NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
OST album additional credits:<br><br><br>Geoff Zanelli (James Newton Howard)<br><br>MISTRESS OF EVIL<br><br><br>Geoff Zanelli, Phill Boucher<br><br>ETIQUETTE LESSONS (James Newton Howard)<br>IT IS LOVE THAT WILL HEAL YOU<br>BACK TO THE MOORS  (James Newton Howard)<br><br><br>Geoff Zanelli, Zak McNeil<br><br>WHAT IS GOING ON HERE? (James Newton Howard)<br>PINTO'S RECON MISSION<br>ORIGIN STORY<br>THE DANCE OF THE FEY<br>YOUR MAJESTY, THEY'RE COMING FROM THE SEA<br>THE PHOENIX (James Newton Howard)<br><br><br>Geoff Zanelli, Phill Boucher, Zak McNeil<br><br>ALL HE WANTED WAS PEACE<br>YOU DON'T HAVE TO CHANGE (James Newton Howard)<br>I'VE MADE MY CHOICE<br>PROTECTING OUR KIND<br>MALEFICENT RETURNS (James Newton Howard)<br>HELLO, BEASTIE! (James Newton Howard)<br>TIME TO COME HOMEMaybe the reuse of MW 2 is not Lorne's choice after all. Maybe the movie was temptracked with it, before scored, and the director got attached to it. So Lorne had either to "imitate" it or just use the same cues, since they were his. <br><br>This is just a speculation I made, since this happens quite often. I remember the Elfman - Raimi conflict about the train sequence in Spiderman 2, where Raimi asked Elfman to "copy" a cue from Hellraiser.Guys are you serious ? Iím currently reading comments about how Modern Warfare 2 is in the score. In Bad Boys for Life you can heard firstly  : The Rock, Speed, Bad Boys, ... MW2 is just a reharsch of these score instead with some Black Hawk Down soundscape. Have you heard any MV score post 2005? &#128517;As much as I think that the choice of movie Powell makes, which up till now have created amazing scores, I do wish we'd get more than 1 score of his every year. Even if the quality is like Solo or The Hidden WorldI actually don't know which I prefer. I guess nostalgia might be clouding my judgement, since the album version was the one used on the DVD menu. Both are still pretty good, nonetheless.
Yeah no contest IMO, it's much more dynamic and more "Powell-y" compared to that Superman-style rhythm he uses in the album version and elsewhere in the score. Must have been a hasty last-minute redo or something to not show up on the album.The films Powell is currently choosing allow him to write much more interesting music than your average Marvel movie... ;)<br><br>Excited for Call of the Wild in a few weeks.Does anyone know what the correct chronological tracklist for this would be?Honestly, i think i will be that few people who likes Lights Out. But his best horror score is A Cure for WellnessThatís a cool choice, Iím hoping for something more like ďItĒ and less like ďLightís OutĒ.
Wallfisch has compose the score for The Invisible Man, another horror score for the best guy today for the jobPowell has his personal reasons, but I sincerely hope he comes around to do another superhero score again, especially for MARVEL since his style isnít fit for the likes of DC as of now.I like the film version of Bathroom Titles better.LOL!<br><br>He has had some experience with animated projects, Iím interested to hear him do more diverse projects like that.I will never understand when people can't stand people opinions and 'attack' them.<br><br>If some loves Trent Reznor (i hate the guy's music), is his opinion and i no one to say nothing about it.
Bring on the remixes!LOL!!! You have no idea about film music<br>====================<br><br><br>It's his opinion, my friend.<br><br>And his opinion is equally as valid as the opinion of someone who thinks this score is the worst crap ever. Why? Because when it comes to appreciating art (movies, books, music...) it is all completely subjective. <br><br>I always use this example: I have two friends - educated, family men - who have seen The Godfather. One of them thinks it's one of the greatest movies ever, while the other one barely finished watching it. <br><br>At the end of the day, just because a group of people (film critics, film buffs, etc) proclaim that something is "good" or "bad" doesn't mean that it's automatically a holy statement that everyone should agree with. <br><br>We are all different :)<br><br>Cheers!Judging by the clips of this movie, it will be a good choice.<br><br>I can't wait for this one, after seeing those clipsAccording to Film Music Reporter, Tom is also scoring Scoob!MMichaels LOL!!! You have no idea about film music
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Additional MusicGuitar
Hans ZimmerNick Glennie-SmithJay RifkinPete Haycock
ComposerAdditional MusicAdditional MusicMusician
Calendar Girl (Complete Score)
Label: Bootleg Release
Length: 62'56
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3833 votes)
  1. Opening (0:55)
    Nick Glennie-Smith
  2. The Blonde (1:38)
    Nick Glennie-Smith
  3. Hoody Doody - Nude Picture (1:13)
    Nick Glennie-Smith
  4. Marilyn Obsession (1:13)
    Hans Zimmer
  5. Scott - Roy - Ned Montage (2:57)
    Hans Zimmer
  6. Some Like It Hot Screening (0:32)
    Hans Zimmer
  7. Leaving Without Ned (1:29)
    Hans Zimmer, Nick Glennie-Smith, Jay Rifkin, S. Ellis
  8. Moment Of Truth (0:26)
    Nick Glennie-Smith
  9. Dog Chase (0:19)
    Nick Glennie-Smith
  10. The Gallo Brothers (1:07)
    Hans Zimmer, Nick Glennie-Smith
  11. Poolside (0:50)
    Hans Zimmer, Nick Glennie-Smith, Jay Rifkin, S. Ellis
  12. This Is Jail (1:53)
    Nick Glennie-Smith
  13. Roy's Parents (1:07)
    Hans Zimmer
  14. Missed Opportunity (0:41)
    Hans Zimmer
  15. The Wrong Guy (1:19)
    Hans Zimmer
  16. Chasing Marilyn (1:54)
    Hans Zimmer, Nick Glennie-Smith
  17. Nude Beach (2:45)
    Hans Zimmer, Nick Glennie-Smith, Jay Rifkin, S. Ellis
  18. The Gallos After Roy (2:14)
    Hans Zimmer, Nick Glennie-Smith
  19. The Boys Fighting (1:24)
    Hans Zimmer, Nick Glennie-Smith
  20. The Set Up (3:32)
    Hans Zimmer, Nick Glennie-Smith
  21. Getting In (0:52)
    Hans Zimmer, Nick Glennie-Smith
  22. Red Carpet (2:23)
    Nick Glennie-Smith
  23. Tattoo (2:20)
    Hans Zimmer
  24. Preparing For Marilyn (3:39)
    Hans Zimmer, Nick Glennie-Smith
  25. Best Friends (1:35)
    Hans Zimmer
  26. There She Was (1:29)
    Hans Zimmer
  27. Out Of My Dreams (The Date) (3:19)
    Hans Zimmer, Carole King
  28. The End (5:43)
    Hans Zimmer, Nick Glennie-Smith, Jay Rifkin, S. Ellis
  29. Out Of My Dreams (4:22)
    Aaron Neville, Hans Zimmer, Carole King
  30. Out Of My Dreams (The Date) (No Vox) (3:20)
    Hans Zimmer
  31. Out Of My Dreams (Instrumental) (4:20)
    Hans Zimmer
Create Topic

 HANS-ZIMMER.com© 2001-2018 OST 
Calendar Girl (Complete Score) soundtrack - Hans Zimmer 1993