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Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.
@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that timei saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?
Yeah that is true, canít argue there lol<br><br>And is it me or does ďCalypso Must Be ReleasedĒ sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.@MrTweedy<br>Thatís totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>Itís funny though, I feel like DMC is far more schizophrenic than AWE. Now donít get me wrong, I absolutely love DMC. Itís the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the ďrockínírollĒ sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!
i also think it is an underrated score. especially the action music has a couple of nice touches. i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene. the emotional music is nothing ground breaking, but a lovely listen.Y'know, it's funny. The big names that always get the most attention in film music are often not my favorite tracks of the scores they represent. Now We Are Free, Arrival to Earth, Like A Dog Chasing Cars, Star Wars Main Theme, Indiana Jones Main Theme, Infinite White, One Day, Circle of Life, The Fellowship. Though they are the most well known, they're usually nowhere near the peak of quality of their scores. <br><br><br>I noticed this the most in Hans Zimmer's concerts (not World of Hans Zimmer mind you). The parts he played from The Dark Knight Trilogy in particular usually had the least substance. Just the bombastic tracks. The only choice I agreed with was Time from Inception. There was no Am I Not Merciful, A Watchful Guardian, Sunrise Over Pride Rock, none of that. <br><br><br>Even with Star Wars, the main theme and the Force theme are solid pieces of music, but neither come close to the beauty of Princess Leia's theme, or the wondrous Yoda theme. <br><br><br>Same with Lord of the Rings. The Fellowship Reunited, Very Old Friends, Gollum, and The Breaking of the Fellowship are much more substantial pieces than The Fellowship Theme alone in my opinion. <br><br><br>Can't say anything about My Name is Lincoln because I haven't finished The Island score yet, but yeah. I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.Thanks guys, will check out these cues.Hmm, aside from "The Guardian Suite' I don't think I've heard any other tracks from this score. And I have a feeling I'm not the only one....lol.<br><br>Speaking of.........I would most definitely put "The Guardian Suite' right up there next to "Now We Are Free" and "My Name is Lincoln". It's *that* good and powerful. Shame that the movie is not as popular as The Island and Gladiator. If it was, that suite would've been one of the most popular film score tracks with millions of views on YouTube. It certainly deserves it.Very underrated score. As already pointed out by a couple of reviewers, it's a nice, little throwback to MV/RC's Golden Years and Trevor's own scores from 1997 to 2002. Give it a listen if you can. It's not long and it's worth it.
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Hans ZimmerGeoff ZanelliTrevor MorrisNick Glennie-Smith
ComposerAdditional MusicAdditional MusicConductor
Shark Tale (Complete Score)
Label: Unofficial Release
Length: 47'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4911 votes)
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  1. Lenny's Worm Compassion (Part 1) (0:25)
    Hans Zimmer
  2. Lenny's Worm Compassion (Part 2) (1:06)
    Hans Zimmer
  3. Handing Over The Business (2:09)
    Hans Zimmer, Geoff Zanelli
  4. A Cold Blooded Killer (0:22)
    Hans Zimmer, Geoff Zanelli
  5. She's Gonna Blow (0:25)
    Trevor Morris
  6. Soap In The Eye (0:21)
    Hans Zimmer, Trevor Morris, Ryeland Allison
  7. Sykes Gets Serious (0:33)
    Hans Zimmer, Trevor Morris
  8. Top Of The Reef, Here I Come (0:55)
    Hans Zimmer, Trevor Morris
  9. Dreams Can Begin Small (1:30)
    Hans Zimmer, Geoff Zanelli
  10. Eat This Shrimp (Part 1) (2:05)
    Frank Marocco
  11. Eat This Shrimp (Part 2) (1:45)
    Frank Marocco
  12. Sykes Had It (0:37)
    Geoff Zanelli
  13. Frankie Tries To Teach Lenny (0:45)
    Hans Zimmer, Geoff Zanelli
  14. Lenny Goes For Oscar (0:25)
    Hans Zimmer, Geoff Zanelli
  15. Frankie Attacks (0:24)
    Clay Duncan
  16. Fallen Anchor (0:53)
    Geoff Zanelli
  17. Oscar Sting #1 (0:09)
    Geoff Zanelli
  18. Oscar's Story (2:35)
    Hans Zimmer
  19. Funeral Source (0:35)
    Hans Zimmer
  20. Frankie's Funeral (2:03)
    Hans Zimmer, Geoff Zanelli
  21. Angie & Oscar On The Balcony (1:41)
    Hans Zimmer, Geoff Zanelli
  22. Sharks! (0:17)
    Trevor Morris
  23. Go Get Them, Tiger (0:22)
    Hans Zimmer
  24. The Kelp Fields (3:40)
    Hans Zimmer, Geoff Zanelli
  25. Infiltration (1:08)
    Hans Zimmer
  26. Confessions Of A Vegetarian (2:07)
    Hans Zimmer
  27. Oscar Enters Warehouse (0:14)
    Geoff Zanelli
  28. How Could You Lie To Me? (0:58)
    Hans Zimmer
  29. That Shark Slayer's Crazy (0:14)
    Hans Zimmer, Trevor Morris
  30. Mock Fight (2:39)
    Hans Zimmer, Trevor Morris
  31. Watching The Shark Slayer Make Out (0:17)
    Hans Zimmer
  32. I Wanna Be Somebody - You're A Joke (1:22)
    Hans Zimmer
  33. I Don't Think This Is Gonna Work Out (0:30)
    Hans Zimmer, Trevor Morris
  34. Forget About It - This Is All My Fault (1:24)
    Hans Zimmer, Geoff Zanelli
  35. Oscar Sting #2 (0:06)
    Geoff Zanelli
  36. Lina Enters Sitdown (1:23)
    Hans Zimmer, Geoff Zanelli
  37. Lenny Grabs Angie (0:11)
    Geoff Zanelli
  38. Oscar Time (0:55)
    Hans Zimmer
  39. Lenny's Disguise Is Revealed (1:08)
    Hans Zimmer, Geoff Zanelli
  40. Lino Charges (2:18)
    Hans Zimmer, Trevor Morris, Ryeland Allison
  41. Out Of The Bubble (0:08)
    Hans Zimmer
  42. I'm Not The Shark Slayer (2:56)
    Hans Zimmer
  43. Soap In The Eye (Alternate) (0:21)
    Trevor Morris, Ryeland Allison
  44. I'm Not The Shark Slayer (Alternate) (1:10)
    Hans Zimmer
Create Topic

