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Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?Just saw Maleficent 2. There is a lot more Newton Howard in the movoe than there is on album.<br>I actually can't really understand why they didn't include the reprise of The Christening (the dinner scene) & the finale in the movie.<br><br>Zanelli's score is wonderful and I love it very much. But would have loved this on albumI can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensationBalfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.
I really liked Richter’s score over balfesI listened Max Richter for years. He is the kind of select or minority composer who does his solo works and soundtrack for movies not so famous. <br>His solo works are really really good with quintet and piano and voice. "on the nature of daylight" is definitely the best. <br>His sountrack is not good as his solo, to be honest. I think "the Leftovers" (2014-2017, HBO series), "Miss Slaone" (2016) and "Mary Queen of Scots" (2019) are cool.<br>If you need some peaceful music for meditation or good sleep, listen to his work.Richter did his recording in january and june 2019. The Director himself is a fan of Richter, so the deadline and director are not the reason.<br>It seemed that producers were not satisfied with Richter's music and they wanted something new, that's why they got Lorne. It turned out Lorne brought a very limited new...@Cercei<br>Hybrid can definitely answer that best. Richter’s score is used (alongside Balfe’s material) as well as some source pieces. If I remember correctly it’s a mish-mash of the two.I do know that piece, it’s very pretty. I’ll check out his other works, thanks for the recommendation. In terms of minimalism I really am into Brian Eno at the moment. His “Music For Airports” and “The Lovely Bones” are excellent if you like more introspective music.
btw, you're saying Lorne recomposed and reworked the entire score. as i haven't seen the movie yet, did the producers end up with not using richters score for it at all and just used the score from Lorne?thanks for your information. but i actually don't understand why they have done that. i've heard now Lornes cues and Richters cues. all those cues from Lorne, they sound very similiar to that what Richter composed, but somehow with less melodies. And you really have to work hard to not use fewer melodies then Richter, as he's a minimalist at its best ^^ with that being said, i can't hear any groundbreaking differences from Lornes part, so what was their idea on hiring it and getting the same style of music, but in a more "light" version? :/i really admire Max Richters work, he isn't that new in this scene. his style is that repeating minimalism. maybe you've heard once the cue "on the nature of daylight" which was used a lot by many other movies. his last score which knocked me out was "Hostiles". such an emotional and intense score, you need to hear that, and probably see the movie as well (with Christian Bale). <br><br>Really surprised at this album, I’ve never really heard anything from Max Richter but I really like what he ended up writing for this score. It surprisingly flows well for a stand alone listen. It’s funny that the producers wanted a different approach, I think Richter nailed it.<br><br>Balfe’s contribution is excellent as well, I particularly like that repeating chord progression (which is starting to become one of his trademarks considering how many times he has used it). It’s disappointing that they didn’t include more of his contribution though, since he apparently rewrote the entire score.Lorne said in his Twitter, the first album for His Dark Materials come 3rd November, no date, for the moment, for the second album.
Was the producersi haven't understood the fact, that Lorne was involved in this. Can someone explain it for me? Was the director not satisfied with Richters music? Was the deadline too near? Or what was the reason why they have brought Lorne to this project?"The Wanderer", "Event Horizon", "You Have To Let Me Go" and "Tuesday (Voiceless)" = WOW WOW WOW!!!Zanelli is no James Newton Howard, but he did a fantastic job with writing a large scale fantasy score. I’ll even say that, while I think the first Maleficent is stronger overall, I personally like the action writing better here. Also 2 little things I’ve noticed;<br><br>1. The new theme here sounds fairly similar to the Father/Son tune from KFP3<br>2. 2:20-3:30 sounds like it may have been temped from the finale of Fantastic Beasts. (Or maybe I’m just crazy lol)Great work of Zanelli, if is not as good like JNH's Maleficent, is a tremendous work, with a terrific writing and orchestrations, even the most tender parts are terrific.
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Additional Music - Choir Conductor
Hans ZimmerJim DooleyNick Glennie-SmithBlake Neely
ComposerAdditional MusicAdditional MusicAdditional Music
The Da Vinci Code
Label: Decca Records
Length: 68'03
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (26797 votes)
  1. Dies Mercurii I Martius (6:03)
  2. L'Esprit Des Gabriel (2:48)
  3. The Paschal Spiral (2:49)
  4. Fructus Gravis (2:49)
  5. Quodis Arcana (6:07)
  6. Malleus Maleficarum (2:19)
  7. Salvete Virgines (3:14) *
  8. Daniel's 9th Cipher (9:31)
  9. Poisoned Chalice (6:19)
  10. The Citrine Cross (5:22)
  11. Rose Of Arimathea (8:12)
  12. Beneath Alrischa (4:23)
  13. Chevaliers De Sangreal (4:07)
  14. Kyrie For The Magdalene (3:55) **

