NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
Hybrid wrote somewhere here that something happened between Streitenfeld and Ridley during Prometheus,and that was why HG-W was brought on for some rescoringI was wondering about this too. Like all of a sudden, after a couple of Ridley Scott collaborations, he disappeared.Streitenfeld's score for "All I See Is You" isn't added to this site. Does it mean, that Marc left the company?Extremely pleased with the release, remastering, and liner booklet notes.  Nice to finally have all of this music.  Sure, some things could have been done differently, like anything else.  I'll be enjoying a thorough listen this weekend, and may watch the film again, as it's been years.Jasha just released a neat little piano album!<br>Go check it out: https://itunes.apple .com/no/album/time-lapse-ep/1452867752
My only real gripes left with the score is the somewhat uninspired choral writing (and the fact that the choir sounds like samples in a lot of moments) and the reused percussion samples from every JXL action score ever since Mad Max.After repeated listens of the score and seeing the film 3 times, I'd say now that the score is MUCH better than I initially gave it credit for.<br>Alita's theme (the 4 notes first heard at 1:53 in A Discovery) is used many times throughout the score in many instrumental varieties and variations, and used to great effect in emotional scenes<br>(I Don't Even Know My Own Name, What's Your Dream?, In Time You'll Remember, With Me, I'd Give You My Heart, What Did You Do), In the Clouds especially)<br>And do yourself a favor and get I See Church from somewhere, it's the 2nd best action track of the score after Motorball.<br>--------------------<br>In short, I would now give it a 4.5 / 5 from my previous 3 / 5Hybrid, what's the story with Finale vs. Safe Now? On this page Finale is listed as Jackman and Zimmer. On the OST page, it's Jackman, Zimmer, & Jasha Klebe. The two versions are different too. Finale has a longer intro and a big outro that makes the Time thing even more obvious. So are they two different tracks with different credits, or is Safe Now just Finale clipped short?Oh man, that's a tough question...I haven't listened to Curse of the Black Pearl in a while.... He's credited on almost every track for themes used... "Fog Bound" is the big Klaus Badelt cue from that movie (the real, 5-minute one in the movie is pretty much all Klaus I believe). <br><br>But Hans appears almost everywhere in POTC 1. Sometimes it's arrangements of his themes by the other guys, sometimes it's parts of the tunes that he wrote put directly in like he wrote them... The following scenes are pretty much directly Hans, if I remember right (this is the list I'm referencing ó but as you can see, Zimmer's name is almost everywhere hans-zimmer . com/index.php?rub=disco&id=1128): <br><br>3. Captain Jack Sparrow (Hans wrote the big theme here, as well as the Jack Sparrow stuff at the end)<br>8. Breaking the Chains (more Jack Sparrow theme...) <br>17. Boarding the Dauntless (Jack Sparrow theme...)<br>24. Moonlight Serenade (Zimmer said he wrote this scene like Cinderella walking into a Metallica concert)<br> <br>Aaaaand a lot of the final fighting music is lifted directly out of the suite Zimmer wrote, so it's 90% him. But once again, his themes as arranged by other people appear everywhere. Hybrid can answer way more about all this than I can.<br>Oh wow! Thatís all really interesting. So how much of the OST is really HAnS Zimmer then???
Hans was composing The Last Samurai while the first POTC was being made. He had promised Tom Cruise and Edward Zwick (might have even signed a contract) that he would only work on The Last Samurai and no other movies at that time. So while Hans agreed to write the POTC themes for Gore Verbinski, he wasn't allowed to be credited due to his obligations to the Last Samurai. So he wrote a few themes and then handed the score off to Klaus Badelt, who got the "name" credit on the score. But the whole score is really Klaus, Geoff Zanelli, Nick Glennie Smith, Ramin Djawadi, and a few others doing arrangements of the theme that Hans wrote (and Hans writing for a couple scenes incognito, like when Elizabeth first sees the skeleton pirates). Then Klaus did do the dark "Fog Bound/Underwater March" tune, as mentioned.Canít insult me! I am genuinely curious. Whatís this about The Last Samurai???I'm not saying this to insult David, but it's funny to me that even now, 16 years later, after so many clarifications from HZ and others, people still get confused because of the way POTC 1 got credited. All because Hans had to work on The Last Samurai (which is one of my favorite scores of his, so I guess it was worth the confusion).Saw the film last sunday and loved it. Also loved what Tom Holkenborg did hear. It did not felt nor 300. RoE nor Mad MAx. It's something else and loved it how it worked in context.he is working on the new Terminator movie?! :O
Credits for Dua Lipa's single "Swan Song" for the movie:<br>Written by Dua Lipa, Justin Tranter, Kennedi Lykken, Mattias Larsson, Robin Fredriksson & Tom Holkenborg<br>Produced by Mattman & RobinMy definition of a Complete score is somewhat different. My goal is to find and mix everything you hear in the movie. Some things you find, others you don't. That's always an adventure in itself.<br><br>The source cues are not hard to find, sometimes it can be tricky to find the right performance/conductor.<br><br>In the case of TTRL, it's mostly the Beam cues that are difficult to find. Francesco Lupica wrote several pieces of Beam cues specifically for the movie, 5 of them which were used. There's also the 'Concerto for Beam' written by Powell, and there's the 'Sit back & Relax' album that was used. So to me, that's a pretty substantial (and important!) amount of music  that made it into the cut, which hardly anyone ever talks about.<br><br>Anyway, maybe a future project will tackle most of these issues.So he's scoring that and the new terminator? Damn dude's getting as busy as Henry JackmanUnless they're composed by Zimmer or someone else from RCP, I wouldn't expect source cues to appear here. And there's like two tracks with Beam in the title listed, so what else would have that name?Tom is scoring the live action Sonic movie. He just confirmed that he is scoring it!
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Additional MusicMusic ArrangerMusic Arranger
Klaus BadeltWolfram De MarcoIan HoneymanAndrew Raiher
ComposerAdditional MusicArrangerArranger
Poseidon
Label: Interscope Records
Length: 41'44 (Score : 29'54
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6976 votes)
  1. Won't Let You Fall - Fergie (4:36)
  2. Bailamos - Fergie (3:10)
  3. Postales - Federico Aubele (4:09)
  4. The Poseidon (3:18)
  5. The Wave (4:37)
  6. A Map And A Plan (2:29)
  7. Fire Dive (2:48)
  8. Claustrophobia (7:09)
  9. Drowning (3:04)
  10. Don't Look Down (3:43)
  11. Escape (2:41)
Create Topic

