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I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...
Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
<br>
<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.
And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:
I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.
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Additional Music - Conductor - OrchestratorMusic Scoring Mixer
James Newton HowardMel WessonBlake NeelyAlan Meyerson
ComposerAdditional MusicOrchestratorMusic Scoring Mixer
King Kong
Label: Decca Records
Length: 74'27
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6622 votes)
  1. King Kong (1:09)
  2. A Fateful Meeting (4:16)
  3. Defeat Is Always Momantary (2:48)
  4. It's In The Subtext (3:19)
  5. Two Grand (2:34)
  6. The Venture Departs (4:03)
  7. Last Blank Space On the Map (4:43)
  8. It's Deserted (7:08)
  9. Something Monstrous... Neither Beast Nor Man (2:38)
  10. Head Towards The Animals (2:48)
  11. Beautiful (4:08)
  12. Tooth And Claw (6:17)
  13. That's All There Is... (3:26)
  14. Captured (2:25)
  15. Central Park (4:36)
  16. The Empire State Building (2:36)
  17. Beauty Killed The Beast I (1:59)
  18. Beauty Killed The Beast II (2:22)
  19. Beauty Killed the beast III (2:14)
  20. Beauty Killed The Beast IV (4:45)
  21. Beauty Killed The Beast V (4:13)
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Anonymous reply Replies: 5 || 2011-09-18 05:01:34
Can anyone please tell me what ever happened to the rejected score by Howard Shore? Is that anywhere? I could of swore I read something about him releasing it.


papapalpatine772011-09-18 06:08:15
Yes, I too would like to know what happened to it


Anonymous2011-09-18 07:22:51
I would be nice if someone had the tracklist of it and that leaked. Compare the difference between scores.


Anonymous2011-09-18 07:23:18
*It would be nice* I meant---typo.


John2011-10-22 03:20:19
I don't know if that will leak? But if it does, that'll make my day!!!


Scorefan2018-04-19 01:50:01
There's a video on YouTube. The video shows Howard Shore writing and conducting the music for the orchestra. The video also shows Howard Shore and Peter Jackson talking about the score. After that, Peter Jackson rejected the score writing one statement about that saying Howard and he discuss about the music many times, Howard recorded many cues but in the process Peter he wasn΄t satisfied about the music. That thing created many discussions, they could not agree in terms of music so Peter fired Howard after that saying he prefered keep Howard as a friend. And then the hobbit came and the rest, well, the relation was not the same.

So there's like 50 to 70% percent of the music recorded by Howard Shore. He didn't finish the recordings, so, yes, there's a rejected score recorded. And then, James came aboard.

Dakota reply Replies: 46 || 2011-02-18 00:00:00
Does anyone know if there is an expanded or complete of this? Not looking for it, just wondering. 74 minutes of music for a 3 hr movie......


Anonymous2011-05-08 21:44:13
There is a recording session leaked somewhere. Idk where.



John 2011-05-12 23:33:14
Is there going to be a leak of the Complete Score to this? Like the 104 track recording sessions? I'm very interested in very the extended tracks and hearing more of the score.


Dakota2011-05-13 08:38:58
Me too. I was on a blog earlier today that had Graeme Revell's suggested cues and Howard Shore's rejected score. Those 2 are the only other materials I have ever seen of King Kong.


Trent Easton Navarro2011-05-13 15:22:40
That Howard Shore King Kong score that is floating around is a fake. It's actually a John Frizzell score (can't remember for which film though)

But JNH wrote a wonderful score for this. Hope that one day we'll find an expanded release.


Dakota2011-05-13 23:23:18
Expanded? Hell, I want the 104-track recording sessions. Almost more than Batman Begins, being that there is at least an expanded of that. Even though it's kinda crappy, one still exists. But yeah, I would love to have this complete.


John 2011-05-13 23:24:10
A Complete Score release like we got for BB & TDK would be AWESOME!


Dakota2011-05-13 23:27:20
Right? Tell me about it........


John 2011-05-14 01:24:57
I think the Kong Score by JNH deserves a complete release b/c of all the work he put into it within a 5-week schedule. I'm very curious of hearing more music than what is on the OST.


