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CedParker and Mandarin, almost all of them are in Youtube.<br>Just one in specific, I can't find anywhere, which is the alternate of "Electro Showdown, Part 1".<br>Also, I'm still not sure if the alternate of "Electro Showdown, Part 2" listed here, and the version uploaded by the channel "1M1" are the same...I have two questions, where did you got the alternate of "Electro Showdown, Part 1"?<br>And the alternate of "Electro Showdown, Part 2" listed here, does it have anything to do with the version of the track uploaded by the channel "1M1"?You can find it easily on Youtube today, by the way, I can't find the alternate of Electro Showdown Part 1.mpolonest123, actually "unused source" is listed here, it's just with a different name "Farewell", I guess it was meant to be used between "Sins of The Fathers" and "Max Electrocuted", also, you've mentioned a film version of Norman's death song (Which is "Sins of The Fathers"), and If I'm not wrong, that track has just one version...Anonymous, I think he's referring to the film version of "Spidey Logo", the one in the official album release
DT-2017, The film version of "Harry's Transformation" mixes "Sum Total" with the part between 2:04 and 2:58 from "Special Projects", but with less instruments and a additional electric guitar. I actually like both versions, if you hear the film version, it actually sounds like it was just edited in last hour to fit in the scene, while the version in the album, I'm almost sure it was meant to be used in the full scene, you know, the uncut scene, with the parts as Harry's teeth growing, his column being fused (or whatever is that thing), he looking at the screen, and more...but then they deleted the fragments, and for Zimmer the last hour plan was just throw the intense part of "Special Projects" into the song, and for me, that worked well, I would like to hear the Intense parts of the two alternates of "Harry's Transformation" isolated.There’s a 3-minute clip of the truck chase on YouTube and I have to say the score sounds pretty cool. A lot of string/percussion work with an awesome electronic motif for the new “Terminator” model. Also, Brad Fiedel’s theme is back. ;)Hmmm, where do you have found the alternate of Electro Showdown Part 1? And what is the track "Farewell"? It is meant to be related to the Norman osborn scene? More likely "Sins of the Fathers" track?, I think not, because the track in that scene is 3 minutes long, while this "Farewell" is just 1 minute long<br>Also, you missed some tracks: Film Version of "Electro Showdown Part 2", Film Version of "Itsy Bitsy Spider" (which is actually the original version of the Album mix, yeah that one which was cut and renamed to "I'm Electro), an Alternate of "Truck Chase", and "Sins of the Fathers" which I mentioned before.<br>There's also two more alternates of "Flying Montage", one which is just 40 seconds long, and the film version, which doesn't have anything to do with the original version and the two alternates listed here.<br>And yeah, we can't forget about the second alternate of "I'm Spiderman" which is the film version of the track, and it was actually released in the album mix!Isn't his problem when people like Bruckheimer wanted a specific sound and give no freedom in his movies.<br><br>He works for what is given.I think Lorne already has enough noise behind her, for my liking I should start to give way to quality instead of quantity.
ASCAP shows that "Farewell To Lilliput" is credited to Jackman/Willis. Is it correct or there is only Jackman? Just thought may be there is a typo on the site.Any news on the soundtrack for Jack Ryan season 2?I was hoping for Ramin Djawadi to compose The Eternals, well Joseph Trapanese is a good composer so its good news.John powell is flying lowkey now which sucks, His X3 score is just jaw dropping. The Eternals would be perfect for him cause he'd make it epic but Joseph Trapanese is scoring that Surprised Jablonsky hasn't tackled DC or Marvel yet eitherDamn i miss Klaus, he needs a damn come back. Stupid talented
push...<br><br>please add them...I’ve talked to Lorne (we follow each other on Instagram), he says he’s very open to doing a superhero movie.<br><br>Plus, Henry Jackman tackling Black Widow isn’t a surprise, but it’s pleasant news indeed. He’s scored for her during Winter Soldier, so I hope we get an expansion of whatever thematic material there was for her in the Captain America films.<br><br>P.S, it’s long overdue for Powell to score another superhero movie. X3: The Last Stand is a solid score and I’d like to hear his ideas for a MARVEL or DC film.He has only had two films get released though this year ?What has IMDB got to do with it ?I mean 7 films and 2 tv shows from his IMDB with upcoming projects.@James Lorne did 7 films this year and last project will be 6 Underground in December 2019. Also, He has 9 projects with 6 films and 2 tv shows, I checked out from his IMDB with upcoming projects.
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Additional Music ArrangerAdditional Music ArrangerAdditional Arrangements
Klaus BadeltIan HoneymanAndrew RaiherWolfram De Marco
ComposerArrangerArrangerAdditional Arrangements
Constantine
Label: Varèse Sarabande
Length: 51'32
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4555 votes)
  1. Destiny (2:03)
  2. The Cross Over (2:42)
  3. Meet John Constantine (2:39)
  4. Confession (2:31)
  5. Deo Et Patri (1:17)
  6. Counterweight (2:48)
  7. Into The Light (2:53)
  8. I Left Her Alone (1:41)
  9. Resurrection (2:05)
  10. Circle Of Hell (5:36)
  11. Last Rites (1:56)
  12. Encountering A Twin (1:05)
  13. Flight To Ravenscar (:53)
  14. Humanity (2:58)
  15. John (1:31)
  16. Someone Was Here (1:46)
  17. Hell Freeway (2:43)
  18. Ether Surfing (1:14)
  19. The Balance (2:27)
  20. Absentee Landlords (1:35)
  21. John's Solitude (1:26)
  22. Lucifer (1:56)
  23. Rooftop (1:20)
  24. Constantine End Titles (2:39)
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leo reply Replies: 0 || 2009-07-21 00:00:00
great....
.
.
.
i like that

