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Formality indeed. Complicated ! lol<br><br>You can bet Blake Neely didn't need anyone to "write" those 10 seconds !! lolI always found these credits to be a bit confusing. Klaus Badelt is credited on almost every cue, even when his themes don't appear and another additional composer is credited as well. I thought maybe it was just a formality that Zimmer and Badelt were credited everywhere (I mean, how much could they be involved on a cue like "Welcome to the Caribbean"?), but then "No real ship" and "Sword Fight Pt. 2" have no Badelt for some reason. Does someone know a bit more about this?well the composer confirmed he is working on it to be released very soon<br>"It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain."<br><br>I didn't think it was possible for a Bay fan of all people to be this insufferably pretentious.<br><br>I thought that was more Snyder fanboy territory.<br><br>But here we are, calling dog-humping, Decepticon testicles, and mommy-on-pot-brownies "challenging the viewer."<br><br>Kudos, man.  Kudos.<br><br>You can hide behind however many fallacies you want.  If "Not to me" and "You do you" didn't give it away early on in this thread, I DIDN'T try to treat my opinions as fact.<br><br>But that doesn't mean I'm going to add a little "IMO" at the end of every goddamn sentence just to coddle you. <br><br>On the flip-side, consistently making appeals to authority and popularity, "B-b-but Spielberg said!", "B-b-but the Forbes poll said!" don't make you objective.<br><br>Y'know, it's funny.  When I listed off better blockbuster examples, you could've very easily just argued against them on the level of the films themselves, and everything would've been fine.<br><br>Sure, you would've just claimed you can't see the action at night sooner, which is rich when you praise the film series that puts the subjects of its action scenes OUT OF FOCUS every other shot, but hey, that's just honest opinions versus honest opinions.<br><br>But using two belated half-assed sequels from different, less talented directors that lost most of the appeal of the first movies, as some sorta litmus test for how well-liked the first movies were, is the biggest bunch of bullshit I've ever heard.  That's not objectivity, that's not even confusing correlation with causation, that's saying 1+2=4.<br><br>That's the real joke here.  Instead of accepting that your love of Bay is nothing more than a opinion, just as my claim that he misses the point of what makes action movies fun is, you turn into an overly-defensive nut, desperately quoting every opinion piece under the sun to pretend your opinion is some statistically-backed fact.  I've seen you do this every time someone talks shit about Bay around here.  It's psychotic.<br><br>Bad movies make money.  Everyone knows that, and everyone knows that's not proof of quality.  But if that's the kinda road you wanna go down, I guess movies like Avatar, The Force Awakens, or all the Avengers movies, are "objectively" better movies in every conceivable way than anything Bay has made in his entire career.  I mean, CLEARLY those films must have a bolder style and push more boundaries.<br><br>Why else would more people watch and rewatch them, right?<br><br>Reasonable causation is for those goshdarn geek journos.<br><br>And by the way, The Last Knight lost money.  Period.  Almost 100M according to Paramount themselves.<br><br>That's not just a domestic bomb, that's a bomb altogether.<br><br>Have a nice day.Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br>==================<br><br>Kinda ironic, coming from you....but I'll take it as a compliment. Thank you! <br><br>And yes, he sides with me because what I say is common sense. For whatever reason, you have these strong negative feelings toward Bay films and those feelings blind you to some pretty obvious truths. <br><br>Have to say tho - for a 'hater' you sure know A LOT about him, his style and his movies. <br><br>Just admit it - you are a huge Bay fan but you just want to score some points with the snobbish internet crowd. <br><br><br><br>============<br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br>============<br><br>Oh, you're one of THOSE people......"Fury Roaaaaaaaaad is DA BEST FILM EVAAAAAAAA".<br><br>Let me guess: you also think that Nolan is the greatest director/person of all time. On par with Jesus himself. <br><br><br><br>==========<br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br>==========<br><br>Which is what Transformers 1 is. <br><br>Which is why the movie connected with audiences. It was - at its heart - a story about a boy and his car. Even the most jaded critics enjoyed that aspect.<br><br><br>=============<br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br>=============<br><br>Excuse? For what?<br><br>My friend, you do realize that Bay in particular is one of the most powerful and successful filmmakers of all time, right? He is the second highest-grossing director of all time (domestically), only behind Spielberg. You can dismiss box office success all you want but you don't get to where Bay is if you're not good at your job. <br><br>Snyder is nowhere near Bay, in terms of success and influence. Personally, I don't care much about him. <br><br><br>P.S. Guy Ritchie (and Edgar Wright) are huge Bay fans. Ask yourself why. <br><br><br>===============<br>They just aren't very good filmmakers on the whole<br>===============<br><br>Your opinion.<br><br>I disagree.