*Written by Hans Zimmer, words by Abhay Manusmare

**Written by Richard Harvey
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Mario reply Replies: 1 || 2012-01-02 21:20:05
THIS IS MUSIC !!!!!!!

I'm a second director of a Chamber choir in Italy....i'm desperatly looking a score for choir of KYRIE for the Magdalene...... #########
If is possible have a indication where to buy


THANKS !!!!


John Ector2019-08-14 01:21:42
Contact Richard Harvey directly. You'll most likely be able to come to an agreement through him and his music office in the UK.

Powllfan reply Replies: 4 || 2019-04-13 00:20:55
Hybrid, do you know anything about this? From an article:

"Zimmer’s work has also brought him to some of the world’s top artistic landmarks — he got exclusive middle-of-the-night access to the Louvre in Paris for “The Da Vinci Code” and got the same treatment for Michelangelo’s “David” sculpture in Florence, Italy."


Anonymous2019-04-13 00:29:59
probably. they had to film at night anyway to avoid the louvre being closed to the public so this makes sense


Powellfan2019-04-13 00:57:02
Yes, I think I something about them shooting at night. But why would Hans be there?


Anonymous2019-04-13 04:35:04
because he’s the composer and therefore a part of the cast/crew? and because he’s Hans fucking Zimmer lol. also maybe to accept such a generous invitation (I wouldn’t have turned it down) or to get a feel for the film and therefore inspiration for the score?


Michael Baker2019-04-13 23:45:43
Hans visits film locations a lot to get a sense of the movie's style. He did it on Gladiator and Dunkirk, for example.

Mehmetcan reply Replies: 0 || 2017-06-03 10:59:21
Which ones are Blake's composed Themes for the movie "The Da Vinci Code"?

name reply Replies: 0 || 2017-02-12 07:02:16
Ich möchte das Album in high res... please ;)

LCB reply Replies: 3 || 2014-11-17 08:49:39
Have a doubt. According to iTunes Kyrie for the Magdalene is by Various Artist and Richard Harvey, according to ascap is by only Richard Harvey, according to another website is only by Various Artist... lol What's the truth?


Hybrid Soldier2014-11-17 08:54:18
Click "See Details..." here...


trent easton navarro2014-11-17 12:58:53
you do know that Various Artist isn't an excisting person right? :P


LCB2014-11-18 00:59:18
OK, thanks Hybrid

Zimson reply Replies: 1 || 2014-10-16 13:04:32
I wonder why Richard Harvey is "hidden" in the booklet and not credited on the backside of the cover for "Kyrie for the Magdalene". No accusations, but it really makes you believe Hans wrote it without reading the booklet carefully. I guess for that matter it has the same underlying principle as "Two Hornpipes" from Dead Man's Chest.


