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@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>
Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Don’t even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.
One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.
The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldn’t change a thing about it), I must admit, it doesn’t have nearly the same effect as a stand-alone listen. It’s literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it “award” worthy? I’m not sure. If based solely on the film, you betcha. If based purely on the music itself, I don’t think so. That’s where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or “actual” music (again, works IN the film). It’s glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... I’ve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did it’s job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
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Additional Music - ConductorAdditional Music - Choral Music Arranger - Choir Conductor
Hans ZimmerJim DooleyNick Glennie-SmithRupert Gregson-Williams
ComposerAdditional MusicAdditional MusicAdditional Music
King Arthur (Complete Score)
Label: Unofficial Release
Length: 133'29
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9800 votes)
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  1. Opening Titles (5:35)
    Hans Zimmer, Steve Jablonsky, Rupert Gregson-Williams
  2. Woad Attack (3:56)
  3. Arthur & Woad (1:28)
  4. Meet Merlin (1:36)
  5. Knights Arrive At Wall (1:51)
  6. Germanus Snoops (1:16)
  7. Final Order (3:20)
  8. Street Source (1:22)
    Craig Eastman
  9. Knights Argue - Arthur Prays (1:53)
    Hans Zimmer, James Dooley
  10. I Will Die In Battle (0:55)
  11. Saxons #1 (0:29)
  12. Cerdic Kills Saxon (0:51)
  13. Knights Journey Begins (2:10)
    Hans Zimmer, Nick Glennie-Smith, Steve Jablonsky, Rupert Gregson-Williams
  14. Budget Meeting (0:53)
  15. Woads Trap Knights (3:24)
  16. Knights Meet Marius (1:25)
  17. Arthur Talks To People (1:46)
  18. Torture Chamber (1:42)
    Hans Zimmer, Blake Neely
  19. Rescue Guinevere - Caravan Travels (4:22)
  20. Guinevere Tells Of Torture (1:11)
  21. Saxons #2 (0:33)
  22. Saxons Burn Village (1:18)
  23. Guinevere Baits Arthur (0:45)
  24. Tristan Rides Out (1:10)
  25. Lancelot Sees Guinevere Bath (0:42)
  26. Guinevere Leads Arthur To Merlin (4:28)
    Hans Zimmer, Trevor Morris, Rupert Gregson-Williams
  27. Marius Dies (2:22)
  28. Pelagius Is Dead (1:43)
  29. Ice Battle (Part 1) (2:14)
    Hans Zimmer, James Dooley
  30. Ice Battle (Part 2) (4:49)
    Hans Zimmer, James Dooley
  31. Back Behind The Wall (0:50)
  32. Knights Granted Freedom (2:16)
  33. Dagonet's Funeral (1:20)
  34. Arthur & Guinevere Chat (1:35)
  35. The Scar Of Disgrace (1:18)
  36. Love Scene (2:24)
  37. Arthur Decides - Arthur Looks At Map (2:23)
  38. Knights Leave (2:54)
  39. Saxons Prepare (4:04)
  40. Knights Rejoin (Part 1) (2:42)
  41. Knights Rejoin (Part 2) (1:56)
  42. Fog Of War (3:53)
  43. Final Battle (Part 1) (3:44)
    Hans Zimmer, Steve Jablonsky, Rupert Gregson-Williams
  44. Final Battle (Part 2) (1:30)
  45. Final Battle (Part 3) (2:48)
    Hans Zimmer, Trevor Morris
  46. Final Battle (Part 4) (5:06)
    Hans Zimmer, Steve Jablonsky, Rupert Gregson-Williams
  47. Final Battle (Part 5) (2:18)
    Hans Zimmer, Steve Jablonsky, Rupert Gregson-Williams
  48. Aftermath (5:54)
  49. Tell Me Now (What You See) (4:07)
    Moya Brennan, Hans Zimmer, Trevor Horn, Mel Wesson
  50. Opening Titles (Alternate) (5:32)
    Hans Zimmer, Steve Jablonsky, Rupert Gregson-Williams
  51. Meet Merlin (Alternate I) (1:07)
  52. Meet Merlin (Alternate II) (1:25)
  53. I Will Die In Battle (Alternate) (0:55)
  54. Arthur Looks At Map (Alternate) (1:31)
  55. Final Battle (Part 2) (Alternate) (1:04)
  56. Final Battle (Part 3) (Alternate) (1:07)
    Hans Zimmer, Trevor Morris
  57. Final Battle (Part 5) (Alternate) (2:18)
    Hans Zimmer, Steve Jablonsky, Rupert Gregson-Williams
  58. Tell Me Now (What You See) (Album Version) (4:34)
    Moya Brennan, Hans Zimmer, Trevor Horn, Mel Wesson
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... reply Replies: 2 || 2017-06-08 16:40:52
Hybrid, do you know which cues that match the long OST tracks? and is there any music on the OST that isn't on the complete?

