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I could have sworn I had heard the Solomon theme and some of the same<br>Chords that Kraemer had used...<br>My mistake lol<br><br>And Balfe does seem like a genuinely nice person. Hell he even takes the time to put out unreleased music, not something most composers do. <br>That is exactly why I hate when people take personal jabs at composers (usually at Junkie XL for some reason). It’s fine to not like the music, everyone has different tastes, but don’t criticize a composer for writing what he was asked to write.I agree! He actually invited me to come to a recording session in London for this film, man it killed me that I couldn’t afford to go. But I was so thankful he even thought to ask! Top notch guy.Say what you want about Balfe but he's a really nice guy, and always answers my questions on FB and others on twitter.I believe him as I didn't hear anything from Kraemer.I asked Balfe on Facebook if he used any of Kraemers theme and he said no
I Know, Hybrid, just sayin' that i a fan of Benjamin Wallfisch's music Scores since lights Out to Blade Runner 2049 and i say this is another excelent Work from WallfischOne-worded track titles! Reminds me of early days of Media Ventures!<br><br>They sure tried real hard to keep spoilers out of these, didn't they? I suppose I'd take this approach over Latin or irrelevant names, though a little bit of pun and flavor wouldn't have hurt.So you can't wait to hear the score but you already say it's a great score ?<br><br><br>#inceptionAnother great score from Benjamin Wallfisch can't wait to hear the score & see the movie <br><br>Music By Benjamin Wallfisch<br>Additional Music By John Paesano & Adam Hochstatter<br>Orchestra Conducted By Tim Williams<br>Orchestrations By Peter Bateman & David J. KrystalWhy is people saying that Balfe kept some original music from Kraemer? I have listened to the whole score and I didn't found any quotes. Maybe in The Syndicate there is some kind of reference to Kraemer's theme but I don't really know.<br><br>And I have to say that I was expecting Balfe to shine on this one, but I ended up disappointed. There are some great action cues, and I like some things he does with the main theme like the use of choir, but the score as a whole feels like a reuse of many things I have already heard and ends up feeling repetitive and a bit boring. <br>And note that this is my opinion so don't jump into my neck saying this is the best score in the saga, because I think Rogue Nation is a really big step above this. I hope that at least it works in the context of the movie, which I suppose it does really well...
Re-listening the score again...….Have to say, Lisbeth Scott's beautiful vocals are definitely one of the highlights. She's amazing. On par with Lisa Gerrard.<br><br>Speaking of, what the hell happened to MV/RC guys incorporating female vocalists in their scores? I've always loved that approach. But it seems that it kinda went away......replaced by more and more sound design! So except for this score (and Steve's Your Highness) is there a recent big MV/RC score that actually features female vocals? Maybe I'm missing some...…..I was wondering that is there a Hans Zimmer library you need to license from Remote Control.<br><br>I kinda saw a composer's Cubase setup and he labeled one of his folders, HZ STR, HZ BRS, and HZ Choir.<br><br>Does Zimmer have a brass and choir sample library you need to have a license for?Easy now Mr. Anonymous, no need to be so superior. <br>I looked up that tracklist, and couldn't find 'Tai Lung Escapes' specifficaly listed, hence asking. Closest there is 'Shogun Mongol Prison', but it's too short to be the whole scene.   <br><br>But I'll try to get a hold of that complete version somehow, looks super interesting.Its just three short bursts of sound, really.Oh, yeah, I forgot to mention there's also a short track that plays when K walks through Las Vegas past the statues and beehives, but is not listed on the cuesheet
It should be noted that I think a few tracks like 'new model' are put together with the track that came before it on the CD.<br><br>Ossuary<br>Return to Sappers<br>Must Protect the Child<br>Bomb<br>Like a Real Girl<br>Luv in Apartment<br>Mesa Hijack<br><br>I think are the only real missing tracks, and some of them are pretty short anyway.I keep listening to "The Syndicat", which is what I assume to be the theme for The Syndicate. Honestly one of the better villain themes i've heard in a whileFlight has a new Andrew Kawczynski credit...We're getting there!Yeah, you're probably right. <br><br>I guess I thought of it as a Powell cue mostly because between the two main composers, it matched more with his style than Hans', but yeah it's probably Jackman's stuff. <br><br>Either way, I love that track.Yeah<br><br>BTW, John Paesano is credited as additional music
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Additional Music - Musician : Guitar
Hans ZimmerHeitor PereiraHenning LohnerTrevor Morris
ComposerAdditional MusicAdditional MusicAdditional Music
Spanglish
Label: Varese Sarabande
Length: 38'14 (Score: 35'14)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6167 votes)
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  1. Spanglish (2:45)
  2. The Beach (9:46)
  3. Welcome To The Claskys (3:19)
  4. Drunk And Disorderly (2:14)
  5. John Comes Home (1:55) *
  6. Learning English (1:32)
  7. No Left (3:54)
  8. Malibu (3:16)
  9. Cooking (1:24)
  10. Bus Stop (5:09)
  11. They Can't Take That Away From Me - Cloris Leachman & Ian Hyland (3:00)
*Written by Heitor Pereira
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Zimson reply Replies: 0 || 2015-03-11 21:08:38
Very moving letter by James L. Brooks. It seems like Hans is the nicest guy on earth.
The score is astonishing. No idea why is overlooked.

