2926 votes)
  1. Weak Heart (0:19)
    Hans Zimmer, Blake Neely
  2. Fluent In French (0:48)
  3. Harry In Hospital (1:07)
  4. Mr. Excitement (0:56)
  5. Never Get Hot? (0:53)
  6. Fired Nurse (0:26)
  7. Have Dinner With Me Tonight (0:42)
  8. Beach Walk (1:52)
    Hans Zimmer, Heitor Pereira
  9. The Stairs (0:10)
  10. You Look Beautiful (0:41)
  11. 70's Pictures (0:41)
    Heitor Pereira
  12. It Was Interesting (1:02)
  13. I Don't Hate You (0:39)
    Hans Zimmer, Blake Neely
  14. Pancakes (1:03)
  15. Mercer's Call (0:56)
    Heitor Pereira
  16. Beach Fun (1:00)
  17. Foreplays (2:19)
  18. Crying (2:17)
    Hans Zimmer, Blake Neely
  19. I'm An Old Dog (1:31)
  20. Try Sleeping With You (1:04)
  21. Thank You For Everything (1:39)
  22. I Love You (1:33)
  23. No Messages (0:27)
    Hans Zimmer, Christopher Young
  24. Hearbreak (2:04)
  25. New Heart Attack (0:09)
  26. If You Were My Dad (2:13)
  27. I Miss Y (1:10)
  28. Beach Tears (0:24)
    Heitor Pereira
  29. You Can't Hide From Love (1:11)
  30. Boring Party (0:29)
  31. Kiss To Forgive (1:01)
  32. Your Brilliance (0:43)
    Heito Pereira
  33. Paris Showtime (0:45)
    Hans Zimmer, Trevor Morris
  34. The Right Gift (0:41)
  35. Happy Birthday (0:36)
  36. Great Seeing You (1:10)
  37. Happy Ending (1:50)
  38. Autumn In Paris Suite (1:50)
  39. Weak Heart (Alternate I) (0:19)
    Hans Zimmer, Blake Neely
  40. Weak Heart (Alternate II) (0:19)
    Hans Zimmer, Blake Neely
  41. Weak Heart (Alternate III) (0:23)
  42. Weak Heart (Alernate IV) (0:22)
  43. Mr. Excitement (Alternate) (0:51)
  44. Never Get Hot (Alternate) (0:54)
  45. Fired Nurse (Alternate) (0:24)
  46. Beach Walk (Alternate) (1:53)
    Hans Zimmer, Heitor Pereira
  47. The Stairs (Alternate) (0:10)
  48. 70's Pictures (Alterante) (0:39)
    Heitor Pereira
  49. Mercer's Call (Alternate) (0:55)
    Heitor Pereira
  50. I'm An Old Dog (Alternate) (1:48)
  51. Try Sleeping With You (Alternate I) (1:06)
  52. Trye Sleeping With You (Alternate II) (1:03)
    Hans Zimmer, Heitor Pereira
  53. Beach Tears (Alternate I) (0:23)
    Heitor Pereira
  54. Beach Tears (Alternate II) (0:22)
    Heitor Pereira
  55. Kiss To Forgive (Alternate I) (0:51)
  56. Kiss To Forgive (Alternate II) (0:59)
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isildur reply Replies: 1 || 2017-09-30 13:05:22
Just listened to Nancy Meyers talk about how they only had one week to write this score and how Hans rescued her and the film. It looks like she really loves working with Hans.

You can listen to her talk about it and much more here
https: //audioboom.com/posts/6347259-episode-58-nancy-meyers-on-the -music-of-home-again-private-benjamin-something-s-gotta-give -what-women-want


Lynk2017-09-30 16:39:25
mmm. How come Hans wasn't on board on her latest film then...

Mehmetcan reply Replies: 0 || 2017-06-03 10:56:20
Where can I download this? Or buy it?

Damien, Moderator reply Replies: 2 || 2010-09-11 00:00:00
As all other scores marked 'bootleg release' you can't officially buy it.


Jim2015-04-20 03:26:33
Hi Damien.