Hybrid Soldier reply Replies: 0 || 2007-12-14 00:00:00
You probably know that Tyler was hired alone and scored alone Constantine... As the producer didn't like the result, they hired Badelt to re-work or replace some cues...

Comparing with the 75 minutes promotional release (finally not as great as I heard) of the Tyler-only score, you can find who composed what here :

01 - Destiny (2:03)
Klaus Badelt
02 - The Cross Over (2:42)
Brian Tyler
03 - Meet John Constantine (2:39)
Klaus Badelt
04 - Confession (2:31)
Brian Tyler re-worked by Klaus Badelt
05 - Deo Et Patri (1:17)
Brian Tyler
06 - Counterweight (2:48)
Brian Tyler re-worked by Klaus Badelt
07 - Into the Light (2:53)
Brian Tyler
08 - I Left Her Alone (1:41)
Klaus Badelt
09 - Resurrection (2:05)
Brian Tyler
10 - Circle of Hell (5:36)
Klaus Badelt
11 - Last Rites (1:56)
Klaus Badelt
12 - Encountering a Twin (1:05)
Brian Tyler re-worked by Klaus Badelt
13 - Flight to Ravenscar (:53)
Klaus Badelt
14 - Humanity (2:58)
Brian Tyler
15 - John (1:31)
Klaus Badelt
16 - Someone Was Here (1:46)
Brian Tyler re-worked by Klaus Badelt
17 - Hell Freeway (2:43)
Brian Tyler re-worked by Klaus Badelt
18 - Ether Surfing (1:14)
Klaus Badelt
19 - The Balance (2:27)
Brian Tyler
20 - Absentee Landlords (1:35)
Brian Tyler
21 - John's Solitude (1:26)
Klaus Badelt
22 - Lucifer (1:56)
Brian Tyler
23 - Rooftop (1:20)
Klaus Badelt
24 - Constantine End Titles (2:39)
Klaus Badelt

;-)

michael reply Replies: 0 || 2007-04-26 00:00:00
does anyone know which tracks are by brian tyler and which are by klaus badelt in particular? or did they make each one together?

Morsmordre reply Replies: 0 || 2006-04-29 00:00:00
I'm not really so satisfied with this OST. To me it appeared rather boring, I liked only the end titles.

toma reply Replies: 0 || 2005-09-18 00:00:00
does anybody know the title of the electronical music which ends one of the trailer?

Angel reply Replies: 0 || 2005-08-08 00:00:00
When you listen Constantine's score for the first
time you probably won't find something special in it.
But after listening to the cues several times you'll realise that
it is a good OST indeed. The music motifs are tension, fear, anxiety, panic, despair
expressed by dark-atmosperic, scary-hellish-intense strings and slow - disturbing orchestra passages.
There are several thrills that will chill your backbone.
However when crescendos peek up and the music climates suddenly the crescendos stop giving a feeling that the musical denouement is unfinished &-- uncompleted. Infact that is very unpleasant. Except track 10 were the crescendo at the end is performed very well with bombastic-pounding percussion &-- fierce tempo.
Also track 24 consist of electrinic cello riff with electring guitars and is a little bit irrelevant with the previous cues

Ehn Harald John reply Replies: 0 || 2005-04-27 00:00:00
not so good

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3danimasyon reply Replies: 0 || 2005-03-17 00:00:00
thanks

Alexandre Véguer reply Replies: 0 || 2005-02-20 00:00:00
The Music "--Constantine"-- is very good.

Cheer Mr Badelt.

Alexandre Véguer (Fan The Music media Ventures).


maykel reply Replies: 0 || 2005-02-15 00:00:00
THANKS GUYS!!! for the site with audio clips :))

Steve Langvardt reply Replies: 0 || 2005-02-12 00:00:00
I haven't yet heard the work off of this disc, but I have only the best expectations from Mr. Zimmer. I loved your work from Blackhawk Down, maybe because I am a Blackhawk Crewchief.

Demetris Christodoulides reply Replies: 0 || 2005-02-02 00:00:00
Really really looking forward for it! I am sure it will be great !

Antas, Webmaster reply Replies: 0 || 2005-02-02 00:00:00
A such collaboration is very interesting. I am very curious about it -- Brian Tyler is an other great composer I enjoy so much :o)

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Constantine soundtrack - Klaus Badelt 2005