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Are the above credits with only Hans complete or not? If they are, then it's interesting how much of this album is just Zimmer. Even if it is an exercise in musical intensity more than anything else. I have to yet to see the film, but the score isn't as bad as I was worried it would be. In fact, most of it's just fine, and I look forward to hearing it with the film. It certainly does raise the pulse when you listen to it. It's like dread in musical form.I know exactly what part you're talking about. Unfortunately that segment wasn't released in any part of the score. It's a matter of waiting for the film version when the complete score is released.Perhaps. I also noticed a more heroic variation. How to turn the theme into a march.Lol, why though? <br>But yeah I think it will get disqualified. Maybe it'll get a Golden Globe.Hans probably hopes so... Warner not so much... lol
Do you guys think Dunkirk will be disqualify from the Oscars because the score used Elgar's theme? Similar to how Johannson was disqualified for using Richter's piece.I wanted that track as well!!! recording sessions when :'(I think its probably a remix by Hi-Finesse or someone like that. Just guessing maybe based on some of Elfmans work based on XL&Zimmer's themesYep. I know, but we have to agree that Elfman would never do anything like that. I do not think even XL.<br>Listen again. They refer to the themes of Hans' Superman in the second half of the trailer.I'd also like that chilling piece from when the ship sinks<br><br>other than that, not that much I desire
You said it yourself "almost never". <br>Some MoS trailers featured Hans' score. ComicCon trailer for BvS featured music from Hans and Tom. <br>I actually didn't hear any reference to Hans' 3 main Supes motifs. Beside the hints of "Come Together", I find the music rather boring anf generic.no, you can buy on steamNo.<br>The trailer's music is almost never is composed by the composer of the score. It is made by a specialized company.So, is that Elfman's score in the trailer? It seems a bit early, but if that is, I just MIGHT be okay with him taking over from Junkie.Okay, point taken, but at least his previous scores for Nolan were obviously music and had an emotional presence. And the two note Batman theme was actually something Hans had to convince Nolan about. Nolan wanted this heroic theme that was left unused.
@Mike Hans himself said sometimes a movie does not need a melody theme. It depends on the movie and the characters in it.<br>the main character here is fear threat and so on... in that regards the score respects that.<br><br>@hybrid: in order to have the full soundtrack we will then have to wait for bluray and rip the music & effect out of it. ^^This was one of the most emotionally engaging movies I have ever seen.  I suspect it has to do with the fact that my father was a WW II vet who was on a ship going through the Straits of Gibraltar when they were bombarded by German airplanes.  The selection of Elgar's Nimrod was a stroke of genius.  It rises and falls like the ocean, like a wheezy organ.  I wept.  This movie is a tribute to the Everyman who did his or her part.  We need to be reminded.It's not iTunes ????? Hybrid any examples you can post ?I’m going to see the movie again on Tuesday, but after the first viewing I would say yes and no. The cues on the album are mostly in chronological order (towards the end at least) and I would say ‘Home’, ‘The Oil’, ‘Variation 15’ and ‘End Titles’ play basically unchanged in the movie. However, in my experience the ticking sound is much more present throughout the entire movie and speeds up and slows down during tense moments. On the top of my head, there is not a cue that played in the film that stood out for not being on the album, except for the one when Tommy and Gibson are racing the stretcher across the beach. It’s the staccato violin or cello cue. I don’t know what kind of cue was composed for the prologue since I haven’t seen it, but judging from the comments here that cue is missing as well.Totally agree on that note . Genius has been one of most unique scores in ages and the music is great
