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Sounds like 13 Hours was in temp!!!!Just saw the Movie few Hours ago and this is a really Great step back to the First one ! Like the fact that it's like in First one optimus vs megatron and Not some galvatron and his City-eatin ship stuff. When Classic themes Kicks in it feels like 2007 in the Cinema and it is much Fun! A Great direction and I Hope that we get Even more Original stuff in the next one ! <br>Go and See tranformers 5 especially of You saw the First one as a Child or if You just like it and enjoy the Music and Fun of it and don't throw it in the trash like many critics Are doin it ! <br>Yes I totaly Agree with You ! It just don't make Sense Even if musicians would get payed again they would Not lose  Money. As I Said there Are many Bad Scores out there that got played by musicians and orchestra and the fact that there Are still on iTunes and so on Shows that Even These Not so good Scores Are paying out so as You Said it is just unlogical !Love it too. Great track, very sweet, very tender. I really love the part from 2:49 utill the end.Yup, you're right about the Autobots theme. I liked the fact that they paid an homage to the first score. Could be wrong, but I don't think we got that in the last two movies. It's like they wanted to distance themselves from the first two scores. Which, to be honest, was something I didn't like. So I'm definitely glad that there are few bits from the first score in "The Last Knight". It was great to hear it all while watching the movie itself.
No, what @MrZimmerFan meant is Hans took the idea of Jablosky and not that he developed it. Ramin was also inspired on this piece for another one of Game of Thrones.Thank god they did an additional intro in the Interstellar section with heavy organ, just like in the movie. I kind of missed this the previous year, and brought me right back to when I saw Interstellar Live in London.. And with the addition of the Wonder Woman theme, this was the best show ever. Hope he does another tour somewhere in the near future!To me the business case is very unlogical! A limitation of copies makes no sense, because you avoid higher revenues. The damage has already been done, because the TF3 movie is 6 years old and Warner Bros.Music has already lost higher revenues. But even other scores like "Black Hawk down" from Hans Zimmer are not featured in iTunes, but I could buy an analogue copy (CD) in a store.<br><br>@Hybrid Soldier: Where do you have your informations from? Is Steve answering on facebook or is this a quote from an interview?Why is Hans uncredited? I'll take it that Bumblebee/AllSpark are Steve's themes then.Not at all! ; ) That's one of my favorite tracks as well. I would also throw in the major chord progressions of the Trident theme in "Power of the Sea" and the INSANE electric cello statement of Salazar's theme at 3:00 in "Kill the Sparrow". Great workout tracks!
Nop, Hans took the idea from All Spark<br><br>;PReally ? Bumblebee is from Hans ?!?Its funny to read that allot of people think the music is for them, it is not and never will be. The person that has to like and approve the music is the director BAY. The music has to reflect what he wants it too, not what any of you want lol. <br><br>We are lucky we get music releases, luckyHans Zimmer (cf. Rush main theme)Yea But it isn't like they would lost Money with such a Giant Score like the TF3 one. Well I still Hope that we will get it one day :)
@meta I'm feeling the same way. TF movies have always been flawed but very enjoyable for me thanks to Michael Bay's trademark. But this one... is so bad not even Michael Bay can save it. I really don't know what the screenwriters did in their "collaboration room"... but for sure they didn't collaborate a lot, because this "story" is probably the most disjointed mess I've ever seen.<br><br>The saving grace for me was the track "We Have To Go", which plays entirely without cut, that whole scene was pretty bad-ass.@Ds: Actually I prefer Ender's Game (also released by Varese Sarabande) over P&G (but the movie is cool)Pain and Gain is not a bad score, actually it's maybe better than the TF scores, in its own genre.<br><br>But it's entirely electronic so I guess there are no musicians to pay!<br><br>Also, maybe a lot of releases have the same deal as TF3 and TF4, but so few people buy them, they remain for sale forever because the maximum allowed number of sales is never reached...I must be the biggest weirdo in all of film score history, because the highlight of DMTNT for me was "I've Come With the Butcher's Bill." It resonated instrumentally, most notably that badass cello (?) at around the 2:35 mark, it was the perfect blend of old and new themes, and best of all, it sounded like a swashbuckling theme. As much as I loved the  action cues in the first three, I sometimes felt that they resembled a Latin hell choir more than a traditional pirate piece, especially AWE. It's good listening, but sometimes it sounded more like Gregorian Chanters of the Caribbean. :P <br>I seriously blast Butcher's Bill out loud on the highway, I love it so much.one more question. Who wrote the Bumblebee theme?
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Composer - Conductor
Hans ZimmerHans ZimmerHans ZimmerHans Zimmer
ComposerComposerComposerComposer
The British Years
Label: Milan Records
Length: 71'00
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5302 votes)
    BURNING SECRET
  1. Burning Secret Suite (23:59)

    MY BEAUTIFUL LAUNDRETTE
  2. My Beautiful Laundrette (4:00)

    THE FRUIT MACHINE
  3. The Fruit Machine Suite (20:08)

    A WORLD APART
  4. End Title (4:55)

    FOOLS OF FORTUNE
  5. The Island (17:57)
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Mac reply Replies: 0 || 2007-12-10 00:00:00
A good compilation of early Zimmer work. I agree that the end titles from A World Apart is the best track, but that had already been released so... I think that if you are after NEW material, the Burning Secret Suite is probably the best; features some great woodwind which Hans should use more of. As for My Beautiful Laundrette, it is very bizarre!

Tudor reply Replies: 0 || 2007-02-13 00:00:00
I really want to congratulate Milan for this awesome release. The fact that it contains previously unreleased material makes this one of the best Zimmer compilations on the market. I really enjoy listening this every time I punch it into my player. A World Apart End Title is by far the best song on the album. The other tracks are great. Altough they aren't the best early Zimmer tracks, it's worthing the listening. It's a good ocassion for Zimmer fans to listen some forgotten gems. I recommend this to every Zimmer collector.

Suicune reply Replies: 0 || 2006-12-13 00:00:00
This could be one of the best Zimmer compilations on the market but, unfortunately, it's a little hard to find. I would really want to own it.

¨marty75p as Martin Prochazka Czech reply Replies: 0 || 2006-11-25 00:00:00
Hi,mi english very bad ,but you are very good musicant.

a chinese boy called wuhao reply Replies: 0 || 2005-12-16 00:00:00
i love it!!!!

some random guy reply Replies: 0 || 2005-12-16 00:00:00
where can i get this

milan reply Replies: 0 || 2005-12-08 00:00:00
rome

Hamzeh Najarian reply Replies: 0 || 2005-12-03 00:00:00
Buying albums such as these is worth not only every cent, but also every second of listening to them... Beautiful Music, simply magical but MUST be experienced in order to be comprehended!

Rafal reply Replies: 0 || 2005-11-25 00:00:00
I'm going to buy both the scores. Thanks to Milan Records for this great and unique release. An excellent surprise for Christmas:-)

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The British Years soundtrack - Hans Zimmer - Hans Zimmer - Hans Zimmer - Hans Zimmer 2005