Hybrid Soldier2014-10-16 13:59:46
I agree with you, but Richard is a great funny guy, I don't think he matters much that kind of things ! :D

dark prince reply Replies: 0 || 2014-02-02 00:44:42
Saint god of the scores, this is a master piece, simply one of the better scores by Hans Zimmer, it's full of suspence, beautiful melodies and amazing symphony, scores like this are the reason because we like the music of Hans Zimmer

matthew reply Replies: 1 || 2013-09-28 10:25:21
shit, nobody said that the complete score of this is not complete. between Sophie Confronts Silas and On A grail quest should be an amazing little cue... really the first time the Sangreal theme appears in this movie and still missing.
and that final scene... Chevaliers De Sangreal is almost 6 minutes long in the extended cut.


Hybrid Soldier2013-09-28 17:27:23
Except all this is just music editing...

MacArthur reply Replies: 0 || 2013-09-05 22:00:30
What did Balfe do on this exactly

Felix reply Replies: 10 || 2013-01-26 04:05:34
Da Vinci Code 01-Main Title-Sauniere Dies (4:28)
Da Vinci Code 02-Phiano (1:46)
Da Vinci Code 03-Enter Collet-The Discipline (3:48)
Da Vinci Code 04-La Javanaise (2:35)
Da Vinci Code 05-The Louvre (2:37)
Da Vinci Code 06-Vitruvian Man (1:47)
Da Vinci Code 07-Urgent Message-The Lav In The Louvre (5:24)
Da Vinci Code 08-Leaving The Lav (1:22)
Da Vinci Code 09-Sophie Reflects (1:49)
Da Vinci Code 10-Anagram, On The Rocks 1 (1:29)
Da Vinci Code 11-Anagram, On The Rocks 2 (2:34)
Da Vinci Code 12-Smart Car Drive (1:41)
Da Vinci Code 13-Smart Car Chase (1:26)
Da Vinci Code 14-Saint-Sulpice (3:36)
Da Vinci Code 15-Respect (3:40)
Da Vinci Code 16-Secrets (1:24)
Da Vinci Code 17-We Are Not Amused (1:28)
Da Vinci Code 18-The Junkie (1:34)
Da Vinci Code 19-History Lesson (3:02)
Da Vinci Code 20-But No Further (2:26)
Da Vinci Code 21-Ranting All The Way To The Bank (3:26)
Da Vinci Code 22-The Box (4:18)
Da Vinci Code 23-Cryptex (1:13)
Da Vinci Code 24-Miracle (1:21)
Da Vinci Code 25-Kerfuffle In The Truck (1:45)
Da Vinci Code 26-Everyone Is Pissed (2:17)
Da Vinci Code 27-Enter Teabag (1:56)
Da Vinci Code 28-Silas Gets The Call (0:53)
Da Vinci Code 29-Teabing Explains (13:05)
Da Vinci Code 30-Teabing Explains (Cello Version) (13:06)
Da Vinci Code 31-Keystone Revealed (1:47)
Da Vinci Code 32-Teabing Inspects Cryptex (2:16)
Da Vinci Code 33-Silas Attacks Langdon (3:04)
Da Vinci Code 34-Bumpy Ride (1:15)
Da Vinci Code 35-Sophie Confronts Silas (2:59)
Da Vinci Code 36-On A Grail Quest (3:30)
Da Vinci Code 37-Fache Is Opus Dei-Hawker Landing (2:49)
Da Vinci Code 38-Search The Plane (1:17)
Da Vinci Code 39-Aringarosa Departs (2:17)
Da Vinci Code 40-Temple Church Attack (3:53)
Da Vinci Code 41-Silas Is Fired-Bus Ride (2:24)
Da Vinci Code 42-Remy's Death (5:22)
Da Vinci Code 43-Kyrie For The Magdalene (0:46)
Da Vinci Code 44-The Teacher's Plots Unfold (4:14)
Da Vinci Code 45-Newton's Tomb (5:10)
Da Vinci Code 46-Travelling To Rosslyn (4:16)
Da Vinci Code 47-The Blade and Chalice (10:40)
Da Vinci Code 48-Well Story and Goodbye (1:53)
Da Vinci Code 49-Oh, That Ancient Roslin (4:12)
Da Vinci Code 50-End Credits New Version (7:12)
Da Vinci Code 51-Da Vinci Code Suite (28:29)
Da Vinci Code 52-Unused Lav Cue (5:24)
Da Vinci Code 53-Unused Temple Church Cue (3:42)
Da Vinci Code 54-Unused Remy's Death Cue (3:08)
Da Vinci Code 55-Kyrie For The Magdalene (Album Ver.) (3:55)
Da Vinci Code 56-Unused Maiden Song (3:17)