Also, is the end credits cue just a repetition of music from the film?


Hybrid Soldier2017-06-08 19:23:16
Woad To Ruin => 1m00 Opening Titles + 1m01AB Woad Attack + 3m13 Knights Journey Begin

Do You Think I'm Saxon => 6m43 Knights Rejoin Pt 2 + 6m43A Fog Of War (Edited) + 1m03 Meet Merlin (Edited) + 2m06 Final Order

Hold The Ice => 4m28 Lancelot Sees Guinevere Bath + 4m30 Guinevere Leads In Arthur To Merlin (Edited) + 1m04 Knights Arrive To Wall

Another Brick In Hadrian's Wall => 6m43 Knights Rejoin Pt 1 (Edited) + 5m34 Ice Battle (Edited) + 5m35 Knights Granted Freedom + 5m37 Arthur & Guinevere Chat

Budget Meeting => 7m44A Final Battle Pt 1 (Edited) + 7m44C Final Battle Pt 3 (Edited) + 7m44C ALT Final Battle Pt 3 (Edited) + 7m44D Final Battle Pt 4 (Edited) + 7m44Ev18 Final Battle Pt 5 (Edited)

All Of Them! => 6m40 Love Scene + 6m40A Knights Leave (Edited) + 8m48 Aftermath



Yeah the EC is a montage of cues (mostly Caravan Travels), but it's interesting for the film version of Tell Me Now...


...2017-06-08 22:29:11
Thanks a lot for this detailed breakdown! It seems to me that the mix of the OST and the complete is a bit different too, with more close microphones in the mix!

SanAntonioSpurs reply Replies: 0 || 2014-03-31 20:09:41
http: //www.youtube.com/watch?v=nA3ujmAOe5k

0:08 starting music which track?

bimbo reply Replies: 2 || 2012-11-27 08:39:03
are these tracks legit? do they come from the sessions, or are they fan-edited?


loona2013-07-07 16:05:49
Can't no one here reply? It is interesting me as well.


Per2013-07-07 22:26:44
It's legit. Not fan made.

Hybrid Soldier reply Replies: 0 || 2011-02-08 00:00:00
Would love to do that for both steve.r, but I don't have enough info about it... ;)

steve.r reply Replies: 0 || 2011-02-08 00:00:00
if theres a score in need of a composer listing, it's this one!!! and transformers

Ruthlessgravity reply Replies: 0 || 2009-06-05 00:00:00
@ Jimmy

We cant tell anyone where to get bootlegs. Your just going to have to do a investigation on the internet.

Jimmy reply Replies: 0 || 2009-06-04 00:00:00
Please , can anyone tell me where to find it?!

me reply Replies: 0 || 2009-04-22 00:00:00
Sorry I can't answer your question, previous poster. But I just wanted to say this, That this is probably Zimmer's finest scores, especially this complete score! I have it and it is a joy to listen to! Thank you Mr. Zimmer!

Anonymous reply Replies: 0 || 2009-04-22 00:00:00
What tracks did Nick Glennie-Smith and Rupert Gregson-Williams write? "Into the Battle" is credited to Trevor Morris on his website. "Saxon's Plan," "Woad's Trap," and "Face to Face Speech" sound like NG-S.

Giles Blunt reply Replies: 0 || 2009-01-29 00:00:00
I already own several Hans Zimmer soundtracks, and would like to (legally) download the King Arthur album. iTunes only has three cuts. Where can I do this?

Anonymous reply Replies: 0 || 2008-12-21 00:00:00
Actually, the orchestra hired to recorded the score is 'The London Philharmonic Orchestra'.

DemonStar reply Replies: 0 || 2008-06-03 00:00:00
Although the OST definitely had the best moments of the score, this one also has some great cues like "Woads Trap", "Face to Face Speech", "Into The Battle" and "Woads Charge". A winner, anyway ;-)

Amir Kharrazi reply Replies: 0 || 2008-01-13 00:00:00
this is the best of best of best sound track movie in all time.
tanx hans
you are the king of making sound tracks in all world

Alex Santos reply Replies: 0 || 2007-12-27 00:00:00
Congratulations!

I love their songs of the films King Arthur, Gladiador and The Last Samurai, the tracks that I know. Mainly King Arthur, where the violins and the voices are very harmonious ...

