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You gotta realize one thing, this score is US recorded so every new 15 min of score you release, you gotta pay back reuse fees. So it's very complicated & costy and that's why they released "only" 15 min of extra score.<br><br>If it was recorded in the UK, they could have released 2 hours of bonus tracks it wouldn't have cost anything more... :)<br><br>As for a chrono order, since all cues are mixed together in different tracks in the OST, it gets complicated... It works like that :<br><br>ARTHUR => Theme Suite + 5m30 + 1m05<br>KINGDOM OF ATLANTIS => 3m20-21<br>IT WASN'T MEANT TO BE => 1m01 + 1m04B<br>ATLANTEAN SOLDIERS => Theme Suite + 5m33 + 2m12<br>WHAT DOES THAT EVEN MEAN? => Theme Suite<br>THE LEGEND OF ATLAN => 6m39 + 4m23<br>SWIMMING LESSONS => 3m19 + 3m19B + 3m19C<br>THE BLACK MANTA => Theme Suite + 9m69<br>WHAT COULD BE GREATER THAN A KING? => 7m54 + 7m55 + 7m55A<br>PERMISSION TO COME ABOARD => 9m64 + 2m07<br>SUITED AND BOOTED => 8m57 + 8m59<br>BETWEEN LAND AND SEA => 7m51 + 8m61<br>HE COMMANDS THE SEA => 8m60 + 9m65<br>MAP IN A BOTTLE => 6m42 + 8m56<br>THE RING OF FIRE => 5m29 + 8m62<br>REUNITED => 9m68<br>TRENCH ENGAGED => 7m52<br>MERA MONTAGE => 6m43B + 6m48<br>HOME INVASION => 1m04 + 3m15<br>SAVING POPS => 3m18<br>AHAB WAVES => 3m17 + 2m06B<br>ASK THE SEA => 2m08B<br>OBLIGATION => 5m32<br>DUNES => 5m37-38Heitor Pereira, Satnam Ramgotra and Richard Harvey are credited musiciansSounds like a Zimmer version of the Top Gun Anthem to me. Whoever did it, it works!me who seldom watch any of these superhero movies and remakes went and saw the new aladdin last weekend.<br><br>based on my own experience of that remake i have come to the conclusion that maybe some of the reviewers are stuck-up and not open-minded? i did enjoy the new takes on some of the songs. the new movie felt like that. a new different movie to me. <br><br>i decided that i will go and watch these movies for myself now. and i would not watch (or listen to original scores) in advance to build up expectation. i will go and enjoy my time and the songs.<br><br>that's all &#175;\_(&#12484;)_/&#175; you can't please everyone.To be honest. I love the bonus score tracks, nut those remixes are a wazte of disc soace in my opinion. I would've rather have 20 extra minutes of score.<br><br>Let the Complete Score come!
For everyone that's heard it, is the Deluxe Edition worth a double dip?@Hybrid is this the combination of FYC promotional score + official release by LLL?Use your hybrid skills to unravel the mysteries of the score.Cuesheet is blank.oh yes please, including Balfe - don´t start yelling, I´m just really curious who did what
Finally! It would be nice to have composers credits@DT<br>Disney definitely tries to put quality into their projects, which is why I admire them. As you’ve said, WDAS and Pixar are both churning out some excellent and original films. Even Marvel, despite its formula and flaws, tries new things with the films and stick closely to the source material. <br><br>The problem with the remakes is that they seem to be nothing more than cash-grabs that prey on nostalgia. If you are going to retell a beloved story at least try something different and exciting, instead of trying to copy/paste what everyone has seen.This is where I wish we could edit our comments.<br><br>Not only do you have WDAS doing mostly-new movies (I hesitate to say 'original') but you have Pixar doing them as well. Toy Story 4 was their last sequel for the foreseeable future, with them even eschewing the popular option of doing an Inside Out sequel for original projects.I feel like people are overreacting in a way that suggests these remakes have far more power than they actually do. The studio that makes them is separate from every other studio. WDAS is still creating new content and will be for many, many years to come, long after the remakes have had their heyday.