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Yeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.
This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracksWow!!!Still my favorite score from the X-Men series.
Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.I understand the comments about the orchestra sounding like samples by some of the comments?<br><br>If you follow his Twitter you see the BBC orchestra recording the soundtrack.Season two is cool and Balfe’s music is bigger that season 1.Bit choirs also.I love Hillbilly also but it sounds very familiar just with different guitar instruments.Paradise is so emotional and sonically more interesting to me at least
I find Hillbilly more engaging than Paradise, even much interesting dramatic cues.Memorial is heart wrenching.<br>Definitely up there for this years scores.Fantastic music but Balfe and Zimmer.You can hear their different styles in this music.<br>Very beautiful soundtrackCouple of interesting things.
<br>
<br>Williams in the film cuesheet seems to have been credited only for "his" cues but never for others' cues (even if they use either old Star Wars music or new JW Solo material) :
<br>
<br>OPENING (JP)
<br>ENFYS STANDOFF (JP)
<br>FAILED HEIST (JP)
<br>KESSEL RUN PT 1 – TIE CHASE A (JW)
<br>KESSEL RUN PT 1 – TIE CHASE B-1 (JP)
<br>KESSEL RUN PT 1 – TIE CHASE C (JW)
<br>KESSEL RUN PT 1 – TIE CHASE D (JP)
<br>KESSEL RUN PT 1 – TIE CHASE E-2 (JP)
<br>KESSEL RUN PT 2 – TIE CHASE F	 (JP)
<br>KESSEL RUN PT 2 – MAW (JP BS)
<br>KESSEL RUN PT 3 – LIFTOFF (JP)
<br>KESSEL RUN PT 4 – LANDING (JP)
<br>L3 & FALCON PT 1 (JP)
<br>L3 & FALCON PT 2 (JP)
<br>L3’S SACRIFICE	 (JP)
<br>SKYPE SHOWDOWN (JP)
<br>CHEWIE UNTAMED PT 1 (JP AW)
<br>CHEWIE UNTAMED PT 3 (JP)
<br>LANDO’S CLOSET (JP AW)
<br>SAVAREEN TENT A (JP)
<br>SAVAREEN TENT B (JP AW)
<br>CORELLIA CHASE (JP BS)
<br>DRYDEN FIGHT (JP AW)
<br>DRYDEN FIGHT PT 2 (JP)
<br>DRYDEN YACHT DUET	 (JP)
<br>ENFYS NEST ARRIVES (JP BS)
<br>MINES PT 1 – HEIST (JP PM)
<br>MINES PT 2 – FINDING COAXIUM (JP)
<br>MINES PT 2 – CONT’D (JP)
<br>MINES PT 3 – BREAK-OUT (JP)
<br>REAL THING DOUBLE CROSS (JP PM)
<br>SPACEPORT (JP AW)
<br>THE BEAST (JP BS)
<br>BECKETT DEPARTS (JP)
<br>BECKETT LEAVES (JP)
<br>BECKETT SHOWDOWN (JP)
<br>CRAWL (JP)
<br>CRAWL (FROM 1M04-05) (JP)
<br>CRAWL (FROM 2M13) (JP)
<br>CRAWL (FROM 4M28) (JP)
<br>CRAWL (FROM 4M30B) (JP)
<br>LANDO (JP)
<br>MAIN ON ENDS (JP)
<br>MAIN ON ENDS (FROM 5M32) (JP)
<br>BACK TO DRYDEN’S (JP)
<br>BLACKMAIL (JP)
<br>BUNK – PROXIMA (JP)
<br>CAMPFIRE (JP)
<br>CONVEYEX PT 1 (JP)
<br>FAMILY STORIES B (JP)
<br>HAN & QI’RA REUNITE (JP)
<br>JUNGLE CANTINA SOURCE (JP)
<br>MEET DRYDEN (JP)
<br>MIMBAN BATTLE PT 2 (JP)
<br>MIMBAN BATTLE PT 3 (JP)
<br>SABACC GAME (JP)
<br>SABACC REMATCH (JP)
<br>SURVEYING CONVEYEX (JP)
<br>TESTING DRYDEN’S PATIENCE (JP)
<br>TO TATOOINE PT 1 (JP)
<br>TRUST NO ONE (JP)
<br>WALK TO DRYDEN’S PT 1 (JP)
<br>WALK TO DRYDEN’S PT 3 (JP)
<br>YACHT PARTY SOURCE (JP)
<br>YOU DON’T KNOW EVERYTHING (JP)
<br>THE HAN SOLO THEME (JW)
<br>
<br>This is what I could find. Some of the cues I couldn't find at all like Family Stories A, Gonna Be A Pilot or To Tatooine Pt 2 probably have all one thing in common : I guess they're 100% credited to JW.
<br>
<br>That cuesheet matches in fact with the credits I posted above that come from JP's team.
<br>
<br>Interestingly, the 2018 Album does credit Williams very specifically on every cue any of his material is used (The % come from the fact Powell & Mounsey are ASCAP, Williams, Willis & Sener are BMI) :
<br>
<br>ADVENTURES OF HAN (HAN SOLO THEME)
<br>JW 100%
<br>MEET HAN										
<br>JP 28% JW 72%
<br>CORELLIA CHASE								
<br>JP 50% JW BS 50%
<br>SPACEPORT									
<br>JP 55% JW AW 45%
<br>FLYING WITH CHEWIE						
<br>JP 48% JW AW 52%
<br>TRAIN HEIST									
<br>JP 92% JW 8%
<br>MARAUDERS ARRIVE							
<br>JP 55% JW BS 45%
<br>CHICKEN IN THE POT							
<br>JP 100%
<br>IS THIS SEAT TAKEN?							
<br>JP 77% JW 23%
<br>L3 & MILLENNIUM FALCON					
<br>JP 86% JW 14%
<br>LANDO’S CLOSET								
<br>JP 100%
<br>MINE MISSION									