Pages << 1 2 >>

Dimitris Krommidas reply Replies: 1 || 2016-09-04 13:26:59
My favorite from Badelt.


Edmund Meinerts2016-09-10 00:02:48
Really? He's done far better than this!

PjB reply Replies: 0 || 2010-01-19 00:00:00
bad movie, good score

Levente reply Replies: 0 || 2007-08-17 00:00:00
One of the worst films ever. Even tough I think the score had some good moments, this soundtrack from The Promise & Rescue Dawn composer, is very weak.

ahmed vanilla000sky reply Replies: 0 || 2007-08-07 00:00:00
really it so amazing .. i love the movie so much and the music so gr8 .. and josh lucas was amazing at this movie... good work all cast of movie...

Alex Hutchinson reply Replies: 0 || 2007-07-07 00:00:00
i have got to say it is film brilliance

c.l. webkinzlovr reply Replies: 0 || 2007-03-05 00:00:00
i love the movie and this song. i <3 fergie :)

Chris reply Replies: 0 || 2007-02-18 00:00:00
@Steve (& the Rest who wants to know)

Mary J. Blige - Be Without You (Moto Blanco Vocal Mix)

Steve reply Replies: 0 || 2007-01-12 00:00:00
Can someone tell me what the name of the song is, that is played during the movie while they are dancing on the disco floor. It's a house/trance track which is obviously not on the soundtrack. I would appreciated any help with this.