Anonymous2011-05-14 01:26:53

01. 1M1 King Kong MT
02. 1M1 King Kong MT alt
03. 1M1S Song lntro
04. 1M2 Ann & Manny
05. 1M3 Ann & Weston
06. 1M4 Viewing Footage
07. 1M5 The Map
08. 1M6 Carl Steals Footage
09. 1M6 Carl Steals Footage TK 11
10. 1M6 Carl Steals Footage TK 14
11. 1M6 Carl Steals Footage TK 25
12. 1 M7 Carl Finds Ann
13. 2M1 Carl Convinces Ann
14. 2M2 Venture
15. 2M2V6ALT Venture
16. 2M2V7 Venture
17. 2M4 Delaying Jack
16. 2M4A Predelaying Jack
19. 2M5 Boat Leaves Harbour
20. 2M6A Bruce Hangs Poster
21. 2M6B Jimmy
22. 2M7 Ann Rehearses in Mirror
23. 2M6A Ann Meets Jack
24. 2M6B Bruce & Jimmy
25. 2M9 Jimmy 0verhears
26. 2M10 Filming on the Boat
27. 2M10 TK 279 Filming on the Boat
28. 2M10 TK 281 Filming on the Boat
29. 3M1 The Crew is Nervous
30. 3M2 Montage
31. 3M3 There Are No Stars
32. 3M4 Wall
33. 3M5A Breach
34. 3M5B Skull lsland
35. 3M5BALT Skull lsland
36. 3M5BALT2 Skull lsland
37. 3M6 The Village
38. 4M1 The Natives
39. 4M2 The Fight
40. 4M3A Saved By The Crew
41. 4M3B Ann is Kidnapped
42. 4M4 Sacrifice pt1
43. 4M5 Arming the Crew
44. 4M6 Sacrifice pt2
45. 4M7 Kong Appears
46. 4M6 Trek to Save Ann
47. 4M9 Kong Buns
48 4M10 Crew in Boneyard
49. 5M1 Footprint
50. 5M2 Stampede
51. 5M3 Baptors
52. 5M4 Heroes Don't Look Like Me
53. 5M5ATK676 Ann Tries to Escape
54. 5M5AV16 Ann Tries to Escape
55. 5M5AV18 Ann Tries to Escape
56. 5M5B Buins
57. 5M6 Crew Finds Kong-Log
57. 5M8 Crew Finds Kong-Log
58. 8M1 Lizards
59. 8M2 T Bex & Ann
60. 8M3 T Bex & Kong Fight
61. 8M4 Vines
62. 8M5 Jawbreaker
63. 8M8 Dead Crew Members
64. 8M7 Beautiful
65. 7M1 Carl Gets Idea
66. 7M3 In Kongs Arms
67. 7M4 Jack in Graveyard
68. 7M5 Kong Awakes-Bats
69. 7M8 Chases Ann & Jack
70. 7M8A Ann Walks Thru the Gate
71. 7M7A Now
72. 7M7B To the Boats
73. 7M8 Chloroform
74. 7M8 Theater
75. 7M8A You're Writing a Comedy
78. 7M10V3 Jack Fieflects
77. 7M10V4 Jack Fieflects
78. 8M1 Beauty Stayed His Hand
79. 8M1ALT Beauty Stayed His Hand
80. 8M3 Kong Sees Jack
81. 8M4 Kong Chases Jack
82. 8M5 Macy's half strgs
83. 8M5 Macy's smaII
84. 8M8 Army Attacks
85. 8M7 Climbs Empire State BIdg
86. 8MS1 Steiner V1
87. 8MS1 Steiner V2
88. 8MS1 Steiner V3
89. 8MS1 Steiner V4
90. 8MS2 Steiner
91. 8MS3 Steiner
92. 8MS4 Steiner
93. 8MS5 Steiner
94. 8MS6 Steiner
95. 8MS8 Steiner
96. 8M1 PIanes
97. 8M2 2nd Attack
98. 8M3A Jack Enters BuiIding
99. 8M3B 3rd Attack
100. 9M3Balt 3rd Attack
101. 9M4BlG Beauty Killed the Beast
102. 9M4NWW Beauty Killed the Beast
103. 9M4W-WW Beauty Killed the Beast
104. EC Steiner Fanfare
JNH Kong Thank you speech


J2011-06-02 23:34:05
Would we be getting a complete release of this? Just curious since we got other complete scores this year so far.


Dakota2011-06-02 23:41:20
I certainly hope so......


J2011-06-03 05:51:24
Keeping fingers crossed for a possibility.


John 2011-06-06 01:50:00
Cant' believe JNH did all this in 7 weeks, geez.


Anonymous2011-06-13 05:09:57
If this does leak will it include the fake music James Newton Howard composed on the computer like the mock-ups? This is huge!


R.J2011-06-24 03:15:35
Whoa! Is this real? Where did you get the tracklist? Is this going to leak anytime soon?


Anonymous2011-06-26 15:00:44
R.J.

For the moment only for exclusive rings... as many other stuff..sometimes some stuff leaks to us poor mortals...