Btw, why does Heitor Pereira only get an "additional arrangements" credit when he got an entire track solely credited to him. Don't want to be nitpicking but one should give credit where it is due.

isildur reply Replies: 0 || 2013-09-15 08:46:04
This is in my top ten scores of Hans. Its absolutely beautiful.

mittens reply Replies: 1 || 2012-09-28 17:46:31
This is one of my favorite Zimmer's scores. It is very sublime and moody, constantly at the "low level", and it can fit into many things. It's one of those scores that you have to listen through a couple of times to be able to understand it.


MGDrone2012-09-29 22:19:14
It's definitely a five star score for me. I don't know how Hans did it, but he perfectly captured the emotions of an immigrant living in the US. There's sadness and timidness at times, but you can also hear nobility and sincerity. Personally, it's one of the best scores Hans has done.

MovieFreak reply Replies: 0 || 2010-12-03 00:00:00
Ive gotta say i LOVE this Movie !! Adam Sandler plata good in this
MoviiexD we watched it in spanish class, and i laughed,cried and smiledn
Lots of times !!!!!!!' x]

Olivia reply Replies: 0 || 2008-11-07 00:00:00
This song, bus stop. was given to me as a valentin's day gift, so from the first moment i listened i liked it very much so it really meant much to me and it will always remember me someone i loved...
thank you LD

Pridelander reply Replies: 0 || 2007-04-13 00:00:00
Spanglish is one of my favorite movies/scores. I think both deserve more attention. This is not just a "funny comedy".

The music is very beautiful and emotional, but not too sentimental... it supports the story very well. Especially the beach scene is wonderful. I like the piano part. (...but I'm just wondering, who played the piano? All the names of the orchestra member and soloist are listed on the album, except pianist...)

The other day I saw this film again, and I was surprised there are so many music not in the album. Most of them are very short cues or another arrangement of the released stuff, but I think some of them are very beautiful and deserve official release. They should have released them instead of that horrible song at the end! :(

Anyway, I'm looking forward to next collaboration of James L. Brooks & Hans Zimmer! :)

Lucas reply Replies: 0 || 2006-09-21 00:00:00
A nother Soundtrack, warm for the Hearth.
Good. Hans, i love your Music!

Martin "Ian" Čapek reply Replies: 0 || 2006-09-13 00:00:00
Realy beautiful score, this music is pleasant, joyful, that anyone who listen it fall in love with it, I wish to have complete score form this movie !!!. Thank you Mr. Zimmer for that work.

araSh reply Replies: 0 || 2006-08-18 00:00:00
romance in u re music is amazing hans zimmer



wow. meine gott

Mat (poland) reply Replies: 0 || 2006-07-26 00:00:00
BEAUTIFUL..... 'bus stop' and 'spanglish' are really magnficent. I love this piece of music. It's simmilar to 'Nyah and Ethan" from MI2 score which is also great. Mr Zimmer I beg You to do more music like that theese guitars are marvellous

Annika reply Replies: 0 || 2005-09-23 00:00:00
I love "--Busstop"-- and "--Spanglish"--! The main theme is great, such a melodic and beautyful piece!
Hans Zimmer is definitly the best!

Fabián Ek reply Replies: 0 || 2005-06-06 00:00:00
Hey!!!! Cuando escuché la música pude sentir la diferencia de que no se trataba del clásico ritmo español... aquí se trata de un ritmo mexicano... Señor Hans, yo lo admiro por el ritmo etnico que siempre logra componer para el contexto del film... espero que haya escuchado música marichi... en especial, tiene un buen guitarrista Heitor...

Pawel Stroinski reply Replies: 0 || 2005-01-23 00:00:00
A very good small gem for anybody loving Spanish and romantic music. Zimmer should do more of these

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Spanglish soundtrack - Hans Zimmer 2004