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That makes perfect sense and I fully agree with you :pScience & Religion on the OST is comprised of 4m25a Black Tongue part A and 6m38 God Save Us. Hope this helps!I was never extremely gung ho about any of the films, but I do agree that there feels like a bit of charm was missing from this one. Especially in the tidy way everything wrapped up. I also found the villain to be extremely forgettable, basically a lesser version of Drago. But hey, at least the visuals were great.<br><br>And I do partially agree on the score, although I think it is hard to give a fair opinion until the music has actually been released. But while HTTYD1 has all of the best highlights and HTTYD2 (my personal favorite) has the best narrative development, I feel like this one works as a solid score on it’s own. The weakest of the three but still a pretty good score, if that makes sense.Can someone please tell me which parts make Science & Religion and the rest of the Original Soundtrack release?I have to say I'm a little bit disappointed, movie wise and score wise. Although it's a very good score, it seems like all the highlights are when old themes come back. I'll definitely have to check it on album to see if this impression holds up, maybe it's only because I'm overly familiar with those themes, and new ones still have to grow on me (like with litterally every Powell release).<br><br>As for the movie, it felt like the charm and beautiful story of #1 have partly been replaced by poor jokes and loads of explosive action. There are moving moments here and there, but overall it left me quite cold.
Assuming McQ changing up the crew for newer installments applies to the composers too, I'd certainly like to see someone else take the mantle. Would be interesting to see David Arnold tackle a different sort of spy film, or John Ottman taking a stab at it.<br><br>Though if anyone were to return, it'll likely be Balfe, just from all the buzz Fallout got. Would love to see Kraemer again, but the supposed BTS issues make that unlikely.You seriously mean to tell me "Light The Fuse" isn't fun or creative in the slightest? Probably is my favorite rendition of theme regarding just the films. III was certainly dull, but GP proved Gia had a voice for the series.<br><br>Balfe does do some cool things with The Plot, but I fail to see how his renditions of the main theme add anything new. Even the epic choir gets mostly dialed out in the final film. They're perfectly solid, but nothing that I'd say is great.I don't know if it's just me but the music doesn't sound as amazing to me like it did for HTTYD 1 & 2, granted i've only listened to the previews but i did the same for 1 & 2 and it got me hyped. I hope I'm wrongSo having seen the film I can say that this is tonally the most mature score of the series. The old themes all get their moment to shine, but surprisingly are used far less than the previous 2. There also seem to be some temped moments, with one scene using portions of “Battle of the Bewilderbeast” and so on. It will be interesting to see what is missing from the album.<br><br>In terms of new stuff, both “The Hidden World” cue and the “Fury Love Theme” are obviously the standouts. Especially in the way they develop throughout. And without spoiling anything, there are some beautiful choral moments in the last 15 minutes. As for the villain material, there wasn’t really anything distinctive that I picked up, which might change with a few listens.As everyone has said for the billionth time, NO. These are all unofficial fan-made edits or rips.