These people are like that... They like to be unique...


R.J2011-06-26 18:31:50
O.k. This is something would be awesome to leak though, heck I'd rather have this than Batman Begins Rec. Sessions. Really interested in hearing the rest of the work JNH did on this.


Annoymous2011-08-16 01:38:07
I could upload a few samples of the recording sessions. (Not entire tracks), just a few short samples if anyone wants me to.


Cabok2011-08-16 01:56:16
So, you have complete recording sessions by JNH?


Anonymous2011-08-16 02:09:15
Yes, I do have them, but I am not authorized to leak them out to the whole world or anything like that. I figured just a few short samples on youtube wouldn't hurt too much.


Anonymous2011-08-16 03:02:16
On second thought, I changed my mind about the samples. I don't want to get in any trouble. It probably will leak eventually.


Anon2011-08-16 04:12:57
Will you guys stop catereing to this faggot?


Areozz2011-08-16 05:03:35
Hey, Anonymous, that sounds like a pretty big dick move. Thanks for getting everyone's hopes up and then crushing them without anyone even getting a chance to post between your two statements.

I can't decide if you're better or worse than Mr. Jones, considering we don't even have a name for you...oh, wait, you're probably worse since you said you'd upload samples and then you said you wouldn't.

FACE!


Anonymous2011-08-16 05:14:17
Alright,alright...fine then.. I will upload the samples on youtube tonight. Just pick a few tracks. Note: I can only put samples not whole tracks.


Anon2011-08-16 05:40:08
and who says Mr Jones aint the guy posting this crap?



Anonymous2011-08-16 06:19:26
Look...I apologize for backing in out at the last minute. If you were in my situation you would do the same. And I don't even know who Mr. Jones is or what problems you have had with him in the past...I just got on here. Anyway here are 3 tracks sample tracks from the sessions. I can't really remember what what is on OST, but hopefully these are not. These are tracks 11,12 and 37. I can't submit the youtube links so here is the end parts. Just copy the first part of a regular youtube video up to the part where it says "watch" and them copy and paste these ends on the end of it.

?v=fbN4A2jIM6A

?v=ilT1anznY88

?v=md3Yph31Xz4




Cabok2011-08-16 13:29:04
This all could be on the OST. Can you post a sample of music when they're battling bugs in the pit


Anon2011-08-16 13:42:03
This guy is full of crap. All of those sampes are directly from the OST. If you really wanted to prove yourself true, knowing the score to King Kong, then you should have the decency of posting tracks of parts of the score you KNOW are not on the OST. Like: 81. 8M4 Kong Chases Jack. a winner in dI think anybody who knows the movie and score can tell you right now this piece of music is not on the OST in ANY form, is mostly percussion and proof enough.

You did not post ANYTHING original, so I believe you to be a liar, Mr Jones.


Anonymous2011-08-16 14:17:51
I will try to post a little bit of the part the where they battle the bugs(Cabok). And I will post a little bit of (track 81). And Anon, I already said in my last post that I can't remember all what is on the OST. And I am not Mr. Jones. You could at least give me a chance. Anyway, I will try to have those two sample tracks up on youtube sometime today.


Areozz2011-08-16 15:25:44
This is HI-larious for Anonymous to have claimed he doesn't know what's on the OST and then he just happened to post three tracks that were on the OST. Out of 104 cues, what are the odds?

However, I have to say this guy is worse than Mr. Jones. At least Mr. Jones posted proof of something bigger out there.


Anon2011-08-16 15:59:19
Im sorry but post the track I mentioned or stop coming in here...Simple as that.

KONG CHASES JACK.

That will prove it.


Anonymous2011-08-16 18:48:28
Track 12. 1 M7 Carl Finds Ann
is not on the OST...


Anonymous2011-08-16 19:02:22
The two tracks as promised have been posted. Concerning the Ost, I haven't listened to the Ost in months so how am I supposed to remember whats in on the OST? Anyway, here are the links and the proof. If you don't want me to come back I won't. I was trying my best to be nice and show proof, and I keep getting insulted. As much music that is on this, I think(over 3 hours) how in the world am I suppose to remember all this stuff?
Any way here are the links I promised. Goodbye.

?v=bN91yuV2frs
?v=Q_pgBpyICFk


Cabok2011-08-16 19:06:42
This guy is clearly legit. He posted both tracks that we requested (those can be found on his account following above links), "Kong chases Jack" containing mainly percussion hits and "Dead Crew Members" containing eerie vocals and horrorish music-sound effects.
Thanks you Anonymous, and may I ask if we could expect the complete score leak either from you or somebody else soon?