Bay walks the lines between being self-serious and comical, but his films aren't well=written enough to serve the former, or witty enough to serve the latter, and the end-result is droll and annoying.<br>====================<br><br>You sure you're not a "writer" for one of those ridiculous geek sites like Collider, Screen Rant or Slash Film? Because you sound a lot like one of those "beloved" writers. <br><br>Anyway......Yes, Bay's movies always walk that line but whether that works or not is........Yes! a matter of opinion. For me, Pain and Gain is one of the best modern satires while for you it is - I'm guessing - "droll and annoying".<br><br>It's funny tho......people always complain how Hollywood plays it safe and how movies don't take chances..........but when a movie with tonal shifts that challenge the viewer and offer something bold shows up, people bitch and complain. <br><br>Some of you folks are indeed very hard to please. <br><br><br>===============<br>The first POTC earns it. The Bad Boys 2 doesn't. Infinity War earns it. TF 1/2/3/4/5 doesn't.<br>==============<br><br>Okay, now that statement is the best joke of the year! Thank you for the good laugh! Really! Oh, and I've definitely argued with you before, my friend. You are clearly one of those ten Bay haters from the IMDb forums who claim to hate everything the man does, yet they have seen EVERYTHING he had done. Why is that, I wonder?<br><br><br>===========<br>Fitting, as Synder and Bay are cut from a very similar cloth. Difference is, unless we're talking Man of Steel, I'd sooner rely on Snyder for consistently good action sequences<br>===========<br><br>Well, I would trust Spielberg on this. Because it was Spielberg who said, and I quote: "Michael (Bay) is one of the greatest action directors. He has the best eye in Hollywood." Spielberg works with a lot of directors. But he never said anything like that about any other director. So clearly he means what he says about Bay. And....you know......unlike most people, Speilberg actually knows a thing or two about filmmaking. <br><br><br>================<br>300 didn't try to start a franchise. It was a one-off adaptation of a graphic novel in the same vein as Sin City, and was successful. They tried to make a cash-grab sequel almost a decade later, without Snyder, and it failed. That's hardly the first film's fault.<br>================<br><br>It is a clear proof that people weren't that excited to visit this world again. And mind you, that happened with the first sequel! Talk about a one-time thing, huh?<br><br>At the same time, Bay made FOUR Transformers movies - with different casts - before there were any signs of audience fatigue. <br><br>That speaks for itself.<br><br>===========<br>Pacific Rim suffered from lackluster marketing, and yet still managed to turn a profit and attract a strong following.<br>==========<br><br>Excuses, excuses, excuses.....So you can display all the excuses in the world for Pac Rim but when it comes to Transformers, you don't accept anything. <br><br>Double standard much?<br><br>P.S. That "strong following" is on the internet. The same following that was supposed to make Scott Pillgrim a huge hit. Everyone knows that internet hype is not real-world hype. I know very well the type of people who act as if Pac Rim is the best thing since sliced bread. Total geeks who are angry that Transformers is much more popular and much more successful than Del Toro's "let's shoot all the robot fights in pitch black so audiences can't see shit" movie.  <br><br>Also, let's not pretend that Pac Rim is a universally beloved film. You know very well that there are A LOT of detractors as well. That's what you get when people can't tell what's going on during the movie because you shot it all at night. Just like that Godzilla movie. <br><br><br>============<br>Versus something like Transformers, which has piggybacked on an established IP, relentless marketing campaigns and tie-ins, and a fairly consistent release schedule. And even then, recycling the same bullshit eventually took its toll.<br>============<br><br><br>Wrong.