Mr. Charles reply Replies: 0 || 2012-08-21 02:37:58
Fake?

Lasse reply Replies: 0 || 2010-04-09 00:00:00
there is a new Hannibal bootleg soundtrack whit soundtracks like :

-Lecter hunt
-Bring him home
-Investegation
-Eating the Nurse
-An Der Schonen
-The Abducting
-Come After You
-Aftermath
-Adjust To The Darkenss

Lasse reply Replies: 0 || 2010-03-14 00:00:00
gunplay is made by clay duncan and is the bass song that the "gangsters" are playing in the car in the begining of the movie

Mr Tweedy reply Replies: 0 || 2009-07-19 00:00:00
Weren't Rendez-Vous and Remembrance the cues from Hannibal featured on Jim Dooley's Website 4 or 5 years ago ?

V reply Replies: 0 || 2009-04-06 00:00:00
Lets just keep our eyes out for Gunplay.

V reply Replies: 0 || 2009-04-05 00:00:00
Seent Of Lecter
Lecter Kidnapped
Bring Him Home

I know these tracks were in the movie (Because I've heard them and have them), so I'm assuming Rendez-vous and Remembrance were in it too. Probably the fishmarket scene, and the aftermath of it.
Either way, how would you know if those two were not in the movie, Skyler?

Skyler reply Replies: 0 || 2009-04-05 00:00:00
Because I have this bootleg and have seen the film multiple times. The three tracks you mentioned are the only real unreleased tracks from the film, and they were available from some of Steve Jablonsky's and Geoff Zanelli's promo albums (see GZ's "Music for Film and Television" - I can't recall the name on which SJ's track appears).

According to IMDb, there exists a song called "Gun Play" by Clay Duncan and I'm assuming this could be the music for the fish market sequence - However this has never been released (even on the newer bootleg) and I suspect the only way to hear it might be on one of his unreleased promos.

But to answer your question more directly, I'm pretty sure "Rendez-vous" and "Remembrance" consist of Steve Jablonsky's alleged alternate tracks. I cannot say with full certainty that his "alternate tracks" were composed for the film (or even composed by Steve Jablonsky). They don't sound at all like Jablonksy's other work and don't fit in with Hans Zimmer's score. The three tracks you mentioned were by Steve Jablonsky and Geoff Zanelli, but they still kept it in continuity with the rest of Hans Zimmer's material. Regardless as to who composed them, the bottom line is that they were not featured in this film.

It's unfortunate that music as good as this should suffer such bad releases. :(

V reply Replies: 0 || 2009-04-05 00:00:00
Ok thanks for the info.