Anonymous2011-08-16 19:19:40
Thanks !!
Great samples !!


Anon2011-08-16 20:05:43
That proves it. Thank you and I apologize, but people around here have been getting scammed left and right with people claiming to have things and they dont. It's very disconcerting. You understand. Thanks again for posting my request.


Areozz2011-08-16 20:15:41
Ah, thanks for providing us with proof now, Anonymous. We can believe you now, and you are welcome to hang around.


Hybrid Soldier2011-08-16 20:39:37
Next time, "anonymous", stay the hell away from here, would you ?


Takehiro2011-08-16 22:42:21
What does posting samples prove anyway? Everyone on here knows it has leaked in so much that certain people have it. And a person posts samples - woohoo, so what? It does not change anything. So someone wants to show off they have something rare? Big deal.


Anon2011-08-16 22:48:15
^This

Get a full score and come back to me, since Im not the only person thinking this stuff....

and yeah youre right i shouldnt come back at all...what the hell do i care? Get scammed for the third time!


Smith2011-08-24 00:13:08
hey guys, it has been leaked today. enjoy it :)


John 2011-08-24 05:33:47
Hey!! This got sfx in it. Wut is this a DVD rip? Where is the REAL thing??


Anonymous2011-08-24 05:57:15
Will there be a more legit version without sfx in it? It's not the recording seesions unless the music is clean without sfx. This is more of a DVD rip. It's a start. Would like to have the real deal.


cheesy2011-08-24 06:00:17
sigh.

This IS the real deal. The SFX you're talking about are intended sound effects by James Newton Howard. If you listen closely, those SFX aren't even in the movie at all.


Anonymous2011-08-24 06:16:19
OH! okay then!!!


John2011-08-24 06:27:34
Nevermind my comment, the one I heard was by some guy who added false sfx in it, I got the real deal!!!! Thanks for uploading this!!!

Papapalpatine77 reply Replies: 0 || 2011-08-24 04:02:54
Gee, I wonder....now that this has leaked maybe a certain staff member will officially add it to the site. Because where it is, everyone and their mother can download it. We now KNOW it's legit. Just wondering...

Anonymous reply Replies: 0 || 2011-08-10 18:29:06
Will we ever be getting the rejected score by Howard Shore at all? I remember reading something about them releasing it, but haven't seen any progress on it for years. Is the complete leaking at all? Curious.

Anonymous reply Replies: 1 || 2011-05-15 19:11:43

Anonymous where did you get that info about the rec sessions?


Anonymous2011-05-16 08:06:27
I don't know the person I asked about it on the BB Complete Score page and he posted the list of the tracks.

Dakota reply Replies: 0 || 2011-01-12 00:00:00
I absolutely LOVE Central Park. It's one of the best pieces of music my ears have ever come across

tomPoland reply Replies: 0 || 2010-08-10 00:00:00
Keep in mind this was done in about 6 weeks. 160 minutes of music. IMO one of the Howards best - especially love theme.

Enrico reply Replies: 0 || 2010-02-08 00:00:00
WONDERFUL!!!

matthew reply Replies: 0 || 2009-12-30 00:00:00
I don't know which score is his best score. but what I do know when I heard Tooth and Claw in cinema that was a really unique experience for me.

hale reply Replies: 0 || 2009-12-29 00:00:00
HZ.com are objective. The score by JNH is good but not the best that JNH could do!

matthew reply Replies: 0 || 2009-12-29 00:00:00
8/10? ohhh
so you don't like James Newton Howard... or the movie.

DemonStar reply Replies: 0 || 2008-06-29 00:00:00
A very beautiful score by JNH which has swiftly entered my Top 10 Scores list. Though quite a few good moments are missing, this is definitely a good release.

Hybrid Soldier reply Replies: 0 || 2007-08-07 00:00:00
Yeah, JNH could be like Rabin, a non-RC which always works with the RC Team lol...

Falconet reply Replies: 0 || 2007-08-07 00:00:00
Why in this web site doesn't appear James Newton Howard's "The Lookout", it was ecorded at Remote Control Studios,and Clay Duncan and Mel Wesson made addittional music!
Regard ! :-)

Falconet reply Replies: 0 || 2007-07-17 00:00:00
Spettacular Score :-)

Mikel Carmona S.i.W reply Replies: 0 || 2006-04-30 00:00:00
Congratulatinos James!!! I love your score for King Kong, PRECIOUS and BEAUTIFUL. the track 15 ( central-park) is, for me, the best of the cd. GREAT GREAT GREAT!!!

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King Kong soundtrack - James Newton Howard 2005