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You are an idiot. Hans did what Nolan asked him of not the other way around.Man, this has to be the best news for a long time. Hans has got stuck in his silly overcompensating for sound effects mode for too long. No wonder Nolan went for someone else. Who here thought balfe was getting this - the dude is a copycat and nobody. Balfe is when you dont get HZ.....luckily better people are now getting the gigs. I mean who would hire balfe out of the blue, the dude is not even a tv guyThanks for the credits updateA bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.
Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is Balfe
I hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.
@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about it
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Composer - Conductor
Hans ZimmerHans ZimmerHans ZimmerHans Zimmer
ComposerComposerComposerComposer
The British Years
Label: Milan Records
Length: 71'00
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6162 votes)
    BURNING SECRET
  1. Burning Secret Suite (23:59)

    MY BEAUTIFUL LAUNDRETTE
  2. My Beautiful Laundrette (4:00)

    THE FRUIT MACHINE
  3. The Fruit Machine Suite (20:08)

    A WORLD APART
  4. End Title (4:55)

    FOOLS OF FORTUNE
  5. The Island (17:57)
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Mac reply Replies: 0 || 2007-12-10 00:00:00
A good compilation of early Zimmer work. I agree that the end titles from A World Apart is the best track, but that had already been released so... I think that if you are after NEW material, the Burning Secret Suite is probably the best; features some great woodwind which Hans should use more of. As for My Beautiful Laundrette, it is very bizarre!

Tudor reply Replies: 0 || 2007-02-13 00:00:00
I really want to congratulate Milan for this awesome release. The fact that it contains previously unreleased material makes this one of the best Zimmer compilations on the market. I really enjoy listening this every time I punch it into my player. A World Apart End Title is by far the best song on the album. The other tracks are great. Altough they aren't the best early Zimmer tracks, it's worthing the listening. It's a good ocassion for Zimmer fans to listen some forgotten gems. I recommend this to every Zimmer collector.

Suicune reply Replies: 0 || 2006-12-13 00:00:00
This could be one of the best Zimmer compilations on the market but, unfortunately, it's a little hard to find. I would really want to own it.

¨marty75p as Martin Prochazka Czech reply Replies: 0 || 2006-11-25 00:00:00
Hi,mi english very bad ,but you are very good musicant.

a chinese boy called wuhao reply Replies: 0 || 2005-12-16 00:00:00
i love it!!!!

some random guy reply Replies: 0 || 2005-12-16 00:00:00
where can i get this

milan reply Replies: 0 || 2005-12-08 00:00:00
rome

Hamzeh Najarian reply Replies: 0 || 2005-12-03 00:00:00
Buying albums such as these is worth not only every cent, but also every second of listening to them... Beautiful Music, simply magical but MUST be experienced in order to be comprehended!

Rafal reply Replies: 0 || 2005-11-25 00:00:00
I'm going to buy both the scores. Thanks to Milan Records for this great and unique release. An excellent surprise for Christmas:-)

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The British Years soundtrack - Hans Zimmer - Hans Zimmer - Hans Zimmer - Hans Zimmer 2005