Is this cd of the complete score available for purchase somewhere?I loved it a lot like you and was searching and searching with no result for a long time.... and know what? Did not forget about it UNTIL NOW!!! It was in a change room at my fitness studio when I heard a very faint sound and was tunderstruck!!! The melody I was looking for for so long!!! And Shazam helped me out: it is a song from the christians from 1995 or so, called: Words! You‘re welcome :-)))and tracklist<br><br>Pictures. Visit the official movie website for more information.<br><br>Here’s the album track list:<br><br><br> <br>1. Serenity<br>2. The Beast<br>3. Suit<br>4. Karen<br>5. Baker Dill<br>6. Patrick<br>7. Memory<br>8. Deliver Me From Temptation<br>9. He Wants Justice<br>10. Girl at the Bridge<br>11. I Am the Rules<br>12. Plymouth Island<br>13. I Remember You<br>14. Catch That Fish<br>15. How We See It<br>16. Creator<br>17. Justice<br>18. Alternate Reality<br>19. It’s Dad<br><br>Saying Balfe has no imagination is beyond stupid. Take a listen at some of his work on animated movies (Home, or his work on KFP2-3), it's definitely not to work of someone without imagination.<br><br>On Fallout in particular, I honestly think he makes the best use of the classic themes in the series. That's maybe not "imaginative", as these themes aren't his, but it's definitely clever and not something every composer can do. Even an experienced guy like Michael Giacchino had 2 stabs at this franchise, and yet failed not only to give a memorable score, but also failed in using these classic themes in such a fun way.JohnWilliams Started out or rather got more into the realm of composing being doing Tv SHows
Meistermind - what’s wrong with being a TV composer ?<br><br>You sound like those idiots on Film music forum that think they know so much .The keyboard comment is exactly the nonsense said.<br><br>Fallout is one of the best action films ever in my opinion with a brilliant soundtrack.<br><br>Balfe is what in the 80s you might have called a TV composer. He has skills to get the job done but no imagination on anything. There'll be a few live bongos in the next film, a lot of supposedly live brass that sounds exactly like my keyboard, and no imagination. <br><br>That's the seemingly Chris Nolan way they want to go here. But if McQuarrie and Cruise are sticking to their mandate on making every film different, well how about (they are not going to go full Lathimos whatever), trying the Jeremy Dyson way, and go for Frank Ilfman. How about being more creative, Mansell has burned his bridges but still does excellent music but how about Richter, he can do anything, or even a Murray Gold. If you hire a pointless HZ flunkie, we'll get someone good, This used to be fine, but now with these dingdongs it is increasingly difficult<br>Balfe did produce both !!!!!!!!!!so ofcause they would sound related <br>Fallout was an excellent film and great soundtrackIn my opinion this soundtrack is very different than the others.<br>Six films and five composers, with a different styles and this soundtrack is very different.<br>For me it's a great soundtrack but the sound is too similar at the dark Knight and Dunkirk.Have to agree about Balfe and Fallout being the best mission score.would be interesting to see what he would do with bond or even Star Wars.<br>There seems to be comments on twitter that Balfe will be doing the score live at the The Royal Albert Hall.anyone know ?
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Additional Music ArrangerAdditional Music ArrangerAdditional Arrangements
Klaus BadeltIan HoneymanAndrew RaiherWolfram De Marco
ComposerArrangerArrangerAdditional Arrangements
Constantine
Label: Varèse Sarabande
Length: 51'32
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4284 votes)
  1. Destiny (2:03)
  2. The Cross Over (2:42)
  3. Meet John Constantine (2:39)
  4. Confession (2:31)
  5. Deo Et Patri (1:17)
  6. Counterweight (2:48)
  7. Into The Light (2:53)
  8. I Left Her Alone (1:41)
  9. Resurrection (2:05)
  10. Circle Of Hell (5:36)
  11. Last Rites (1:56)
  12. Encountering A Twin (1:05)
  13. Flight To Ravenscar (:53)
  14. Humanity (2:58)
  15. John (1:31)
  16. Someone Was Here (1:46)
  17. Hell Freeway (2:43)
  18. Ether Surfing (1:14)
  19. The Balance (2:27)
  20. Absentee Landlords (1:35)
  21. John's Solitude (1:26)
  22. Lucifer (1:56)
  23. Rooftop (1:20)
  24. Constantine End Titles (2:39)
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leo reply Replies: 0 || 2009-07-21 00:00:00
great....
.
.
.
i like that

