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I just rewatch the show and i think this is mostly chronological, but there is some suites like Dr Ford we can ear in episode 3,4 6 9 etc. <br>So this is hard to say chronological or not. By the way, lots of variations of Dr Ford aren't on the album, but obviously we can have the whole score on a CD.<br>Did you know if Ramin even release a complete score from his tv show?Does anybody know a chronological order?? I tried myself but I can't work it out.Any news about Hans Next project?Does Hans compose music for releasing as his own records? I wish he'll make someI think BGM stands for any sort of background music, e.g. caffe music, game themes and, sometimes, film scores. But, IMO, "score" sounds way beter than "BGM"<br><br>p.s. Plz, do not my English, imma russian...
One last topic I want to cover for this score, and that's the references to past films. I've found quite a few new ones that may be interesting.<br><br>"Today We Hunt" - Reference to "Bumblebee" at the end of the track.<br><br>"History of Transformers" - Reference to "Bumblebee", the end of "Are You Ladiesman 217?", and a sort of rebuilding of the Autobot theme using it's main notes.<br><br>"Two Moons" - Contains the main 2 notes of "Decepticons" repeated through the entire track, and of course elements of "We Were Gods Once".<br><br>"Prime Versus Bee" - Contains the drum beat featured in "Optimus vs Megatron"<br><br>"Your Voice" - Reference to "Optimus", the escalation of notes featured in scenes where Optimus is almost defeated ("Optimus vs Megatron" and the beginning of "I Claim Your Sun"), the 3 notes of "We Were Gods Once" when Optimus is about to be killed, and of course "Arrival to Earth/There Is No Plan".<br><br>"Battlefield" - Basic notes of the end of "You're A Soldier Now" and the Autobot theme in the 3 note horn section.<br><br>"Did You Forget Who I Am" - Autobot theme plays in the build-up before the "You're a Soldier Now" reprise. (Also maybe a hint of "Skorponok" at the end?)<br><br>The rest has already been pointed out on this website.Bring Him Home and Future King are greatThe show is very good.we managed to watch the show in two days!the music by Gregson-Williams and Balfe is perfect. The score is some of the best TV music at the moment.going to defiantly buy the album now and see what it’s like2049 is by Ben, confirmed.generalizing all direct and indirects participations in Zimmer's career, I think this role is of Glennie Smith...<br><br>Second half of 1970-forever.
@Ben: "Hans' last and only Oscar-wining score was Lion King, and that one wasn't so remarkable either."<br><br>The original presentation, of 1994, is not very good to confess. They left out the score to emphasize the songs. However the latest launches "expanded score" and "Legacy Collection" (in my opinion) are among the best as Gladiator, the last Samurai,Prince of Egypt, House of Spirits, Rain Man,<br>Backdraft, regarding Henry,Beyond Ragoon, the Rock, King Arthur, Interstellar, Rush, At worlds End and the Dark Knight (The Collector's version). I like many themes by Hans, but when I come to head the organization factor of the albums most satisfactory these are some of the few that comes to mind.What's the involvement of EW in the Mermaid Suite? I always imagined it that way: Hans being responsible for the first part of the suite, the calmest, Geoff taking care of the piece that corresponds to the moment of the sirens attack and that Eric inserted the choir to finish the composition.In the last 7 years or so the only Oscar that I think was deserved is Gravity by Steven price. By the way hybrid it was a tough comment for me. Thanks to all people here who think it was.<br>I totally agree that the music fit the movie perfectly Hans always did great job in this but as a standalone music for me and again (for me) the docking in interstellar do all the job on Dunkirk ( I mean suspense) so for me all Dunkirk soundtrack = docking in interstellar.<br>quote: "This score is nothing compared to interstellar or even to POTC 3."<br><br>How do you know or how do you judge? By musical complexity, number of themes, etc.? I think the Dunkirk score perfectly serves the movie - which is what it's supposed to do.<br><br>Hans' last and only Oscar-wining score was Lion King, and that one wasn't so remarkable either - on its own. So it would kind of make sense for a score like Dunkirk to get him the award.<br><br>After all, when it comes to the academy, I don't think they look at a score in isolation - like we do as Zimmer fans - but rather how well it serves the film. If they love a film and let it win best picture and other categories, it's very likely they'll also give it "best original score".Great this is geting a release!<br>I am from Greece and the same is Nikos Mastorakis, the director.<br>He always recalls working with Hans Zimmer and Stanley Myers here.
Ultimate masterpiece... 8-) lolVery impressed with the music from this season. Enjoying listening to it.there doesn’t seem to be much of the main theme used ?man, i think i haven't listened to "A Dark Knight" deep enough. so many things i picked up from listening to it recently. oh by the way, it's Dunkirk that's making me go back and listen to the old scores.One of the most beautiful choral pieces of the 21st C. Mr. Zimmer please make this original London recording available in a cd (320kbps) or a lostless version to be able to enjoy its full beauty. The version on YouTube is just muddy cruddy. And the version on the Prague cd is not a chorus of this caliber. Plz plz plz! Gratefully, Philip...why is Eric Whitacre's credit being omitted?
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Music ArrangerMusic Arranger
Klaus BadeltIan HoneymanAndrew Raiher
ComposerArrangerArranger
The Promise
Label: Superb Records
Length: 73'44
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6481 votes)
  1. Freedom Of The Wa (2:40)
  2. Wuji - Main Theme (3:45)
  3. Love Theme (2:13)
  4. Kunlun, The Slave (1:48)
  5. Qingcheng, The Princess (1:22)
  6. Guangming, The General (1:07)
  7. Wuhuan, The Duke (1:53)
  8. Princess Kite (5:03)
  9. The Promise (5:22)
  10. Snow Country (4:32)
  11. The Robe (8:04)
  12. Save The King (4:00)
  13. Guilang, The Assassin (2:24)
  14. Saving a Princess (3:17)
  15. Feather Fight (2:04)
  16. Waterfall (2:44)
  17. Stampede (4:45)
  18. Come Back (4:28)
  19. Birdcage (1:53)
  20. Wuhuan's Plan (10:20)
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Anonymous reply Replies: 3 || 2013-03-08 18:05:48
Recording Sessions
Tracklist:

01 - 1m1 The Tree
02 - 1m10 New Master
03 - 1m2 Qingcheng Runs
04 - 1m4 The Deal
05 - 1m7 Fanfare
06 - 1m8 Stampede
07 - 1m9 Battle
08 - 2m12 forest Prophecy
09 - 2m14 Bitter Tears
10 - 2m15 Assassinating the Gene
11 - 2m16 Kunlun's Ride
12 - 2m17-18 Saving a Princess
13 - 2m19-20 Waterfall
14 - 2m21 Birdcage
15 - 3m23 kunlun to the Rescue
16 - 3m25 Princess Kite
17 - 3m26 Feather Fight
18 - 3m27 Superball
19 - 3m28 Already Fallen
20 - 3m29 Making Beds
21 - 4m31 Princess Leaves
22 - 4m32 Snow Country
23 - 4m33 Cherry Blossom
24 - 4m34 Let Me Take You There
25 - 5m37 Playful Love
26 - 5m38-39 Children Without Pa
27 - 5m41 Kunlun and Qingcheng
28 - 5m44 General Sees Qingcheng
29 - 5m45 Where is the Armor
30 - 5m46 Room of Screens
31 - 6m49 Dancing Columns
32 - 6m50 Slave Speech
33 - 6m52 Just a Flesh Wound
34 - 6m53 Wuhuan's story
35 - 7m55 The End


...2013-03-08 19:26:12
So now it has leaked...


tim2013-03-08 20:12:20
leaked? it has been on klaus website for months... ^^


JJ2013-03-09 07:59:56
Better call it selections from the recording sessions. I can tell that compared to the OST alone, this is missing a good number of cues.

Macejko reply Replies: 5 || 2013-01-27 22:45:54
Great score indeed. Does anyone know of an another Badelt's soundtrack, which has similar qualities?


HGW42013-01-27 23:00:38
The Time Machine. My favorite!


Edmund Meinerts2013-01-27 23:09:51
The Time Machine seconded. It has a lot of temp track love in it but it's a pretty fantastic score nonetheless. Other than that if you can find Solomon Kane, it's along similar grand, sweeping lines, though the themes aren't quite as lyrical.