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additional musicadditional music
Mark MancinaDon HarperJeff RonaJohn Van Tongeren
ComposerAdditional MusicAdditional MusicAdditional Music
Assassins (Expanded Score)
Label: Unofficial Release
Length: 70'30
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2770 votes)
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  1. Main Title (2:05)
    Danielle Wiener, Michael Kamen, Mark Mancina
  2. Swamp (1:29)
    Mark Mancina, Don Harper
  3. Window (2:07)
    Mark Mancina
  4. Eyes (0:47)
    Mark Mancina, Christopher Ward
  5. Cemetary (4:33)
    Mark Mancina, Don Harper
  6. Bain In Cop Car (1:07)
    Mark Mancina, John Van Tongeren
  7. Rath Dog Bark (3:38)
    Mark Mancina, John Van Tongeren
  8. Soccer Game (0:45)
    Mark Mancina, Don Harper
  9. Bus Slam (2:15)
    Mark Mancina
  10. Dutch Arrive - Rath Follows (1:40)
    Mark Mancina
  11. Rath Phones (0:51)
    Mark Mancina, Jeff Rona
  12. Hotel (2:48)
    Mark Mancina, Jeff Rona
  13. Bain Kills Dutch (3:02)
    Mark Mancina, Jeff Rona
  14. Rath & Electra Flee (1:58)
    Mark Mancina, John Van Tongeren
  15. Bain Arrives (0:33)
    Mark Mancina, John Van Tongeren
  16. Rath Returns To Apartment (0:41)
    Mark Mancina, Christopher Ward
  17. Apartment Shootout (3:36)
    Mark Mancina, Don Harper
  18. Electra Aims At Rath (1:54)
    Mark Mancina
  19. Bain Fired - Rath In Motel (1:47)
    Mark Mancina
  20. Electra Thanks (1:34)
    Mark Mancina
  21. Monorail (1:46)
    Mark Mancina, Jeff Rona
  22. Rath In Monorail (0:15)
    Mark Mancina, Jeff Rona
  23. Monorail Leap (0:20)
    Mark Mancina, Jeff Rona
  24. Briefcase Blow Up (0:31)
    Mark Mancina, Christopher Ward
  25. Strings (0:41)
    Mark Mancina
  26. Ikira (0:53)
    Mark Mancina, Christopher Ward
  27. Say Please (1:30)
    Mark Mancina, Christopher Ward
  28. Rath Confesses - Bain Apricot (2:54)
    Danielle Wiener, Michael Kamen, Mark Mancina, Christopher Ward
  29. South America Cemetary (2:13)
    Mark Mancina, John Van Tongeren
  30. Rath Arrives At Bank (4:28)
    Mark Mancina, John Van Tongeren
  31. Bain Waits In Window (3:44)
    Mark Mancina, Don Harper
  32. Good Luck (6:13)
    Mark Mancina
  33. Nicolai Arrives (3:06)
    Mark Mancina
  34. Rath Wins (1:07)
    Mark Mancina
  35. End Credits (1:54)
    Mark Mancina, Jeff Rona
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Hybrid Soldier reply Replies: 5 || 2016-08-18 19:28:27
Real cue titles as well as composers for this !


Edmund Meinerts2016-08-19 14:46:20
Michael Kamen??!!


rockhound2016-08-19 17:52:33
kamens score was rejected, because the music was "too heavy". so he was replaced with a more modern action score by mancina.


Hybrid Soldier2016-08-19 19:37:34
Yeah and the Day of the Dead song he wrote (performed by Danielle Wiener) was kept in the film, hence the credit... :)


Edmund Meinerts2016-08-19 19:44:35
Ah, OK, that makes sense. I never knew Kamen was attached to this!


Hybrid Soldier2016-08-19 19:50:31
He really wrote a full score, which Donner rejected. But Donner & Kamen were big friends so Donner wanted Kamen to have a second shot, Kamen declinded cause he had no time, he was writing Die Hard 3... So they got Mark, who had to do the whole thing in 13 days, when the big Media Ventures armada ! :)

Soulkeeper reply Replies: 0 || 2012-01-18 21:02:36
Can somebody tell me where i can get this Score? Thanks :-)

herdim reply Replies: 0 || 2005-05-28 00:00:00
Assassins est avec Training day les oeuvres les plus serieuse du compositeur

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Assassins (Expanded Score) soundtrack - Mark Mancina 1995