Hybrid Soldier reply Replies: 0 || 2007-12-14 00:00:00
You probably know that Tyler was hired alone and scored alone Constantine... As the producer didn't like the result, they hired Badelt to re-work or replace some cues...

Comparing with the 75 minutes promotional release (finally not as great as I heard) of the Tyler-only score, you can find who composed what here :

01 - Destiny (2:03)
Klaus Badelt
02 - The Cross Over (2:42)
Brian Tyler
03 - Meet John Constantine (2:39)
Klaus Badelt
04 - Confession (2:31)
Brian Tyler re-worked by Klaus Badelt
05 - Deo Et Patri (1:17)
Brian Tyler
06 - Counterweight (2:48)
Brian Tyler re-worked by Klaus Badelt
07 - Into the Light (2:53)
Brian Tyler
08 - I Left Her Alone (1:41)
Klaus Badelt
09 - Resurrection (2:05)
Brian Tyler
10 - Circle of Hell (5:36)
Klaus Badelt
11 - Last Rites (1:56)
Klaus Badelt
12 - Encountering a Twin (1:05)
Brian Tyler re-worked by Klaus Badelt
13 - Flight to Ravenscar (:53)
Klaus Badelt
14 - Humanity (2:58)
Brian Tyler
15 - John (1:31)
Klaus Badelt
16 - Someone Was Here (1:46)
Brian Tyler re-worked by Klaus Badelt
17 - Hell Freeway (2:43)
Brian Tyler re-worked by Klaus Badelt
18 - Ether Surfing (1:14)
Klaus Badelt
19 - The Balance (2:27)
Brian Tyler
20 - Absentee Landlords (1:35)
Brian Tyler
21 - John's Solitude (1:26)
Klaus Badelt
22 - Lucifer (1:56)
Brian Tyler
23 - Rooftop (1:20)
Klaus Badelt
24 - Constantine End Titles (2:39)
Klaus Badelt

;-)

michael reply Replies: 0 || 2007-04-26 00:00:00
does anyone know which tracks are by brian tyler and which are by klaus badelt in particular? or did they make each one together?

Morsmordre reply Replies: 0 || 2006-04-29 00:00:00
I'm not really so satisfied with this OST. To me it appeared rather boring, I liked only the end titles.

toma reply Replies: 0 || 2005-09-18 00:00:00
does anybody know the title of the electronical music which ends one of the trailer?

Angel reply Replies: 0 || 2005-08-08 00:00:00
When you listen Constantine's score for the first
time you probably won't find something special in it.
But after listening to the cues several times you'll realise that
it is a good OST indeed. The music motifs are tension, fear, anxiety, panic, despair
expressed by dark-atmosperic, scary-hellish-intense strings and slow - disturbing orchestra passages.
There are several thrills that will chill your backbone.
However when crescendos peek up and the music climates suddenly the crescendos stop giving a feeling that the musical denouement is unfinished &-- uncompleted. Infact that is very unpleasant. Except track 10 were the crescendo at the end is performed very well with bombastic-pounding percussion &-- fierce tempo.
Also track 24 consist of electrinic cello riff with electring guitars and is a little bit irrelevant with the previous cues

Ehn Harald John reply Replies: 0 || 2005-04-27 00:00:00
not so good

3danimasyon reply Replies: 0 || 2005-03-17 00:00:00
thanks

Alexandre Véguer reply Replies: 0 || 2005-02-20 00:00:00
The Music "--Constantine"-- is very good.

Cheer Mr Badelt.

Alexandre Véguer (Fan The Music media Ventures).


maykel reply Replies: 0 || 2005-02-15 00:00:00
THANKS GUYS!!! for the site with audio clips :))

Steve Langvardt reply Replies: 0 || 2005-02-12 00:00:00
I haven't yet heard the work off of this disc, but I have only the best expectations from Mr. Zimmer. I loved your work from Blackhawk Down, maybe because I am a Blackhawk Crewchief.

Demetris Christodoulides reply Replies: 0 || 2005-02-02 00:00:00
Really really looking forward for it! I am sure it will be great !

Antas, Webmaster reply Replies: 0 || 2005-02-02 00:00:00
A such collaboration is very interesting. I am very curious about it -- Brian Tyler is an other great composer I enjoy so much :o)

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Constantine soundtrack - Klaus Badelt 2005