<br><br>If anything, the proliferation of superhero films is far more likely to drown out originality on that front: there are multiple studios doing it.Order I went with for the album<br><br>Everything I Need (Film Version)<br>Arthur		<br>Home Invasion (Bonus Track)<br>It Wasn't Meant To Be<br>Permission To Come Aboard<br>Ask the&#8239;Sea (Bonus Track)<br>Atlantean Soldiers<br>Ahab Waves (Bonus Track)<br>Saving Pops (Bonus Track)	Soundtrack	0	1<br>Swimming Lessons	<br>Kingdom of Atlantis<br>The Legend of Atlan	<br>The Ring of Fire	<br>What Does That Even Mean?Soundtrack	0	<br>Obligation (Bonus Track)	<br>Dunes (Bonus Track)	<br>Map In a Bottle<br>Mera&#8239;Montage	<br>The Black Manta	<br>Trench Engaged (From Kingdom of the Trench)	Soundtrack	0	<br>Reunited		<br>What Could Be Greater Than a King?<br>Suited and Booted		<br>Between Land and Sea		<br>He Commands the Sea	<br>Ocean To Ocean (feat. Rhea)	<br>Everything I Need		<br>Suited & Booted (Our Empire Remix)<br>The Black Manta (feat. Jim Davies) [Future Funk Squad Remix]<br>Atlantean Soldiers (Glen Nicholls 'March In Formation' Remix)	<br>Kingdom of Atlantis (Glen Nicholls 'Escape to Atlantis' Remix)
Same here. The cue I want the most is “We Strike First”.@Edmund<br>I can’t agree enough. These remakes suffer from the issue of being inferior to the original source material, mainly because they rely so heavily on copying the originals so heavily. I’m not necessarily against Disney updating their classics if they are willing to do new takes on the material. Take Jungle Book for example; they were able to do something fresh with the concept while keeping elements of the animated film. Even Maleficent, which I’m not crazy about, tried something new. <br><br>Another BIG issue I’ve noticed is the fact that they lean towards hiring actors who cannot sing, or at least cannot sing on the level required. Emma Watson, Will Smith, Chiwetel Ejiofor, etc.Best shot <br>It wasnt meant to be<br>Home invasion<br>Ahab waves (0:39-end)<br>Permission to come aboard?<br>Ask the sea<br>Ahab waves (0:00-0:38)<br>Saving pops<br>Swimming lessons<br>Kingdom of atlantis<br>Legend of atlan<br>Ring of fire<br>What does that even mean?<br>Ocean to ocean<br>Obligation<br>Dunes<br>Map in a bottle<br>Black manta<br>Mera montage<br>Between land and sea<br>Trench engaged<br>What could be greater than a king?<br>Suited and booted<br>He commands the sea<br>Reunited<br>Everything i need<br><br>"Arthur" and "Atlantean Soldiers" are probably suitesJust want shrike death cue!I feel as though Menken did a bit more to differentiate his 2017 Beauty and the Beast from the 1991 one. The major pieces like "Prologue" and "Transformation" were left relatively intact but otherwise the rewrite was a bit more substantial than what Zimmer and crew did here. Compare the final battle music from the original (which consists to a large degree of upbeat instrumental versions of "Be Our Guest") to the remake (which is largely serious, straightforward orchestral action music). I haven't heard his new Aladdin so I'm not sure what the old:new ratio was there.<br><br>I'm not necessarily complaining, this is basically what I expected the score would be from the moment it was announced. The problem lies deeper, with the entire premise of these pointless remakes that allow very little wiggle room for freshness or creativity. Of course, I have no doubt this movie will make north of a billion dollars and give the Disney execs further license to print money. Maybe by the time they've remade every single film in their vault enough time will have passed that they can just start from the beginning again and nobody need ever be subject to the indignity of an original story ever again.
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Additional Music - Choir Conductor
Hans ZimmerJim DooleyNick Glennie-SmithBlake Neely
ComposerAdditional MusicAdditional MusicAdditional Music
The Da Vinci Code
Label: Decca Records
Length: 68'03
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (26748 votes)
  1. Dies Mercurii I Martius (6:03)
  2. L'Esprit Des Gabriel (2:48)
  3. The Paschal Spiral (2:49)
  4. Fructus Gravis (2:49)
  5. Quodis Arcana (6:07)
  6. Malleus Maleficarum (2:19)
  7. Salvete Virgines (3:14) *
  8. Daniel's 9th Cipher (9:31)
  9. Poisoned Chalice (6:19)
  10. The Citrine Cross (5:22)
  11. Rose Of Arimathea (8:12)
  12. Beneath Alrischa (4:23)
  13. Chevaliers De Sangreal (4:07)
  14. Kyrie For The Magdalene (3:55) **

