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Oh wait... SCALPEL AND HAMMER is a combinations of two cues and I AM THE STORM is sort of in the middle :DFYI: <br><br>I AM THE STORM comes after SCALPEL AND HAMMER. <br><br>Gotta get my hands on the physical copy. Curious to hear the bonus tracks.He wants to compose for movie with good story.. retirement from superhero genre is just to chase Away justice league executives.. by the way how is HZ and JXL still buddies?I think he just wanna compose movie with good story.. now we know why he said he is retiring from superhero genreYeah, I didn't think that comment through. Hybrid, feel free to leave this chain up so my shame is forever on display.
Yeah Ben Wallfisch sure sounds a LOT like HZ !<br><br><br>#facepalmyeah I feel like it's been days, weeks even since the last oneDoes Hans really hire people with similar styles to him? Or do the people hired by him end up developing (or being asked to write in) a similar style to Hans'?Could you repeat that, but in legible English this time?Yes, but usually Hans hires people with similar styles to his, or promising new composers. Paesano fits the former fairly well in a lot of ways. I'm just saying it's surprising to me that he's never worked here.
"RCP" is not a "style", it's a place...Kind of shocking to me that John Paesano isn't a member of RCP. Marvel's Spider-Man is basically a more consistent version of this score in many ways with a touch of Danny Elfman's Spider-Man elements.so glad to see HZ back to the superhero genreso great to watch this new interview. it confirmed how i felt about wonder woman and widows. it is the right thing to do.<br><br>Hans's comment on losing his voice took me by surprise though. dunkirk touched on a few techniques i wanted to see explored more. i know other composers did it before. but i think dunkirk did a better job at putting those elements together... hopefully there is be a similar movie in the near future : )Steve is clearly spending time with his family. He had a second child just a few months ago. I think he will eventually be back on the Bay Train. <br><br>And Lorne is the right choice for a "replacement". He's been involved in one way or another with the Bay movies for more than 10 years now. He's certainly not a surprising choice and I'm looking forward to the score. It's a movie that takes place all over the world, so I have big expectations for the music.
Hans says he worked so hard to get WW1 to Rupert, but didn't he also recommend that they try a female composer?Balfe has constantly been brought in on Transformers movies , so great to see him working with Bay properlyApparently were in the wrong country :( If I could afford it, Id travel just to experience this.Lorne is now listed on IMDB and Wiki as the composer of 'Six Underground'. Clearly Bay likes working with him. Good for Lorne.You're absolutely right. Play's over. Exit's that way. On your feet. Go!<br><br>Good knowing you.
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Score Producer - Music EngineerConductor - Orchestrator
Hans ZimmerJay RifkinShirley WalkerBruce Fowler
ComposerScore ProducerOrchestratorAdditional Orchestrator
Backdraft (Silver Screen Edition)
Label: Milan Record
Length: 52'27
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5050 votes)
  1. Set Me In Motion (5:21)
  2. Fighting 17th (4:24)
  3. Brothers (3:32)
  4. The Arsonist's Waltz (1:58)
  5. 335 (3:03)
  6. Burn It All (5:17)
  7. You Go We Go (5:11)
  8. Fahrenheit 451 (2:59)
  9. Show Me Your Firetruck (3:31)
  10. The Show Goes On (7:32)
  11. Bonus Track : Hans Zimmer Interview (7:33)
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Anonymous reply Replies: 2 || 2013-09-09 08:08:26
I prefer the album presentation of this title far better than that complete thing that's out in the wilds. Sure the sound quality of the album is disspinting but the mix really helps the music here.

I do wonder, however, whether or not the stuff in that complete thing are rough mixes. Some cues, particularly, the main title, Fahrebheit 451 or the finale cue in the complete version sound somewhat off, particularly the bells in the finale cue.


Anonymous2013-09-09 08:10:34
Oh, and by the way. It is nice to hear the roots of that Honor Him tune from Gladiator in track 5 of Backdraft here. :-)


Hybrid Soldier2013-09-09 08:47:02
I personally hate that album presentation. They removed the electronic layers & tried to mix the orchestra louder above the synths.

Which makes it sound a lot less "HZ" !

Mikel S.i.W (from Spain) reply Replies: 0 || 2008-01-01 00:00:00
I love this score.

Mo Davey reply Replies: 0 || 2007-11-02 00:00:00
loving the contender music and backdraft trying to identify the music from the funeral parade is it same as the contender

Bear reply Replies: 0 || 2005-10-11 00:00:00
First got into Hans Zimmer after Gladiator.(Can't believe he didn't get the Oscar). Realised that I'd heard a lot of his stuff without even knowing it, as he tends to write for my kind of movies. As soon as it clicked though, his style is clear and now I can recognize, without prior knowledge, a Zimmer presence within the first few bars of a soundtrack.

Maverick reply Replies: 0 || 2005-06-01 00:00:00
Hans Zimmer makes great music. He has style, ideas. I like soundtracks very much. I used to listen James Horner, Danny Elfman. They are good but they don't have..."--that"--. In my opinion Hans Zimmer and John Williams makes the best music right now. But I prefere Zimmer

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Backdraft (Silver Screen Edition) soundtrack - Hans Zimmer 2005