Prott2013-01-28 01:01:00
Or K-19. That's also a wonderful and emotional score.


Edmund Meinerts2013-01-28 13:26:19
K-19's theme is a great one. The score itself is a little repetitive but worth seeking out. Also, if you can get your hands on the promo to TMNT then do at all costs! Otherwise he's got a bunch of French scores available for free on his website, most of them aren't that great, rom-com type stuff (but hell, they're legally free so who's to complain?). One of them, his thriller score A Bout Portant (Point Blank), is pretty solid with one great action cue ("Subway Foot Chase"). His theme from Poseidon is pretty good but the rest of the score is dull; same with Ultraviolet, as long as you don't mind the temp-track love for Spider-Man! Equilibrium has some fun moments too; it's probably the closest Badelt ever got to writing a classic mid-90s MV action score. Ned Kelly is more laid back and lyrical but quite pretty.

There, that ought to give you enough to chew on for a while. ;)


Macejko2013-01-28 23:00:28
Thanks guys, I'll definitely give those a shot :)

Phi B reply Replies: 0 || 2011-04-30 18:08:26
amazing score...

many thank's to Klaus Badelt

me reply Replies: 0 || 2008-08-21 00:00:00
This is one of Badelt's best scores, if not his best. His use of cultural instruments and influences is seamlessly integrated into the score w/ excellent precision. It does not match fellow MediaVentures comrade Hans Zimmer's "The Last Samurai", but is nonetheless a fantastic score. "The Promise" fits very nicely beside "The Time Machine" and "K-19" in my collection of Badelt scores. Keep it up Klaus!

Mike reply Replies: 0 || 2008-08-21 00:00:00
Second favorite score ever. Last Samurai still no.1 for me. Princess Kite is just perfect...starts with solo violin and ends with solo violin. I too wish there was an expanded release.

aaa reply Replies: 0 || 2008-02-09 00:00:00
aaaaa

Slither reply Replies: 0 || 2007-12-04 00:00:00
The promise is without a dought Badelts best score to date, he was really inspired during his stay in China that he really came out of the experience with a score which tops even Zimmers latest offerings. I cant wait to see a complete release of the promise score, because i have seen the film and there are a lot of great cues missing from the album, one in which features in the trailer

O´Maly reply Replies: 0 || 2007-01-11 00:00:00
Sorry for my comment, you are right Victor!!!

Hans is also one of the best!!!

It´s only sometimes I get mad when I see that the Hans Zimmer Fans vote intent bad for Klaus Badelt CDs!!!

Look at the Promise Votes and you´ll now what i mean!!! Such a wonderful Score can´t be so badley rated with only 67% !!!

Victor reply Replies: 0 || 2007-01-04 00:00:00
By the way, of course it is more powerful and "real" and orchestral soundtrack, but it does depend of production, not just the composer!! It is far more expensive to pay for the whole group of musicians plus the composer than just the composer!!! Has anybody thought of how real could have been a Gladiator or Pearl Harbor soundtracks with a full orchestra?

Victor reply Replies: 0 || 2007-01-04 00:00:00
I do not agree with the opinions that say Klaus is better than Hans, whose Last Samurai or King Arthur soundtracks are as good as The Promise one. Hans has created some of the best epic and action film music ever.Why are you so unfair with this genius who was also Klaus' and so many other's inspiration? I do think they both are among the best in the actual scene and probaly are creating the most beautiful soundtracks of the moment. It is a stupid debate.

King Barry reply Replies: 0 || 2006-12-30 00:00:00
wow amazing!!!!

O´Maly reply Replies: 0 || 2006-12-28 00:00:00
I allways was an Hans Zimmer Fan, but since The Promise I know, Klaus Badelt is so much better!!!
He is the one who can make a score lyric wihtout an stupid Synthesizer!!!
Now I´m a huge Klaus Badelt Fan he is so talented and gorgeous!!! You´ll see, in the near future he will be famous as Zimmer ,John Williams or Jerry Goldsmith!!!
Just wait for Rescue Dawn and Turtles, they sure will be superb like every Klaus Badelt Score!!!

forget Zimmer, Klaus Badelt blows you away!!!