*Written by Hans Zimmer, words by Abhay Manusmare

**Written by Richard Harvey
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cureious cretin reply Replies: 0 || 2006-06-03 00:00:00
the kyrie that is

curious cretin reply Replies: 0 || 2006-06-03 00:00:00
the chevaliers is purty gud but I wanna no wen the SATB + soloist score will be available to buy! I want one of my choirs to sing it! please gimme link or wotever email me at duffybros@jbarn.wanadoo.co.uk

D. Anthony reply Replies: 0 || 2006-06-03 00:00:00
Zimmer's score for "The DaVinci Code" is far and away the finest neo classical work today. In an effort to reach the viewers' less pedistrean self, Zimmer creates a locus for the meeting of a series of "God notes", a thema that trancends the earthly realm and transports the listner to a more enlightened plain through the absolute beauty of his work. Bravo Herr Zimmer!

spiros reply Replies: 0 || 2006-06-02 00:00:00
how it looks;hans zimmer and howard shore;

Anonymous reply Replies: 0 || 2006-06-01 00:00:00
I also love this score, especially "Chevaliers De Sangreal". It is a strong track on its own but when watching the movie it unfolds its power even more - just a perfect emotional end track. I love the way how Hans Zimmer raises tension in his scores that keeps you out of breath and then suddenly releases it with a single deep note. it makes me always feel like "wow!".

Jas van Januch reply Replies: 0 || 2006-06-01 00:00:00
I`m writing from Poland. I`m a dj and I usually don`t listen classical music, but I must say that I`m impressed and fascinated of Mr Zimmer productions. Lately I went to cinema to see The Da Vinci Code. Music just killed me and blow me out from my chair - so awesome it was!!! I got already soundtracks from Gladiator, Last Samurai and Da Vinci Code.. and these are the ONLY soundtracks that I have. Great job Mr Zimmer for "Chevaliers De Sangreal" (The Da Vinci Code track 13), awesome tune!!! I enjoy listening it in my club at full speakers power :-)

Greetz,
Jas van Januch
(dee-jay@gazeta.pl)

Anonymous reply Replies: 0 || 2006-06-01 00:00:00
Im write from Mexico; and let me tell you: -YOUR SONGS ARE GREAT- and its awesome this of the DaVinci Code.

DJTranceBass reply Replies: 0 || 2006-05-30 00:00:00
"Chevaliers De Sangreal"
this is the greatest song of the world !!!

mcspade reply Replies: 0 || 2006-05-30 00:00:00
i agree djtrancebass
hillarious, great, wonderful song

kerem kobul reply Replies: 0 || 2006-05-29 00:00:00
this is great. It is a new materpiece. the best soundtracj since the last samurai. again wonderful and unique.

EeTee reply Replies: 0 || 2006-05-28 00:00:00
Hi,

I must say this is a gripping piece of work, nothing sounded so beautiful to the ears for me since Mozart's Requiem. Does anyone know where to find the words for 'Salvete Virgines' and ' Kyrie for the Magdalene'? if anyone does can you send an E-Mail to me? thnx

My E-Mail: tai123edwin@hotmail.com

Mauricio_S - Brazil reply Replies: 0 || 2006-05-28 00:00:00
"Chevaliers De Sangreal"

what was that ??? I got scared !! thank you !!

Mariana reply Replies: 0 || 2006-05-28 00:00:00
A perfect soundtrack, for a wonderfull movie. Love the way, zimmer plays with the notes.
My congradulations. Spectacular!
P.s - Sorry the poor english.

