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Fleming doesn't seem to have done much, and both Dave and Vorlander are credited on the Simulation Pt I.After digging through ASCAP a bit, I found Dave Fleming's and Vorlander's credits on this so here's what I found: <br><br>David Fleming:<br>1M01 Opening (this is a guess as there he is credited on a cue just named Divergent)<br>3M24 Grab the Rail<br>4M30 Weapon of Choice<br>5M56a Simulation of Four's Fears, Part I<br><br>Christian Vorländer:<br>1M03 Lining up for the Test<br>1M04 Simulation<br>2M08 Jumping from the Train<br>3M16 Training Begins<br>3M17 Tris Sees Tori<br>3M26 Knife Throwing<br>3M27 Jeanine at Dauntless<br>4M28 Tris vs. Peter<br>4M30 Weapon of Choice<br>4M31 Climbing the Ferris Wheel<br>4M32 Capture the Flag<br>4M38 Simulation / Crow Attack<br>5M42 Simulation / Trapped Water<br>5M49 Tris Attacked / Four Saves Tris<br>5M56a Simulation of Four's Fears, Part I<br>6M63 Zombies<br>Tris Takes the Final Sim TestThis album is the best!! I Love the movie and the music makes it.Does anyone know about the live performance of Fallout ?That makes perfect sense and I fully agree with you :p
Science & Religion on the OST is comprised of 4m25a Black Tongue part A and 6m38 God Save Us. Hope this helps!I was never extremely gung ho about any of the films, but I do agree that there feels like a bit of charm was missing from this one. Especially in the tidy way everything wrapped up. I also found the villain to be extremely forgettable, basically a lesser version of Drago. But hey, at least the visuals were great.<br><br>And I do partially agree on the score, although I think it is hard to give a fair opinion until the music has actually been released. But while HTTYD1 has all of the best highlights and HTTYD2 (my personal favorite) has the best narrative development, I feel like this one works as a solid score on it’s own. The weakest of the three but still a pretty good score, if that makes sense.Can someone please tell me which parts make Science & Religion and the rest of the Original Soundtrack release?I have to say I'm a little bit disappointed, movie wise and score wise. Although it's a very good score, it seems like all the highlights are when old themes come back. I'll definitely have to check it on album to see if this impression holds up, maybe it's only because I'm overly familiar with those themes, and new ones still have to grow on me (like with litterally every Powell release).<br><br>As for the movie, it felt like the charm and beautiful story of #1 have partly been replaced by poor jokes and loads of explosive action. There are moving moments here and there, but overall it left me quite cold.Assuming McQ changing up the crew for newer installments applies to the composers too, I'd certainly like to see someone else take the mantle. Would be interesting to see David Arnold tackle a different sort of spy film, or John Ottman taking a stab at it.<br><br>Though if anyone were to return, it'll likely be Balfe, just from all the buzz Fallout got. Would love to see Kraemer again, but the supposed BTS issues make that unlikely.
You seriously mean to tell me "Light The Fuse" isn't fun or creative in the slightest? Probably is my favorite rendition of theme regarding just the films. III was certainly dull, but GP proved Gia had a voice for the series.<br><br>Balfe does do some cool things with The Plot, but I fail to see how his renditions of the main theme add anything new. Even the epic choir gets mostly dialed out in the final film. They're perfectly solid, but nothing that I'd say is great.I don't know if it's just me but the music doesn't sound as amazing to me like it did for HTTYD 1 & 2, granted i've only listened to the previews but i did the same for 1 & 2 and it got me hyped. I hope I'm wrongSo having seen the film I can say that this is tonally the most mature score of the series. The old themes all get their moment to shine, but surprisingly are used far less than the previous 2. There also seem to be some temped moments, with one scene using portions of “Battle of the Bewilderbeast” and so on. It will be interesting to see what is missing from the album.<br><br>In terms of new stuff, both “The Hidden World” cue and the “Fury Love Theme” are obviously the standouts. Especially in the way they develop throughout. And without spoiling anything, there are some beautiful choral moments in the last 15 minutes. As for the villain material, there wasn’t really anything distinctive that I picked up, which might change with a few listens.As everyone has said for the billionth time, NO. These are all unofficial fan-made edits or rips.Is this cd of the complete score available for purchase somewhere?
I loved it a lot like you and was searching and searching with no result for a long time.... and know what? Did not forget about it UNTIL NOW!!! It was in a change room at my fitness studio when I heard a very faint sound and was tunderstruck!!! The melody I was looking for for so long!!! And Shazam helped me out: it is a song from the christians from 1995 or so, called: Words! You‘re welcome :-)))and tracklist<br><br>Pictures. Visit the official movie website for more information.<br><br>Here’s the album track list:<br><br><br> <br>1. Serenity<br>2. The Beast<br>3. Suit<br>4. Karen<br>5. Baker Dill<br>6. Patrick<br>7. Memory<br>8. Deliver Me From Temptation<br>9. He Wants Justice<br>10. Girl at the Bridge<br>11. I Am the Rules<br>12. Plymouth Island<br>13. I Remember You<br>14. Catch That Fish<br>15. How We See It<br>16. Creator<br>17. Justice<br>18. Alternate Reality<br>19. It’s Dad<br><br>Saying Balfe has no imagination is beyond stupid. Take a listen at some of his work on animated movies (Home, or his work on KFP2-3), it's definitely not to work of someone without imagination.<br><br>On Fallout in particular, I honestly think he makes the best use of the classic themes in the series. That's maybe not "imaginative", as these themes aren't his, but it's definitely clever and not something every composer can do. Even an experienced guy like Michael Giacchino had 2 stabs at this franchise, and yet failed not only to give a memorable score, but also failed in using these classic themes in such a fun way.JohnWilliams Started out or rather got more into the realm of composing being doing Tv SHowsMeistermind - what’s wrong with being a TV composer ?<br><br>You sound like those idiots on Film music forum that think they know so much .The keyboard comment is exactly the nonsense said.<br><br>Fallout is one of the best action films ever in my opinion with a brilliant soundtrack.<br><br>
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Music ArrangerMusic Arranger
Klaus BadeltIan HoneymanAndrew Raiher
ComposerArrangerArranger
The Promise
Label: Superb Records
Length: 73'44
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7041 votes)
  1. Freedom Of The Wa (2:40)
  2. Wuji - Main Theme (3:45)
  3. Love Theme (2:13)
  4. Kunlun, The Slave (1:48)
  5. Qingcheng, The Princess (1:22)
  6. Guangming, The General (1:07)
  7. Wuhuan, The Duke (1:53)
  8. Princess Kite (5:03)
  9. The Promise (5:22)
  10. Snow Country (4:32)
  11. The Robe (8:04)
  12. Save The King (4:00)
  13. Guilang, The Assassin (2:24)
  14. Saving a Princess (3:17)
  15. Feather Fight (2:04)
  16. Waterfall (2:44)
  17. Stampede (4:45)
  18. Come Back (4:28)
  19. Birdcage (1:53)
  20. Wuhuan's Plan (10:20)
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feeer reply Replies: 0 || 2006-01-14 00:00:00
reeeer

