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Just listen Bloodshot OST again and I like it better than for the first time. Yes there is a lot of sounddesign elements, but quiet and melodic moments are good at some parts. My favorite track is "Bloodshot". For me this work, despite all the problems, is far better than Spencer Confidential.<br><br>There is extremely need of new Sci-Fi (not like Bloodshot, lol) or Fantasy project for Steve to work on. I'm fairly certain that he could provide amazing music for this genres, but for some reason.<br>Also, I've listened a few tracks from his "Keanu" score (posted on his new website) and it's wonderful, hope there will be a full release sometime. This one reminds me of another genre where Steve is good - comedy and parody movies - "Your Highness", "Pain and Gain", "Sims 3" (yes, it's a game score but it has that comedy atmosphere I'm talking about) all are really great scores for its genre.<br><br>For me "Eternals" from Marvel could be a good movie for Steve to work. And honestly, I would like to see what he could brings to "Godzilla vs Kong" crossover more than Junkie XL.<br><br>At least I hope that Katsuhiro Otomo would like to work with Steve again on his new anime project "Orbital Era", truly a dream-project.Yes, the sound mixing in the movie is bad, you can't listen the music properly, is buried under a lot of sound effects.<br><br>It was one of those situations where 'the music is trying to overlook the thunderous sound effects',I do kinda prefer the 2014 score over the KOTM score, but McCreary's work does deserve more love than just being called a 'retreat of the original theme'.<br>It also deserved to be heard more, but the movie's sound mixing was terrible.Wasn't expecting to see someone else here for the same reason. Really hoping those two soundtracks return, they're great for studying music.Are Steve Jablonsky and Rupert Greyson-Williams still apart of RCP or they went solo too?
I wouldn't disagree that Godzilla KOTM is a good score since it works very well for the movie and by itself. I'm just saying that Junkie XL can bring something new and interesting to the franchise which hasn't been done before.Before someone jump, i will said in this kind of movies, change a composer is very common, don't say i don't want McCreary will be back, only i prefer other people try other things.<br><br>Like i said, i listen very OFTEN the three scores in this movies, and i love each style (as for the movies... well, prefer G14 and KSI over KOTM)@Moggyman<br><br>If you think that all McCreary did was modernize the Godzilla theme, you clearly haven't listend to the score.<br>He indeed used and modernized the themes for Godzilla & Mothra.<br>Besides that he wrote new themes for Rodan, Ghidorah, Monarch, The Russel Family and a theme he called the Ancient theme.<br><br>Besides this, he used the orchestra, choir, soloist and specialty instruments in the best way they can be used.<br><br>His score was one of the best blockbuster and orchestral scores of the last couple of years, in my opinion.<br><br>Until I hear Holkenborg's score I can't really comment on if it will be good. But at the moment I am sad McCreary isn't coming back. But I am very curious what Holkenborg will doI disagree, the McCreary's score in that movie is really, really good... but I put this, as myself i listen very often the other two: G14 and Skull Island, also really, really good, can't put a score over another because one composer uses a theme (a very mytical one, if you are a movie monster fan), specially in that franchise.<br><br>Yes, Ifukube create a wonderful theme (and the original movie have a really tough score to listen isolated of the movie), but other composer make a wonderful themes (and polaraising), like Otani (which his score for GMK is FULL electronic, but really good) or Oshima (great theme, maybe the inspiration for Desplat's theme), even the most forgotten Reijiro Koroku create a terrific theme for the character in 1984Bear McCreary is a good composer but all he did for Godzilla KOTM was modernize the original Godzilla theme, which isnt super creative. Junkie, on the other hand, may give us a really creative score based on his eagerness to do the project.
Yeah besides the massive disappointment that is the movie Godzilla: King of the Monsters, the even bigger disappointment is that Bear McCreary won't be back for more.you fool.... its impossible ! everybody knows that there is only one batman theme.... (joke)In a recent interview, Junkie mentioned that he's bringing back themes for Superman and Wonder Woman, while everything else is new. I wonder if he's gonna make a new Batman theme.It's true, there is completely different team from composer to director in crossover :)But the film was particularly bad...<br><br>So I rather have a whole other team do something ELSE lol...
Yeah... McCreary's score is one of the best from last year so I'd rather have him again.I open to ANY composer in this movies.<br><br>To answer the question, YES, i'm ready<br><br>Specially to a guy, who loves G14, KSi and KOTMNo way. After what Bear McCreary did on King of the Monsters last year I definitely want him back.Atli still has his studio at Remote but mostly works from home in Iceland.<br><br>Guillaume game back to settle to Remote a couple of years ago (before he was splitting time between RCP & France).<br><br>Heitor still is at RCP as far as I know, haven't heard anything in a while.<br><br>Nathan Stornetta left Remote in 2015 (against Hans' will !! :)) cause he didn't fancy much that whole Hollywood business. He is home in Switzerland doing his own projects, but also touring with Hans...Atli Örvarsson, Heitor Pereira, Guillaume Roussel and Nathan Stornetta ?
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Additional MusicMusic ArrangerMusic Arranger
Klaus BadeltWolfram De MarcoIan HoneymanAndrew Raiher
ComposerAdditional MusicArrangerArranger
Poseidon
Label: Interscope Records
Length: 41'44 (Score : 29'54
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7822 votes)
  1. Won't Let You Fall - Fergie (4:36)
  2. Bailamos - Fergie (3:10)
  3. Postales - Federico Aubele (4:09)
  4. The Poseidon (3:18)
  5. The Wave (4:37)
  6. A Map And A Plan (2:29)
  7. Fire Dive (2:48)
  8. Claustrophobia (7:09)
  9. Drowning (3:04)
  10. Don't Look Down (3:43)
  11. Escape (2:41)
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Dimitris Krommidas reply Replies: 1 || 2016-09-04 13:26:59
My favorite from Badelt.


