"Kyrie For The Magdalene" Words & Music by Richard Harvey
"Salvete Virgines" Music by Hans Zimmer Words by Abhay Manusmare Bonus Track Does Not Appear In Film
Music Composed, Arranged & Produced by Hans Zimmer Executive Album Producers: Ron Howard, Brian Grazer & John Calley Executive in Charge of Music for Columbia Pictures: Lia Vollack Spe Music Supervisor: Bob Badami
Music Conducted by Richard Harvey Choir Conducted by Nick Glennie-Smith Music Recorded by Geoff Foster Music Mixed by Al Clay Album Mixed by Alan Meyerson
Spe Music Consultant: Daniel Pinder Music Editor: Simon Changer Ambient Music Designer: Mel Wesson Score Arranged by Lorne Balfe, Nick Glennie-Smith & Henry Jackman Latin Lyrics & Choir Arrangements: Graham Preskett
Soloists Soprano: Hila Plitmann Cello: Martin Tillman Violin: Hugh Marsh Historic Stringed Instruments: Richard Harvey Vocals: Delores Clay Viols: Fretwork
Orchestra Leader: Gavyn Wright Soundtrack Album Compiled by Mark Wherry Musicians' Contractor: Isobel Griffiths Ltd Music Production Services for Remote Control Productions: Steven Kofsky Music Preparation: Tony Stanton Booth Reader: Michael Price Music Recorded & Mixed at Air Studios, Lyndhurst Hall Album Mastered by Louie Teran at Marcussen Mastering, Hollywood, CA
Choir Contractors: Robert King for The Choir of the King's Consort & Jenny O'Grady Air Studios Assistant Engineers: Chris Barrett & Jake Jackson Technical Magic & Wizardry for Remote Control Productions: Thomas Broderick Sample Guru for Remote Control Productions: Bart Hendrickson Executive Assistant to Hans Zimmer for Remote Control Productions: Andrew Zack
Chairman, Universal Music Classics Group: Chris Roberts Music Business Affairs for Columbia Pictures: Shelly Bunge & Paul Friedman Music Business Affairs for Universal Music Classics Group: Sheryl Gold A&R Direction: David Novik A&R Administration: Evelyn Morgan Soundtrack Coordination for Universal Music Classics Group: Meredith Friedman & Paul Altomari
Hans Zimmer would like to thank: Ron Howard, Brian Grazer, Todd Hallowell, James Dooley, Blake Neely, Bruce Fowler, Akiva Goldsman, John Calley, Lia Vollack, Raul Perez, Dan Hanley, Mike Hill, Kevin O'Connell, Greg Russell, Louisa Velis, Abbey Road Studios, Slamm Andrews, Jeff Biggers, Tiffany Bordernave, Dan Brown, Justin Burnett, Alison Burton, Ronni Chasen, Clay Duncan, Walter Fowler, Michael Gorfaine, Katie Greathouse, Harry Gregson-Williams, Rupert Gregson-Williams, Daniel Heath, Cheryl Howard, James Newton Howard, Charlene Huang, Steve Jablonsky, Allie Lee, James S. Levine, Michael Levine, Tristan Lillingston, Abbie Lister, Henning Lohner, Christina Mansky, Matt Margeson, Sandy McLelland, Suzette Moriarty, Trevor Morris, David Novik, Heitor Pereira, Chris Roberts, Helen Rosslyn, Czarina Russell, Sam Schwartz, Mike Simon, Shalini Singh, Chris Strong, Greg Vines, Matt Ward, Ryan A. Watkins, Geoff Zanelli, Suzanne Zimmer, & The Mini Z's, Zoe Zimmer & Brigitte Zimmer
Thanks to: Monica Brautovich, Candace Carlo, Valerie Caton, Larry Kohorn & R. Diane McKain
Release date : 05/09/2006
Write your own comment here (in english please)
This zone is only to post comment, not to ask for CD downloading, copying or trading ! Each comment can be possibly edited or deleted to ensure it is suitable for public presentation.
Celice is a single from the latest album "Analogue" by A-Ha (composed by Magne Furuholmen/ Martin Terefe -- lyrics by Magne Furuholmen). They just used this song on the film -- it was not composed specially for it.
Celice by a-ha should have teamed up with the film,A-ha are a very misunderstood band but they had a great track for the Da Vinci code which has sadly lost its way,I'l bet there was money invloved or Lack of?Hans is good though but A-ha Would have been fantastic!
On our News from February, the 27th, we put an extract from a Jim Dooley's Interview ; we could read : "Hans has all ready... pardon the pun... cracked the code, so to speak. Before I came in to lift a finger, he'd written a 700-bar suite for this score, it's pretty breathtaking, my participation in this is not so much the upfront writer, but more the extension due to the slightly accelerated schedule of production, we've been scoring four weeks from yesterday, so it's pretty tight."
Myotis , Hans is the composer of the soundtrack so he's of course an arranger of the score :) Dooley's an additionnal composer ( additionnal music) for this score right.
Richard Harvey also composed the last song "Kyrie For The Magdaleine" ( strange this track isnt listed on this page )
From here you can find quite a lot of information on the soundtrack: http://www.iclassics.com/productDetail?contentId=64530
And here I have gathered the sound which I hope is from the Soundtrack by Hanz Zimmer which is played as background music for the site of the film. The Style is Zimmer's Style and if the vocals in the soundtrack are going to be this smart, therefore we're in for a big one from Zimmer. Here are the highlights as one mp3:
Those who are interesteed in this score should visit the da vinci code site: http://www.sonypictures.com/movies/thedavincicode/
There are some really good excerpts from the score in the background and if you give some time and then click on the da vinci gallery you have some more music. Some very good vocal parts of the score could easily be heard in the trailer.
To finish up the tracklist given in the site contains another track: 14. Kyrie For The Magdalene
I still have my doubts about some names altough they are in Latin, I could still follow them and they don't seem to follow the book. I hope that the film is truthfull to the book... This might be one of the best scores Zimmer might have produced considering the parts I have listened from the site
Any idea as to when he will release some samples? Because if I remember right, Harry Gregson-Williams did that with his Narnia score before the soundtrack even came out.
Because August 5 is a bit far off.... usually soundtracks are released before the movie. (In my experiance, that is).
I do hope that they won't include any dialogues into this one like they did for Hannibal. No matter how well it's performed, the dialogues never really work for me and I find them irritating.
4/5
Create Topic