Will the expanded soundtrack be made available for download at all? Either free, or by purchasing.

I'd love to get a copy of the music in the expanded soundtrack, but this simply doesn't appear to be available. :(

Please advise.


Damien, Moderator2015-04-20 21:04:53
I'm not in Sony, Warner or Columbia team to be able to tell that.

Donna Linn reply Replies: 0 || 2010-09-10 00:00:00
Yes, I would also like to know more about the expanded soundtrack. Where might I buy it?? By the way, the name (or lyrics) to the song when Zoe meets the doctor at the market is: "Sunday Morning....rain is falling."

Gabriel reply Replies: 0 || 2010-05-01 00:00:00
What is the name of the song that was playing during the party at his apartment?

susana reply Replies: 0 || 2010-03-06 00:00:00
I also agreed with all the comments signed bellow.. I really love the music of the whole film.. but I can´t get tittles of songs, and the soundtrack is not completed.. There are some parts missing..

How can I get the complete film songs.. My favourites: End Tracks music, and the one playing when Zoe meets the doctor at the market and invite him to dinner to Erika''s... marvellous

Susana (Spain-Madrid)

Janice P reply Replies: 0 || 2008-12-14 00:00:00
What is the name of the song that is playing when Zoe saw Julian at the Market.

max reply Replies: 0 || 2008-07-15 00:00:00
hello...in the scene after erica and zoe entered the house and saw harry standing half naked in the kitchen, there's a wonderful lil music at the backround....like an bossa nova or something else...could somebody tell me please whats the title of this short tune and whre can I get it
regards

Per reply Replies: 0 || 2007-06-12 00:00:00
To try minimize all the requests and questions regarding this version; it's just a dvd rip, with sfx...

Anonymous reply Replies: 0 || 2006-08-26 00:00:00
Hello: Please tell me how I can buy a copy of the expanded score. I'm not asking to copy, just to outright buy. Thanks. Alison

Gisela reply Replies: 0 || 2006-06-27 00:00:00
Hello all,

I love the soundtrack for this movie. The one thing is that it does not have all the songs from the movie which I wish it did.

Does anyone know how and/or where to get the full soundtrack?

Thanks!

Gisela

ihvhlxxii@yahoo.com reply Replies: 0 || 2006-05-04 00:00:00
Great comedy score, took me a while to find this expanded version, i really enjoy it.

FERNANDO PIAZA POLACO reply Replies: 0 || 2005-09-30 00:00:00
THANK YOU MANNI

YOUR ATTENTION RECEIVED THIS MAGNIFIQUE SOUNDTRACK SOMENTING GOTTA GIVE BY MAESTRO HANS ZIMMER I LOVED. YOUR SENSIBILITY
YOUR FRIEND
FERNANDO PIAZA POLACO.

Anonymous reply Replies: 0 || 2005-05-03 00:00:00
dear Friends

about cd score film Something gotta give
I loved this is music.
I'd like received copy cd-r .
Fernando.

Justin S. reply Replies: 0 || 2005-03-24 00:00:00
Where can I get a copy of this? If anyone has it, I'll buy a CD-R if I have to. I just need this score...I'm absolutely enamored with it.

Justin S. reply Replies: 0 || 2005-03-24 00:00:00
Where can I get a copy of this? If anyone has it, I'll buy a CD-R if I have to. I just need this score...I'm absolutely enamored with it.

FERNANDO PIAZZA POLACO reply Replies: 0 || 2005-03-21 00:00:00
DEAR FRIENDS
IM FERNANDO PIAZA POLACO , FROM SANTOS-SP - BRAZIL. I'M COLLECTOR SOUNDTRACKS 8 YEARS ESPECIAL HANS ZIMMER AND MORRICONE. I'D LIKE SCORE COMPLETE FILM SOMETING'S GOTTA GIVE REALESE IN CD I LOVE THIS SOUNDTRACK.
KIND REGARDS
FERNANDO.

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Something's Gotta Give (Complete Score) soundtrack - Hans Zimmer 2003