JEffRONA****** reply Replies: 0 || 2006-01-12 00:00:00
Its like the rock with the last samurai.great!

Levente reply Replies: 0 || 2006-01-11 00:00:00
If I have to rate it. I'll give **** for the album and give ***** for Klaus Badelt. With The Time Machine this is his best.

mauro reply Replies: 0 || 2006-01-11 00:00:00
This is a great album from Badelt. Very interesting with an instrumentation similar to Zimmer's Last Samurai. I found it as a very enjoyable album to listen. It is a pure Media Venture production with impeccable action music writing and an excellent main theme. This is one of the best scores Badelt has produced to date and I hope that this step will lead him to bigger steps. I was a bit dissappointed with the final mastering of the album. The sound is a bit tiny, and actually sounds more like a production that has been done before 1995 (sound more like the sound before-The Rock). I always a more profound sound from the Media Venture group. This of course maybe some fault in my Cd but since the sound stays like that through out the whole album I think it is something to do with the production. This of course doesn't underestimate the music writing. Good work Badelt. Keep it up and keep giving us more works like this. Original and refreshing. In my opinion a much more great effort than Pirates of the Caribbean although that score really holds some entertaining and memorable melodies. Is it woth it to get this album? It depends on how you estimate Badelt and much more depends on how you estimate the efforts. For me its a 4 star out of 5.

Levente reply Replies: 0 || 2006-01-09 00:00:00
I know what I'm going to write here will be off topic but Zimmer wrote the music for the last Da Vinci Code trailer. If thats going to be the muisc, than it will be a hell of a score.

Anonymous reply Replies: 0 || 2006-01-09 00:00:00
Zimmer is not the composer of the last davidi code trailer.But im waiting for a hannibal type of score.

Levente reply Replies: 0 || 2006-01-09 00:00:00
It is an original music. Soundtrack.net says so, I even e-maild them and they said they asked Zimmer himself somehow.

Zimmerito reply Replies: 0 || 2006-01-08 00:00:00
I'm with Zed.Im not a great badelt fan...
but this score is epic,beautyfull and simply amazing.
Prince kite,Snow country and Stampede are a terrific tracks.
Its his best score since time machine.(the only good score since time machine).
Congratulations Klaus.You has composed one of the best scores of the year!
---Zimmer please give us A real orchestral score for Pirates of caribean.YOur tunes,your power,your crazyness with real full orchestra(without reverb or obvnius percusion)----

ZED reply Replies: 0 || 2006-01-08 00:00:00
Fantastic score! Finally Klause has wriiten some of his own original music. The only other original score he did was The Time Machine. K19 was a total ripp off of Gladiator and we all know that the themes from Pirates Of The Carribean were ripped straight from Zimmer's earlier action film scores...Still loved it though :) I can't wait for The Da Vinci Code by Zimmer! Peace to you all!

Levente reply Replies: 0 || 2006-01-08 00:00:00
The first track is beautifull, because of that I'm still unable to listen the whole album.

Gabriel Ascierto reply Replies: 0 || 2006-01-08 00:00:00
Excelent Score, very very good, a Badelt great epic adventure, like Time Machine or K19!!!

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The Promise soundtrack - Klaus Badelt 2005