Loren reply Replies: 0 || 2006-12-22 00:00:00
Freedom of the Wa is just impossible to describe... and the entire score has made me look twice...no, three times... at Klaus Badelt.

Danny chang reply Replies: 0 || 2006-11-21 00:00:00
best score ever, forget Hans, Klaus rules!

music dreamer reply Replies: 0 || 2006-11-20 00:00:00
thanks! Hans.thanks Klaus! because when you gives
us these music's miracles, you make me love life

Ruth reply Replies: 0 || 2006-10-08 00:00:00
Es fabuloso este score.
Es uno de los mejores que ha hecho Badelt junto a The Time machine.
El track que más me gusta es The Robe, fantástico, tiene muchas dinámicas y una orquestación excelente. La verdad es que no hay desperdicio alguno en esta BSO, es una genialidad que marca que Klaus Badelt es un compositor excelente!!!

John reply Replies: 0 || 2006-07-07 00:00:00
Great!!!!! Best score ever heard !!!!

Movieknowa reply Replies: 0 || 2006-06-11 00:00:00
send me this album to home.. i want it but i got no money plz

Mr. Manpower reply Replies: 0 || 2006-05-12 00:00:00
The best music I´ve ever heard !!!!

Levente reply Replies: 0 || 2006-05-12 00:00:00
The trailer music is from the soundtrack. Except the action music in the middle, which is from the movie, but it is not on the album.

Anonymous reply Replies: 0 || 2006-03-25 00:00:00
This is one of his best so far along with Equilibrium and Time Machine

belit reply Replies: 0 || 2006-02-28 00:00:00
music trailer please????

ANA reply Replies: 0 || 2006-02-28 00:00:00
MUSIC OF TRAILER PLEASE????

pat reply Replies: 0 || 2006-02-09 00:00:00
klaus badelt The Promise ,un grande moment de music

jens reply Replies: 0 || 2006-01-29 00:00:00
"--Vielen Danke"-- für den Link und alles Gute...

The Best Hans Zimmer und Klaus Badelt

jens reply Replies: 0 || 2006-01-27 00:00:00
wer kann sagen wo man die CD Klaus Badelt The Promise kaufen kann

mauro reply Replies: 0 || 2006-01-27 00:00:00
With reference to Shinji post: It is clear in some parts of the score that the Last Samurai by Zimmer was a source of inspiration to this one. It has nothing wrong with the melodies and of course being treated in an oriental style does not lead for simplicity. As I said earlier the orchestral sound is a bit narrow and not wide enough and this maybe the reason why you have to listen to this score for a few times before it gets you fully blown away. I would have preferred the orchestral Sound by Zimmer like in the last samurai. There the orchestra is truly magnificient and the electronics in that score if there are any, they are subtle and compliments gracefully to the orchestra. Since this is the review part of the Promise, back to subject and after listened it few more times it is 4/5 :)

ABC reply Replies: 0 || 2006-01-27 00:00:00
@Jens

http://www.play-asia.com/paOS-13-71-bi-49-de-15-promise%2Bsoundtrack-70-15wi.html

Shinji reply Replies: 0 || 2006-01-26 00:00:00
When i first heard this score, i wasn't too impressed. I was looking for that simple yet grand and efective theme that these guys threw in our faces from time to time (like in POTC). But there's nothing like that to be found here. To tell the truth this music grew on me with every listen and meanwhile it's become my absolute number one Badelt score. The themes are far from simple and it took me a few days to get into them and really learn to appreciate them. Badelt's music for this movie sounds so huge, so powerful.. Some want to compare it to The Last Samurai, but even though i love that score, i just have to admit that The Promise sounds much more 'real', kind of less synthetic. A real orchestra did a fantastic job, and it's the first time i can't actually hear any 'out of place' electronics - if there are any at all. And of course Badelt used different instruments than Zimmer, since China still sounds a lot more different than Japan. I can't but recommend this epic score, it's a huge step forward for Badelt: 10/10.

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The Promise soundtrack - Klaus Badelt 2005