Medigo2013-01-26 20:07:49
any idea which track here corresponds to which cue from the album?


scoepranoes2013-01-26 23:00:52
hullo all1

this le traklist is le, git.


El Baradei2013-01-27 10:01:02
Phiano? Enter Teabag?

Yeah, it's an official tracklist, really.


Areozz2013-01-27 15:26:49
I apologize on the behalf of whoever named all of these tracks. Typos happen sometimes. While it is hilarious that there is a track on here named "Enter Teabag" and Phiano is the name of a song that Dan Brown (author of The Da Vinci Code) wrote, this track list is very real. In fact, the only possible was it was posted was because someone posted the music it belongs with.

Google is apparently a highly complicated device for some people.


Radik2013-01-29 21:45:14
Is on this release ''Malleus Maleficarum''? I can't find it.. :)


Medigo2013-01-30 00:04:58
Going by all chronological lists I have seen
that track should be part of 'Teabing Explains'


Master2013-01-30 08:29:47
Radik, the track is Teabing Explains (Cello) It is an extended version on the album, whereas the other teabing explains track is the film version. Both are great. This is IMO one of hans at his best.


fabien2013-01-30 22:47:38
n°36 is amazing !!!!!!!!


D A R T H2013-02-01 00:56:28
02- not "Phiano" -> Piano (source music)
04-La Javanaise (source music)


Areozz2013-02-01 04:49:54
DARTH, you are wrong. I already did the research. Sure, Phiano is just a piano track, but if you can do research, you'll find that Phiano is an original composition written by Dan Brown (the author of The Da Vinci Code) specifically for this movie. Just Google "Phiano Dan Brown". Both Wikipedia and IMDb confirm it.

Bryan reply Replies: 2 || 2012-12-18 01:56:28
I found this cues on internet, so i think the recording session will be release soon on the web!
1m1 v15 Prologue/Sauniere Dies/Lecture

1M4-6 V6.1 The Louvre

2M11 V15.6 Leaving The Lav

2M19 V5 The Junkie

2M20 V9.7 History Lesson/24 Haxo

3M23 V29 (Fix 2) The Box

3M26 V4 C13

4M36/37 V2.1 Teabing Inspects Cryptex

4M38 V5.2 Silas Attacks Langdon

5M39 V2.3 Bumpy Ride

5M46 A V18 Aringarosa Departs

6M49-50 V17 Remy's Death

6M52 V10 Newton's Tomb


Boriim2012-12-19 00:18:17
It's everywhere on the web... Most people already have it. Really old news.


David2012-12-19 18:07:33
You guys are so cute lol

////// reply Replies: 2 || 2011-09-19 03:12:26
Boom! Found from ASCAP:

DAVINCI CODE (FILM INCIDENTAL MUSIC)
DA VINCI CODE CUES
ENTER COLLET/THE DISCIPLINE
LOUVRE THE
URGENT MESSAGE/THE LAV IN THE
LEAVING THE LAV
SOPHIE REFLECTS
ANAGRAM ON THE ROCKS 2
SMART CAR DRIVE
SMART CAR CHASE
WE ARE NOT AMUSED
JUNKIE THE
HISTORY LESSON/HAXO 24
BUT NO FURTHER JOB 38 11
RANTING ALL THE WAY TO THE BA
BOX THE
CRYPTEX
MIRACLE
KERFUFFLE IN THE TRUCK
EVERYONE IS PISSED
ENTER THE TEABAG
SILAS GETS THE CALL
TEABING EXPLAINS
KEYSTONE REVEALED
TEABING INSPECTS CRYPTEX
SILAS ATTACKS LANGDON
BUMPY RIDE
SHOPIE CONFRONTS SILAS
ON A GRAIL QUEST
FACHE IS OPUS DEI/HAWKER LAN
SEARCH THE PLANE
ARINGAROSA DEPARTS
TEMPLE CHURCH ATTACK
TEACHER'S PLOTS UNFOLDS THE
NEWTON'S TOMB
BLADE & CHALICE THE
WELL STORY & GOODBYE
END CREDITS MOE & CRAWL 1M0 S

Probably missing some cues, but what's there is there


Areozz2011-09-19 03:21:07
Hey, its about time we got somewhere with this movie! I just recently got into the score, and then saw the movie a long time after I got familiar with the score, only to be greatly disappointed. A good 40% of the score is unused, which means there's a ton of unreleased music out there somewhere.

Sure, this is just a track list, but it is still something. Thanks a lot for posting it!


Sam2012-10-08 09:24:39
Were there any credits?

Felix reply Replies: 4 || 2012-08-06 12:56:19
i search for the da vinci code fyc score cd


Robert Langdon2012-08-09 04:15:21
I just won it on eBay for $9.99 =P


Felix2012-08-10 16:38:02
can you write the tracklist please


Magnus Rex2012-08-11 05:44:11
IIRC, its a single 26 minute suite composed of a selection of pieces on the score album. Zimmer wrote it before using elements of it in the final score. There is no new music on it.


Robert Langon2012-08-12 03:36:36
Negative, Magnus Rex. It's identical to the OST only it's missing track #7, "Salvete Virgins" because it an FYC must be all material by the composer. I received it in the mail today, and it has 13 tracks

Felix reply Replies: 1 || 2011-08-29 19:50:09
01.Opening Credits
02.The Paschal Spiral
03.Langdon's Arrival
04.Fearful of Elevators
05.The Body of Jacques Sauniére
06.The Vitruvian Man - Meeting Sop
07.Sophie Remembers her Childroom
08.Fibonacci Numbers
09.Langdon & Sophie Escape
10.A Close Call
11.Silas Flashback
12.Getting the Cryptex
13.Crusade Flashback
14.Where is the Keystone?
15.Arrival at Teabings
16.The Holy Bloodline
17.The Story of the Witches
18.The Citrine Cross
19.Cryptex Destroyed
20.Beneath Alrischa
21.Kyrie for the Magdalene
22.Exploring under Rosslyn Chapel
23.Chevaliers De Sangreal
24.End Credits
25.End Credits (Alternate)
26.Sophie's Theme
27.Salvete Virgins (Unused)
28.A Close Call (Alternate Abum Version)


Papapalpatine772011-08-29 20:34:17
Ok, what is it with ppl suddenly posting fake scores? This, like Dead Man's Chest, is also a shitty DVD rip like Dakota pointed out. I have this one as well. I can give the lengths of each track.