HeatherTheHuntress reply Replies: 0 || 2006-11-02 00:00:00
The movie was kinda dumb but I would die for the soundtrack. I love all the song you compose Klaus, I listen to at lest one of yours songs a day. Sorry if that creeps you out XD

Sam Love reply Replies: 0 || 2006-10-24 00:00:00
this score is amazing. One of the best scores ever. You know what they say, a great film needs great music. This works.

Mauro reply Replies: 0 || 2006-08-31 00:00:00
One last point: The Sound of this CD is VERY VERY thiny something which Media Ventures Group deels with it very well. In this case the production is very poor.

Mauro reply Replies: 0 || 2006-08-31 00:00:00
I'm sry for Badelt... Not a great memorable theme like he is used to give us and the eletronics in this score are really cheesy. I don't like them at all. They sound to superficial espescially the Drums. It almost sound like a sound machine. The mix is also very poor the woodwinds seem to nowhere to be found and the brass + strings seem to come from a well. I really don't like the reverb used.

Anonymous reply Replies: 0 || 2006-08-27 00:00:00
Won't Let You Fall......

great lyrics
great voice of fergie

i really love this song ^^

dth reply Replies: 0 || 2006-07-28 00:00:00
The only good thing about that movie, is the score, but it's good. But the movie's crap.

kadirizmastar reply Replies: 0 || 2006-07-12 00:00:00
wery good

SPIKE reply Replies: 0 || 2006-07-01 00:00:00
There should be an *UltraViolet*-score release.
:-(
Since there is no place on this site to write about *UltraViolet* , I wrote it here.
Greetings !!

OHA ! reply Replies: 0 || 2006-06-22 00:00:00
fantastic !

Sidz reply Replies: 0 || 2006-06-21 00:00:00
awesome

Phil reply Replies: 0 || 2006-06-15 00:00:00
C'est un score fantastic.... Le theme "Poseidon" est gťnial!!! Ainsi que "Claustrophobia".... Jolie travail!!

Carolina reply Replies: 0 || 2006-06-12 00:00:00
i love soundtrack from Poseidon!!!!! good job!!!!

Sarah reply Replies: 0 || 2006-06-11 00:00:00
i like track 1..hehe :D

Jonathan reply Replies: 0 || 2006-06-04 00:00:00
The score is even better than the movie! I like the major "Poseidon" Theme, and also "The Wave", wich is a fantastic action cue. You can always Recognise the main theme, and that is what I think, as a small director, that a score for an adventure movie must have!

Well done, Klaus!

sajad davodi reply Replies: 0 || 2006-05-26 00:00:00
like always was great and speacial at all

Levente reply Replies: 0 || 2006-05-25 00:00:00
Tipical MV score, but it is a good listen. Track 5 is great, highlight of the album. It is **1/2 from *****, because of the songs.

ZED reply Replies: 0 || 2006-05-25 00:00:00
So dissapointing... The main theme is so cheesey! After hearing The Promise i was ready to give Badelt another go but once again he has written a boring, uninspired, unoriginal score. I feel that Badelt lacks his own style and sound and in my opinion his only 2 very good original scores are Time Machine and The Promise. K19 was a ripp off of Gladiator almost note for note and Pirates was a ripp off of all of Zimmer's realy action riffs(so i didnt mind the score). Equilibrium was a total ripp off of MI2 and well this score just sux. I want my money back :( P.S. Thank god Zimmer is doing Pirates 2!

Saul reply Replies: 0 || 2006-05-24 00:00:00
Is it a law that when you come out of the Zimmer school that you have write the same score for every movie. Maybe you should listen to some other more modern scores and maybe think about a different approach to writing to picture.... Harry is the only one that has a modern voice....

jason reply Replies: 0 || 2006-05-20 00:00:00
i wan the track no 1 song where can i get it?

zimmer reply Replies: 0 || 2006-05-10 00:00:00
that sucks..

Manulder reply Replies: 0 || 2006-05-09 00:00:00
very good score by badelt

Pages << 1 2 >>

 HANS-ZIMMER.com© 2001-2018 OST 
Poseidon soundtrack - Klaus Badelt 2006