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You are an idiot. Hans did what Nolan asked him of not the other way around.Man, this has to be the best news for a long time. Hans has got stuck in his silly overcompensating for sound effects mode for too long. No wonder Nolan went for someone else. Who here thought balfe was getting this - the dude is a copycat and nobody. Balfe is when you dont get HZ.....luckily better people are now getting the gigs. I mean who would hire balfe out of the blue, the dude is not even a tv guyThanks for the credits updateA bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.
Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is Balfe
I hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.
@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about it
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Jim DooleyRupert Gregson-WilliamsLorne BalfeAlastair King
Co-ComposerCo-ComposerCo-ComposerCo-Composer
Wallace & Gromit - The Curse Of The Were-Rabbit
Label: Varese Sarabande
Length: 48'21
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6609 votes)
  1. A Grand Day Out (1:54)
    Julian Nott, James Dooley
  2. Anti-Pesto To The Rescue (3:18)
    Julian Nott, James Dooley, Rupert Gregson-Williams
  3. Bless You, Anti-Pesto (1:56)
    Julian Nott, James Dooley
  4. Lady Tottington & Victor (2:04)
    Julian Nott, Rupert Gregson-Williams, James Dooley, Lorne Balfe, Alastair King
  5. Fire Up The Bon-Vac (1:48)
    Julian Nott, Rupert Gregson-Williams
  6. Your Ladyship (1:06)
    Julian Nott, James Dooley, Rupert Gregson-Williams, Lorne Balfe
  7. Brainwash & Go (2:27)
    Julian Nott, Rupert Gregson-Williams
  8. Harvest Offering (2:30)
    Julian Nott, Rupert Gregson-Williams, Lorne Balfe
  9. Arson Around (2:24)
    Julian Nott, James Dooley, Alastair King
  10. A Big Trap (3:28)
    Julian Nott, Rupert Gregson-Williams, Lorne Balfe
  11. The Morning After (1:45)
    Julian Nott, James Dooley
  12. Transformation (4:06)
    Julian Nott, Lorne Balfe
  13. Ravaged In The Night (1:45)
    Julian Nott, Rupert Gregson-Williams, Alastair King
  14. Fluffy Lover Boy (4:36)
    Julian Nott, James Dooley, Rupert Gregson-Williams
  15. Kiss My Arrrtichoke (4:31)
    Julian Nott, James Dooley, Rupert Gregson-Williams
  16. Dogfight (3:39)
    Julian Nott, Lorne Balfe
  17. Every Dog Has His Day (2:43)
    Julian Nott, James Dooley
  18. All Things Fluffy (1:08)
    Julian Nott, Rupert Gregson-Williams
  19. Wallace & Gromit (1:09)
    Julian Nott
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lordsillynipples reply Replies: 0 || 2018-07-17 11:53:29
Have any cue sheets or slates surfaced for this score?

tilibro reply Replies: 0 || 2015-06-20 15:02:06
Does anyone know if there is a recording sessions album of this soundtrack? I've heard rumors that it's made rounds in the trading circles.

KaijusRoyaume reply Replies: 0 || 2011-04-18 00:00:00
This is the complete credits list (taken from ASCAP website) :

1. A Grand Day Out (1:54)
Julian Nott, James Michael Dooley
2. Anti-Pesto To The Rescue (3:18)
Julian Nott, James Michael Dooley, Rupert Gregson-Williams
3. Bless You, Anti-Pesto (1:56)
Julian Nott, James Michael Dooley
4. Lady Tottington & Victor (2:04)
Julian Nott, James Michael Dooley, Lorne Balfe, Alastair King, Rupert Gregson-Williams
5. Fire Up The Bon-Vac (1:48)
Julian Nott, James Michael Dooley, Lorne Balfe, Rupert Gregson-Williams
6. Your Ladyship (1:06)
Julian Nott, James Michael Dooley, Lorne Balfe, Rupert Gregson-Williams
7. Brainwash & Go (2:27)
Julian Nott, Rupert Gregson-Williams
8. Harvest Offering (2:30)
Julian Nott, Rupert Gregson-Williams, Lorne Balfe
9. Arson Around (2:24)
Julian Nott, James Michael Dooley, Alastair King
10. A Big Trip (3:28)
Julian Nott, Rupert Gregson-Williams, Lorne Balfe
11. The Morning After (1:45)
Julian Nott, James Michael Dooley
12. Transformation (4:06)
Julian Nott, Lorne Balfe
13. Ravaged In The Night (1:45)
Julian Nott, Rupert Gregson-Williams, Alastair King
14. Fluffy Lover Boy (4:36)
Julian Nott, James Michael Dooley, Rupert Gregson-Williams
15. Kiss My Arrrtichoke (4:31)
Julian Nott, James Michael Dooley, Rupert Gregson-Williams
16. Dogfight (3:39)
Julian Nott, Lorne Balfe
17. Every Dog Has His Day (2:43)
Julian Nott, James Michael Dooley
18. All Things Fluffy (1:08)
Julian Nott, Rupert Gregson-Williams
19. Wallace & Gromit (1:09)
Julian Nott

Guilherme reply Replies: 0 || 2008-07-27 00:00:00
Hi, I'm Brazilian, and I'm so happy for this site release the track 5, and the best part of it.

Thank You Very Much!

^^

bob reply Replies: 0 || 2007-09-20 00:00:00
Wallace and Gromit beat the crap out of Harry Potter!! Smashing movie lad!!

Grey reply Replies: 0 || 2007-08-14 00:00:00
wallace and Gromit Rocks

Hybrid Soldier reply Replies: 0 || 2007-04-11 00:00:00
Excellent soundtrack composed by the MV Team !

Choral parts are beautiful !

Track 6 reply Replies: 0 || 2007-01-08 00:00:00
Track 5 is superb!

Eli Dirkx reply Replies: 0 || 2005-11-12 00:00:00
I loved the soundtrack, truly...it reminded me of those good ol' days of the Wallace and Gromit shorts.

Tord reply Replies: 0 || 2005-11-07 00:00:00
It is a nice film, and a cheesy soundtrack!:D

Brilliant! I havent heard from the CD yet, but from the movie-- I loved it!

Daniel Parkinson reply Replies: 0 || 2005-10-20 00:00:00
A Fantastic Soundtrack with A Querky Feel and Lots of Cheese! Truly Magnificent.

Stamper reply Replies: 0 || 2005-10-08 00:00:00
Excellent soundtrack.
I'm happy to finally have the w&--g theme on CD !

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Wallace & Gromit - The Curse Of The Were-Rabbit soundtrack 2005