<br>JP 98% JW 2%
<br>BREAK OUT					
<br>JP 78% JW 22%
<br>THE GOOD GUY								
<br>JP PM 74% JW AW 26%
<br>REMINISCENCE THERAPY					
<br>JP 30% JW 70%
<br>INTO THE MAW								
<br>JP 47% JW BS 53%
<br>SAVAREEN STAND OFF						
<br>JP 94% JW 6%
<br>GOOD THING YOU WERE LISTENING			
<br>JP 100%
<br>TESTING ALLEGIANCE						
<br>JP 51% JW AW 49%
<br>DICE & ROLL									
<br>JP 65% JW 35%
<br>
<br>It's not unusual to have different credits for an album VS the same music in the film, depends on the deal that was made.
<br>
<br>Also, some incoherences here, like Willis credited for Lando's Closet in the cuesheet but not in the OST for the same track. But you can't take the cuesheet for absolute truth, additionals did a bit more than that, not necessarly credited, cause it's not as significative to program some percs on a track VS writing 90% of it ! :) Like Willis isn't officially credited for L3's Sacrifice (very end of Extra Deluxe Mine Mission) but has it on his website. Same for Batu with L3 & Falcon. So they had more to do than just what they are credited for... :)
<br>
<br>Also, if you want a breakdown of the Deluxe VS 2018 OST :
<br>
<br>THE ADVENTURES OF HAN => SUITE (NOT IN DELUXE)
<br>MEET HAN => 1M1 MEET HAN
<br>CORELLIA CHASE => 1M4-5 CORELLIA CHASE
<br>SPACEPORT => 1M6-7 SPACEPORT
<br>FLYING WITH CHEWIE => 2M13 CHEWIE UNTAMED
<br>TRAIN HEIST => 2M15-16A-B-C DELUXE TRAIN HEIST (FIRST HALF)
<br>MARAUDERS ARRIVE => 2M15-16A-B-C DELUXE TRAIN HEIST (SECOND HALF) (EDITED) (ALT END)
<br>CHICKEN IN THE POT => 3M18S CHICKEN IN THE POT (ALT VOX)
<br>IS THIS SEAT TAKEN ? => 3M25 SABACC GAME
<br>L3 & MILLENNIUM FALCON => 3M26 L3 & MILLENNIUM FALCON
<br>LANDO'S CLOSET => 4M28 LANDO'S CLOSET
<br>MINE MISSION => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (FIRST HALF)
<br>BREAK OUT => 4M30B-5M30C-31 EXTRA DELUXE MINE MISSION (SECOND HALF)
<br>THE GOOD GUY => 6M34 SAVAREEN TENT + 6M36-37-38 QI'RA KNOWS A BIT MORE THAN THAT (EDITED) + 6M39-40 DOUBLE-DOUBLE CROSS (EDITED)
<br>REMINISCENCE THERAPY => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (FIRST HALF)
<br>INTO THE MAW => 5M32-33A-B-C KESSEL RUN IN LESS THAN 12 PARSECS (SECOND HALF)
<br>SAVAREEN STAND-OFF => 6M35 ENFYS' STAND-OFF
<br>GOOD THING YOU WERE LISTENING => 7M43-44-45 MAUL'S CALL – PARTING WAYS (EDITED) (ALT)
<br>TESTING ALLEGIANCE => 6M41-42 DRYDEN'S LONG, LONG FIGHT (EDITED)
<br>DICE & ROLL => 7M47-48 SABACC REMATCH – TO TATOOINEoscar
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Hans ZimmerLisa GerrardKlaus BadeltNick Glennie-Smith
ComposerComposerCo-ComposerAdditional Music
Gladiator Special Anniversary Edition
Label: Decca Records
Length:
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (11573 votes)
Disc One
  1. Progeny
  2. The Wheat
  3. The Battle
  4. Earth
  5. Sorrow
  6. To Zucchabar
  7. Patricide
  8. The Emperor is Dead
  9. The Might Of Rome
  10. Strength and Honour
  11. Reunion
  12. Slaves To Rome
  13. Barbarian Horde
  14. Am I Not Merciful?
  15. Elysium
  16. Honor Him
  17. Now We Are Free
Disc Two
  1. Duduk Of The North
  2. Now We Are Free (Juba's Mix)
  3. The Protector Of Rome (Feat. Russell Crowe As Maximus And Richard Harris As Marcus Aurelius)
  4. Homecoming (Feat. Joaquin Phoenix As Commodus And Russell Crowe)
  5. The General Who Became A Slave
  6. The Slave Who Became A Gladiator (Feat. Oliver Reed As Proximo And Russell Crowe)
  7. Secrets
  8. Rome Is The Light
  9. All That Remains
  10. Maximus (Guitar By Heitor Pereira)
  11. Marikesh Marketplace
  12. The Gladiator Waltz (Feat. Russell Crowe) (Original Synth Demo Version By Hans Zimmer
  13. Figurines (Yan Ching By Lisa Gerrard)
  14. The Mob
  15. Busy Little Bee (Feat. Connie Nielsen As Lucilla And Russell Crowe)
  16. Death Smiles At Us All (Featuring Russell Crowe And Joaquin Phoenix)
  17. Not Yet (Featuring Djimon Hounsou As Juba)
  18. Now We Are Free (Maximus Mix) (Mixed By Jorio)
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Mephariel reply Replies: 0 || 2016-12-14 19:14:32
Now We Are Free feature in Hans ZImmer - The Classics