Alex

Per reply Replies: 0 || 2007-12-05 00:00:00
This 3CD version you're talking about is a total fake. It doesn't contain any more real music at all. The extra music are just, like you say yourself, End Credits (ripped from the DVD, and with the exception of a slightly different variation of the song 'Tell Me Now' it's just a suite of the music used in the film), the trailer music (which again, like I've said before in other posts, have nothing really to do with the film or the score, it's simply just used in the trailer), the "Song Of The Excile" (see my post(s) below), and some 'alternates', which is just some fan made edits of the original cues !

nash reply Replies: 0 || 2007-12-05 00:00:00
this is the complete score

Five reply Replies: 0 || 2007-11-25 00:00:00
hiii everyone, i love this soundtrack it's the best i ever eard... #######

Maps reply Replies: 0 || 2007-10-15 00:00:00
There's a 3-CD-Set with all the music of the film on the first two CDs and the end credits, the teaser trailer and the theatrical trailer music AND SONG FOR EXILE AND SORROW on dics 3 and I'll get it soon :)

felix reply Replies: 0 || 2007-07-26 00:00:00
This album is the very very very best!
Thank you Mr zimmer

Per reply Replies: 0 || 2007-07-07 00:00:00
No, the name of the song is "Song Of The Excile", written by Caitlin Matthews.

In the film, it also have been mixed together with music from "Amergin's Invocation" composed by Lisa Gerrard & Patrick Cassidy. With 'vocals' by Lisa Gerrard. (Not Moya Brennan).

But I'm not sure of who sings the lyrics of the "Song Of The Excile" in the film...

(http://www.imdb.com/title/tt0349683/soundtrack)

Karlik reply Replies: 0 || 2007-07-07 00:00:00
what is the name of the song that goes " wel will go home across the mountians"? i would like to purchase it but i don't know who sings it or what the song's called please help me ?!

The name of the song is Sorrow and it is sing by Moya Brennan and the actress who played the role.

Soundtrax reply Replies: 0 || 2007-06-22 00:00:00
here is the tracklist.

Disc 1]
1. Prologue
2. Prologue (Short Version)
3. Prologue (Alternate)
4. Woads Attack
5. Enemy Life
6. Back To Hadrian's Wall
7. Back To Hadrian's Wall (Alternate I)
8. Back To Hadrian's Wall (Alternate II)
9. Into The Castle
10. To Freedom!
11. Final Orders
12. Mercy For My Knights
13. Arthur & Lancelot
14. Arthur & Lancelot (Alternate)
15. On The Road
16. Saxons
17. Saxon's Leader
18. The Knights March
19. Saxons' Plan
20. Woads Trap
21. Marius Evilness
22. Ready To Go
23. Prison Of Hell
24. Guinevere
25. Destruction
26. Burn It All
27. Fairy Tales
28. A Bad Omen
29. Looking At Her
30. Arthur & Merlin (Memories)
31. Marius Death / Help Or Die

[Disc 2]
1. Your Rome Doesn't Exist
2. The Ice Battle
3. Back Behind The Wall
4. Free
5. Dagonet's Funeral
6. Blessed & Cursed
7. The Scar Of Disgrace
8. Arthur & Guinevere
9. Last Night
10. Saxons Are Here
11. Goodbyes / Woads Are Here
12. Face To Face Speech
13. Rus!
14. Rain Of Arrows / Thunder Of Swords
15. Gates Of Hell / Fire
16. Second Trap
17. Woads Charge
18. Arthur's Charge
19. Into The Battle
20. The Last Battle
21. Lancelot's Death
22. Final Confrontation
23. The Legend

Felix reply Replies: 0 || 2007-06-15 00:00:00
Thank God, I have finally got the recording sessions version, just this morning. It is.. It is...wonderfull. I cannot understand why they didn't release all. this is a max of soundtrack. I have been looking for this for a year.
I am satisfied. Thank you Mr zimmer!

Jon reply Replies: 0 || 2007-06-12 00:00:00
This is very good music. The Recording Sessions are way better than the official release. It's just wonderful. Thank you HZ!!!

kayla reply Replies: 0 || 2007-06-04 00:00:00
what is the name of the song that goes " wel will go home across the mountians"? i would like to purchase it but i don't know who sings it or what the song's called please help me ?!

thankyou

Damien, Moderator reply Replies: 0 || 2007-05-30 00:00:00
You cannot get the answer at this question here (see what is written above place where you can put your comment).
If you want to get more details on the reason why, you can take a look at http://en.wikipedia.org/wiki/Bootleg_recording .

Emily reply Replies: 0 || 2007-05-30 00:00:00
Can anyone kindly tell me where I can find this CD?I love the movie and the original score to pieces, but I'm having a heck of a hard time locating what looks to be an amazing CD...

Thanx!

levent reply Replies: 0 || 2007-04-27 00:00:00
hanz zimmer king arthur in Soundtracks all of them

Xaneaza reply Replies: 0 || 2007-04-27 00:00:00
Helo ! Lord Hans Zimmer. Sorry! I not speak and write very good in English.
Please! it is posible for mi to take in my web site
www.elpueblodesiempre.com
Your the music from King Arthur?
Is very good and for mi very importante !
Thank You very much Dear Lord Hans Zimmer.
Sister Xaneaza.
Monastery San Xuan
Convent San Andrés
tel:649-392-851
29328 Sierra de Yeguas/Málaga/Spain

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King Arthur (Complete Score) soundtrack - Hans Zimmer 2004