01.Opening Credits (1:30)
02.The Paschal Spiral (2:49)
03.Langdon's Arrival (1:16)
04.Fearful of Elevators (0:13)
05.The Body of Jacques Sauniére (0:13)
06.The Vitruvian Man / Meeting Sophie / Bathroom (8:51)
07.Sophie Remembers her Childhood (1:07)
08.Fibonacci Numbers (2:13)
09.Langdon & Sophie Escape (1:07)
10.A Close Call (4:31)
11.Silas Flashback (4:09)
12.Getting the Cryptex (2:06)
13.Crusade Flashback (2:49)
14.Where is the Keystone? (11:21)
15.Arrival at Teabings (1:10)
16.The Holy Bloodline (6:07)
17.The Story of the Witches (2:22)
18.The Citrine Cross (5:22)
19.Cryptex Destroyed (3:31)
20.Beneath Alrischa (4:24)
21.Kyrie for the Magdalene (3:55)
22.Exploring under Rosslyn Chapel (9:32)
23.Chevaliers De Sangreal - This is actually a track off the OST. It should be called "rest beneath the stars" (4:09)
24.End Credits (6:20)
25.End Credits [Alternate] (7:13)
26.Sophie's Theme (4:18)
27.Salvete Virgins [Unused] (3:16)
28.A Close Call (Alternate Abum Version) (2:26)

Lawanda reply Replies: 0 || 2011-07-24 14:44:49
HHIS I solhud have thought of that!

Gendretswen reply Replies: 0 || 2011-06-15 01:54:48
Hallo ich bin der Neue,
habe das Forum ueber Google gefunden, und sieht ganz gut aus.
Hab jetzt ne Menge zu lesen, und werde danach hoffentlich auch was zu diesem und jenem sagen koennen .
Gruss an Alle

Lois reply Replies: 0 || 2011-06-14 18:51:10
Glad I've finally found somthenig I agree with!

Ebony reply Replies: 0 || 2011-06-14 08:53:29
TYVM you've slvoed all my problems

Luella reply Replies: 0 || 2011-06-14 03:17:11
That's way more clever than I was expcetnig. Thanks!

Gavin reply Replies: 2 || 2011-06-07 09:20:35
I remember reading an interview online where Hans discussed how he pitched/scored this movie, with reference to a suite he made. Does anyone know where I can find this please, I would like to read it again.


Prott2011-06-07 09:24:25
You mean this one?
http : //www.soundtrack.net/features/article/? id=205


Gavin2011-06-07 16:28:55
Ah thank you so much, yes. Thats the one :) Nice to hear him say the CD is too short for once!

zOx reply Replies: 0 || 2010-12-16 00:00:00
Thanks Enrico, yeah, that should be it!

@Donna: I'd say: 2 violin sections for main melody, a viola that is constantly making the same type of arpeggio over different chords, there are also horns for sure, and violas and contrabass that make a counterpoint to the melody line, and of course trombons that appear later in the composition, come bell-like percussion that also apperas at the end (drums also), and some male and female voices (probably fake).
I hav eprobably missed a few instruments, but that should be enough i think....

Anonymous reply Replies: 0 || 2010-11-14 00:00:00
hand of god on Hns Zimmer

Dakota reply Replies: 0 || 2010-10-10 00:00:00
So about from Poisoned Chalice to Kyrie For The Magdalene?

Enrico reply Replies: 0 || 2010-10-10 00:00:00
To zOx:

Yes, the suite can be heard on the CD. The Last 5/6 tracks are divided but musically they are linked togheter! Like a suite!

zOx reply Replies: 0 || 2010-10-08 00:00:00
Hans mentioned that he wrote a symphony for the score (about 24 minutes long), and on the CD are only fragments form it. Is it possible for it to be obtained?

Donna reply Replies: 0 || 2010-08-22 00:00:00
It is killing my soul not to know what instruments created this masterpiece (Track 13) Please. I follow only the classical music I like, and this "Chevaliers de Sangreal" has me by the heart. Please. I play no instrument, none I love do..... I just need to know what makes these sounds that come together so brilliantly they make me want to die just to hear them at my funeral.....

Aleksandar reply Replies: 0 || 2010-07-15 00:00:00
Kyrie for the Magdalene is so beautiful...

ziadc reply Replies: 0 || 2010-05-24 00:00:00
thanks Hanz zimmer for your great album

Enrico reply Replies: 0 || 2010-02-09 00:00:00
Hi Stefano...
You can search in the "Latin words by Graham Preskett"

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