https://www.youtube.com/watch?v=f4VqtMDF-mM

mohamed fathy reply Replies: 0 || 2014-02-14 14:07:57
so good

matthew reply Replies: 0 || 2014-01-09 21:27:22
the Gustav Holst thing about this work is one of the most interesting subject in the world of film music.
there was almost a revolution on the surface of this planet because Hans used it for this movie.
this means nobody saw apocalypse now or star wars
Coppola used Mars the bringer of war, check out Nung River from the OST.
and also John Williams used Mars the bringer of war
in SW - New Hope. listen to the final part of Mars then watch the opening of New Hope. until the first cut in the movie its Gustav Holst.
and New Hope won the academy award for best original score
so you see this is not about the number of additional composers or using real orchestra or not. good music is good music for everyone

Bayle reply Replies: 0 || 2011-06-14 04:02:40
You're the gerteast! JMHO

Dakota reply Replies: 0 || 2011-05-01 21:54:54
Why does this cover have a little sticker on it that says "all the music from the Oscar Winning Soundtrack? Because unfortunately, It never won....

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Please enter number: 553 

charlotte reply Replies: 0 || 2010-09-20 00:00:00
i am not crazy fan... I am not follow Hans . i like a lot of good composers. everyone have him stile, but Zimmer is the best. his muzic is with a diference, flavour, of tragile to dramatic. song from gladiator- smelling to history, very delicate reveal the base of feeling, mind.

Anonymous reply Replies: 0 || 2010-09-19 00:00:00
Contact you why??

