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Zimmer and Djawadi are nominated for Grammys this year along with Hildur,Alan Silvestri,Marc ShiecmanTom's score for Justice League was basically a mix of Mad Max and Deadpool. Zack wanted to go with a different approach for the score and make it more "fun" than serious. He didn't want a Zimmer sound for the movie.I noticed that the other day as well on IMDB. I know thatís not always reliable, but that would be awesome if he was involved. Iíve missed the ďfunĒ side of Zimmer for awhile. The next couple of years hopefully produce a number of Zimmer classics.Whoah Whoah Whoah Whoah Whoah.  Whoah. Space Jam2?! You arenít serious.I hope this one will leak very soon! A lot of great music that isnt released
Hybrid, is Zimmer really attached to Space Jam 2?<br><br>Will Hans Zimmer be coming to London in 2021 pls? Thanks MonicaWhy won't concert in Poland?! I love Hans Zimmer and his music and I was really waiting for it!! Last time in Cracow it was the best time ever for me! :(Isn't anyone except me wondering what kind of sound that 2-tone-pattern is? Is that something like ring-modulated strings? Or even FM? Sure it is something layered.Anyone own the 24bit FLAC version? I bought it expecting to here a difference between that and the mp3 version and they kinda sound the same to me. Just curious on if anyone else had the same observation.
Upon revisit, this score is by far the best of the entire Call of Duty franchise. A wonderful main theme, exciting, varied, and climactic action music for the British missions, and a strong amount of atmosphere. <br><br>The only annoying part is the American missions' action music is on-the-nose and terrible until the nuke cue, and there's a little too much reused tracks for my taste.donít worry about it @Eobard <br>With the timing, I wouldíve thought the same if I didnít already know about the brass library :)Well for sure it became the worst timing ever for Tom...<br><br><br>He must be watching twitter sweating right now lol. Totally cornered...@Ahmad well my bad! I didn't know about this. It was just his post came at a time like this so...<br>Sorry guys.@Xavi I know. I also want the  Snyderís cut and JXLís score to be released, but setting up expectations about the score when itís clear that Tomís post has nothing to do it is just kinda unnecessary.
Couldn't agree more Edmund. He's got both the orchestra and synths (and his great guitar usage) down very well. Similar to HGW IMO. <br><br>He's also a very interesting interviewee (that accent always seems to help). <br><br>Which scores have had electronic elements edited off of the official releases? And do the missing elements appear in the complete scores/sessions?In a year, like Enos saysIs there a page for the complete score of this film? Thanks."LOL" Relax, Ahmad. <br><br>People are working really hard to release the movie and with it will come Junkie's score too.<br><br>LOL! The only thing thatís coming is his brass library which he has been working on for quite some time.
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Conductor - Orchestrator
Mark MancinaTrevor RabinPaul LinfordNick Glennie-Smith
ComposerComposerScore ProducerConductor
Con Air
Label: Hollywood Records
Length: 44'57
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6543 votes)
  1. Con Air Theme (1:31)
    Mark Mancina, Trevor Rabin
  2. Trisha (1:04)
    Mark Mancina, Trevor Rabin
  3. Carson City (3:04)
    Mark Mancina, Trevor Rabin
  4. Lear Crash (4:44)
    Mark Mancina, Trevor Rabin
  5. Lerner Landing (3:28)
    Mark Mancina, Trevor Rabin
  6. Romantic Chaos (1:22)
    Mark Mancina, Trevor Rabin
  7. The Takeover (3:52)
    Mark Mancina, Trevor Rabin
  8. The Discharge (1:09)
    Mark Mancina, Trevor Rabin
  9. Jailbirds (0:59)
    Trevor Rabin
  10. Cons Check Out Lerner (1:55)
    Mark Mancina, Trevor Rabin
  11. Poe Saves Cops (2:25)
    Mark Mancina, Trevor Rabin
  12. The Fight (0:22)
    Trevor Rabin
  13. Battle In The Boneyard (7:41)
    Mark Mancina, Trevor Rabin
  14. Poe Meets Larkin (1:14)
    Mark Mancina, Trevor Rabin
  15. Bedlam Larkin (0:49)
    Trevor Rabin
  16. Fire Truck Chase (4:22)
    Mark Mancina, Trevor Rabin
  17. Overture (4:18)
    Mark Mancina, Trevor Rabin
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Bayhem reply Replies: 3 || 2018-04-02 21:55:15
I think it's safe to say that this is the MV/RC score that our "favorite" Filmtracks guy hates the most. I don't care about critics in general (I read some stuff simply for entertainment), I just find it amusing how much he hates this one.

Yes, it's very loud and harsh and frenetic. But calling it a "wretched piece of work" is a bit over-the-top. At least in my opinion. What's your opinion on this one, folks?


Edmund Meinerts2018-04-02 22:10:28
I used to not like it all that much and it's still a bit of a cheap-sounding mess, but like most of the late-90s MV scores, it has aged well, with memorable themes and a sense of fun that elevates it above many a joyless, droning RC score of today.


mpolonest123 2018-04-02 22:24:08
I used to hate this score (in context) just based on the villainís theme, which is about as cliched an evil motif as you can get. That being said, this score really has aged well and may be the dumbest, if not one of the most fun MV scores out there. It also helps that both Mark Mancina and Trevor Rabin are extremely talented.


Bayhem2018-04-02 23:54:59
Agreed. Compared to a lot of more recent MV/RC scores, this one holds up extremely well. It works better. Having said that, I think this would've been a way better score if Rabin was by himself. Think about it, his style, his rock n roll approach is just perfect for a movie like Con Air. Mancina - even though I like him a lot - seems to be out of place, as far as this project is concerned. The only reason Rabin wasn't by himself is that he was at the start of his career and Mancina at that point was everywhere (Bad Boys, Speed, Twister, Fair Game...).

The two have very different styles actually, and maybe that's why this score doesn't sit well with some people. I'm sure it would've been received way better if it was composed by Rabin and HGW. I mean, just look at Armageddon!

Ds reply Replies: 0 || 2014-06-09 23:45:11
What a fun score... Just watched the movie again, reminded me of the good old times. Huge and fun action flicks with this old, classic RC sound... I need more movies like Face/Off, The Rock and this one.

Ele reply Replies: 2 || 2009-10-13 00:00:00
Who made which cue? Anyone knows?


El Baradei2012-12-28 17:14:05
Michel Legrand co-composed Track 12, The Fight. It seemed to be really necessary because it lasts 22 seconds.


Mike2012-12-29 09:21:02
^ lol ^

asdf reply Replies: 0 || 2009-07-30 00:00:00
asdf

nick reply Replies: 0 || 2008-03-16 00:00:00
very good

aRRR reply Replies: 0 || 2008-01-05 00:00:00
Probably a very underrated score, i like it!

airmax reply Replies: 0 || 2008-01-01 00:00:00
very good score

Alonso reply Replies: 0 || 2007-10-09 00:00:00
very good!

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Con Air soundtrack - Mark Mancina - Trevor Rabin 1997