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no answer for you lolThese two tracks are just outstanding:<br><br>1)<br><br>2) can check these out they're brilliant:<br><br>1)<br><br>2), if you think Brothers In Arms is nothing more than a RCP power anthem, then you're obviously missing something... To me it's one of the most brilliant action tracks of the last few years.Ola team ! <br>Maybe you do know Joe Kramer won't return to score Mission Impossible 6. And no one seems to know who will.<br>So here's my question : any chance to see someone from RC doing this ? <br><br>Thanks for reading me. Keep goin' your good job here, it's appreciated. :)<br>
Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4
This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.Hybrid, what do you admire more: Black Hawk Down or Tears of the Sun?"Elfman's score is like Whedon, horrendous & out of place."<br><br>Out of place, yes. Horrendous, no.
Leagues above, and yet I doubt Ben will ever be able to write something like "Brothers In Arms" from Mad Max.<br><br>Comparing people is kinda useless...<br><br>The only who's right is Hans in the end, he knows when to use one and when to use the other... ;)@Edmund<br>Iím in the same boat. When I watch a movie I normally donít pay attention to the music unless itís really distinctive. As a stand alone listening experience I usually want to get music that fits a mood and can hold my interest throughout. Take Silvestriís Avengers score for example. The big statements of the main theme and some of the action cues are excellent. Unfortunately itís surrounded by generic underscore that slows the album down imo. But then you have TASM2, which constantly has something going on no matter what. I feel like thatís something which does relate to the directors, not so much the talent level of the composers.<br><br>@olive<br>Ben Wallfisch is LEAGUES ahead of JXL as a composer, partly because heís had years of experience in film composing. Hopefully his recent successes give him more high profile projects.<br><br>As for Justice League, I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force in the classic themes. Had he done his own spin on Zimmerís material there would a better connection to the previous ones.Elfman's score is like Whedon, horrendous & out of place.@Olive: Is better because there is variety and orchestration, and i'm not a purist (i liked BvS, there is more complexity in it than in MoS), but Danny Elfman has more integrity in that score than in that two scores.He did!<br><br>The action material in "Do You Bleed?" is by XL! <br>

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Composer - Conductor
Hans ZimmerHans ZimmerHans ZimmerHans Zimmer
The British Years
Label: Milan Records
Length: 71'00 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5649 votes)
  1. Burning Secret Suite (23:59)

  2. My Beautiful Laundrette (4:00)

  3. The Fruit Machine Suite (20:08)

  4. End Title (4:55)

  5. The Island (17:57)
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Mac reply Replies: 0 || 2007-12-10 00:00:00
A good compilation of early Zimmer work. I agree that the end titles from A World Apart is the best track, but that had already been released so... I think that if you are after NEW material, the Burning Secret Suite is probably the best; features some great woodwind which Hans should use more of. As for My Beautiful Laundrette, it is very bizarre!

Tudor reply Replies: 0 || 2007-02-13 00:00:00
I really want to congratulate Milan for this awesome release. The fact that it contains previously unreleased material makes this one of the best Zimmer compilations on the market. I really enjoy listening this every time I punch it into my player. A World Apart End Title is by far the best song on the album. The other tracks are great. Altough they aren't the best early Zimmer tracks, it's worthing the listening. It's a good ocassion for Zimmer fans to listen some forgotten gems. I recommend this to every Zimmer collector.

Suicune reply Replies: 0 || 2006-12-13 00:00:00
This could be one of the best Zimmer compilations on the market but, unfortunately, it's a little hard to find. I would really want to own it.

®marty75p as Martin Prochazka Czech reply Replies: 0 || 2006-11-25 00:00:00
Hi,mi english very bad ,but you are very good musicant.

a chinese boy called wuhao reply Replies: 0 || 2005-12-16 00:00:00
i love it!!!!

some random guy reply Replies: 0 || 2005-12-16 00:00:00
where can i get this

milan reply Replies: 0 || 2005-12-08 00:00:00

Hamzeh Najarian reply Replies: 0 || 2005-12-03 00:00:00
Buying albums such as these is worth not only every cent, but also every second of listening to them... Beautiful Music, simply magical but MUST be experienced in order to be comprehended!

Rafal reply Replies: 0 || 2005-11-25 00:00:00
I'm going to buy both the scores. Thanks to Milan Records for this great and unique release. An excellent surprise for Christmas:-)© 2001-2017 OST 
The British Years soundtrack - Hans Zimmer - Hans Zimmer - Hans Zimmer - Hans Zimmer 2005