<br><br>Do you read Forbes? You should. Because it's a place where objective people write. It ain't a stupid militant film geek site like Ain't it Cool News or Screen Rant.<br><br>Forbes published multiple articles explaining in great detail why the Transformers movies were successful EXACTLY because they were directed by Bay. Whether you like it or not, my friend, Bay is a brand. He is an auteur. There were multiple polls before the first two Transformers movies and Bay being the director was one of the main reasons for people to watch the movies. <br><br>But I guess you missed all of that, huh?<br><br>How convenient.<br><br><br>==============<br>Friendly reminder that AoE also relied on China (more pathetically then even Pacific Rim did) to compensate for diminishing domestic returns. To say nothing of TLK outright bombing.<br>==============<br><br>First: according to ACTUAL real data, the only TF movie that was saved by China is.......Bumblebee! Yeah, you better believe it. Go to Deadline and Forbes and read it for yourself.<br><br>Second: TLK bombed domestically, yes. <br>But not internationally. No one with actual knowledge of the situation refers to that movie as an international "bomb". Besides, there were 4 super successful TF movies before TLK. So Bay got nothing to prove. He already created one of the biggfest film franchises in history. <br><br>How many directors can say that?<br><br><br><br>==================<br>I know you like debunking Bay naysayers with "facts and logic," but it helps to not be grossly disingenuous while doing it<br>==================<br><br><br>Goes both ways, my friend. But unlike most naysayers, I don't treat my own personal opinions as facts. And if I'm being "disingenuous" then I don't even know what to say about some Bay haters who refuse to accept even the most obvious facts and truths.nopeYou realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.
The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?
The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.
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Hans ZimmerJames S. LevineHeitor PereiraKlaus Badelt
ComposerAdditional MusicAdditional MusicAdditional Music
Something's Gotta Give (Complete Score)
Label: Unofficial Release
Length: 53'27
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3284 votes)
  1. Weak Heart (0:19)
    Hans Zimmer, Blake Neely
  2. Fluent In French (0:48)
  3. Harry In Hospital (1:07)
  4. Mr. Excitement (0:56)
  5. Never Get Hot? (0:53)
  6. Fired Nurse (0:26)
  7. Have Dinner With Me Tonight (0:42)
  8. Beach Walk (1:52)
    Hans Zimmer, Heitor Pereira
  9. The Stairs (0:10)
  10. You Look Beautiful (0:41)
  11. 70's Pictures (0:41)
    Heitor Pereira
  12. It Was Interesting (1:02)
  13. I Don't Hate You (0:39)
    Hans Zimmer, Blake Neely
  14. Pancakes (1:03)
  15. Mercer's Call (0:56)
    Heitor Pereira
  16. Beach Fun (1:00)
  17. Foreplays (2:19)
  18. Crying (2:17)
    Hans Zimmer, Blake Neely
  19. I'm An Old Dog (1:31)
  20. Try Sleeping With You (1:04)
  21. Thank You For Everything (1:39)
  22. I Love You (1:33)
  23. No Messages (0:27)
    Hans Zimmer, Christopher Young
  24. Hearbreak (2:04)
  25. New Heart Attack (0:09)
  26. If You Were My Dad (2:13)
  27. I Miss Y (1:10)
  28. Beach Tears (0:24)
    Heitor Pereira
  29. You Can't Hide From Love (1:11)
  30. Boring Party (0:29)
  31. Kiss To Forgive (1:01)
  32. Your Brilliance (0:43)
    Heito Pereira
  33. Paris Showtime (0:45)
    Hans Zimmer, Trevor Morris
  34. The Right Gift (0:41)
  35. Happy Birthday (0:36)
  36. Great Seeing You (1:10)
  37. Happy Ending (1:50)
  38. Autumn In Paris Suite (1:50)
  39. Weak Heart (Alternate I) (0:19)
    Hans Zimmer, Blake Neely
  40. Weak Heart (Alternate II) (0:19)
    Hans Zimmer, Blake Neely
  41. Weak Heart (Alternate III) (0:23)
  42. Weak Heart (Alernate IV) (0:22)
  43. Mr. Excitement (Alternate) (0:51)
  44. Never Get Hot (Alternate) (0:54)
  45. Fired Nurse (Alternate) (0:24)
  46. Beach Walk (Alternate) (1:53)
    Hans Zimmer, Heitor Pereira
  47. The Stairs (Alternate) (0:10)
  48. 70's Pictures (Alterante) (0:39)
    Heitor Pereira
  49. Mercer's Call (Alternate) (0:55)
    Heitor Pereira
  50. I'm An Old Dog (Alternate) (1:48)
  51. Try Sleeping With You (Alternate I) (1:06)
  52. Trye Sleeping With You (Alternate II) (1:03)
    Hans Zimmer, Heitor Pereira
  53. Beach Tears (Alternate I) (0:23)
    Heitor Pereira
  54. Beach Tears (Alternate II) (0:22)
    Heitor Pereira
  55. Kiss To Forgive (Alternate I) (0:51)
  56. Kiss To Forgive (Alternate II) (0:59)
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isildur reply Replies: 1 || 2017-09-30 13:05:22
Just listened to Nancy Meyers talk about how they only had one week to write this score and how Hans rescued her and the film. It looks like she really loves working with Hans.

