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Most of them are done actually and should have been released a while ago !Hybrid why is HZ scoring so many films lately, has he placed a bet with himself or something? lol<br><br>Looking forward to it. Boss Baby was a really fun score.I'm confident he would care. Not saying he has any control over it. <br>I don't think Mondo should be making any money from this release. It ought to be canceled and removed from their website. <br><br>It's more than just a tempo issue. The tone is entirely off, and parts that were once pleasing to hear, now sound awful to my ears.<br><br>Seems Mondo is lacking the proper quality control. Hopefully this is a wake up call for them. If enough people avoid buying this album or return it, they'll get the message. I like to see capitalism work properly. <br>Maybe Pope is involved.Great news! The first one is fun, not Zimmer’s best animated score imo but it’s still pretty enjoyable. I almost wish they got Conrad Pope involved again, “Love” is one of the most beautiful cues of the past few years.
The first one was quite pretty good.We knew Steve would return for quite some time, but I was surprised Hans would actually return too. But he's very involved with that one.Who is Hans Zimmerman?i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.
You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
<br>
<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.
Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...
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Additional Music ArrangerAdditional Music ArrangerAdditional Arrangements
Klaus BadeltIan HoneymanAndrew RaiherWolfram De Marco
ComposerArrangerArrangerAdditional Arrangements
Constantine
Label: Varèse Sarabande
Length: 51'32
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4944 votes)
  1. Destiny (2:03)
  2. The Cross Over (2:42)
  3. Meet John Constantine (2:39)
  4. Confession (2:31)
  5. Deo Et Patri (1:17)
  6. Counterweight (2:48)
  7. Into The Light (2:53)
  8. I Left Her Alone (1:41)
  9. Resurrection (2:05)
  10. Circle Of Hell (5:36)
  11. Last Rites (1:56)
  12. Encountering A Twin (1:05)
  13. Flight To Ravenscar (:53)
  14. Humanity (2:58)
  15. John (1:31)
  16. Someone Was Here (1:46)
  17. Hell Freeway (2:43)
  18. Ether Surfing (1:14)
  19. The Balance (2:27)
  20. Absentee Landlords (1:35)
  21. John's Solitude (1:26)
  22. Lucifer (1:56)
  23. Rooftop (1:20)
  24. Constantine End Titles (2:39)
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leo reply Replies: 0 || 2009-07-21 00:00:00
great....
.
.
.
i like that

Hybrid Soldier reply Replies: 0 || 2007-12-14 00:00:00
You probably know that Tyler was hired alone and scored alone Constantine... As the producer didn't like the result, they hired Badelt to re-work or replace some cues...

Comparing with the 75 minutes promotional release (finally not as great as I heard) of the Tyler-only score, you can find who composed what here :

01 - Destiny (2:03)
Klaus Badelt
02 - The Cross Over (2:42)
Brian Tyler
03 - Meet John Constantine (2:39)
Klaus Badelt
04 - Confession (2:31)
Brian Tyler re-worked by Klaus Badelt
05 - Deo Et Patri (1:17)
Brian Tyler
06 - Counterweight (2:48)
Brian Tyler re-worked by Klaus Badelt
07 - Into the Light (2:53)
Brian Tyler
08 - I Left Her Alone (1:41)
Klaus Badelt
09 - Resurrection (2:05)
Brian Tyler
10 - Circle of Hell (5:36)
Klaus Badelt
11 - Last Rites (1:56)
Klaus Badelt
12 - Encountering a Twin (1:05)
Brian Tyler re-worked by Klaus Badelt
13 - Flight to Ravenscar (:53)
Klaus Badelt
14 - Humanity (2:58)
Brian Tyler
15 - John (1:31)
Klaus Badelt
16 - Someone Was Here (1:46)
Brian Tyler re-worked by Klaus Badelt
17 - Hell Freeway (2:43)
Brian Tyler re-worked by Klaus Badelt
18 - Ether Surfing (1:14)
Klaus Badelt
19 - The Balance (2:27)
Brian Tyler
20 - Absentee Landlords (1:35)
Brian Tyler
21 - John's Solitude (1:26)
Klaus Badelt
22 - Lucifer (1:56)
Brian Tyler
23 - Rooftop (1:20)
Klaus Badelt
24 - Constantine End Titles (2:39)
Klaus Badelt

;-)

michael reply Replies: 0 || 2007-04-26 00:00:00
does anyone know which tracks are by brian tyler and which are by klaus badelt in particular? or did they make each one together?

Morsmordre reply Replies: 0 || 2006-04-29 00:00:00
I'm not really so satisfied with this OST. To me it appeared rather boring, I liked only the end titles.

toma reply Replies: 0 || 2005-09-18 00:00:00
does anybody know the title of the electronical music which ends one of the trailer?

Angel reply Replies: 0 || 2005-08-08 00:00:00
When you listen Constantine's score for the first
time you probably won't find something special in it.
But after listening to the cues several times you'll realise that
it is a good OST indeed. The music motifs are tension, fear, anxiety, panic, despair
expressed by dark-atmosperic, scary-hellish-intense strings and slow - disturbing orchestra passages.
There are several thrills that will chill your backbone.
However when crescendos peek up and the music climates suddenly the crescendos stop giving a feeling that the musical denouement is unfinished &-- uncompleted. Infact that is very unpleasant. Except track 10 were the crescendo at the end is performed very well with bombastic-pounding percussion &-- fierce tempo.
Also track 24 consist of electrinic cello riff with electring guitars and is a little bit irrelevant with the previous cues

Ehn Harald John reply Replies: 0 || 2005-04-27 00:00:00
not so good

3danimasyon reply Replies: 0 || 2005-03-17 00:00:00
thanks

Alexandre Véguer reply Replies: 0 || 2005-02-20 00:00:00
The Music "--Constantine"-- is very good.

Cheer Mr Badelt.

Alexandre Véguer (Fan The Music media Ventures).


maykel reply Replies: 0 || 2005-02-15 00:00:00
THANKS GUYS!!! for the site with audio clips :))

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Steve Langvardt reply Replies: 0 || 2005-02-12 00:00:00
I haven't yet heard the work off of this disc, but I have only the best expectations from Mr. Zimmer. I loved your work from Blackhawk Down, maybe because I am a Blackhawk Crewchief.

Demetris Christodoulides reply Replies: 0 || 2005-02-02 00:00:00
Really really looking forward for it! I am sure it will be great !

Antas, Webmaster reply Replies: 0 || 2005-02-02 00:00:00
A such collaboration is very interesting. I am very curious about it -- Brian Tyler is an other great composer I enjoy so much :o)

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Constantine soundtrack - Klaus Badelt 2005