FABIO SOARES reply Replies: 0 || 2010-09-19 00:00:00
CONTACT : PHABYOSUAREZ@HOTMAIL.COM

FABIO SOARES reply Replies: 0 || 2010-09-19 00:00:00
IS BEAUTYFUL MUSIC :GLADIATOR

daniel reply Replies: 0 || 2010-09-18 00:00:00
congratulate Mr. Hans Zimmer

Luvy reply Replies: 0 || 2010-03-01 00:00:00
Just wanted to congratulate Mr. Hans Zimmer for such an amazing and indescribable talent to make music, my girlfriend introduced me to your music and i can say it was love at first ear lol, the song "Now we are free" from the movie Gladiator is soooooo beautiful my God! thank you for your music and keep up the good work Hans you rock 110%!!! you sure know how to bring out real emotions out of the person who listens to your material.

destructor reply Replies: 0 || 2010-01-19 00:00:00
is beatifull

CHARLES reply Replies: 0 || 2009-12-27 00:00:00
EXCELLENTE!!

karatedy reply Replies: 0 || 2009-12-26 00:00:00
yuppii

abby reply Replies: 0 || 2009-11-21 00:00:00
I love elysium song that is wonderful......I love hans

bader reply Replies: 0 || 2009-09-29 00:00:00
tankes 2100

CLAUDIA reply Replies: 0 || 2009-08-26 00:00:00
ME GUSTA THE BATHLE

Nicolas Stathopoulos reply Replies: 0 || 2009-02-16 00:00:00
A moving painting. Thank you Hans and to your team of composers and contributors for creating this emotional masterpiece. Today in 2009 I still listen to the original tracks as if I had discovered them yesterday.

eNinety reply Replies: 0 || 2009-01-17 00:00:00
Thanks :)

G. H. Mills reply Replies: 0 || 2008-12-13 00:00:00
As a musican and novelist, the music of Gladiator take me to places not of this world. This recording has given me some thought about my next years project in music. My wife is crazy about you Hans and keep it up. Your sub tones are out of this world and composition is with the greats. Mozart and others. You are gifted like my friend Jim Hendrixf and I feel what you are feeling. PEACE AND LOVE TO YOU AND YOURS, YOUR FRIEND AND MUSICAN

G. H. Mills reply Replies: 0 || 2008-12-13 00:00:00
As a musican and novelist, the music of Gladiator take me to places not of this world. This recording has given me some thought about my next years project in music. My wife is crazy about you Hans and keep it up. Your sub tones are out of this world and composition is with the greats. Mozart and others. You are gifted like my friend Jim Hendrixf and I feel what you are feeling. PEACE AND LOVE TO YOU AND YOURS, YOUR FRIEND AND MUSICAN FROM NEW YORK CITY

ajan reply Replies: 0 || 2008-05-25 00:00:00
hi

Nigra_nox reply Replies: 0 || 2007-06-20 00:00:00
Hans Zimmer and Lisa Gerrard, Gracias, thank you for, I could say, the soundtrack of my life...but I don't undersant however why you don't use new material, instead of putting the two previous Cd together...I love the film and the soundtrack, but unfortunately I don't see useful to buy cds we already have.

mike young reply Replies: 0 || 2007-02-19 00:00:00
music touches us all for different reason,s ,it embrasses the heart in our moments of comfort,,,,

i would like to personally thank hans for my quiet moments of reflect .... plz continue to make your music

i am testiment that you are reaching the people the way you intended

and i thank you sincerely .... god bless

Alexsandr reply Replies: 0 || 2007-02-10 00:00:00
hans and lisa........you are monsters.I love you......hey! when do you come in Italy?I'm waiting for you

Alexsandr reply Replies: 0 || 2007-02-10 00:00:00
alex

music dreamer reply Replies: 0 || 2006-11-20 00:00:00
hans and lisa........you are monsters.I love you......hey! when do you come in Italy?I'm waiting for you

gbareen reply Replies: 0 || 2006-08-06 00:00:00
thaaaaaaaaaaaaaaaaaaaanx

Matmann reply Replies: 0 || 2006-08-02 00:00:00
Hmmmm.... Nothing new here! How about a full score release instead of a rehash of old material?

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Gladiator Special Anniversary Edition soundtrack - Hans Zimmer - Lisa Gerrard 2005