Edmund Meinerts2016-09-10 00:02:48
Really? He's done far better than this!

PjB reply Replies: 0 || 2010-01-19 00:00:00
bad movie, good score

Levente reply Replies: 0 || 2007-08-17 00:00:00
One of the worst films ever. Even tough I think the score had some good moments, this soundtrack from The Promise & Rescue Dawn composer, is very weak.

ahmed vanilla000sky reply Replies: 0 || 2007-08-07 00:00:00
really it so amazing .. i love the movie so much and the music so gr8 .. and josh lucas was amazing at this movie... good work all cast of movie...

Alex Hutchinson reply Replies: 0 || 2007-07-07 00:00:00
i have got to say it is film brilliance

c.l. webkinzlovr reply Replies: 0 || 2007-03-05 00:00:00
i love the movie and this song. i <3 fergie :)

Chris reply Replies: 0 || 2007-02-18 00:00:00
@Steve (& the Rest who wants to know)

Mary J. Blige - Be Without You (Moto Blanco Vocal Mix)

Steve reply Replies: 0 || 2007-01-12 00:00:00
Can someone tell me what the name of the song is, that is played during the movie while they are dancing on the disco floor. It's a house/trance track which is obviously not on the soundtrack. I would appreciated any help with this.

HeatherTheHuntress reply Replies: 0 || 2006-11-02 00:00:00
The movie was kinda dumb but I would die for the soundtrack. I love all the song you compose Klaus, I listen to at lest one of yours songs a day. Sorry if that creeps you out XD

Sam Love reply Replies: 0 || 2006-10-24 00:00:00
this score is amazing. One of the best scores ever. You know what they say, a great film needs great music. This works.

Mauro reply Replies: 0 || 2006-08-31 00:00:00
One last point: The Sound of this CD is VERY VERY thiny something which Media Ventures Group deels with it very well. In this case the production is very poor.

Mauro reply Replies: 0 || 2006-08-31 00:00:00
I'm sry for Badelt... Not a great memorable theme like he is used to give us and the eletronics in this score are really cheesy. I don't like them at all. They sound to superficial espescially the Drums. It almost sound like a sound machine. The mix is also very poor the woodwinds seem to nowhere to be found and the brass + strings seem to come from a well. I really don't like the reverb used.

Anonymous reply Replies: 0 || 2006-08-27 00:00:00
Won't Let You Fall......

great lyrics
great voice of fergie

i really love this song ^^

dth reply Replies: 0 || 2006-07-28 00:00:00
The only good thing about that movie, is the score, but it's good. But the movie's crap.

kadirizmastar reply Replies: 0 || 2006-07-12 00:00:00
wery good

SPIKE reply Replies: 0 || 2006-07-01 00:00:00
There should be an *UltraViolet*-score release.
:-(
Since there is no place on this site to write about *UltraViolet* , I wrote it here.
Greetings !!

OHA ! reply Replies: 0 || 2006-06-22 00:00:00
fantastic !

Sidz reply Replies: 0 || 2006-06-21 00:00:00
awesome

Phil reply Replies: 0 || 2006-06-15 00:00:00
C'est un score fantastic.... Le theme "Poseidon" est génial!!! Ainsi que "Claustrophobia".... Jolie travail!!

Carolina reply Replies: 0 || 2006-06-12 00:00:00
i love soundtrack from Poseidon!!!!! good job!!!!

Sarah reply Replies: 0 || 2006-06-11 00:00:00
i like track 1..hehe :D

Jonathan reply Replies: 0 || 2006-06-04 00:00:00
The score is even better than the movie! I like the major "Poseidon" Theme, and also "The Wave", wich is a fantastic action cue. You can always Recognise the main theme, and that is what I think, as a small director, that a score for an adventure movie must have!

Well done, Klaus!

sajad davodi reply Replies: 0 || 2006-05-26 00:00:00
like always was great and speacial at all

Levente reply Replies: 0 || 2006-05-25 00:00:00
Tipical MV score, but it is a good listen. Track 5 is great, highlight of the album. It is **1/2 from *****, because of the songs.

ZED reply Replies: 0 || 2006-05-25 00:00:00
So dissapointing... The main theme is so cheesey! After hearing The Promise i was ready to give Badelt another go but once again he has written a boring, uninspired, unoriginal score. I feel that Badelt lacks his own style and sound and in my opinion his only 2 very good original scores are Time Machine and The Promise. K19 was a ripp off of Gladiator almost note for note and Pirates was a ripp off of all of Zimmer's realy action riffs(so i didnt mind the score). Equilibrium was a total ripp off of MI2 and well this score just sux. I want my money back :( P.S. Thank god Zimmer is doing Pirates 2!

Saul reply Replies: 0 || 2006-05-24 00:00:00
Is it a law that when you come out of the Zimmer school that you have write the same score for every movie. Maybe you should listen to some other more modern scores and maybe think about a different approach to writing to picture.... Harry is the only one that has a modern voice....

jason reply Replies: 0 || 2006-05-20 00:00:00
i wan the track no 1 song where can i get it?

zimmer reply Replies: 0 || 2006-05-10 00:00:00
that sucks..

Manulder reply Replies: 0 || 2006-05-09 00:00:00
very good score by badelt

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Poseidon soundtrack - Klaus Badelt 2006