Skyler reply Replies: 0 || 2009-04-03 00:00:00
Many of the tracks on this bootleg don't even appear in the film at all.

This and all the other hannibal bootlegs listed on this site are just different arrangements of the regular soundtrack, with some "unreleased" music that came from a completely different movie. Don't bother looking for any of these.

However, last month a new Hannibal bootleg has circulated that does include some real unreleased music from the film, including a version of the infamous "Pazzi theme." The Anthony Hopkins dialogue bits are still there, but it does include a few minutes of new music that make it worth looking for.
It's not a complete bootleg or a recording sessions by any means, but it's certainly better than these.

V reply Replies: 0 || 2009-04-03 00:00:00
what is remembrance and rendezvous? I mean what parts are they in the movie?

adriana reply Replies: 0 || 2009-02-10 00:00:00
Dear Hans

I love your tracker in this film, Thank you !!!

lasse reply Replies: 0 || 2008-03-31 00:00:00
Lasse= ridlazz :P

Lasse reply Replies: 0 || 2008-03-31 00:00:00
Kusi81= what si the so called "Pazzi Theme" called ?????
the music when he is sitting at the bridge ?????

kevin reply Replies: 0 || 2008-03-29 00:00:00
you guys are no real fans by hans zimmer. i you where you would share the music, not just hold it for your self.
i share music, thanks to many muisc bloggs i have found many CD-s whit black hawk down muisc, and i share it whit everybody who want it.
but kust keeping the soundtrack for your self. thats bad

ridlazz reply Replies: 0 || 2008-03-23 00:00:00
but if there is a Pazzi theme in the world, wich name wouls it perhaps had ???????????????

ridlazz reply Replies: 0 || 2008-03-22 00:00:00
yes its a great cue.

thanks any wat Kusi81 :)

and the pazzi theme i have loved and remembered in sins first time i saw the movie ;)

Kusi81 reply Replies: 0 || 2008-03-10 00:00:00
This music isn't available... I've rip it from the dvd with minor sfx... great cue! ;)

ridlazz reply Replies: 0 || 2008-03-09 00:00:00
pleeeeeez answer my question !!!!!!!!!!!!!

is the music when Pazzi is sitting on the bridge in this album ???????

i need to know if that soundtrack is exsist.
pleeeeeez anybody, if somenody tell me i would sleep better then i have done to now. i cant stopp think about the "pazzi theme" pleez anybofy tel me. is that soundtrack in this album ?

fateme reply Replies: 0 || 2007-01-20 00:00:00
i heard u re soundtracks by my man he showed me your music mr hans zimmer you are the biggest composer just forever

ARASH reply Replies: 0 || 2007-01-19 00:00:00
THE GREATEST COMPOSER OF ALL TIMMES EVER
YOU ARE VERY BEST HANS ZIMMER

jovao reply Replies: 0 || 2007-01-17 00:00:00
Absolutly the best, the music mixed with the dialogues.
somebody can help me for finf the dialogue by DEAR CLARICE ? the song forom the soundtrack, no the dialogues.
thanks. jovao

Peter John Varga reply Replies: 0 || 2007-01-03 00:00:00
When i First listened to this soundtrack i was totally blown away with it. Ibelive it to be some of your best work and is one of my fave cds in my collection. the music can be quite haunting and it accomplanies the film perfectly. vide cor meum was in my opinion the best track on this album it moved me and inspired me.
thank you for such an amazing soundtrack

Mikel Carmona S.i.W reply Replies: 0 || 2006-06-21 00:00:00
A great score Mr Zimmer. Fantastic and beuatifuld melody. You are the King Hans. My regards to you from Spain!! S.i.W

Jr COmposer reply Replies: 0 || 2006-04-25 00:00:00
I love the dialogues, Sir Anthony Hopkins makes it even better!

Sylvos reply Replies: 0 || 2006-03-15 00:00:00
Ya, it sounds magnificent!
Guess I have to start hunting for this new bootleg now!

Still, I'm too dissapointed to find Hannibal albums mixed with dialogues. I know the dialogues were performed fine, but I perfer the music better. Hopefuly, a proper, non-dialogue version will come around soon.

Thanks for the info Antas!

Antas, Webmaster reply Replies: 0 || 2006-03-15 00:00:00
This one does contain dialogues too unfortunately. However, track 10 is interesting (see mp3 extract)

Sylvos reply Replies: 0 || 2006-03-14 00:00:00
What is the difference between this and the old bootlegs? Is it true that this has all the music and there is no dialogue included? In the old bootlegs they just cut the parts with dialogues, what abou this one?

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Shark Tale (Complete Score) soundtrack - Hans Zimmer 2004