Rafael Merino, NY Latino Journal reply Replies: 0 || 2006-05-26 00:00:00
The score throughout the film is beautiful yet subdued with a soaring gloom. It is less inspiring and more mood than I anticipated. “Chevaliers De Sangreal” (trk 13.), however, knocks your heart out through your chest cavity. It is like riding a kiddy roller coaster, cute fun and all, and suddenly it jumps the tracks and flies through the Grand Canyon.

Giulia reply Replies: 0 || 2006-05-26 00:00:00
d++, mto bom! Esse cara eh foda! perfeito

valentin.piros@gmail.com reply Replies: 0 || 2006-05-26 00:00:00
The ability of Mr. Zimmer to find always the right mixture between movie subject and human feelings is a very well done job.
Now, in his best years, the excellent results of his works, show us that also in the future we will have the silent pleasure to listen and to admire the results of the special gift that the nature gave to him, as an exceptional composer.

Matt J reply Replies: 0 || 2006-05-25 00:00:00
I absolutely LOVE the music from this soundtrack. As soon as I saw the movie I went home to find out who the composer was and as soon as I saw is was Mr. Zimmer i bought the CD and have listened to it many times in the few days that I've owned it. Mr. Zimmer I absolutely love the music that you write. Thank you.

ZED reply Replies: 0 || 2006-05-24 00:00:00
The music that is on the website is loops put together from Apple Mac Grarage Band Orchestra Loops. :)

Julien reply Replies: 0 || 2006-05-24 00:00:00
hi,
i listen to the score about 10 times before the release of the movie on may 17, 2006 in France (lucky we are) : i was ready ! Today, after seeing the movie 4 times (5th in a week) & listening to the score twice a day, i can tell you that Hans, why you write this score ? i can't refind my way after the last scene of the movie : impressed at 1st time, freezing at the 2nd time, crying at the third, the 3 at 4th view : i can't imagine me at the 5th ;-) cheValier of sangreal is THE track : thank you Hans !

David Srbecky reply Replies: 0 || 2006-05-23 00:00:00
Have you seen the movie reviews at IMDb? Many people really critize it, drag it through dust and what to burn it, but in the end they always say something like "it was just the music preventing me from walking out of the theater."

kuul reply Replies: 0 || 2006-05-22 00:00:00
Szuper a film mar 3szor lattam, a vege a kedvencem! The end is my favorite I see the film 3 times... Once in hungarian and twice original...

Diego reply Replies: 0 || 2006-05-22 00:00:00
Excelentes y vibrantes coros... orquestacion que hace vibrar hasta el último reducto del cuerpo y mente humanos... una excelente creación del maestro Zimmer. Gracias por hacernos disfrutar a todos en su escucha, sigue asi!!!.

YOU'RE THE BEST ZIMMER, WE NEED YOU!!!!!!!!

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tom reply Replies: 0 || 2006-05-22 00:00:00
what a smashing finish of the film with the final theme, fantstic job!!

Ivan from Palermo - ITALY reply Replies: 0 || 2006-05-22 00:00:00
I think that this sound track is something of sublime! the style of Hans Zimmer is inimitable, she you succeeds always to thrill the public as no-one in the world! you be the better composer, arranger, and conductor of the world!!! THANKS!!!

NUNO PEIXOTO reply Replies: 0 || 2006-05-21 00:00:00
THE SOUND TRACK IS 50% OF THE FILM.FANTASTIC.

Alexandre Véguer reply Replies: 0 || 2006-05-20 00:00:00
The music is very genious.
Thank you Hans Zimmer.

a-ha fan reply Replies: 0 || 2006-05-18 00:00:00
I thought a-ha's 'Celice' was going to be included??

Suicune reply Replies: 0 || 2006-05-16 00:00:00
This really has to be one of the best soundtracks of the year. A very mysterious music and very well to be performed at an opera. I read the book and I think that the music fits very well with it. I am really sure that this soundtrack will be nominated at World Soundtrack Award and, why not, at the Golden Globes. Thank you, Mr. Zimmer. Keep on the good work.

Lina reply Replies: 0 || 2006-05-15 00:00:00
where do I find the solists names?

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The Da Vinci Code soundtrack - Hans Zimmer 2006