You can listen to her talk about it and much more here
https: //audioboom.com/posts/6347259-episode-58-nancy-meyers-on-the -music-of-home-again-private-benjamin-something-s-gotta-give -what-women-want


Lynk2017-09-30 16:39:25
mmm. How come Hans wasn't on board on her latest film then...

Mehmetcan reply Replies: 0 || 2017-06-03 10:56:20
Where can I download this? Or buy it?

Damien, Moderator reply Replies: 2 || 2010-09-11 00:00:00
As all other scores marked 'bootleg release' you can't officially buy it.


Jim2015-04-20 03:26:33
Hi Damien.

Will the expanded soundtrack be made available for download at all? Either free, or by purchasing.

I'd love to get a copy of the music in the expanded soundtrack, but this simply doesn't appear to be available. :(

Please advise.


Damien, Moderator2015-04-20 21:04:53
I'm not in Sony, Warner or Columbia team to be able to tell that.

Donna Linn reply Replies: 0 || 2010-09-10 00:00:00
Yes, I would also like to know more about the expanded soundtrack. Where might I buy it?? By the way, the name (or lyrics) to the song when Zoe meets the doctor at the market is: "Sunday Morning....rain is falling."

Gabriel reply Replies: 0 || 2010-05-01 00:00:00
What is the name of the song that was playing during the party at his apartment?

susana reply Replies: 0 || 2010-03-06 00:00:00
I also agreed with all the comments signed bellow.. I really love the music of the whole film.. but I canīt get tittles of songs, and the soundtrack is not completed.. There are some parts missing..

How can I get the complete film songs.. My favourites: End Tracks music, and the one playing when Zoe meets the doctor at the market and invite him to dinner to Erika''s... marvellous

Susana (Spain-Madrid)

Janice P reply Replies: 0 || 2008-12-14 00:00:00
What is the name of the song that is playing when Zoe saw Julian at the Market.

max reply Replies: 0 || 2008-07-15 00:00:00
hello...in the scene after erica and zoe entered the house and saw harry standing half naked in the kitchen, there's a wonderful lil music at the backround....like an bossa nova or something else...could somebody tell me please whats the title of this short tune and whre can I get it
regards

Per reply Replies: 0 || 2007-06-12 00:00:00
To try minimize all the requests and questions regarding this version; it's just a dvd rip, with sfx...

Anonymous reply Replies: 0 || 2006-08-26 00:00:00
Hello: Please tell me how I can buy a copy of the expanded score. I'm not asking to copy, just to outright buy. Thanks. Alison

Gisela reply Replies: 0 || 2006-06-27 00:00:00
Hello all,

I love the soundtrack for this movie. The one thing is that it does not have all the songs from the movie which I wish it did.

Does anyone know how and/or where to get the full soundtrack?

Thanks!

Gisela

  Your name :   

Please enter number: 489 

ihvhlxxii@yahoo.com reply Replies: 0 || 2006-05-04 00:00:00
Great comedy score, took me a while to find this expanded version, i really enjoy it.

FERNANDO PIAZA POLACO reply Replies: 0 || 2005-09-30 00:00:00
THANK YOU MANNI

YOUR ATTENTION RECEIVED THIS MAGNIFIQUE SOUNDTRACK SOMENTING GOTTA GIVE BY MAESTRO HANS ZIMMER I LOVED. YOUR SENSIBILITY
YOUR FRIEND
FERNANDO PIAZA POLACO.

Anonymous reply Replies: 0 || 2005-05-03 00:00:00
dear Friends

about cd score film Something gotta give
I loved this is music.
I'd like received copy cd-r .
Fernando.

Justin S. reply Replies: 0 || 2005-03-24 00:00:00
Where can I get a copy of this? If anyone has it, I'll buy a CD-R if I have to. I just need this score...I'm absolutely enamored with it.

Justin S. reply Replies: 0 || 2005-03-24 00:00:00
Where can I get a copy of this? If anyone has it, I'll buy a CD-R if I have to. I just need this score...I'm absolutely enamored with it.

FERNANDO PIAZZA POLACO reply Replies: 0 || 2005-03-21 00:00:00
DEAR FRIENDS
IM FERNANDO PIAZA POLACO , FROM SANTOS-SP - BRAZIL. I'M COLLECTOR SOUNDTRACKS 8 YEARS ESPECIAL HANS ZIMMER AND MORRICONE. I'D LIKE SCORE COMPLETE FILM SOMETING'S GOTTA GIVE REALESE IN CD I LOVE THIS SOUNDTRACK.
KIND REGARDS
FERNANDO.

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Something's Gotta Give (Complete Score) soundtrack - Hans Zimmer 2003